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USWNT Stars Tobin Heath And Christen Press Are Reframing How We Talk About Women’s Sports With Their RE—CAP Show

USWNT stars Christen Press and Tobin Heath are changing the game when it comes to women’s soccer this summer … they’re just doing it from the studio, not the pitch.

The two-time World Cup champions missed out on making the national team’s roster for the 2023 FIFA World Cup due to injuries and frustrating setbacks on their respective roads to recovery. Press had to undergo an unexpected fourth ACL repair procedure just weeks before the tournament kicked off, while Heath has been nursing her own knee injury, one she suffered in the fall of 2022 with OL Reign. Resigned to watching their teammates vie for a record-breaking third Women’s World Cup in a row from their home in Los Angeles, the pair decided to turn being sidelined into a side hustle that could fill a void in how women’s soccer is covered by the big broadcasters.

Enter The RE—CAP Show, a digital talk series hosted on YouTube that stems from the new media division of RE—INC, the lifestyle brand they founded alongside fellow USWNT champions Meghan Klingenberg and Megan Rapinoe. Press and Heath steer the conversation in each episode, recapping World Cup games before inviting heavyweights in the world of women’s football to share their unique insights and thoughtful analysis. They’ve welcomed everyone from former USWNT coach Jill Ellis and renowned performance director and sports scientist Dawn Scott to players fresh off of (and sometimes still competing in) the 2023 FIFA World Cup like New Zealand captain Ali Riley and Sweden midfielder Kosovare Asllani, engaging in candid conversations about the state of the women’s game while giving the kind of unfiltered access fans won’t find on network TV.

Both Press and Heath label their experiment in women’s sports coverage as an antidote to the “bro culture” that pervades broadcasting panels and traditional sports media brands. Their “Gal Culture” umbrella is less focused on generating controversy-stirring soundbites and surface-level analysis — instead, they’re more interested in highlighting the player’s perspective, diving into the issues surrounding the game that inevitably affect performance on the field, amplifying the voices of female athletes, and yes, offering constructive criticism from a lived-experience when necessary. As Press tells UPROXX, there’s more than one way to “create change within the sport,” and the duo’s putting that theory to practice with their new series.

Below, we spoke with Heath and Press about the USWNT’s disappointing World Cup run, the future of women’s soccer, and creating new stories in the world of women’s sports.

You’ve talked about starting the RE—CAP show because a lot of the major broadcasters had an opportunity to cover women’s sports differently and they just didn’t take it. What is it that you were seeing — or maybe not seeing — that galvanized you?

Tobin Heath: It’s not just in traditional sports broadcast — in all of sports media, we didn’t see ourselves. We didn’t see our teammates, we didn’t see the stories of what makes a female athlete unique, what our lives look like outside the sport. We felt very … not even misrepresented, we just didn’t feel represented. We’re asked to do content all the time for other people. We’re being pushed through other people’s lenses. We’re answering their questions, we’re coming through their perspectives. Our traditional media landscape, obviously it’s been created by men because men’s sports was our introduction to sports.

Look, every single sport I learned, I learned through the lens of a man playing it or a man teaching me to play it. And that no longer is the case. We see female coaches, we see female role models, we see female athletes who are inspiring and incredible, and no longer does our sports landscape have to be dominated by men or the idea of what men think a female athlete should be. All of a sudden we have opportunities to build new structures, tell our own stories, be inspired by people who look and sound like us, learn the sport from people who look and sound like us. And that is why we really believe this content is so important.

What sets the RE—CAP show apart from those traditional forms of media and what’s the reaction to it been like?

Christen Press: Pretty much every single thing I’ve done in my life, in football, and for RE—INC, I’ve always set such high goals that they’re almost unachievable. But in the case of the RE—CAP show we did exceed expectations. And we’re super excited. The reception’s just been phenomenal. I think it’s really meaningful that people are tuning in, that people are watching.

It’s a long show. We’re intentional about going in-depth and people are loving the content and they’re understanding the nuance and sophistication of sitting down and really talking about football and really talking about issues. And I think the reception from our teammates has been phenomenal. That’s probably been the most validating part. And also from other media folks who are acknowledging that this is an important part of the media infrastructure that has been long overlooked.

You’ve been very candid in your analysis of the USWNT’s performance at the World Cup. What went wrong there?

TH: We’ve been spoiled as U.S. women’s national team fans for the last two decades. Now we’re seeing the rise of not just a U.S. women’s national team fan, but of a global football fan, which I think is pretty cool. But I want to reiterate we always say that you gain so much experience as a U.S. women’s national team player from world championships, but it’s like, if you lose in the round of 16, did you really gain that experience? And for so many of these players, that was their first taste of what a World Cup is like.

So it begs the question, did you get that experience in the tank? Because the tournament looks very different in a quarterfinal, in a semifinal, in a final. Does just showing up and just barely getting out of group [count]? So there’s that question, and then the question of, what does the future of the U.S. women’s national team look like? Where do we go from here?

What’s the answer?

TH: Everyone has an opinion right now and I feel like there’s this savior complex going on. Like, “Oh, well, I’ll do it,” type of thing. And I don’t really believe that this is a one-person job. I truly believe that we don’t need a savior, we need a strategy. We need a whole federation that knows how to execute a strategy on where we go from here, is confident in the plan and confident in the people that they appoint to execute the plan.

On the show, you’ve talked about having this intangible motivation, something that brings the team together. Looking at the teams that are left in this tournament, who has the most to fight for?

CP: Obviously Spain is in a really tricky situation, having tremendous success this World Cup, having a tremendous amount of issues with their federation and the respect that they’re receiving from their federation on issues that they’ve raised. From my perspective, it’s really hard to know if that’s really unifying or if that’s been a source of tension in camp. I don’t know. I don’t have that insight. What we found when we were fighting with our federation for respect and pay equity was that the more we won, the more our country got behind us and the louder that voice became.

So my call is for every single fan of the Spanish women’s national team to be loud and amplify those players’ messages because the federation needs people to show up and watch those games. And the voices of the fans really do matter — they played an instrumental role in our pay equity lawsuit and ultimate settlement. I hope with the players, knowing that, feeling that, it can be a unifying force behind all of them.

And then there’s always the thought — do fans of men’s sports have to think about these things? Do they have to weigh supporting players versus supporting a federation and what that support does to the athletes whose voices have been silenced?

TH: It’s complicated and this is actually a big part of Gal Culture, and what I think we wanted our content to be born out of which is this idea that women’s sports, it’s not just about sports. These are issues that we deal with as part of our sport. Highlighting these issues, talking about them, showing that it’s not just one story, showing that it’s a collective, is really important because this also isn’t just about athletes. This is about women.

CP: If I think about 2019, the same conflicting feeling could have been felt from our fans. We were saying that we weren’t being paid to our value. And our fans, when they show up to the games and they turn on the TV, they’re supporting the federation in terms of ticket sales and the monetization of the sport. But what our fans did that was so incredible was amplify the message. And so that’s why I just keep going back to that: The players shouldn’t have to say twice that they’re in an unhealthy environment.

The players should be respected when it comes to raising concerns. Those allegations have to be taken incredibly seriously. In life and in sport there’s never going to be a world where two things can’t be true at the same time. The success of the team, I think, can be turned into a real movement for these players if everybody is able to amplify their message.

One of RE—CAP’s greatest strengths is its guest lineup. How have you been able to get players in this tournament to log on for chats?

CP: Well, we’re doing two different things. I think we’re looking for guests who have important stories that need to be shared in person. So we brought on experts like Jill [Ellis] who’ve been in the game so long, Dawn Scott, absolutely top of her field, bringing in people that we want to tell their longer-form stories as players. And then we have our Zoom guests, who are opening up the discussion to a global level. Which was actually not a planned part of the show, but just became so important, especially when we knew all of our teammates and international friends were watching and following along and excited to be a part of it.

It’s been fantastic. We talk a lot on the show about Gal Culture and the people that have shown up for us doing this show, it’s really warmed our hearts that people playing in a World Cup like Asllani would jump on a Zoom from the airport to support us. One of the most beautiful things about the women’s soccer community is how it is a collective that transcends your country. Players have come together to fight for change, everybody’s fighting for each other. That’s what I think the amazing lineup of guests has reflected.

Tobin, are you aware that fans have put your name in the ring for the USWNT coaching job? They wanted to fly you down to Australia for the group-stage matches at one point.

CP: [laughs] If only it was so simple.

TH: I mean, look, I am passionate about the game. It’s a craft that I’ve dedicated my whole life to. But I think when it comes to coaching, I would hope that whoever gets the job has at least the same amount of experience, care, and dedication, that I’ve shown my entire career playing in that career of coaching. We’re talking about the best team in the world. They deserve the best coach in the world.

It’s also not like your playing days are over yet.

TH: No, definitely not. And if there was any motivation to get back on the pitch … I don’t think we’re lacking that at the moment.

This tournament has been so unpredictable and exciting, how do you think it’s going to advance the women’s game globally once it’s done?

TH: Every single World Cup you’re breaking records. It’s just the norm for women’s football, both domestically and internationally, now. I think the business of women’s sports is growing, it’s changing. It’s being developed, it’s being invested in, in many different revenue streams, monetization models. It’s really exciting. And I think it’s a miss for us with the U.S. women’s national team and with our domestic league whenever our team fails a little bit in a world championship. There’s a massive X-factor for our league if our national team is successful. And you only get that chance once every four years in terms of a World Cup.

Football is football. It’s really hard to win a World Cup even if you are the most prepared and have the best players. So I think when we look at our country and the landscape of the sport, I think that our growth as a domestic league can’t be dependent on the success of the U.S. women’s national team. We have to look at that as a structure that needs to be developed and nurtured and start working in tandem with the national team in order to make both a success.

So I would say for all of women’s sports, it’s a really, really exciting time, but I truly believe that independent structures that look and feel like us need to be built for us. Anytime you try to copy-paste what men’s sports is or does, you’re really diminishing the value of what women’s sports is.

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Leon Thomas’ New Album ‘Electric Dusk’: Everything To Know Including The Release Date, Tracklist, And More

Leon Thomas was first introduced to people as the actor who played Andre in the Nickelodeon hit TV shows Victorious and Sam & Cat. Even through those series, it was clear that Thomas was immensely talented. Over the years, he’s gone on to write and produce songs for some of the industry’s biggest names like Ariana Grande, Drake, Rick Ross, Kehlani, and more. Now, the spotlight is on him as he prepares to release his debut album Electric Dusk. The project is one that Thomas has been working on for some time. Uproxx was even able to catch up with him in 2022 in an interview to talk about the project. Now, Electric Dusk is just hours from coming out so here’s everything you need to know about it.

Release Date

Electric Dusk is be released on August 18 via EZMNY Records and Motown Records. It will be Thomas’ official debut album and follow-up to his 2018 project Genesis. You can pre-save it here.

Tracklist

You can view the tracklist for Electric Dusk below.

1. “Slow Down”
2. “X-Rated” Feat. Benny The Butcher
3. “Blue Hundreds”
4. “Love Jones” Feat. Ty Dolla Sign
5. “Sneak”
6. “My Will”
7. “Breaking Point”
8. “Crash & Burn
9. “Fade To Black”
10. “Socialite”
11. “Treasure In The Hills”
12.”Breaking Point (Remix)” Feat. Victoria Monét

Features

Through the 12 songs on Electric Dusk, Leon Thomas recruits features from Benny Butcher, Ty Dolla Sign, and Victoria Monét. Benny The Butcher appears on the album’s lead single, “X-Rated” while Ty Dolla Sign, who created the EZMNY Records imprint that Thomas is signed to, is featured on “Love Jones.” Lastly, Victoria Monét contributed to a remix of “Breaking Point,” a stand-out single from the album.

Singles

The singles from Electric Dusk are “X-Rated” with Benny The Butcher, “Love Jones” with Ty Dolla Sign, “Breaking Point,” “Crash & Burn“, and “Breaking Point (Remix)” with Victoria Monét.

Artwork

The artwork for Electric Dusk can be seen below.

Tour

Leon Thomas, as well as rapper Symba, will join Ty Dolla Sign as openers for his More Motion Less Emotion Tour which kicks off on September 15 and continues through October 27. You can view the full list of dates for the tour here.

Ty Dolla Sign is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Here Is Brandi Carlile’s ‘Summer Carnival Tour’ Setlist

Pink’s Summer Carnival Tour features iconic openers to supplement Pink’s own legendary status. Brandi Carlile, Pat Benatar, Neil Giraldo, Grouplove, and KidCutUp are alternating opening duties for the North American trek.

Grouplove and KidCutUp are opening on all of the dates, but Carlile was present for opening night on July 24 at the Rogers Centre in Toronto. On July 26 in Cincinnati, Ohio, Carlile and Pink performed a cover of “Nothing Compares 2 U” as a tribute to Sinéad O’Connor, who died at 56 years old earlier that day.

Carlile opened at Citi Field in New York, New York on August 3, PNC Park in Pittsburgh, Pennsylvania on August 5, and Comerica Park in Detroit, Michigan on August 16. She will open for 10 more shows between August 19 and October 9. See all of the remaining dates here.

As chronicled by setlist.fm, there have been slight variations to Carlile’s setlist. The Toronto, Pittsburgh, and New York shows included a cover of Joni Mitchell’s “Woodstock,” while fans in Cincinnati were treated to a different Mitchell cover, “A Case Of You.”

Below is Carlile’s setlist from her most recent set in Detroit last night (August 16).

1. “Broken Horses
2. “You And Me On The Rock
3. “The Story
4. “Right On Time
5. “Creep” (Radiohead cover)
6. “The Eye”
7. “Sinners, Saints And Fools”
8. “The Joke

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Sexyy Red And Sukihana Bring Some ‘Hood Rats’ To The Country Club In Their Wild New Video

Sexyy Red‘s 2023 takeover continues as she recruits a fellow unapologetic Southern belle in Sukihana for her “Hood Rats” video. Donning their “sophistiratchet” best, the two rappers turn a country club upside down, twerking through a tea party, hunting for sugar daddies on the links, and sipping champagne on the green. By the time they’re through, the stodgy locals have adopted their ways, trading in Earl Grey for Olde English and tea cakes for fried chicken sandwiches.

After exploding into fame with her viral single “Pound Town,” Sexyy Red has become one of the hottest commodities in hip-hop today. She dropped her second mixtape, Hood Hottest Princess, which was led by the remix of “Pound Town,” “Pound Town 2” featuring Nicki Minaj and “SkeeYee.” She also teamed up with some of her peers a pair of posse cuts letting her expand her oeuvre, “Sheisty” with Finesse2Tymes and Kali, and the remix of “One Margarita” with That Chick Angel, FendiDa Rappa, and Flo Milli.

Meanwhile, Sukihana continues to be an underground icon, with AR The Mermaid dedicating a song to her on her debut EP, Watt We Doingg, and a growing fanbase among both her peers and mainstream listeners.

Watch the video for “Hood rats” above.

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Joe Rogan Floated A Wild Theory About Democrats Are Plotting To ‘Get Rid Of’ Biden By ‘Slowly’ Releasing ‘Stuff’

After experiencing a brief moment of reason on account of the Barbie movie, Joe Rogan is back to openly peddling conspiracy theories. This time around, Rogan is accusing Democrats of concocting a secret plot to get Joe Biden off the 2024 ticket by slowly releasing evidence of his “corruption.” The “corruption” that Rogan is talking about is, of course, the ongoing Republican investigations into Hunter Biden’s business dealings.

“I’m an armchair conspiracy theorist, but if I had to guess, I would say that all this stuff that’s coming out slowly but surely about Biden is on purpose. They want to get rid of him,” Rogan said via Mediaite. “I think he wants to run again. And I don’t think the Democrats think that he can win. I think they’re right. And I think they’re going to slowly but surely expose more of these like very clear pieces of evidence of corruption.”

Where Rogan’s theory falls apart is the fact that President Biden has yet to be implicated in Hunter’s foreign deals. In fact, the Republican’s latest witness, Devon Archer, testified that Biden never talked business with his son. So much for “very clear pieces of evidence.”

If that wasn’t enough to deflate Rogan’s theory, the podcaster later admitted that Biden can beat Trump again, which eliminates the need for the Democrats to “get rid of him.”

“The only way Biden’s going to win again is ‘Never Trump,’” Rogan said. “These ‘Never Trump’ people. There are people that will vote for a f*cking box of hammers before they would vote for Trump. And that’s a real segment of our population. I don’t know what percentages, but it’s probably fairly high.”

(Via Mediaite)

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Jean Dawson Shares ‘DESTRUCTION FOR DUMMIES,’ PT. 2 JEAN DAWSON AS ‘NIGHTMARE’ From His Trilogy

In May, Jean Dawson followed up Chaos Now* with the first installment of a trilogy called XCAPE, which included songs “youth+” and “delusional world champion.” The second part is of the trilogy is out now, titled “DESTRUCTION FOR DUMMIES,” PT. 2 JEAN DAWSON AS “NIGHTMARE,” containing dynamic tracks “NO SCOPE,” “X-RAY,” and “VEXED.”

The music is atmospheric, with “VEXED” finding the eclectic musician in an introspective flow: “I only sleep when I’m stressed / Smoking cigarettes throwing up / Putting off sh*t for fun / I don’t own nobody none,” he raps. Instead of going with his typically noisy sound, he finds power in a brooding, low-key ambiance that sheds more light on his dreamlike vocals.

“Phoenix is a boy on the fringe,” he explained previously about the trilogy. “He is described to write with the tenacity of Kurt Cobain and the subversive subjectivity of a David Bowie. Using himself as a mirror for whoever decides to look at him because he is a product of the world rather than a product of perceived individuality. He is a manifestation of misunderstanding unawareness. His ideas are flirtatious, asymmetric and brash outwardly contradicted by his own lack of personal identity. Phoenix is only as real as the listener listening.”

Listen to the new songs below.

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Selena Gomez Is ‘Single Soon’ On Her Upcoming Song, Which Will Be Her First Solo Record Of 2023

Selena Gomez’s 2022 was punctuated by her AppleTV+ documentary, My Mind & Me, and the promotional press cycle around it. Gomez told Rolling Stone that she’d written 24 songs for her next album and touched on the “My Mind & Me” single she released around the documentary.

“‘My Mind & Me’ is a little sad, but it’s also a really nice way of putting a button on the documentary part of life, and then it’ll just be fun stories of me living my life and going on dates and having conversations with myself,” Gomez told the publication. “I feel like it’s going be an album that’s like, ‘Oh, she’s not in that place anymore; she’s actually just living life.’”

Gomez similarly told Jimmy Fallon that she was “ready to have some fun” with her next batch of music. Well, we’ll soon get a sense of what she’s been talking about.

This morning, August 17, Gomez announced that she will release “Single Soon” on August 25. It will be released alongside a 7″ vinyl with “Single Soon” on the A-side and an instrumental version on the B-Side. Pre-order the vinyl here.

“Y’all have been asking for new music for a while. Since I’m not quite done with SG3, I wanted to put out a fun little song I wrote a while back that’s perfect for the end of summer. SINGLE SOON. August 25th. Presave it now,” Gomez captioned an Instagram carousel featuring the single artwork (shot by Hunter Moreno) and behind-the-scenes photos.

Per the press release, “Single Soon” was produced by Benny Blanco and Cashmere Cat.

Gomez’s last LP was Rare in 2020. The Grammy-nominated Revelación EP, her first Spanish project, arrived in 2021. Despite the gap in solo releases, Gomez has maintained a strong presence with “Calm Down,” a platinum-certified Afrobeats anthem with Rema, peaking at No. 3 on the Billboard Hot 100 and spending eight weeks at No. 1 on Billboard‘s Radio Songs chart.

Gomez is also currently starring in the third season of Hulu’s Only Murders In The Building, which has surprisingly sprung a potential hit from Meryl Streep.

See the “Single Soon” cover art below.

Selena Gomez cover art
Hunter Moreno

“Single Soon” is out 8/25 via Interscope Records. Find more information here.

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When Does Usher’s Las Vegas Residency End?

Usher’s Las Vegas residency has turned out to be quite eventful, but all good things must come to an end eventually. Today it was announced that Usher’s residency only has 12 more shows left. The newly announced final dates are:

November 2023: 3, 4, 7, 8, 10, 11, 22, 24, 25, 29
December 2023: 1, 2

My Way The Vegas Residency generated a flurry of headlines earlier this year when the star serenaded actress/singer Keke Palmer during a show in July. Internet personality Darius Jackson, aka Darius Daulton, the father of Palmer’s son, responded poorly, tweeting, “It’s the outfit tho.. you a mom.” Elaborating on his thoughts, he argued, “We live in a generation where a man of the family doesn’t want the wife & mother to his kids to showcase booty cheeks to please others & he gets told how much of a hater he is. This is my family & my representation. I have standards & morals to what I believe. I rest my case.”

Unfortunately for him, though, very few folks agreed with him, and Palmer — after apparently breaking up with him for the public embarrassment — poked fun at the incident multiple times. After creating merch addressing it, she teamed up with Usher in the video for “Boyfriend,” in which Usher sings, “Somеbody said that your boyfriend’s lookin’ for me / Oh, that’s cool, that’s cool / Well he should know I’m pretty easy to find / Just look for me wherever he sees you.”

Funnily enough, the whole situation seemed to put a stop to Usher’s serenades — at least, of his most famous guests. While Saweetie kept her cool during their session, Winnie Harlow straight up avoided him by hopping into her boyfriend’s lap. We’ll see if Usher’s show sparks anymore controversy before December 2.

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Do You Have To Watch ‘Power’ Before ‘Power Book IV: Force?’

On September 1, Power Book IV: Force will return to STARZ for its second season. The series is the third spin-off in the Power Universe following Power Book II: Ghost and Power Book III: Raising Kanan, and it presents Tommy Egan at the center of it. The events in Power Book IV: Force take place in Chicago after Tommy stops there temporarily en route to his original destination of California. Soon enough, Tommy finds himself in the middle of the city’s drug game with new partners and a goal of taking over the throne — regardless of who is in his way.

Do You Have To Watch Power Before Power Book IV: Force?

With the Power Universe set to begin a new season with the return of Power Book IV: Force next month, you may decide to pick this as a starting point if you have yet to indulge in the Power Universe. This wouldn’t be a bad decision as the spin-offs — Power Book II: Ghost, Power Book III: Raising Kanan, and Power Book IV: Force — are not connected to each. With that, you don’t have to watch one to understand the others. However, this isn’t the case with the original series Power.

Power is where we originally meet Tommy Egan who was a longtime business partner and friend of that show’s main character, James “Ghost” St. Patrick. It’s through this show’s six seasons that fans of the Power Universe understood the overall character that is Tommy. So without watching Power before Power Book IV: Force, there will be some context missing about Tommy Egan. You won’t fully understand why he moved from New York to Chicago, the origins of his relationship with Liliana and his mother, his up-and-down relationship with Ghost, the significance of his car, and so much more. Power Book IV: Force is watchable without this context, but it makes it so much more enjoyable with it.

‘Power Book IV: Force’ returns on September 1 on STARZ.

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Green Day Unveiled A Jam-Packed ‘Dookie 30th Anniversary Deluxe Edition,’ Including Dog Poop Bags

Green Day dropped Dookie in 1994, a decade before the Billie Joe Armstrong-led band unleashed the chart-topping American Idiot, which housed “Wake Me Up When September Ends.” All of which is to say, wake us up when September begins because Green Day is releasing Dookie 30th Anniversary Deluxe Edition on September 29. The album is available to pre-order here, and the accompanying capsule collection is available here.

Green Day had been teasing this announcement with nostalgic Instagram posts.

On Thursday morning, August 17, the band broke the news with another Instagram post. The lengthy caption can be read below:

“Sometimes you take a gamble and luck’s on your side. Back in the summer of ’93 Green Day went into the studio to record Dookie and had no idea what their destiny would be. They were young, rebellious, and absolutely scared sh*tless. There was no telling if they were about to prove everyone wrong or make the biggest mistake of their lives.

This year Dookie turns 30 and they’ve cracked open the vaults putting together an epic 30th Anniversary Super Deluxe version of the album that will be available as a 6-LP vinyl, 4-CD box set and up everywhere digitally.

The release features:

– the original album
– seventeen unreleased demos
– six studio outtakes (3 unreleased)
– Woodstock 1994
– Live in Barcelona 1994 (unreleased)

A limited version is available for pre-order now in the webstore along with the Dookie merch capsule collection. So go go go pre-order yours now – link in bio.

As a little treat for you, 10 4-track demos are also out everywhere TODAY, so go give ‘em a listen.”

Per press release, the Dookie 30th Anniversary Deluxe Edition vinyl box set comes with a roll of Dookie dog poop bags, five-button set, air freshener, postcard, bumper sticker, kiss-cut large magnet sheet, paper airplane, a poster of the altnerative Dookie album art, and more.

Dookie
Courtesy Of Green Day

See the full Dookie 30th Anniversary Deluxe Edition below.

Vinyl Box (6 LPs)
LP 1: Dookie
LP 2: Dookie Demos
LP 3: Dookie Outtakes
LP 4: Live At Woodstock (1994)
LP 5 & 6: Live In Barcelona (June 5 ’94)

CD Box (4 CDs)
CD 1: Dookie
CD 2: Dookie Demos & Outtakes
CD 3: Live At Woodstock (1994)
CD 4: Live In Barcelona (June 5 ’94)

Dookie
1. “Burnout”
2. “Having A Blast”
3. “Chump”
4. “Longview”
5. “Welcome To Paradise”
6. “Pulling Teeth”
7. “Basket Case”
8. “She”
9. “Sassafras Roots”
10. “When I Come Around”
11. “Coming Clean”
12. “Emenius Sleepus”
13. “In The End”
14. “F.O.D.”
15. “All By Myself”

Dookie 4-Track Demos
1. “Burnout”
2. “Chump”
3. “Pulling Teeth”
4. “Basket Case”
5. “She”
6. “Sassafras Roots”
7. “When I Come Around”
8. “In The End”
9. “F.O.D.”
10. “When It’s Time”

Dookie Cassette Demos
1. “When I Come Around”
2. “Basket Case”
3. “Longview”
4. “Burn Out”
5. “Haushinka”
6. “J.A.R.”
7. “Having A Blast”

Dookie Outtakes
1. “Christie Rd.”
2. “409 In Your Coffeemaker”
3. “J.A.R.”
4. “On The Wagon”
5. “Tired Of Waiting For You”
6. “Walking The Dog (Demo)”

Live At Woodstock (1994)
1. “Welcome To Paradise (Live)”
2. “One Of My Lies (Live)”
3. “Chump (Live)”
4. “Longview (Live)”
5. “Basket Case (Live)”
6. “When I Come Around (Live)”
7. “Burnout (Live)”
8. “F.O.D. (Live)”
9. “Paper Lanterns (Live)”
10. “Sh*t Show (Live)”

Live In Barcelona (June 5 ’94)
1. “Welcome To Paradise (Live)”
2. “One Of My Lies (Live)”
3. “Chump (Live)”
4. “Longview (Live)”
5. “Burnout (Live)”
6. “Only Of You (Live)”
7. “When I Come Around (Live)”
8. “2000 Light Years Away (Live)”
9. “Going To Pasalacqua (Live)”
10. “Knowledge (Live)”
11. “Basket Case (Live)”
12. “Paper Lanterns (Live)”
13. “Road To Acceptance”
14. “Dominated Love Slave (Live)”
15. “F.O.D. (Live)”
16. “Christie Rd. (Live)”
17. “Disappearing Boy (Live)”