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Killer Mike’s ‘Maynard Vignette’ Video Pays Homage To An Atlanta Icon With TI, JID, And Jacquees

Just about three months removed from the release of his sixth studio album Michael, Killer Mike has announced the impending release of a deluxe version of Michael alongside a new single, “Maynard Vignette.”

An ode to one of his heroes, former Atlanta mayor Maynard Jackson, “Maynard Vignette” features fellow A-Town rappers JID and T.I., along with singer Jacquees, as Mike reflects on the impact of Jackson’s tenure — and his own.

“I’m a young, Black Maynard, mama gospel singer / Daddy dope slanger, born from the anger,” he raps, while his collaborators also look back on the unlikelihood of their various successes.

Jackson’s success was also unlikely; as the 54th mayor of Atlanta, he was also the first Black mayor of Atlanta and of any major city in the South at a time when sentiments against Black folks in leadership were… let’s just say, “shaky.” He served from 1974 to 1982, then again from 1990 to 1994. His terms were marked by his commitment to public works projects and his work to improve race relations in and around Atlanta.

Mike just wrapped up his High And Holy Tour, while JID is working on multiple follow-ups to his album, The Forever Story. Watch the “Maynard Vignette” video above.

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How USA Basketball Can Address Its Big Man Problem For The 2024 Olympics

On Friday, USA Basketball was bounced out of the FIBA World Cup semifinals by Germany in a 113-111 shootout that saw the Americans unable to slow down the Germans at any level of the floor.

It was the second loss by Team USA, who dropped their last game of the second group stage to Lithuania, with both coming against opponents with big rosters that could punish them inside while also being capable shooters from long range. Size was always the concern for this USA Basketball roster, as they simply did not have much of an interior presence. Reigning DPOY Jaren Jackson Jr. was supposed to be the defensive anchor of this team, but against bigger teams his impact was muddled, particularly against Lithuania and Germany squads that deployed bigs capable of popping to the perimeter and drawing him out, leaving the rim unprotected given the lack of size throughout the rest of the USA roster. Beyond Jackson, the Americans played Bobby Portis and Paolo Banchero at center, with Walker Kessler — the lone true center on the roster — remaining glued to the bench.

With the 2024 Olympics right around the corner, USA Basketball clearly has work to do in figuring out how to construct their roster, particularly what to do at the center position where they figure to face an even stiffer test in Paris, as the likes of Nikola Jokic, Domantas Sabonis, and others who sat out the World Cup should be in the mix. The good news for Team USA is they also should have a deeper player pool to pick from for the Olympics than they do the World Cup, as the World Cup simply isn’t enough of a draw to get top American players to put extra miles on their bodies in the already short NBA offseason.

The Olympics is, though, and while we figure to see more familiar faces on next year’s roster in the backcourt and on the wing, center depth will likely remain the biggest concern. There are a few different options and directions for Team USA to potentially go in, but it all starts with having a more coherent roster building plan than what was shown for the World Cup.

Jackson Jr. is a tremendous defender, but is at his best as a roaming agent of chaos, blowing up opposing team’s actions with his length, quickness, and anticipation. He’s freed up to do that in Memphis by playing alongside Steven Adams, who is the anchor that grounds the Grizzlies defense, providing cover for Jackson to take risks because he mitigates the potential for disaster by being a capable rim protector himself and, maybe most importantly, being an elite rebounder to clean the glass when Jackson is away from the rim hounding perimeter players.

Team USA seemed to take none of that into account when building this roster, asking Jackson to slide into that center role with no one grounding the defense to allow him to wreak havoc in the way that makes him such a nightmare to play against. The result was a lot of defensive variance, as there were times Jackson was able to erase shots at the rim and engulf driving opponents with his length, but there were also times where he’d get drawn away from the rim and there was no one home when the ball got moved and a new attack started. Against big teams, they also had few answers on the glass, with Jackson not being a dominant rebounder as is, in part because of how often he switches and defends outside the paint.

Compounding those issues was the fact that they paired Jackson with an awful lot of mediocre perimeter defenders who didn’t have the size or abilities to take on a switching, havoc-inducing defense that you’d want to try and run if you are deploying Jackson as your main center. Their best offensive lineups featured Tyrese Haliburton and Austin Reaves, but those were fairly flammable defensively, particularly on switches where teams would happily post them up to great success.

The smaller Jalen Brunson faced similar issues in switches, and just generally the American side lacked the strength and size in the perimeter to handle some of the top teams. Simply put, there has to be a much more cohesive plan built around what bigs Team USA brings to Paris and how the guard play complements their skill set.

The one potential ace in the hole for USA Basketball is convincing Joel Embiid to play for them over France, as he has yet to make that decision and would, obviously, be the best center option available given he is the reigning NBA MVP. Embiid fixes an awful lot of Team USA’s problems, but he’s not a guarantee to be available for a couple of reasons. For one, he could choose to play for France and try and help the home side in Paris bounce back from the embarrassment of being knocked out in the first group stage at the World Cup. Beyond that, Embiid has to be coming out of the playoffs healthy enough to be able to play international ball, which is far from a guarantee for the Sixers star.

As such, they cannot put all their eggs in the Embiid basket. Beyond Embiid, the list of obvious answers for the Americans at the center position gets pretty short pretty quickly, and if any of those names can’t play for health reasons, age reasons, or don’t want to commit if they’re coming off of a deep playoff run, it could get very interesting.

Bam Adebayo and Anthony Davis would be at the top of the list for Steve Kerr and Grant Hill, and I would bet Adebayo, who won gold in the 2020 Olympics in Tokyo, will be on the roster. Davis, on the other hand, might not be particularly interested in adding wear and tear to his body, and also just generally isn’t particularly keen on playing the center position — there’s already a report he’d like to play less at the five this coming year in L.A.

Draymond Green also figures to get the call, as he was on the 2020 Tokyo squad as well and it’s possible both he and Steph Curry decide to suit up for their guy Steve Kerr. Green would bring an obvious fit for what Kerr wants to do and he and Adebayo would be one helluva versatile center rotation, albeit a touch of an undersized one.

Finding the traditional big man to eat up minutes against bigger teams is the real question if Embiid doesn’t go. Brook Lopez would be the ideal option, but beyond him it gets a bit dicey should he not feel healthy enough coming off of the playoffs to go. The best young American centers all tend to be more of JJJ types — very lean frames, with hyper athleticism and skill, but lacking a dominant physical presence. USA Basketball doesn’t need more players who can hit crossovers into pullup jumpers, they need more players who hit the buffet line and the glass. Kessler could maybe get the call again to fill that role, but given he didn’t touch the floor against teams dominating them with size in the World Cup, it’s hard to have much confidence in a year this staff will have the belief in him to throw him out there in the Olympics.

From there you have a bunch of guys that present the same problems. Chet Holmgren, Myles Turner, Nic Claxton, Evan Mobley, Jarrett Allen, and, of course, Jaren Jackson Jr. will all be in the potential player pool, and depending on what you want offensively (floor spacing, rim-running, screen setting) you can find someone you like and all are good rim protectors, but all are also undersized against the best international bigs.

If they can get commitments from three of Embiid, Adebayo, Green, Davis, and Lopez, this is all probably a moot point. However, as we know it’s not always a guarantee you get your top picks — JaVale McGee was the third center in Tokyo. With more veteran stars at the other positions, the issue at center is mitigated, but it is the one thing that can present real problems for Team USA on the international stage. There are so many teams that just have a ton of size to throw out there, and when those teams can combine that with shooting (as many of the best international teams can) the recipe is there to upset the Americans if they don’t have the answers inside.

All eyes will be on Embiid’s decision, whenever he makes it, and from there we’ll know where to set the panic meter going into Paris.

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Here Is Måneskin’s ‘Rush! World Tour’ Setlist

Italy’s beloved Måneskin are on the road. The polarizing group are known for controversial performances that fans adore, whether they’re topless at the VMAs or covering a classic Britney Spears hit.

The Rush! World Tour kicked off on September 3 in Germany, and they’ll be traveling over to North America later this month. The tour will hit Japan, Ireland, Australia, and several more countries as well before ending in December.

About performing topless at the VMAs, bassist Victoria De Angelis said in a pre-show interview, “I think it’s very important for us to share a message of freedom, generally. So just for everyone to be free to be themselves and express who they are […] and also to have more equality [between showing] a woman’s body and a man’s body.”

Check out their setlist from their first night of their tour in Germany, according to setlist.fm.

1. “Don’t Wanna Sleep”
2. “Gossip”
3. “Zitti E Buoni”
4. “Honey (Are U Coming?)”
5. “Supermodel”
6. “Coraline”
7. “Beggin’” (The Four Seasons cover)
8. “The Driver”
9. “For Your Love”
10. “Gasoline”
11. “If Not For You” (Acoustic)
12. “Timezone” (Acoustic)
13. “Formidable” (Stromae cover)
14. “I Wanna Be Your Slave”
15. “In Nome Del Padre”
16. “Mammamia”
17. “Bla Bla Bla”
18. “Kool Kids”
19. “The Loneliest” (encore)
20. “I Wanna Be Your Slave” (Reprise) (encore)

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‘Scream’ Creator Kevin Williamson Wants Neve Campbell Back In The Horror Franchise, But Only If She Gets Paid

Scream VI was the first Scream movie without Neve Campbell. And hopefully the only.

Kevin Williamson, who wrote the screenplay for Scream, Scream 2, and Scream 4, shared his thoughts on Campbell not returning for Scream VI after the actress declined a salary offer that she thought “did not equate to the value” she brought to the horror franchise.

“I know exactly where she’s coming from,” he said on the Happy Horror Time podcast, according to Variety. “I know her well. I love and adore her, and that’s what she did and it’s great for her. I love everyone involved with Scream and all I can say is pay her the money. Yes, you heard it, everyone. That’s what I would do. I would give her the money.” He added, “I’m sure there’s a number they can agree on that will make them both happy so hopefully one day they will figure that all out, and who knows. One day.”

Campbell, who plays Sidney Prescott in the meta-horror series, previously told People that the salary dispute would not be an issue if she was a man. “I honestly don’t believe that if I were a man and had done five installments of a huge blockbuster franchise over 25 years, that the number that I was offered would be the number that would be offered to a man,” she said. “And in my soul, I just couldn’t do that. I couldn’t walk on set feeling that — feeling undervalued and feeling the unfairness, or lack of fairness, around that.”

You can listen to the podcast with Williamson below.

(Via Variety)

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Busta Rhymes And Coi Leray Channel A Jay-Z Favorite In Their ‘Luxury Life’ Video

Busta Rhymes and Coi Leray already demonstrated impressive lyrical chemistry when he remixed her hit single “Players.” But that chemistry is even more advanced on “Luxury Life,” where the two rappers trade dynamic back-and-forth rhymes over a sample of The Whole Darn Family’s “Seven Minutes Of Funk.” In fact, it’s the very sample from Jay-Z’s second Reasonable Doubt single “Ain’t No N****” with Foxy Brown, which used a similar rhyme scheme. Busta and Coi even sing the hook in the same style, which was originally lifted from the Four Tops’ “Ain’t No Woman (Like The One I’ve Got).”

The video is similarly an ode to the ’90s, with Busta and Coi sticking up a diner in a visual homage to Pulp Fiction (a scene that gets referenced quite a lot in hip-hop, such as in Sleepy Brown and Outkast’s “I Can’t Wait” video), then battling it out in a dojo with references to The Matrix. There’s also a pull of Bruce Lee and Kareem Abdul-Jabbar’s fight scene from Game Of Death. Busta loves his movies, it’s nice to see him keep that trend going while passing the torch to the next generation.

So far, Busta’s last two videos have featured BIA (“Beach Ball“) and Coi Leray… can we get a Rah Digga reunion, too??

Watch Busta Rhymes’ “Luxury Life” video featuring Coi Leray above.

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Sarah Francis Jones Went Into Labor At Beyoncé’s ‘Renaissance’ Tour And Gave Birth To The Beyhive’s Youngest Member

When Beyoncé tells the world to stop, typically it does. However, that wasn’t the case for Hairspray actress Sarah Francis Jones. In fact, the excitement from the Grammy Award record holder’s final Renaissance World Tour stop in Inglewood led the actress to give birth to the Beyhive’s youngest member.

While attending the recording artist’s September 4 birthday performance at SoFi Stadium, Jones recorded herself having a grand ol’ time dancing and singing along but by the end of the night, the audience around her was a medical team as she was set to deliver her baby girl. During an interview with KTLA, the star revealed that initially, she thought the sharp aches she was experiencing when at the concert were false labor pains (medically referred to as Braxton Hicks).

“I said, ‘Something’s happening.’ Usually, I like to dance at the concert, and I was like, ‘OK, I need to sit down for a second,” said Jones.

But as the discomfort increased, Jones and her partner, Marcel Spears, knew it was time. “The biggest contractions happened during ‘Virgo’s Groove.’ As the concert went on, we were like, ‘I don’t know about this.’ By the time we got to the car into the parking lot, it was full-on intense,” Spears added.

Jones vlogged the experience on her official Instagram page. In the video, as she participated in the ‘Eerbody On Mute’ challenge, you notice a shift in her bubbly personality.

Although Jones and Spears’ baby girl is indeed a Virgo, just like Beyoncé, their daughter missed the cut-off date to share the same birthday with the star as she was officially born on September 5. Friends and family of Jones, as well as fellow Beyhive members, took to the entertainer’s comment section to offer their well wishes.

See their responses below.

Sarah Francis Jones Beyonce baby instagram comments
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d4vd Is Focused On The Process Of Evolution Rather Than What Might Come From It

d4vd’s rise to fame happened at the speed of light. This hyperbole accurately describes how the 18-year-old Houston native went from an active video gamer who uploaded clips of himself playing Fortnite to YouTube (where he tallied 15 million views in total) to a touring musical act who is set to hit the road with SZA for her second leg of the SOS Tour. It’s all happened in the blink of an eye, but don’t be mistaken, d4vd is extremely talented as his debut EP Petals To Thorns proves.

The nine-track project is one that d4vd used to excellently capture a rise and fall in love. The petals — the first half — represent the good moments, while the thorns and final half of the project capture the bad and the eventual end of the relationship. Just three months after releasing Petals To Thorns, d4vd is back with another project: The Lost Petals. This new body of work contains just five songs and lives as the aftermath of the events on Petals To Thorns.

Together with the arrival of The Lost Petals, Uproxx caught up with d4vd to talk about his rise in the music world, The Lost Petals, touring with SZA, and his future plans for both music and gaming.

You’ve had a quick rise to fame, which can be a bit rattling for anyone. How have you adjusted and does it feel a bit normal now?

Yeah, it’s always been normal. I feel like I’ve acclimated well. I was home-schooled for four years so being outside was like a need for me. I was inside the house for way too long. So as soon as the time came for me to start going on tour, things like that, going on press runs, [and] traveling to different countries, it was like boom, this is what I needed to get out of the house. So I ran with it.

If you had to take all your influences, what qualities would you take from each one to make the artist you are? Like who most inspired your writing? Singing style? Artistic direction?

My biggest writing inspiration isn’t even in music. It’s an author from Japan named Hajime Isayama who wrote Shingeki no Kyojin, most famously known as Attack On Titan. Yeah, so Hajime Isayama for my writing, sonically it’d be Chet Baker and Michael Jackson. My stage presence? Michael Jackson and maybe XXXTentacion.

You’re a couple of months removed from your Petals To Thorns project. What would you say you’re most proud of about it?

The theme. I feel like sonically, it made sense, and the theme was very clear. I tried my best to tell the story with it. Having all the songs made already, without even having the intention of making a project that had to be cohesive, is mind-blowing to me. Everything was already done before I even had an idea of making an EP. But just being me and being a storyteller, it kind of just worked anyway. So I’m very proud of storytelling. Looking at the rose, having the thorns all representing love, just the theme of going through a relationship from top to bottom. It was just cohesive.

Now we have your The Lost Petals project, which fits into the world of Petals To Thorns. Do they fall in line with the original project or would you say this is more of a different perspective?

If we’re talking experience-wise, Petals To Thorns is the concert, you’ve been at the show, and “The Bridge” is leaving the show and now, The Lost Petals is that post-show depression. So it’s very sad, there’s not one single happy song. The way “The Bridge” left off, this [The Lost Petals] picks up and then it’s kind of like the conclusion. It’s like a closing of the book, two chapters being Petals To Thorns and The Lost Petals]. We’re closing that book and we’re moving on after that.

What would you credit most to your success?

My faith in God bro because God did amazing things early on. The way it kind of worked instrumentally with the gaming and everything. It’s like all the full circle moments of me wanting to be a professional esports player so bad that I was like tunnel vision into that one goal. But then, as soon as the copyright strikes hit, the gaming kind of pushed the music and the music started to push the gaming and they kind of worked together and they both went up at the same time. I don’t know, it would not have happened if it weren’t for those copyright strikes.

You’ve had a couple of tours already in your career, and now, you’ll be joining SZA on her SOS North American Tour. What experience do you hope to take from that may be different from the others?

The audience, of course. Playing in front of 10,000-15,000 people, that’s gonna be insane. I feel like getting used to not being so close to the crowd because it gives you a chance to really be a performer. When you’re that close to the crowd, really feeding off of them, but [at arenas], sometimes you can’t see everybody especially when you’re on that big stage and it feels like it’s just you up there. I feel like the nerves kind of go away when you can’t see. I feel like I’ve had the most nerve-wracking experience when I’m playing in front of maybe three people doing a little acoustic performance or even doing a music video shoot. But when it’s that many people it kind of becomes you and I’m just excited to see myself progress in that stage.

Stepping off music for a second, you said that music and gaming have worked hand-in-hand for you. What are some plans you have for the gaming world next?

I want to leak too much, but I literally just left a meeting about gaming. I’m working a lot on Fortnite stuff, the new Fortnite season is dropping, and everybody’s on the game again. Gaming is going back on the radar, Call Of Duty: Modern Warfare 3 is dropping. I’m working hand in hand and being more in the gaming space and telling a story because that’s where I came from. I’m more of a gamer than a musician, it’s telling that story even more. I’m working on scoring and a lot of soundtracking, too. The thing is with the Fortnite montages, I would make a Fortnite little montage and then make a song for it. So I was really doing scoring before I was even thinking about actually scoring. So having the opportunity to go back into my roots, and just be able to make music for the game that I’m such a fan of is insane to me. Maybe a concert in a Fortnite. A lot of stuff is coming gaming-wise, and 2024 is about to be lit on the controllers.

You’ve achieved a lot in such a short period of time, what are some goals you have for yourself going forward?

I want to make the best music possible. I feel like this past week I made my best music. I feel like I’m finding what I want to do. In terms of the artistry. I produced on a song for the first time two days ago. I’m getting used to being back on the keys playing piano again and finding myself instrumentally. So just becoming a greater artist. I’m not very sentimental, but I really do enjoy the evolution of self rather than the fruits that come from it. I feel like the best goal for me is just to be a better me. So, 2024 is all about evolution. I feel like it’s gonna be very evident in the music, the visuals, and the creative surrounding everything. It’s going to be next level.

The Lost Petals is out now via Darkroom/Interscope Records. Find out more information here.

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Elon Musk Reportedly Demanded That Tesla Build A Full-On ‘Robotaxi’ With No Steering Wheel Or Pedals

Elon Musk reportedly became so obsessed with his “robotaxi” concept that he demanded that Tesla engineers start building the driverless vehicles despite the fact that the electric car company was, and still is, far behind on it’s questionable Full Self-Driving (FSD) technology. The revelation comes from Walter Isaacson‘s upcoming biography, Elon Musk, in an excerpt that cements Musk’s compulsive fixations and wild mood swings.

According to Axios, Musk was supposed to be focusing on Tesla’s plan to deliver the first $25,000 electric car to consumers, which would have been a “game-changer” to the entire automotive industry. Instead, Musk became hyper-focused on creating an autonomous robotaxi that he theorized would make its owners up to $30,000 a year and “eliminate the need for people to even own cars.”

Musk became obsessed with the idea in November 2021 and began instructing his engineers to begin building the vehicle with some very concerning specifications: “No mirrors, no pedals, no steering wheel. This is me taking responsibility for this decision.”

When the Tesla engineers raised obvious safety concerns and suggested building a model that could have a steering wheel and pedals that are easily removed, Musk reportedly went into a “cold mood.”

“Let me be clear,” Musk slowly said. “This vehicle must be designed as a clean robotaxi. We’re going to take that risk. It’s my fault if it f–ks up. But we are not going to design some sort of amphibian frog that’s a halfway car. We are all in on autonomy.”

Ultimately, the Tesla designers found a “non-challenging way” to convince Musk to “cover his bet” by including the necessary safety features they proposed and not have the robotaxi completely rely on FSD.

(Via Axios)

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Who Is Opening Victoria Monét’s ‘The Jaguar Tour?’

Victoria Monét hit the road on Wednesday (September 6) to kick off The Jaguar Tour in Detroit. The run is in support of her new album Jaguar II, which boasts features from Kaytranada, Lucky Daye, Earth, Wind & Fire, Hazel Monét, and Buju Banton.

She’ll be trekking through North America through this month as well as October, before heading over to the United Kingdom for some gigs in November. As for openers, she’ll be bringing along Alex Vaughn, Ambré, Kendra Jae, Lavish, Leon Thomas, Tanerélle, and Tone Stith on select dates.

Find the full tour dates below.

09/08/2023 — Toronto, ON @ Danforth Music Hall
09/11/2023 — Boston, MA @ Royale
09/13/2023 — New York, NY @ Webster Hall
09/15/2023 — Washington, DC @ The Howard Theatre
09/16/2023 — Philadelphia, PA @ Theatre of Living Arts (TLA)
09/18/2023 — Charlotte, NC @ The Underground
09/19/2023 — Atlanta, GA @ Buckhead Theatre
09/21/2023 — New Orleans, LA @ Joy Theater New Orleans
09/22/2023 — Houston, TX @ House of Blues
09/24/2023 — Dallas, TX @ House of Blues
09/26/2023 — Denver, CO @ Cervantes Masterpiece Ballroom
09/28/2023 — Las Vegas, NV @ 24 Oxford
09/29/2023 — Phoenix, AZ @ The Van Buren
10/01/2023 — San Diego, CA @ The Observatory North Park
10/03/2023 — San Francisco, CA @ The Regency Ballroom
10/06/2023 — Portland, OR @ The Wonder Ballroom
10/07/2023 — Seattle, WA @ The Showbox
10/09/2023 — Sacramento, CA @ Ace of Spades
10/11/2023 — Los Angeles, CA @ The Fonda Theatre
10/22/2023 — Chicago, IL @ House of Blues

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Germany Knocked Out USA Basketball In The FIBA World Cup Semifinals

The highly anticipated USA-Canada matchup will indeed be happening on Sunday in the 2023 FIBA World Cup, but it will not be in the gold medal game as expected. Instead, the two North American squads will be playing for the bronze after Serbia dominated Canada early on Friday morning and then Germany took down Team USA in a thriller.

The two teams went back and forth throughout the first half, with Germany leading by two after the first quarter and the Americans leading by one at halftime. The offenses shined early for both sides, with the two teams attacking each other and putting on quite the shot-making display. Mikal Bridges had 15 points at the half (but just two in the second half), while Franz Wagner and Anthony Edwards would score 22 and 23 points respectively on the game showing off their varied offensive skillsets.

However, in the third quarter the German side took control, as Dennis Schröder orchestrated the offense, Andreas Obst became a flamethrower from deep, Wagner continued to be a problem with his size on the wing, and Daniel Theis and Isaac Bonga gave the Americans fits inside.

In the fourth quarter, it was Edward once again leading the charge to get Team USA back in the ball game, as he threw down a vicious dunk (and tried another shortly after that led to free throws) and buried a huge three to cut the deficit to one possession.

However, while Germany’s offense got a bit muddled late, the USA squad was unable to ever reclaim the lead, getting the deficit down to as few as one point before Obst again buried a three off a baseline inbounds play, shaking Tyrese Haliburton and sending him to the floor before knocking down a huge shot.

That was followed by an early dagger from Schröder, who hit a stepback from the midrange over Austin Reaves (who they hunted relentlessly on defense late) to put Germany up six with 40 seconds to play.

Reaves would redeem himself with a quick two on an outlet and then drew an offensive foul to give Team USA a chance at again cutting the deficit to one score, but they couldn’t make it happen and by the time they did get another bucket, time had all but run out. All Germany had to do was get the ball in with half of a second on the clock and the celebration was on for a massive moment for German basketball and heartbreak for Team USA.

Obst finished with 24 points and six assists to lead all scorers, while Schröder had 17 points and nine rebounds to continue his stellar tournament. Franz Wagner had 22 points and five boards and his brother Mo chipped in 10 off of the bench. As a team, Germany had 30 assists on 41 made baskets, as they carved up the USA defense all night with their activity and size.

Edwards finished the night with 23 points and eight rebounds, doing all he could to get Team USA through to the gold medal game. Once again he found himself needing more help than he got down the stretch, but really the story of this game was Team USA’s inability to get stops. Germany had 100 points in the first 32 minutes of the game and piled up 113 overall, as their size and strength (coupled with a good shooting night) proved too much for the Americans. However, it can’t even be chalked up to hot shooting, as Team USA actually shot more efficiently from three (12-of-25) than Germany (13-of-30), they just couldn’t handle the Germans at any level defensively. Jaren Jackson Jr., for all his immense abilities on defense, is not the anchor inside against big teams the Americans need and there are too many weak points to attack on the perimeter when Team USA puts out their best offensive lineup — as Haliburton and Reaves were repeatedly targeted.

The Americans will now face Canada for the bronze in a highly anticipated matchup that loses a good bit of its luster now that it’s not for gold, but still features a ton of NBA talent and will be fascinating to see how both teams get up for that game considering the stakes aren’t what they expected. Germany will take on Serbia in a gold medal game few predicted, but it’s one that should be highly entertaining as Serbia has been a buzzsaw in this tournament, led by Bogdan Bogdanovic, while Germany is coming off of the biggest win their basketball program has had and will be riding high.