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Drake Issued A Warning To 21 Savage’s Enemies With A ‘Degrassi’ Clip Ahead Of Their ‘It’s All A Blur Tour’

Drake may or may not have started from the “bottom” (depending on your personal definition) but he never forgot his roots. The actor-turned-rapper shared an amusing reminder of his starting point, teen soap opera Degrassi: The Next Generation, on Instagram while promoting his upcoming It’s All A Blur Tour with 21 Savage.

In the clip, Drake (as his Degrassi character Jimmy Brooks) mimes pulling a gun out of his waistband and firing it. A caption added by Drake reads, “If anyone got beef with Savage on tour this how I’m coming be warned.” HipHopDX got a screencap, which you can see below.

We know Drake’s probably joking — for the record, that character spent the next four seasons in a wheelchair after getting shot in the back by a bullied boy in episode 8 of season 4 (a source of endless amusement for Drake haters online) — but he certainly seems to be psyched for the tour. The tour has already sold so many tickets — despite supposedly sky-high presale prices — that new dates were added to the schedule twice.

Drake continued the rollout this week with a teaser trailer as things kick off tonight in Chicago. In it, he reflects on his early days as an actor — including nearly bombing his audition for the show because he got high with kids at school.

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Trump Is Again Calling His Fans To Take To The Streets To Protest Him Facing The Consequences Of His Actions, Which Will Surely End Well For Those Foolish Enough To Do It

Does history repeat itself or do people like Donald Trump with more money than brains simply never learn from their mistakes? It’s a question we must ask after the twice-impeached former president shared a post on his Truth Social platform calling for his supporters to take to the streets and protest in his name. Actually, he probably knows what the consequences will be — he probably just doesn’t care.

On Wednesday morning, Trump threw an all-caps tantrum over the federal investigation into his alleged mishandling of classified documents. He’s currently facing dozens of criminal counts over his decision to hoard top secret files at his Mar-a-Lago estate once he left office. Since the investigation began, he’s incriminated himself numerous times in interviews like the recent two-night sit-down with Brett Baier. Still, it sounds like he’s finally seen the writing on the wall and is maybe desperately hoping another Jan. 6th might save him from spending time behind bars or something

“MASSIVE PROSECUTORIAL MISCONDUCT IS CURRENTLY TAKING PLACE IN AMERICA. THE WEAPONIZATION OF LAW ENFORCEMENT CANNOT BE ALLOWED TO HAPPEN,” Trump wrote. “CRIME & INFLATION ARE RAMPANT, OUR BORDERS ARE OPEN, OUR ELECTIONS ARE RIGGED, OUR ECONOMY IS IN SHAMBLES, OUR ENERGY INDEPENDENCE IS GONE, OUR “LEADER” IS MERCILESSLY MOCKED, & OUR COUNTRY IS BEING DESTROYED BOTH INSIDE & OUT. DO THE PEOPLE OF THIS ONCE GREAT NATION EVEN HAVE A CHOICE BUT TO PROTEST THE POTENTIAL DOOM OF THE UNITED STATES OF AMERICA??? 2024!!!”

This isn’t the first time since the post-election insurrection that Trump has suggested his supporters take to the streets. Back in May, Trump prompted his MAGA followers to show up for his arraignment at a Miami courthouse. Luckily, most of the mobs Trump has been able to assemble lately have been pathetically small — perhaps because so many of his Jan. 6th leaders are serving time for their last act of organized domestic terrorism. You’d think the threat of toilet wine and canceled Cabo trips might have taught these people something by now.

(Via Mediaite)

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Chris Meloni Is Not Quite Finished With Making Near-Naked Commercials (This Time, He’s Showing Off ‘Giant… Socks’)

It remains amazing that the whole Best-Worst Chris debate only seems to span the MCU when there are so many other Chrises in this world. And of course, Christopher Meloni has been enjoying his return to the Law and Order realm with Organized Crime because this has allowed him to dig into what he’s called a “second act” that includes being a “Zaddy.”

The last time we checked on Meloni was for a similar reason as today. The Wet Hot American Summer ensemble player had stepped back into NBC’s primetime center stage, and promoting that return yielded beefcake photoshoots and jokes such as the following: “I catch flies with my a** cheeks, like a Venus flytrap.”

Additionally, Meloni also appeared in a naked Peloton ad (as screencapped above), and he’s followed that hit up with a nearly-nude ad for Tommie Copper socks. Cue the blurred boxes and the 62-year-old Meloni damn near straddling a countertop while declaring: “I never take these babies off. It’s better than being naked. Why? Because naked only comes in one color.” Enjoy:

Well, he has a sense of humor, and he apparently comes by the nudity honestly. Meloni previously told PEOPLE that he basically sweats it out while naked at home: “I work out naked. It’s my gym… And I don’t black out the window.” No comebacks are possible for that one.

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A Fox News Anchor Surprisingly Rushed To Hunter Biden’s Defense After Cocaine Was At The White House

After reports of cocaine being found at the White House sparked a wave of social media jokes about Hunter Biden, the president’s son found a surprising ally on Fox News of all places.

While discussing the confirmation that the substance found at the White House was cocaine, Fox Business anchor Cheryl Casone called out conservative media figures like Donald Trump, Jr. who have used the incident to go after the president’s son. Casone stressed the important thing is finding out how the narcotics made it into the building before lecturing the Fox News audience on showing some empathy for Hunter Biden.

Via The Daily Beast:

“Of course, social media starts making fun—bringing up Hunter’s name, it’s not funny,” Casone exclaimed. “And I think that there’s a lot of cheap shots taken at Hunter Biden.” She concluded: “He is a recovering addict. Nobody wants to see him regress or slip back into addiction. And I think the comments were tasteless.”

While Casone’s comments were an unusually humane approach to Hunter Biden that’s rarely seen on the network, she was right back to slinging red meat to conservative viewers. During another segment, Casone argued that tipping has “gotten out of control.” Every service industry employee wants one, and Casone doesn’t like it.

“I think people are getting actually a little fed up with it,” Casone said. “We’re seeing now a lot of pushback about that tip jar because it’s everywhere that you do business.”

(Via The Daily Beast, Mediaite)

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Drake Remembers Getting High Before His ‘Degrassi’ Audition In A New Teaser Video For The ‘It’s All A Blur’ Tour

Tonight (July 5) is a big one for Drake and 21 Savage fans, as the rappers are set to kick off the joint It’s All A Blur Tour in Chicago. Before they take the stage, though, Drake shared a teaser video, in which he gets deep in thought while looking back at his life, specifically a moment before his audition for Degrassi: The Next Generation as a kid.

The video is just a black screen with white text captioning his words as he says over some minimal music:

“Someone asked me the other night what my biggest fear is, and I’ve never really had a good answer for it, but my answer was that all this is for nothing. Kind the idea that like, one day, life ends and it just all goes black, and I guess that question, like, sent me, you know, obviously deep into a spiral of thought. And it makes me think about my life and how surreal it feels at times.

I go back to this day when I was like 13 or 14. I had an audition for a TV show that ultimately shaped my life. And before my audition, I went to this kid’s house and um, I, out of, I guess, a desire to be accepted, I would succumb to peer pressure and I got high with these kids right before my audition. And um, I kind of wonder, like, if something bad happened that day, or you know, maybe I’m still high, maybe I’m in some coma and this is just like me playing out my ideal life, and yeah, that concept has stuck with me for a lot of years. I mean, it feels like reality, it feels tangible, but I definitely wonder sometimes.”

Check out the video below.

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Janelle Monáe Joined Megan Thee Stallion For A Twerking ‘Boot Camp’ On Stage At Essence Festival

The Essence Festival was the place to be this past weekend in New Orleans. Over the course of the weekend, the performances made several headlines, including Janelle Monáe‘s performance of her hit single, “Yoga,” during which, she briefly flashed her breast, which was tastefully covered by a pink pasty. While this move proved polarizing, no haters could f*ck up Monáe’s vibe.

Monáe’s festive mood continued throughout the weekend, as she and a group of women joined rapper Megan Thee Stallion on stage. In one clip, Monáe welcomes Meg to the stage — which seems to come as a surprise to the “Plan B” rapper.

“What’s up friend?” Meg shouts in excitement.

In another clip, shared by Essence, Meg is seen leading the rest of the ladies in her “Hot Girl Boot Camp” themed set.

Meg is seen performing “Do It On The Tip” from her 2020 debut album, Good News. During the performance the group of women are seen twerking on stage, as Monáe appears from the side of the stage, clapping to the rhythm in support.

You can see some clips above.

Megan Thee Stallion and Janelle Monáe are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Here Are The Mad Cool Festival Set Times For 2023

Madrid’s Mad Cool music festival kicks off tomorrow — and will run until Saturday, July 8th. With a stacked lineup across several stages, here is what attendees need to know about the set times.

On Thursday, King Princess and Selah Sue will kick things off, with performances on different stages at 5:50 p.m. At 7 p.m. on the Madrid Is Life stage, The Offspring will play. Raye will perform an hour later on the Ouigo stage. Shortly after at 8:20 p.m., The 1975 will be on the Region Of Madrid stage. Later in the evening, fans can catch Lizzo at 9:40 (Madrid Is Life), Robbie Williams at 11:15 (Mad Cool), Rina Sawayama at 11:30 (Region Of Madrid), Lil Nas X at 12:55 a.m. (Madrid Is Life), and Franz Ferdinand at 1:00 a.m. after Sawayama.

For Friday, some key acts to catch include Angel Olsen at 6:55 p.m., Sam Smith at 8:05, Queens Of The Stone Age at 9:40, Mumford & Sons at 11:10, The Black Keys at 12:50 a.m., and Rüfüs Du Sol at 12:55 a.m..

Then, on Mad Cool’s final day on Saturday, there is still a lot going on. Sylvan Esso (6 p.m.), Liam Gallagher (8:15 p.m.), and Red Hot Chili Peppers (10:55 p.m.) will all be on the main Mad Cool stage. M.I.A. (9:35 p.m.) and The Prodigy (12:50 a.m.) will play the Madrid Is Life stage. Ava Max (11:20 p.m.) and Jamie XX (12:55 a.m.) are also helping close out the festival on the Region Of Madrid stage.

View the full Mad Cool set times below.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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The Pacers Set Themselves Up For A Bright Future Thanks To A Busy Offseason

Only three holdovers remain from the roster the Indiana Pacers entered the 2021-22 season sporting: Myles Turner, T.J. McConnell, and Isaiah Jackson. The fourth-longest-turned Pacer is a tie between Tyrese Haliburton and Buddy Hield, both of whom came from the Sacramento Kings in a February 2022 deal centered around Domantas Sabonis that signaled a directional pivot for the franchise.

Since then, Indiana’s further remade itself, sending out the likes of Caris LeVert, Malcolm Brogdon, and Chris Duarte. In their stead stand Andrew Nembhard, Bennedict Mathurin, and Bruce Brown. The former two were selected in the 2022 Draft and sparkled during the rookie campaigns. The latter agreed to a two-year, $45 million with the Pacers during the initial minutes of this summer’s free agency period.

Over the past two weeks, Indiana has also addressed its hole at power forward in contrasting ways. With the seventh overall pick, it selected Jarace Walker, a multifaceted defender touting an intriguing package of offensive skills. A week later, it acquired Obi Toppin from the New York Knicks in exchange for a pair of future second-rounders.

For long stretches last season, the Pacers started Aaron Nesmith at the 4. Nesmith, who stands 6’5, learned to embrace the role, but the lack of a legitimate power forward often reared its head against big wings and towering frontcourts. Now, they have two dudes best suited at that position rather than requiring ingenuity to fill the gig. Lackluster point-of-attack and wing defense seemed to overextend Turner in 2022-23. Brown and Walker can help.

Presumably, the heart of their 2023-24 rotation will feature Haliburton, Nembhard, Brown, Hield, Mathurin, Walker, Toppin, and Turner. That’s a pretty enticing group. Five of them are 25 or younger and still on rookie deals, giving Indiana the chance to retain them long-term, which began when Haliburton inked a five-year extension last week. The other three (Brown, Hield, and Turner) are all good NBA players. A copacetic, harmonic roster is being built, particularly on offense.

The perimeter quintet of Haliburton, Brown, Nembhard, Hield, and Mathurin complement one another well. Brown’s a rugged, sprightly slasher and finisher who grew more comfortable with his outside jumper last season. Haliburton’s a premier shooter who progressed tremendously as a driver last season. Both are adept off the ball and excel processing timely reads in advantageous situations. Nembhard is a platonic ancillary ball-handler whose passing vision and quick trigger from deep let him slot in next to accomplished creators. Hield is a nomad off-ball shooter who will traverse around screens until his legs are Jell-O.

Mathurin loves fashioning space off the ball and finding lanes downhill with deceptive footwork, at which point he steamrolls through defenders to finish or draw fouls. He’s a young player who has room to grow, though, and must keep improving his discretion at the rim and decision-making as a ball-handler to elevate his scoring ceiling. The Pacers’ cast of guards ensure the second point can develop patiently. He will not be forced to accrue on-ball reps simply to gauge his readiness at the expense of other skills and foundational players. He will earn those organically.

The open floor synergy of all five, given their blend of shooting, passing, creativity, downhill gusto, and understanding of space, is tantalizing. Last season, they ranked fourth in transition frequency (17.3 percent) and second in points per 100 possessions (133.6). Make or miss, they constantly pushed to catch the defense unorganized and pounce on that discombobulation. Watching a wunderkind like Haliburton dance through ill-prepared defenders and schemes was delightful. It’ll only be better next year alongside the Pacers’ key roster additions.

Among those key roster additions is Toppin, who fits aptly into this turbocharged, open floor ethos, which represents a distinct style from the Knicks, a team that finished 29th, 22nd, and 17th in transition rate during his three seasons there. He’s a bouncy finisher who’s converted 71 percent of his career shots around the hoop, loves dashing behind defenders as a cutter and has flashed drive-and-go ability off the catch. Haliburton-Toppin pick-and-rolls flanked by three credible marksmen should be good for a highlight at least once a week. All the different avenues through which Haliburton will deliver Toppin a seamless slam will be worth tallying.

I eagerly await how head coach Rick Carlisle deploys Toppin, Turner, and Walker offensively, with their wide-ranging, divergent skill-sets. Double Drag involving Haliburton as the conductor, Toppin diving to the rim, and Turner drifting beyond the arc should be a staple of the early offense emphasis that fuels them. Indiana is piloted by a creative engine in Haliburton and cunning tactician in Carlisle, who’s provided optimal roles for various integral players.

Haliburton’s ascent accelerated what some expected to be a tricky rebuild in a small market and it’s been complemented by shrewd roster decisions. Instead, they’ll be among the many Eastern Conference teams rightfully eyeing the postseason next year. They shored up deficiencies that don’t interfere with the long-term core and even amplify it in certain regards.

Before Haliburton missed 10 consecutive games, the Pacers were 23-19 and tied for sixth in the East. When he sat out, they tumbled to 24-28 and 10th. This should be a competitive, jigsaw group next season, in large part because of the moves made over the past 16 months. And that competitiveness won’t preclude them from continuing to prioritize Haliburton’s prime, which is increasingly on the horizon. Finding the right primary initiator is among the most critical and strenuous parts of any roster construction. Haliburton, fresh off his 22-year-old season averaging 21 and 10 on 62 percent true shooting, is as good a bet as any.

Turner quietly just averaged 18-7-2 on 65 percent true shooting and added layers to his interior scoring repertoire last year. Mathurin is a keen off-ball mover, foul-line menace (.477 free throw rate), and intrepid slasher who only hit 32.6 percent of his threes as a rookie after burying 38.3 percent in two years at Arizona — it’s not guaranteed, but positive regression wouldn’t be a surprise. There are areas to address, but the outline of a rather ideal secondary scorer alongside Haliburton took shape, reinforced by his 16.7 points per game in year one. Nembhard’s pick-and-roll savvy pops. A fresh start and expanded role could be the launching point needed for Toppin, who’s long exhibited promise. Walker’s two-way allure is evident.

This is the Funky Bunch Pacers armed with a clear direction. They’re headlined by one of the league’s brightest young stars and accumulating proper secondary talent around him. Right now, the vision is logical and joyful, and it shouldn’t take too long for that to turn into on-court success.

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Rick Astley covered Foo Fighters’ ‘Everlong’ and it’s shockingly great

Rick Astley has to be the luckiest ’80s musician on the planet. The whole “Rickrolling” phenomenon has given his hit song “Never Gonna Give You Up” a reach far beyond its natural life span, and kept the guy a household name far longer than he probably would have been.

(For those who are unfamiliar, Rickrolling is when you make someone think they’re being sent to a website, but the link goes to Rick Astley’s “Never Gonna Give You Up” video instead as a joke. It’s a silly viral bait-and-switch gag that’s been going since 2006.)

But what people may not realize, because his most famous song has become an internet joke, is that Rick Astley is actually a really freaking great musician. The man can saaaang and it seems he’s only gotten better with age.


If you were to choose the most unlikely combo of musical mashups, it might just be Rick Astley and Foo Fighters. Right? Like who would put them together?

Oddly enough, they put themselves together in 2017, when Foo Fighters brought Astley on stage during a concert to sing “Never Gonna Give You Up.” Foo Fighters frontman Dave Grohl even created his own Rickroll-inspired meme, the Dave G’Roll, with the band’s song “Best of You.” So there’s a history there.

But nothing has been more surprising than hearing Rick Astley do an acoustic cover of Foo Fighters’ “Everlong.” It’s so good. Like, so good.

Not to knock Rick Astley of the 1980s, but that strangely deep voice on a young man was sort of his signature thing. Ergo, you’d think it would be easy to recognize Astley’s voice no matter what he was singing. But you’d be wrong. If you close your eyes and listen to this, you’d likely never guess it was Rick Astley.

Maybe it’s because the song itself isn’t something you expect from the “Never Gonna Give You Up” guy. Maybe it’s because you had no idea that Rick Astley was still making music. Who knows. All I know is that my jaw dropped watching him knock out an awesome version of a grungey rock song with just his voice and acoustic guitar.

Seriously, that was amazing, right? Even hardcore Foo Fighters fans gave Astley props in the comments:

“As a huge Foo Fighters fan, all I can say is this cover didn’t let me down.”

“Tbh I could listen to a whole album of Rick Astley doing grunge covers.”

“Are you kidding me?????? That voice from the 80’s… And one of the greatest numbers of all times…. Didn’t think you could pull that of…. But you did….. Respect to you Rick.”

And, of course, some had to make jokes:

“I love this cover. It feels like the singer is never going to give you up or never gonna let you down. He doesn’t run around and desert you. He will never make you cry and never say goodbye. He doesn’t tell a lie and hurt you. I think that is special.”

“This guy should stop making memes and stick to music! He’s got talent!”

“I’m glad he’s never given up. This did not let me down.”

But this comment perhaps best summed up what most of us walked away thinking:

“God now I feel bad that we’ve ridden on Rick Rolling for so long that we missed the part where Rick Astley is actually a badass musician…”

This article first appeared on 4.4.22.

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A major UCLA study says that at least 65 species of animals laugh

Laughter is one of the most natural impulses in humans. Most babies start to laugh out loud at around 3 to 4 months, far earlier than they are able to speak or walk. Expressing enjoyment or delight comes naturally to us, but we’re not the only creatures who communicate with giggles.

Researchers at UCLA have identified 65 species of animals who make “play vocalizations,” or what we would consider laughter. Some of those vocalizations were already well documented—we’ve known for a while that apes and rats laugh—but others may come as a surprise. Along with a long list of primate species, domestic cows and dogs, foxes, seals, mongooses and three bird species are prone to laughter as well. (Many bird species can mimic human laughter, but that’s not the same as making their own play vocalizations.)

Primatologist and UCLA anthropology graduate student Sasha Winkler and UCLA professor of communication Greg Bryant shared their findings in an article in the journal Bioacoustics.


The authors explored various play vocalization sounds, recording them as noisy or tonal, loud or quiet, high- or low-pitched, short or long, a single call or rhythmic pattern.

But really, what we want to see is what animal laughter sounds like from various species, right? While the researchers said that it can be hard to document laughter in the wild, especially among animals with quieter vocalizations, we do have some examples captured on video.

Check out these foxes laughing like little kids:

Or maybe little kids on helium. How fun is that?

Ever seen a bonobo chimp laugh? Just as cute.

I’m not sure if tickling a baby bonobo is sweet or torturous, though these researchers surely know what they’re doing. It’s always delightful to see the instinctual playfulness of primates.

Laughter in some animals isn’t as audibly apparent as it is in these foxes and chimps, though. Researchers from Humboldt University of Berlin found that rats laugh when they are tickled—and appear to enjoy tickling, as they seek it out—but their vocalizations are ultrasonic, so it’s hard to hear them without special instruments.

The UCLA researchers shared that the study of laughter in animals can help us better understand our own evolutionary behavior.

“This work lays out nicely how a phenomenon once thought to be particularly human turns out to be closely tied to behavior shared with species separated from humans by tens of millions of years,” Bryant said, according to UCLA.

“When we laugh, we are often providing information to others that we are having fun and also inviting others to join,” Winkler said. “Some scholars have suggested that this kind of vocal behavior is shared across many animals who play, and as such, laughter is our human version of an evolutionarily old vocal play signal.”

Raise your hand if you just want to see a cow laughing for real now.

This article first appeared on 1.14.22