Two of SoundCloud rap‘s late heroes finally unite on the “Whoa (Mind In Awe)” remix. XXXTentacion and Juice WRLD only ever really crafted one song together — the original version of “Whoa” — but it’s only now that the world gets an official release. Juice had recorded the verse specifically for XXXTentacion’s song “Whoa,” but both artist passed before they were able to finish the collaboration.
However, both artists’ estates have since teamed up to ensure that the dream collab becomes a reality, releasing “Whoa” in conjunction with a touching music video following a group of kids in Jamaica pursuing their own dreams. The video aligns with the song’s theme of “doing things with meaning and following your dreams,” while its shooting location ties into their shared roots, with families from Jamaica.
Additionally, the soccer jerseys worn by the children in the video are being made available in a limited-edition release, the proceeds of which will go to the XXXTentacion Foundation and Juice WRLD’s 999 Foundation. They’ll help support youth, community, and infrastructure in Jamaica and mental health resources. The kits will be available for purchase on Friday, May 30 at 12:00 PM Pacific at xxxtentacion.com.
You can listen to XXXTentacion’s “Whoa (Mind In Awe) Remix” featuring Juice WRLD above.
Leon Thomas’ new album Mutt has been the definition of a breakout; its self-titled lead single was a viral hit, propelling him to an appearance on Tiny Desk, a Best New Artist nomination at the upcoming BET Awards, and collaborations with stars likeHalle Bailey, Freddie Gibbs, and Ty Dolla Sign.
This week, he updated the album, releasing a deluxe edition titled Heel. Nine new songs, such as “Not Fair,” a James Fauntleroy-produced standout, and the Big Sean-featuring “Party Favors,” mark a shift in the unapologetic outlook of the original album, presenting a Leon Thomas that isn’t quite housebroken yet, but might just be on his way there.
On “Not Fair,” Thomas sings about a romantic rendezvous, but instead of being the swaggering lothario, he’s a helpless servant to his impulses and his partner’s charms. “It’s not fair,” he croons. “How you just gon’ take off your clothes and sit right there? / How you just do whatever you want? / How you gon’ put a spell on me just to front? / How you keep make me falling in love, it’s just not fair.”
You can listen to Leon Thomas’ “Not Fair” above.
The Mutt deluxe edition, Heel, is out now via EZMNY Records and Motown Records. You can find more info here.
Anybody who thought the vinyl resurgence was just a fad was mistaken: The industry has experienced a legitimate revival. As a result, music fans are interested in physical media in ways they may not have if the decades-old medium hasn’t made a comeback. That doesn’t mean everybody is listening to just their parents’ old music, though. That’s part of it, sure, thanks to rereleases that present classic albums in new ways. A vital part of the renewed vinyl wave, though, is new projects being released as records, of which there are plenty.
Whatever you might be into, each month brings a new slew of vinyl releases that has something for everybody. Some stand out above the rest, naturally, so check out some of our favorite vinyl releases of May below.
Daniel Blumberg — The Brutalist: Original Motion Picture Soundtrack
A24
The Brutalist was a darling at the Academy Awards and Blumberg’s score was definitely a contributing factor to the film’s acclaim, notably taking home a statue for it. Before picking it up on its new vinyl edition, A24 shared this great video a few months ago that offers an inside look at the music.
Mariah Carey — The Emancipation Of Mimi (20th Anniversary Edition)
Def Jam Records/UMe
Kaytranada delivered a superb remix of Mariah Carey’s “Don’t Forget About Us” in April, and that was part of a new reissue campaign. The highlight is the 5LP version, which features three discs of bonus tracks and a letter from Carey herself. You also get the long-awaited release of “When I Feel It” after a 20-year wait, which should satisfy the many fans who have been seeking it.
Miles Davis — Bitches Brew (55th Anniversary Edition)
MoFi
Bitches Brew, simply put, is one of the albums you think of first when you think of jazz. This year, the Miles Davis classic turns 55 years old and Mobile Fidelity Sound Lab is offering the opportunity to hear the best-sounding version of it, with a reissue sourced from the original master tapes and limited to 5,000 numbered copies.
Åsman is a newer face in the jazz realm, and like Bitches Brew, When You Know is fueled by adventure and experimentation. It incorporates influences from R&B, electronic, and ambient music, and the striking album art looks great blown up to vinyl proportions.
Stapleton is one of the biggest crossover artists in contemporary country music, and it all started with his debut album, 2015’s Traveler. To mark a decade of the project, there are now several different pressings of the album, with colors varying depending on where you buy (the ruby version in particular is a stunner).
David Bazan had a productive run of albums, but with Headphones, there was only the well-received self-titled album. The synth-led project has a new 20th-anniversary reissue, which comes in a gatefold jacket featuring expanded artwork and new liner notes.
It’s a good time to be Morgan Wallen: Right now, he has both the No. 1 album and song in the country (he has the top three songs, actually). This is thanks to I’m The Problem, a 37-track, near-2-hour behemoth of an album.
Horizon is quite the project, indebted to both orchestral jazz and Brazilian MPB. The retro-inspired album is a great one to own on vinyl, especially with the lovely, semi-transparent “lake glass green” pressing.
Anybody who’s been paying attention to Rico’sLethal album cycle knows it’s been a high-effort affair when it comes to the visuals. That extends to the vinyl, too, which almost certainly won’t look like anything else in your library, given that it’s shaped like a saw blade.
Alanis Morissette — Supposed Former Infatuation Junkie (Reissue)
Maverick/Reprise
Many have taken spiritual journeys to India, but rarely is what comes out of it as good as Morissette’s 1998 album Supposed Former Infatuation Junkie. Now’s a great time to revisit or listen for the first time, too, as this Mobile Fidelity Sound Lab reissue is the first-ever audiophile edition.
These days, Addison Rae is a legitimate part of the modern pop landscape thanks to songs like the viral 2024 hit “Diet Pepsi” and the more recent “Fame Is A Gun.” “Diet Pepsi” was the first song of this run, but it’s actually her second single overall. Her first one was “Obsessed,” which wasn’t exactly well-received upon its release in 2021.
Rae still has love for the song, though. In fact, she thinks it could one day earn an updated perception like that of Paris Hilton’s single “Stars Are Blind.”
On a new episode of The New York Times’s Popcast, Rae said, “I actually think one day, ‘Obsessed’ will get its ‘Stars Are Blind’ moment, you know? People will be like, ‘Oh, we actually love it.’”
She also discussed the impact the song’s lack of success had on her, saying:
“I felt definitely a little beaten down. I was like, ‘Oh, wait, I can’t just have fun and explore. People are not gonna allow that. I have too many people actually giving an opinion on this for it to be as free as I want it to be.’ So, yeah, it definitely hurt. I kept writing though. I didn’t let that stop me from writing.”
Watch the full interview above.
Addison is out 6/6 via Columbia Records. Find more information here.
Every month, Uproxx cultural critic Steven Hyden makes an unranked list of his favorite music-related items released during this period — songs, albums, books, films, you name it.
1. Wednesday — “Elderberry Wine”
A kinder, gentler side of Wednesday. After the barbed-wire story songs of 2023’s Rat Saw God, Karly Hartzmann and the crew are back with this fulsome slice of country pop. It’s sort of a love song and sort of a daydream about escaping a small town. “Sometimes in my head I give up and / Flip the board completely,” Hartzmann sings, though that gently sighing pedal-steel lick softens the desperation a little. If this song is teasing an album — there’s no announcement yet, but one presumably looms on the horizon — it’s an interesting zag from “Bull Believer,” the furious bovine-sized rocker that previewed Rat Saw God. That song felt like a line in the sand; “Elderberry Wine,” meanwhile, is a warm-hearted invitation.
2. Florry — Sounds Like…
The Philadelphia band Florry first came across my radar in 2023, upon the release of their third album, The Holey Bible. Led by singer-songwriter Francie Medosch, who started the project when she was a teenager, Florry is part of the same country-rock solar system that includes Wednesday and MJ Lenderman (whose 2022 LP Boat Songs was put out by Florry’s label, the rising indie Dear Life Records). What set The Holey Bible apart was its ragged, blown-out sound. It was more like a bootleg of studio jams than a normal “proper” album. The aesthetic was summed up by the title of the first single: “Drunk And High.” And that carries over to the new Sounds Like…, which is slightly less anarchic but nowhere close to slick.
3. Friendship — Caveman Wakes Up
It’s been a big year for F-word bands. There’s Florry (who I just talked about) and Fust (who I talked about last month) and now Friendship. All of them are part of the Wednesday/MJ Lenderman Cinematic Universe, which is another plus. (You might have seen the video of Friendship singer Dan Wriggens doing “Darkness On The Edge Of Town” with Lenderman earlier this month.) And the drummer and bass player run Dear Life Records, the great indie label that acts as a hub for the scene. Is that enough bona fides for you? How about the album itself, one of the best of 2025’s first half? On Caveman Wakes Up, Wriggens plugs into the same wryly literate indie-country lane that David Berman pioneered in the ’90s, with stories of downbeat struggle rendered with wit and insight, courtesy of a barstool poet’s knowing eye.
4. Counting Crows — Butter Miracle, The Complete Sweets!
I have written enough on this band to confidently declare that I’m in the top .1 percent of music critics who are pro-Counting Crows. And not just the ’90s stuff, either. I have kind words for the entire catalog. While his songwriting pace has slowed considerably, Adam Duritz is quietly among the most consistent artists of the alt-rock generation. And that carries over to the latest album, which amends a 2021 EP with five (mostly great) new tracks. So, I say this with love: The album title is awful. And so is the cover. Why must you make my advocacy for your later period work so difficult, Counting Crows? Songs like “With Love, From A-Z” and “Boxcars” are as good as the phrase “Butter Miracle” is bad.
5. Alien Boy — You Wanna Fade?
It’s been a while (too long!) since 2021’s Don’t What Know What I Am, which made my best of list that year. But I’m happy to report that these canny Portland power-poppers have justified the wait with an even better record. While Alien Boy is often classified as emo, You Wanna Fade? shows that they’re really just a great pop-rock band with a stealth knack for melodramatic grandiosity. The melodies come fast and furious, but the moody guitar tones ground the music in a kind of magnetic melancholy, like Fountains Of Wayne if they sounded more like Disintegration.
6. The Convenience — Like Cartoon Vampires
My podcast co-host Ian Cohen sometimes talks about resisting bands that seem almost too well-suited to his tastes. It’s a natural critical impulse: Do I really like this thing, or do I like the things this thing is referencing? This thought crossed my mind after hearing The Convenience, a duo from New Orleans who essentially make straight-up “normal guy” indie rock in the vein of Spoon and Parquet Courts. But I didn’t dwell on it for too long. This kind of music always seems easier to make than it actually does, and the craft on Like Cartoon Vampires is just impossible to deny.
7. Home Is Where — Hunting Season
This Florida band has made some of the most thematically ambitious emo records of the 2020s. But songwriter Bea MacDonald has always been a closet Bob Dylan head, though that influence has typically been more theoretical than tangible. Hunting Season marks the point where MacDonald’s Dylan worship becomes more overt. While the delivery of the songs is as impassioned and punk-fueled as ever, the country-flavored instrumentation and MacDonald’s Rolling Thunder Revue-style howl pull Home Is Where in a ragged folk-rock direction. Play it fucking loud, indeed.
8. Goose — Everything Must Go
Jam bands aren’t supposed to make well-crafted albums. But Goose is making a habit of it. Their primary influences (aughts-era indie pop like Vampire Weekend, Fleet Foxes, and Bon Iver, as well as, of course, prime-era Phish) are readily apparent, as is the beefed-up production courtesy of long-time collaborator D. James Goodwin. But unlike Goose’s previous studio LP, 2022’s Dripfield, Everything Must Go also affords ample space for jammy instrumental interludes. (All of the tracks are at least five minutes long.) The result is the band’s heftiest and most satisfying studio effort yet.
9. Eli Winter — A Trick Of The Light
This Chicago composer and guitarist truly gives equal attention to both sides of that equation. The 16-minute album opener “Arabian Nightingale” is a full-on exploration of mood and texture, with Winter’s probing guitar working in conversation with wild saxophone wails. It sounds like an improvised jam, but Winter also writes real songs, which is evidenced by the album’s shorter tracks that are no less expansive even if they seem more, well, composed.
Mariah Carey’s focus lately has been on a 20th-anniversary edition of The Emancipation Of Mimi, and the package includes some great extras. That includes fresh remixes from some familiar faces, like this Kaytranada rework that dropped in April.
The full reissue is out now, so we can finally hear Solange’s remix of “Say Somethin’,” which gives the song a bit of a woozy chopped ‘n screwed vibe. The remix is exclusive to the Digital Deluxe Edition.
Another new track of note is “When I Feel It,” which isn’t exactly new: It was intended for the original album but was ultimately scrapped due to clearance issues (it samples The Dynamic Superiors’ “Here Comes That Feeling”), but now it’s finally available. Fans are pretty excited.
Carey previously said of the reissue, “I’m really happy to celebrate ‘Mimi’s Emancipation’ with this special anniversary re-release. While working on this edition, I got to relive all the memories from this pivotal moment in my personal and professional life. This album has some of my biggest hits to date, as well as some personal favorites that are very special to me. Forgotten gems, unreleased bonus tracks and different remixes with incredible collaborators — all of these and more are now available in one place for the first time ever!”
Listen to “Say Somethin’ (Solange Southern Star Remix)” above.
The Emancipation Of Mimi (20th Anniversary Edition) is out now via Def Jam/UMe. Find more information here.
After releasing one of 2024’s best albums with Orquídeas, Kali Uchis is already back with another one: Sincerely, from earlier this month. She just got to show the project off on national TV, too: Last night (May 30), she delivered a dreamy performance of the doo-wop-inspired “All I Can Say” on Jimmy Kimmel Live!.
In a recent interview, Uchis said of her new album, “The album is about the complexities of life and finding ways to find joy in life despite the world. Finding ways to appreciate every moment and not take life for granted. Treat every day special. It’s my most existential and honest work. It’s definitely the most beautiful body of work to me, and it’s going to be, for me, the most meaningful and impactful.”
Watch Uchis perform “All I Can Say” above and for more of her live, check out her upcoming tour dates below.
Kali Uchis’ 2025 Tour Dates: The Sincerely, Tour
08/14 – Portland, OR @ Moda Center
08/15 – Seattle, WA @ Climate Pledge Arena
08/17 – Sacramento, CA @ Golden 1 Center
08/18 – San Francisco, CA @ Chase Center
08/20 – Los Angeles, CA @ The Kia Forum
08/23 – Palm Desert, CA @ Acrisure Arena
08/24 – San Diego, CA @ Pechanga Arena
08/27 – Phoenix, AZ @ PHX Arena
08/28 – El Paso, TX @ UTEP Don Haskins Center
08/30 – Dallas, TX @ American Airlines Center
08/31 – Austin, TX @ Moody Center
09/02 – Houston, TX @ Toyota Center
09/04 – Orlando, FL @ Kia Center
09/05 – Miami, FL @ Kaseya Center
09/07 – Atlanta, GA @ State Farm Arena
09/08 – Raleigh, NC @ Lenovo Center
09/11 – New York, NY @ Madison Square Garden
09/14 – Boston, MA @ TD Garden
09/16 – Laval, QC @ Place Bell
09/17 – Toronto, ON @ Scotiabank Arena
09/19 – Baltimore, MD @ CFG Bank Arena
09/20 – Philadelphia, PA @ Wells Fargo Center
09/23 – Chicago, IL @ United Center
09/25 – Denver, CO @ Ball Arena
Sincerely, is out now via Capitol Records. Find more information here.
Steven and Ian begin this week’s episode by noting the returns of two indie-rock favorites from the 2000s — Grizzly Bear and Fiery Furnaces are both returning to the road later this year. (Given that Grizzly Bear’s Shields was recently inducted in the Indiecast Hall Of Fame, could this be evidence of the vaunted Indiecast bump?)
The guys also talk about an upcoming fall tour from Modest Mouse and Built To Spill, and weigh the catalogs of these iconic bands against each other. Then they discuss the latest song by Alex G, a teaser for his upcoming RCA Records debut LP. In the mailbag, a listener asks whether being a music critic makes it harder to be a music fan. The guys also answer an email about Sleep Token, which makes this the second consecutive episode with Sleep Token discourse.
In Recommendation Corner, Ian talks about the latest from the UK band Caroline and Steven goes for the Chicago guitarist Eli Winter.
New episodes of Indiecast drop every Friday. Listen to Episode 241 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at [email protected], and make sure to follow us on Instagram and X (formerly Twitter) for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.
Now, all of that culminates with the announcement of his debut album, the fittingly titled League Of My Own, accompanied by his next single, “Booted Up.” You can listen to “Booted Up” below. The song also appears in the trailer for the album, which you can check out up top.
Gelo’s path to rap stardom has been longer and more winding than most; he first rose to prominence not as a recording artist, but as a basketball prodigy, the middle child of the lauded Ball brothers. But while his older brother Lonzo and his younger brother LaMelo both went to the NBA, he wound up unable to gain a toehold after a couple of stints in the Association’s developmental G-League. However, after “Tweaker” took over locker rooms throughout the league this winter, he found his way to the NBA’s All-Star floor — albeit, as a musical performer rather than as one of the featured athletes. He also secured a record deal with Def Jam, which will result in his upcoming album, and performed at Rolling Loud California in a well-received set that proved he could hang with the rappers.
League Of My Own is due 6/27 via Def Jam. You can find more info here.
For the past couple of months, the incipient Song Of The Summer hopeful, “Whim Whammiee,” has steadily been rising in acclaim and recognition. The song, the creative fruit of a collab between Atlanta ratchet rap upstart Pluto and her homegirl YK Niece, is a weave-wagging, butt-bobbing sledgehammer of a street banger in the vein of GloRilla‘s “FNF” or Sexyy Red‘s “Pound Town.”
So, it’s only right that the one to seal the song’s ascent is the latter, who contributes her signature flair to Pluto’s “Whim Whammiee (Remix).” “Se-Sexyy gettin’ money / Sexyy gettin’ paid,” she yowls. “Shake my nyash, show that coochie, throwin’ bloods all in his face.”
Ever since its release in March, “Whim Whammie” has had all the hallmarks of a big breakout; it has generated over 12 million views on YouTube, sparked viral chatter all over social media, and spawned a slew of remixes from a bunch of Pluto’s soon-to-be peers, including Latto and Lizzo.
Pluto (and YK Niece) might be a relative unknown right now, but with those heavy hitting co-signs, the ascendant Atlanta native could very well be one of rap’s next big it-girls, just like the ones who’ve been remixing her hit record.
Listen to Pluto’s “Whim Whammiee (Remix)” featuring Sexyy Red above.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
