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For one reason or another, NBA players getting hit in the nuts seems to be at an all-time high during the 2023 playoffs. On Friday night during Game 3 of the Western Conference Semifinal series between the Denver Nuggets and the Phoenix Suns, Nikola Jokic became the latest player to have to deal with a shot below the belt.

Jokic came up to set a screen on Cameron Payne, who was guarding Jamal Murray. Nothing unusual happened here — Payne ran into Jokic, while Murray decided to go to his left instead of using the screen — but as Payne bumped into the former NBA MVP, his left arm got acquainted with Jokic’s groin, which led to the big fella hitting the deck in some serious pain.

Interestingly, unlike some other nut shots we’ve seen this postseason, Payne benefitted from this getting reviewed by the officials. Prior to this getting reviewed, Payne was hit with a technical foul for the contact with Jokic. But after the review, that ended up getting rescinded, and Payne was only called for a personal foul on Murray for the contact that happened after he ran into Jokic. Regardless of the penalty, we must insist that NBA players stop hitting each other below the belt.

Drop everything now! Taylor Swift‘s show has been quite the chaotic one tonight, as the pop star kicked off the first of her three Nashville dates. Between an appearance from rumored boyfriend Matty Healy of The 1975 and bringing Phoebe Bridgers out for “Nothing New,” it seems Swift had even more tricks up her sleeve — as she promised earlier in the night.

During her surprise song segment, Swift mentioned her love for planning, tossing in a subtle “speak” reference before telling the audience to direct their attention to the screen. The backdrop then changed to announce Speak Now (Taylor’s Version) will be out July 7. She then performed “Sparks Fly” and “Teardrops On My Guitar” as the two song selections.

“I first made Speak Now, completely self-written, between the ages of 18 and 20,” Swift shared to social media. “The songs that came from this time in my life were marked by their brutal honesty, unfiltered diaristic confessions and wild wistfulness. I love this album because it tells a tale of growing up, flailing, flying and crashing… and living to speak about it.”

She has also revealed that this version will have six new vault songs.

In the days leading up to the show, fans had speculated it was coming, as a lot of the bracelets at her previous shows were blinking purple (the era’s color), and the official Taylor Nation account was making a lot of song references from the record. Her website has also updated, seemingly revealing the album’s cover, which features a present-day Swift in an updated purple dress.

Swift’s last re-recording was also Red (Taylor’s Version) back in 2021, so fans had hoped for a while that another was on the way. And now it is.

Speak Now (Taylor’s Version) is out 7/7. Find more information here.

Gucci Mane is back with his brand new song, “Pissy,” and it features none other than Roddy Ricch and Nardo Wick to help deliver the attitude. The track is also produced by Avo No Sleep, Koncept-P, and Will No Sleep.

“Grandma raised me, I’m from the Westside where it get sticky, and my four wheels come with road kits / I got Elliott like I’m Missy, stack my bread up, cut the corners off, it ain’t no way you could diss me, b*tch / I got the yellow gold / I got the yellow stones and my wrist and ring / It look pissy,” Gucci raps alongside Roddy for the second chorus.

Throughout the track, the three rappers continue to showcase their extravagant possessions, women, and other vices. “Hey, put on them Daisy Dukes / Show me what that new Mercedes do / Real trap house, all the pots and pans come with residue,” Roddy adds in his verse.

Meanwhile, Nardo joins Gucci later in the track, as the two add, “They say we litty, uh, I say, ‘We ain’t lit enough’ / They say we did it, uh, I say, ‘We ain’t did enough.’”

Gucci Mane’s last project was his compilation record last year, so fans have been waiting for a possible new album — with this adding to the anticipation.

Check out Gucci Mane’s “Pissy” with Roddy Ricch and Nardo Wick above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Well. Fans at Taylor Swift‘s first of her Nashville shows tonight have reportedly spotted The 1975’s Matty Healy in the VIP tent, just days after the two were reportedly dating, according to The Sun. He’s also next to what appears to be Gracie Abrams and Julien Baker, who were also at Swift’s show this evening.

Healy had wrapped up a tour with The 1975 this week, leading many Swifties to suspect a confirmation if he actually showed up at her shows after it ended.

Then, earlier Friday night, The 1975’s manager Jamie Oborne posted a Swift-related mural to his Instagram story, adding fuel to the theories — even before Healy was spotted.

During Swift’s set at the very start, she had mentioned, “I’m not wearing sleeves but I have some tricks up them.”

Swifties on social media are now wildly reacting to the Healy spotting. “delete, a lot of people asking you to delete, its triggering for so many people, there are people that faint and feel sick, please im begging you to delete it, delete post right now, its forbidden and iIIegal in many countries to post something like that, people are crying,” one fan wrote, prompting the regular meme joke when seeing something chaotic.

“THIS WASN’T THE SURPRISE WE WANTED TAYLOR WTF,” another wrote.

Check out the photo of Matty Healy at Taylor Swift’s concert above. Continue scrolling for some more fan reactions.

Friday night’s game between the Boston Celtics and the Philadelphia 76ers was a hotly-contested affair, and in the game’s fourth quarter, a scary looking incident occurred between Joel Embiid and Grant Williams. Both Williams and Jaylen Brown tried their best to corral a loose ball, but were unsuccessful in their efforts, as both players hit the deck and couldn’t reel it in.

The two players dove for it right near Embiid, who tried his best to hop over the pair of Celtics players. That didn’t quite happen, because when Embiid went to land, his right foot connected with the back of Williams’ head, which sent the Boston forward’s face right into the hardwood.

It did not look good at all and there was a little bit of blood, which led to Williams briefly coming out of the game to get medical attention. But somehow, this must not have been nearly as bad as it looked, as Williams was able to come back into the game shortly after. The two actually discussed the moment, with Embiid apologizing and Williams saying he knew the league MVP was going for the ball.

We’ll have to wait until after the game to find out if anything happened to Williams — who Celtics coach Joe Mazzulla trusted to battle with Embiid for stretches of the game — that he was able to play through.

For Toosii‘s brand new remix of his already Top 20 hit, “Favorite Song,” he brought Khalid along for the ride this time.

“I’m on the stage right now / Singing your favorite song,” Toosii notes in the chorus, which they sing together. “Look in the crowd / And you’re nowhere to be found as they sing along.”

“Now you’re right back where you started / And it hit me the most / ‘Cause I care for you and that’s how it goes / And I’m there for you like nobody knows / Since the day I met you, I told you, I won’t turn back / I’m locked in forever and, baby, I promise that,” Khalid adds in his individual verse.

“I’m excited to have Khalid join me on this track,” Toosii said about the collaboration, according to Hypebeast. “He has such a dope and unique voice and I think it really takes an already amazing song to the next level. I’ve been wanting to collab with him on the right track for a while and I think we picked the perfect one.”

Toosii’s new album, Naujour, is also set to drop this summer — with this remix potentially finding its way onto the tracklist.

Check out Toosii’s new remix of “Favorite Song” with Khalid above.

Naujour is out 6/2 via South Coast Music Group/Capitol Records. Find more information here.

It’s not uncommon to hear something outside of your house, especially if it’s close to trash pick-up day. Raccoons and stray cats treat an overflowing trashcan like a holiday dinner, and even if you weren’t sure if you heard something or not, the torn trash bags confirm your suspicion.

This is a pretty universal experience in America, so hearing a rustle under your house typically conjures images of a trash panda that got stuck. But for one family, the noises weren’t coming from a raccoon at all. In a viral video on TikTok that has over 10 million views, a couple is outside looking for the source of the noises they’ve been hearing. The woman is filming at a fairly safe distance, while the guy investigates their crawl space.

Everything is going well. They hear what sounds like a hiss and with relief exclaim that it’s a raccoon.

They were wrong. Like pee your pants, everyone for themselves, wrong.

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As the man tries to move whatever is blocking access to the crawl space, he stands back and sprays something into the small opening. Another man is seen holding a broom to help shoo the little mask-wearing friend on its way, when the panel that closes the area starts to move, right before it busts open from the inside.

In that moment, the man forgot he had a wife and a friend. He ran as he yelled, “Oh, it’s a bear!”

If you live in an area that frequently has bear sightings, it’s important to remember that bears like to hide in dark cool places, like crawl spaces or under a pool deck. So secure your crawl spaces and other areas around your home that might make a bear think it’s a good place to take a long nap. No one wants to explain why they hurdled their kids and stiff-armed their grandma to get back into their house.

Watch the video below:

@badthingswithfunnypeople

Didn’t see that coming!😂🤣#fyp #Fyp #fypシ #foryou #fyppppppppppppppppppppppp #viral #viralvideo #viraltiktok #foryoupage #funny #funnyvideos #funnyvideo #funnyvideos😂 #funnyy #ohno #bear #bears #bearsoftiktok #uhoh #uhohspaghettios #uhohgottago #crazy #crazystory4

Usually when we think of corsets, the words suffocation, fainting and shifting organs probably come to mind.

This is certainly what Bernadette Banner has come across in the comments section of her Youtube channel, where she shares all kinds of fashion history education. The general consensus is that Victorian women were either all incredibly tiny or that they went to extremely dangerous lengths to achieve the highly exaggerated signature silhouette of the era, which was to have the bust 10 inches larger than the waist, with the hips 15 inches larger. 34-26-36, for example.

This notion is certainly backed by Hollywood, where we normally see women of that time period being laced up so tightly they can barely breathe, suffering under the crushing weight of whalebone and the patriarchy.

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As Banner breaks down in her video below, this is not entirely true. In reality, Victorian women deployed numerous different strategies that are nothing at all like we see in movies. One tactic is, dare I say, shockingly modern.

Tactic #1 Reduction

Okay, so first things first—some women did reduce their waste size through corset use alone. However, Banner notes that this really only worked for those who had a larger, softer, body type. By comparison, people with more athletic or thin body types wouldn’t be able to get much reduction in their waistline, and certainly not without effort, pain and discomfort.

“This is something that Hollywood very often misinterprets when it’s presenting historical periods,” Banner says, saying that normally a very thin actress is cast and then corseted down.

Having a naturally thin person in the role isn’t a problem, she adds, as “every body type existed all throughout history.” The real issue is that costume designers try to further reduce their waists with an uncomfortable corset to achieve an hourglass look, rather than augmenting the hips and the bust.

Which brings us to…

Tactic #2 Augmentation

Why cinch when you can stuff, amirite? This strategy is fairly straightforward

Banner demonstrates this by augmenting her own slim silhouette as she puts on a corset pre-padded at the hips and bust (though padding over the corset was also done…fashion is eternally nuanced). Since the corset is actually very flexible, she can also breathe and move easily.

From here, women would add in frills, fluffs, bustle and petticoats of varying sizes to get the desired ratio.

Tactic #3 Illusion

We’ve discussed clever placements of what goes on under the dress. But Banner explains that Victorians would also create an illusion of an hourglass with their outer garments as well. It’s not coincidence that this time period is when we had the “largest skirts in history,” Banner says. But it’s not just fluffy skirts—there were also puffy sleeves, elongated shoulder lines or shoulder padding, and special jackets, coats and belts to “trick the eye into seeing a very specific shape.”

Banner again demonstrates this scheme as she puts on her skirt with a tight waistband and wide, flat sash. Though with all the layering her waist is about an inch larger than it was before, it nonetheless looks smaller. The contrast is evident when she throws on the blouse and skirts sans the “sculptural understructures.”

Tactic #4 Image Manipulation

That’s right. You thought Photoshop was a new concept? Guess Again!

The ability to manipulate an image has been around almost as long as photography itself, and was “profuse in the late 19th century,” Banner says. Everything from waste shape to facial features to even skin texture could be altered.

Basically, just as you would never trust a too-perfect picture you see on social media, Banner warns you to similarly “never trust a picture of a Victorian. Especially when the waist looks absolutely impossibly tiny.”

And now the real question: Why do we think all Victorian women were tiny?

Banner answers that too. A major reason is the number of tiny garments that have survived from the time period. However, these pieces probably were only worn by young girls for a shorter amount of time, therefore endured less wear and tear.

In conclusion, Victorians were not ubiquitously impossibly small. They were simply masters of illusion, who created a mirage so convincing we still believe it today.

Heightened beauty standards still exist today—the rising popularity of cosmetic procedures is a clear indicator of that. While this might not inherently be a good or bad thing, more and more women are risking their health (not to mention their finances) in order to achieve that which is physically impossible. Banner argues that folks in the 21st century can perhaps take a lesson or two from Victorian women when it comes to achieving seemingly impossible aesthetic ideals without causing oneself harm.

As she astutely put it, “History teaches us that there are other options.”

You can find even more of Banner’s fascinating fashion history videos on Youtube.

After fans spotted the other members of Boygenius helping Phoebe Bridgers set up for her first night opening Taylor Swift’s Eras Tour, it was clear something was in store. And it was. Tonight, during the first of Swift’s three Nashville shows, Bridgers was joined by her fellow band members, Julien Baker and Lucy Dacus, to play some songs from their new album.

Boygenius united to perform “Not Strong Enough” which was sprinkled in after Bridgers played selections from her solo records.

From there, she performed “Graceland Too” with just Baker. Bridgers then closed out the set with the entire band by doing her Punisher breakout song, “I Know The End.” Other songs on the setlist included “Moon Song” and “Motion Sickness.”

Ahead of Bridgers joining Swift’s stacked lineup of opening acts, she also shared her excitement for the opportunity on social media. The Instagram picture featured a childhood photo of Bridgers on a tiny stage, as part of a Radio Disney “Singing Like A Star” contest — and now she is playing a massive stadium show.

For fans who couldn’t catch any of this weekend’s Nashville Eras Tour dates, there is also a chance for Boygenius to reappear, as Bridgers will also play dates in Philly, New Jersey, and Foxborough.

Check out videos of Boygenius appearing as special guests and other parts from Phoebe Bridgers’ opening Eras Tour set above.

Joel Embiid ascended to the highest mountain top that an individual basketball player can reach earlier this week, as the Philadelphia 76ers star took home the NBA MVP award for the first time in his career on Tuesday night, beating out Nikola Jokic of the Denver Nuggets and Giannis Antetokounmpo of the Milwaukee Bucks. Embiid learned he won the award that night, while Philadelphia was in Boston for Game 2 of their Eastern Conference Semifinal series. And on Friday night, Embiid got to address a raucous crowd in Philadelphia for the first time since he took home the award.

During a speech to the frenzied fans at the Wells Fargo Center prior to Game 3, Embiid received the award from NBA commissioner Adam Silver. At one point, Embiid was joined by his son, Arthur, who ran out to him while he stood at center court and moved the Sixers’ star center to tears.

“This, honestly, he’s the main reason why I’m really here,” Embiid said of his son. “Becoming a father changed my whole life. I just wanted to show him a good example and I’m glad he’s here with us.”

Beyond his son, Embiid’s parents joined him as he accepted the award.

Friday night is the first game in Philadelphia during the series, which is tied up at one game each.