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How The Kings Commitment On Defense Turned A Weakness Into A Strength In Game 2

The Sacramento Kings leave their home stand at Golden One Center up 2-0 on the Golden State Warriors, a widely unexpected result. Making the matter even more unexpected is that the Kings have largely been catapulted by a strong defensive performance.

This series has provided a remarkable inflection point of the elasticity of spacing, unbridled pace, and determined freneticism. During the earlier game on Monday, the Philadelphia 76ers turned the tide against Brooklyn’s ball screens by sitting back in a 2-3 zone, all 5 players planted inside the arc.

There are few more disparate images then the one provided by Philadelphia’s defense sitting back and what we routinely saw in Sacramento from both the Kings and Warriors, trying to combat each’s high-octane attack.

Shotmaking defined the first game in spite of incredibly active defense from both sides. Game 2 levied opposing results, as many of the “in your face” shots were further off the target. Per Cleaning the Glass, the Kings held the Warriors to 104 points per 100 possessions in Game 2, staunchly below their 116.6 mark across the regular season. That kind of improvement on the defensive end begs the question: How’d they do it?

For starters, Davion Mitchell played just over 28 minutes in the game, well above his season average and by far the most he’s played in a game in which Fox was healthy. Per Cleaning the Glass, the Kings have employed lineups featuring Mitchell and Fox for 67 possessions in their first two playoff games, which accounts for 13.2 percent of their total possessions played together this season.

Mitchell and Fox took turns pressing Curry full court, the first and perhaps most important staple in Mike Brown’s gameplan against his old team. After every make, Mitchell or Fox picked up Curry, and all the more interestingly, the Kings played a near full court man. To take away some of the gaps that the Warriors take advantage of with their quick passing, razor sharp cutting, and crips ball movement, the Kings opted to work to take away most kick-ahead opportunities and outlet passes, rather than simply sprinting back to designated spots on the floor.

The results were stunning. The Warriors were able to slip through the cracks at times to get into their quick-hitter sets, but the Kings were by and large able to ramp up the pace while also trimming the margins that higher pace can provide an offense. With tight rotations and frankly, the highest level of intensity we’ve seen from them all year, as cliche as it sounds, their pressure gave Golden State consistent trouble.

The Warriors attempted to set ball screens higher and higher, a fascinating problem-solving effort in real time, but the Kings were game. The further the Warriors tried to stretch out, the further out the Kings were willing to apply pressure. It’s not often you see a team playing out at the level of the screen at halfcourt.

Every player deserves praise for what Sacramento put forth defensively, and Domantas Sabonis was pivotal. He played extremely well out on an island, occupying on late switches if a guard got screened out of the picture, hedged onto ball-handlers, prevented middle penetration, and showed with active hands and quick feet a the level of the screen to deter actions. Fox was key as a point of attack pressure point, but his off-ball defense was huge, including a massive block at the rim late in the fourth. He often played as the main back line tagger and was huge covering ground.

Mitchell, in particular, has been essential to unlocking their entire defensive plan, starting with the aforementioned 94 feet of hell. Every straight up ball-screen for Curry against Sacramento’s bigs received a show or hedge with Mitchell running overtop the screen in rear pursuit. The two-man game to contain Curry was executed as well as one could hope against a first ballot Hall of Famer. Pressure and aggression on defense unlocks the ability to cause havoc and force turnovers, but also opens the door to create easy looks if the positioning and timing are off. If that game played out 50 times, I’m not sure the Kings could recreate that level of performance without a drop off in intensity, timing, and rotations as a whole.

The tagger was always there to catch the slipping roller, arms were always up with hands out, the physicality straddled a fine line, and off-ball defenders remained alert. It takes all five players in tune to stifle an action, and in Game 2, Sacramento’s defense was “on a string” as coaches and players love to call it.

We’ve seen it time and time again against the Warriors how they take advantage of lapses as a defense’s focus begins to wane. No, this isn’t the same team that won a title, but the principles are still there alongside the top end talent. It is so easy to get burned by a minute mistake and get exploited for a run, and the Kings deserve an immense amount of praise for 48 minutes of being stupidly locked in in a way that would draw a grin from Jimmy Butler.

In the final 5 minutes of the game, the Warriors went to their bread and butter, running staggered screens for Curry with Klay Thompson as one of the screeners. In back to back possessions, the principles we witnessed all game bore out for the Kings.

On the first play, Mitchell picks up Steph off a make and mirrors him full court. Kevon Looney and Thompson set up in staggered screens with Curry dribbling middle to set up the flare screen for Thompson to take advantage of how the Kings are defending Steph.

By having Looney as the first screener and Klay as the second, it adds a small gray area the Warriors exploit. Sabonis is staying home because he isn’t the immediate defender on the latter screen, denying the roll. Monk bumps out and switches onto Curry as Mitchell chases in pursuit. The problem is, this abandons Klay, who flares out into the slot for the open pitchback; cash.

Play 2, Mitchell once again picks up Curry full court. This time however, the Warriors angle their staggers up to open up Klay ghosting under Looney to the slot. Looney angled higher and stepping back could put Curry on an island against Malik Monk, or open up Klay Thompson again. As soon as Looney steps back, Mitchell calls out for Monk to switch, recovering back to and taking away any open pass to Klay. Monk holds his own and immediately gets a hand on Curry, keeping a wide base and not giving an angle. Curry calls for the re-screen from Looney and Sabonis shows as Monk gets caught by the screen.

Curry dragging the play as far as he can to the slot makes the recovery harder and a further distance to cover, so Fox flies up to take away the Looney roll and Sabonis extends his recovery back to Gary Payton II. The action is stifled and Andrew Wiggins sets an impromptu screen to open up Curry curling to the corner as the clock winds and he misses a contested pull-up.

It seems small, but the read and react from the Kings on the fly after getting burned the play before by a similar look was remarkably impressive. It was made more impressive by the multiple efforts and reactions to stifle the Warriors multiple times in the same possession to string them out into deep waters late in the clock.

Multiple impressive, intense, intuitive, and planned out efforts won the game for the Sacramento Kings as they put together arguably their best defensive performance of the season considering the moment. For a team that faced understandable questions about how their defense would hold up in the postseason, they’ve shown through two games that intense effort and full commitment to a gameplan can make up for what they lack in individual defensive prowess. I can’t wait to see how Golden State tries to counter and what the Kings have in store as the series wanes on. As evidenced by the double drag set, they’ll have some tricks up their sleeves for the Sacramento pressure, testing the young Kings’ commitment to their principles.

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Joaquin Phoenix Had To ‘Humiliate’ Himself And Look ‘F*cking Stupid’ For A ‘Beau Is Afraid’ Scene

Beau is afraid, but Joaquin Phoenix isn’t afraid of looking “f*cking stupid.”

While appearing on The A24 Podcast with Beau Is Afraid writer and director Ari Aster, the Joker star discussed how he prepared himself for a scene.

“It got me spinning in a panic,” Phoenix told Aster. “[I’m a] little reluctant to say this, but because it sounds so f*cking stupid and just like actor sh*t, but I remember, and I was thinking, what I did before was I did a scene, but I wasn’t really volatile. I didn’t really put myself out there. I was still nervous. In some way, I was controlling a little bit. I was controlling what people thought about me. I didn’t want to let people down.”

Phoenix remembers “realizing I had to do something that was f*cking stupid, and I just so didn’t want to do it, but I just knew. And I just started screaming, just the most intense guttural pain scream that I could before we were shooting sitting there because I had to just fully humiliate myself.” That’s when he realized that he couldn’t “look any more stupid than you do now.”

You can listen to the podcast below.

Beau Is Afraid is out in theaters now.

(Via IndieWire)

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Yung Miami Shoots Down The ‘Pee Diddy’ Golden Shower Rumor — And The Couple’s Unofficial Relationship

Yung Miami and Diddy’s relationship has been the subject of fascination across the internet for months, but the City Girl really caused a stir in January after making a salacious confession on her podcast Caresha Please. When Miami told her guest Trina that she enjoys the occasional “golden shower,” fans dubbed Sean Combs “Pee Diddy,” assuming that he shared her proclivities.

However, in a new interview with The Cut (with thanks to Billboard for the spot), Miami shot down the rumor — and seemingly confessed to the end of the relationship, just three months after the couple went “Instagram Official” in January.

“I never said he was the one I did that with,” she explained. “Sex is a part of life. I’m grown, and maybe I talk about it too much, but everybody’s got their personal experiences. Some people get sh–ted on. Some people live life on the edge, some people boring as f*ck. I watch a lot of porn, b*tches get peed on.”

But regarding the wider implications of her and Diddy’s recent public gallivanting, she was a little more circumspect. “We’re still friends!” she stressed. “We’re still good friends! But we’re single. That’s not my man. We had our own situation, I’m not gonna put a title on it. We were f–king with each other hard. We were together every day at one point. He supported me, I supported him. I’ll let the internet call it whatever they want to call it.”

Diddy has yet to respond, but as he’s an active Twitter user, a statement may not be too far off.

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The Most Refreshing Light Beers For Spring, According To Bartenders

The phrase “light beer” probably conjures some not-so-great thoughts. Pints that taste more like metallic, yellow, fizzy water than actual beer. And the truth is that, historically, light beer has been just that — a borderline flavorless, low-calorie, and low-alcohol content brew that everyone tolerates and no one loves.

Truth be told, to make a beer that’s low in calories, you often do have to settle for a lot less flavor than you’d hope. But that isn’t always the case. To find the best light beers for spring, we figured the best course of action would be to get insight from the professionals who spend their days pouring pints and asked a few of our favorite bartenders to tell us the best light beers to drink this season.

Golden Road Mango Cart

Golden Road Mango Cart
Golden Road

Andrew Bone, bartender at Viceroy in Chicago

ABV: 4%

Average Price: $12 for a six-pack

The Beer:

I thoroughly enjoy Mango Cart from Golden Road Brewing out of Los Angeles. It’s a wheat beer brewed with mango. The mango is a nice addition without overwhelming the beer into a fruit cocktail.

Tasting Notes:

This refreshing summery beer is all about the mango aroma and mango and wheat flavor. Light, fruity, and extremely thirst-quenching.

Griffin Claw Madam

Griffin Claw Madam
Griffin Claw

Cosimo Bruno, beverage curator at Daxton Hotel in Birmingham, Michigan

ABV: 5%

Average Price: Limited Availability

The Beer:

One of the most enjoyable light beers is the Madam Sorachi Ace Rice Lager by Griffin Claw. Ultra-crisp and smooth give this lager a rounded finish and a soft hop aroma. This is a lager that is easy to drink and won’t leave you feeling full.

Tasting Notes:

Crisp, sweet, refreshing, and highly drinkable. It’s the kind of beer you’d want to crack open on a hot spring day.

Miller Lite

Miller Lite
Miller

Austin Jacobs, bartender at The London West Hollywood in Beverly Hills, California

ABV: 4.2%

Average Price: $8 for a six-pack

The Beer:

The best-tasting light beer is Miller Lite. It’s crushable but not afraid of a little flavor. There’s a reason it’s one of the most popular light beers on the market.

Tasting Notes:

There’s still a malty pilsner backbone that gives it notes of toasted bread and light bitterness and makes it taste like something, something a lot of domestic light beers don’t.

Dogfish Head Slightly Mighty

Dogfish Head Slightly Mighty
Dogfish Head

Thomas Muscolino, director of beverage innovation at Landmark Hospitality in Plainfield, New Jersey

ABV: 4%

Average Price: $12 for a six-pack

The Beer:

Dogfish Slightly Mighty Lo-Cal IPA. It’s only 95 calories and 3.6g carbs without sacrificing all the hoppy flavors and tropical notes you’d expect from an IPA.

Tasting Notes:

This crushable, low-alcohol beer is high in flavor. It’s fruity, tropical, and gently hoppy. Perfect for warm spring days.

Krombacher Pils

Krombacher Pils
Krombacher

Lauren Porto, Cicerone at The Graceful Ordinary in St. Charles, Illinois

ABV: 4.8%

Average Price: $11 for a six-pack

The Beer:

Krombacher Pils is a classic 4.8% ABV light beer from Germany. Has a great crisp, clean taste that comes from the Felsquellwasser and Hallertau hops. It’s great for all occasions.

Tasting Notes:

It’s a light beer that has a great mix of fruity hop aromas that balance well with the malt taste. It’s pretty hard to beat.

Off Color Stoutling

Off Color Stoutling
Off Color

Alex Barbatsis, head bartender at The Whistler in Chicago

ABV: 3.17%

Average Price: $8 for a 16-ounce can

The Beer:

A fun light beer is Stoutling from Off Color Brewing. It’s an Irish dry stout but it’s only 3.17% ABV and 100 calories in a 12-ounce can. It’s incredibly delicious and goes down easy.

Tasting Notes:

It has all the chocolate, coffee, roasted malts, and velvety mouthfeel of your favorite Irish dry stout with a very manageable, sessionable 3.17% ABV.

Modelo Especial

Modelo Especial
Modelo

Drew Russ, head bartender at Venteux in Chicago

ABV: 4.4%

Average Price: $9 for a six-pack

The Beer:

Modelo Especial is a great light beer. Its light body profile makes it a perfect companion for the weekend Michelada. Its crisp, refreshing flavor also makes it a great accompaniment to yard games and good times with friends and family.

Tasting Notes:

Sweet malts and flavors of honey, light citrus, and floral hops make this a very sweet, easy-drinking, refreshing light beer.

Amstel Light

Amstel Light
Amstel

Mario Flores, beverage director at Maple & Ash in Chicago

ABV: 3.5%

Average Price: $9 for a six-pack

The Beer:

If I was to pick just one light beer, I would have to say Amstel Light. In my opinion, it has deeper flavors similar to malted barley and with an ABV of 3.8%, it’s a very crushable option so you can definitely enjoy a couple of these.

Tasting Notes:

Cereal grains, honey sweetness, wet grass, and lightly bitter, earthy, floral hops make Amstel Light one of the best, most crushable light beers on the market.

Alliance Club Lager

Alliance Club Lager
Alliance

Randi Savage, bar manager at RT Lodge in Maryville, Tennessee

ABV: 4.6%

Average Price: Limited Availability

The Beer:

Alliance Club Lager is a great light beer. It’s perfect for enjoying the warm spring weather out on the patio or deck. It’s crisp, refreshing, light, and oh-so-easy to drink.

Tasting Notes:

Made with four types of European hops, Club Lager is crisp, refreshing, easy to drink, and filled with citrus and floral flavors.

Dogfish Head SeaQuench Ale

Dogfish Head SeaQuench Ale
Dogfish Head

Caleb Hallman, restaurant manager at Society Cafe in New York City

ABV: 4.9%

Average Price: $10 for a six-pack

The Beer:

The best light beer for a day in the park, pool party, or beach is definitely DogFish Head’s SeaQuench Ale. I have sold this beer at many of the places I have worked, and it is always a customer favorite in the warmer months.

Tasting Notes:

On the surface, it sounds like any other summer ale: tart, sour, light ABV. However, what makes this one unique is its brewed with black sea salt. This adds a savory profile and depth of flavor you won’t find in another summer ale.

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Billy Idol Broke Down Barriers By Becoming The First Artist To Play A Concert At A Classic American Landmark

Billy Idol made history earlier this month by becoming the first to play a show at the Hoover Dam, which separates Nevada and Arizona — and is typically reserved for class field trips (and that Vegas Vacation scene). Idol’s show, held on April 8, was kept to a small crowd, with just 250 attendees.

Throughout the set, Idol played the classics like “Eyes Without A Face,” “White Wedding,” “Rebel Yell,” and more. Adding to the exclusivity of the show, he was also joined by a lineup of special guests, including Alison Mosshart of The Kills, Steve Jones from the Sex Pistols, and No Doubt’s Tony Kanal.

The Hoover Dam stop was made between Idol’s current North American tour that continues until October. Along with the unique pop-up venue, Idol will be returning to a regular Nevada-style stage as he plays a five-night residency at The Cosmopolitan. A complete list of dates and more information can be found on his website.

The performance has been recorded for a concert film coming later this year and is produced by Lastman Media, according to NME. More details about a theatrical release will be coming soon.

For now, he has shared a teaser of the show, titled Billy Idol: Live At The Hoover Dam, that includes a snippet of his “Cradle Of Love” performance.

“I’ve played a few gigs in my time,” he jokes. “But not anything quite like this.”

Check out the clip above.

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Tua Tagovailoa Reveals He Considered Retiring Due To Concussions

Tua Tagovailoa was limited to 13 games during the 2022 season due to head injuries. The former Heisman Trophy winner and No. 5 overall pick in the 2020 NFL Draft suffered concussions against the Cincinnati Bengals and New England Patriots that kept him on the sidelines, and he also made headlines when he struggled to walk off the field against the Buffalo Bills earlier in the year, although the team said that was due to a back problem.

The one against the Bengals, in particular, led to controversy, as Tagovailoa had to be carted off the field and the league responded with changes to its concussion protocol. And during a meeting with the media on Wednesday, Tagovailoa revealed that he mulled walking away from the NFL altogether.

Via ESPN:

“I considered it for a time, having sat down with my family, having sat down with my wife and having those kind of conversations,” Tagovailoa said. “But it would be really hard for me to walk away from this game with how old I am, with my son.

“I always dreamed of playing as long as I could to where my son knew exactly what he was watching, that he’s watching his dad. It’s my health, it’s my body and I feel like this is what’s best for me and my family.”

Tagovailoa went on to say that he spoke to experts who assured him that “CTE wasn’t gonna be a problem.” Tagovailoa completed 64.8 percent of his passes last season for 3,548 yards, 25 touchdowns, and eight interceptions with a league-best 105.5 passer rating.

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Is ‘Yellowstone’ Ending After Season 5?

There have been a lot of questions regarding the future of Yellowstone, mostly asked by your father or great-uncle who lives out in Missoula. While the Taylor Sheridan extended universe is just beginning, it seems like the flagship show is coming to a close, according to a report from The New York Post.

Sources tell The Post that the series has had a slew of problems after dominating TV screens last year. “Taylor spent years not being truly appreciated in Hollywood,” the source said, “and now that he’s the top of the heap, there’s definitely some ego to all of this.” In addition to creating Yellowstone and its many spinoff shows, Sheridan also co-created Tulsa King and Mayor Of Kingstown, so it’s clear he has a lot on his plate, in addition to Kevin Costner’s difficult shooting requirements.

“Taylor is overburdened and Kevin made himself available at the beginning of the year, but again, nothing was ready,” a source alleged to The Post “Kevin had already committed to making his other movies. He had given the producers his schedule.” Rumors of even more tension came about when half of the cast didn’t appear at a panel that they were scheduled to be at.

With Sheridan juggling multiple shows and Costner reportedly having one foot out the door, it seems unlikely that Yellowstone will get a sixth season. The first half of season five wrapped up in January, and production has been at a stand-still since, with Costner’s shooting schedule being one source of tension. Meanwhile, many of the show’s stars have tried to ease the minds of the fans, with not a lot of success.

Of course, nothing has been confirmed by the studio, who still insist that everything is fine and dandy over there, but it doesn’t seem like a sixth season will ever come to fruition. Sources also explained that the looming Hollywood writer’s strike might give Costner and Sheridan time to come to an agreement.

While Yellowstone might be coming to a close, the Dutton family will continue to thrive in other areas. Matthew McConaughey is gearing up to head to the ranch with his own show, assuming he is still acting after he changes the lives of millions with his groundbreaking seminar about life. Yellowstone might be ending, but the dawn of McConaugheyVerse is just beginning.

(Via The New York Post and Decider)

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Jack Harlow And Lil Dicky Have Beef (‘A Whole Slab’) In A Hilarious New ‘Dave’ Teaser

As the ongoing third season of Dave rolls on, Dave Burd/Lil Dicky is recruiting more and more celebrity firepower to guest-star in episodes. Rick Ross and Killer Mike popped up in last week’s show, for example. Now, Dicky is teasing what promises to be a fantastic Jack Harlow appearance.

A teaser video shared today (April 19) shows an encounter between Harlow and Dicky (who have been compared before) at what looks like the Met Gala. Harlow sniffs Dicky and tells him, “You stink a little bit: I like that.” Dicky retorts, “I see that you put on platform shoes to appear 6-foot-5.” Harlow replies while holding his crotch, “You want beef? ‘Cause I got a whole slab.”

Elsewhere, Rachel McAdams, Travis Barker, and Don Cheadle also make brief appearances in the clip.

A new episode is set to premiere tonight, so it appears we’ll get a look at Harlow (and McAdams, Barker, and Cheadle) on Dave soon.

In a recent interview with Uproxx, Dicky explained why he wouldn’t have wanted to be in Harlow’s White Men Can’t Jump remake, saying, “For me to be in a basketball movie, I would have to really dedicate my life to the game. If I’m going to be in a full-length motion picture about basketball, I would just care so much about just the footage of me, and that would require dedicating my life to the game. And I don’t think I can do that right now.”

Check out the teaser clip above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Arlo Parks Craves A Sweet Reunion On Her Upbeat New Song, ‘Blades’

Arlo Parks’ much-anticipated second album, My Soft Machine is imminent. Today (April 19), she has shared a new song, “Blades” from the album.

“Blades” is a more upbeat track than the previous two singles, “Impurities” and “Weightless.” On the track, she imagines reconnecting with an old friend from the past, longing for a sweet reunion.

“I remember there was something strangely romantic / In our friendship, we were dramatic / I wept in your arms / Talking for hours on thе gravel, letting our backs burn,” she sings on one of the song’s verse.

Parks revealed that she was inspired by the idea of reaching out to someone she hadn’t seen in a long time.

“I imagine this moment at a party where you see someone across the room that you haven’t seen in a while,” said Parks in a statement, “you felt yourself growing apart, and you’re like, should I, should I not? And then you find the courage to approach them. That’s the story of that song.”

The song was produced with Paul Epworth, who crafted a groovy track comprised of nu-disco loops and synths. This is one of three songs Parks and Epworth created together over the course of five days.

“Paul is just a wizard,” said Parks. “He has this childlike spirit that I’ve always really loved and he brought that to ‘Blades.’ I wanted to make something that I can dance to, finally, because I feel like my songs don’t really have that quality in general. So, I took inspiration from bands like ESG, artists like Kaytranada, and a lot of the kind of ’70s Zambian psychedelic rock that I love.”

In the song’s accompanying video, Parks embraces a helmeted stranger on a motorcycle, while imagining a colorful, harmonious world in which the lyrical reunion takes place.

Check out the video for “Blades” above.

My Soft Machine is out 5/26 via Transgressive Records. Find more information here.

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Drake Is Facing A Potential Lawsuit For An Unapproved Sample On ‘Calling My Name’

Drake is facing a new possible lawsuit, after a Ghanian musician Obrafour has claimed that “Calling My Name” samples his song without permission. As Rolling Stone points out the lawsuit claims Drake’s Honestly, Nevermind album uses “elements” of Obrafour’s 2003 song “Oye Ohene (Remix).”

The filing claims that while Drake’s team sent two clearance emails to Obrafour to approve the sample the week before the surprise album dropped, he “had not yet responded” with his permission.

“Nonetheless, the Infringing Work is one of the songs appearing on the Honestly, Nevermind album, as released to the world by ‘surprise’ on June 17, 2022,” the lawsuit states. “The copying of the Sampled Phrase in the Infringing Work is so direct in nature that the audio of the Sampled Phrase heard in the Infringing Work contains little or no audible manipulation, processing, or other alteration to its original character as heard in the Copyrighted Work.”

Because of this, Obrafour is seeking at least $10 million, given “all profits and damages in the following categories attributable to the infringement” for “Calling My Name.”

“To date, over the mere 304 days that have elapsed since the Infringing Work was released, the Infringing Work has already been streamed over 4.1 million times on YouTube, streamed over 47,442,160 times on Spotify, and streamed tens of millions of times on Apple Music,” the suit adds.

Drake’s team did not return the publication’s request for comment.