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Top Chef World All-Stars Power Rankings, Week 6: The Return Of Champagne Padma

Note: This is my second-to-last Top Chef Power Rankings post for Uproxx. Follow me on Twitter and/or Patreon for updates on how to find them after that! I hope you enjoy reading them as much as I enjoy writing them.

Every Top Chef season seems to have at least one thoroughly infuriating episode that makes you throw down the remote and swear you’re done with this foamy spectacle once and for all (before you inevitably come crawling back, apologizing to every veloute and gastrique along the way, begging them to once again amuse your bouche). That was this week.

For one thing, it didn’t even have an ending! After a “supersized” 75-minute episode, these bastards really had the gall to end on a cliffhanger. 75 minutes and no conclusion? You have broken the producer-viewer emulsion of trust once and for all, sirs. I said good day!

Okay I’m back. I chopped some shallots into miniscule cubes to help me calm down a bit. In fairness, this episode did have an elimination, it just occurred at the beginning of the show. That was in part two of the two-part finale of Last Chance Kitchen, part one of which aired (streamed?) last week, pulling exactly the same “tune into a different show to see the exciting conclusion” trick as this episode.

We learned this week, following a mostly unnecessary cold open in which Padma showed up at the cheftestant hotel to tell them to come down stairs for a surprise — oh my gosh, PADMA, HERE!? — the last two surviving chefs from Last Chance Kitchen — Dale aka Johnnycakes, and Begoña aka Tílde Thwintón — would be competing against each other for the honor of returning to the show, in an epic showdown pitting tea tower against tea tower. (Can you believe that was all one sentence? I may need to cube some more shallots).

And actually, this challenge was far more infuriating than the fact that this episode didn’t end with an elimination. The two chefs were given ONE HOUR to create a tea tower that included two finger sandwiches, a scone, and a pastry. I’m sorry, but what the hell kind of stupid ass challenge is this? One hour to make multiple pastries? I thought this was Top Chef, not World’s Speediest Baker.

I genuinely hate this as a challenge because it makes me wonder, who would ever need to make multiple pastries in an hour, and what would doing so even prove? This is the exception that proves the rule that “art thrives on limitation.” This limitation sucked the art right out of there. In the end the challenge hinged, naturally, not on who was the most creative or made the best food or had the best concept, but who could actually complete the stated challenge. A test of endurance!

That ended up being Johnnycakes. And sure, maybe I’m a little bitter that my week one top seed is out of the competition, thus proving me a fraud (let the record show that I did correctly pick the winner in episode one last season)… BUT. I think a lot of my annoyance stems from the genuine heartbreak I felt watching Begoña fail to get all of her food on her plates. I felt my stomach drop the same way it did when I’d drop a plate or burn something when I actually worked in a kitchen, which I haven’t done in almost 20 years. I don’t need this kind of verisimilitude in my life, thank you! I give the verisimiddle finger to that!

It genuinely hurt to watch an insanely talented chef who makes whimsical space food (the cream anemone, never forget) have to leave the show because she was 10 seconds late on making two pastries in an hour. Ughhhhh. I guess it’s a credit to the producers for making me care this much. I’ll never forgive the bastards.

After that it was off to Downton Abbey, which is actually called Highclere Castle, for a picnic challenge. British picnics are a lot like American ones, only without all the precocious bears trying to yoink your basket. This also allows me to post one of my all-time favorite SNL digital shorts, “Downton Abbey if it was on SpikeTV.”

Dear olden times, you’re boring.

The chefs split into teams, and, granted immunity, Dale got to choose which team he wanted to be on. They each had 200 pounds to spend at Fortnum & Mason, da personew grociah uv da qween! As well as another 250 pounds to spend at Whole Foods, more like Whole Paycheck! (sorry, had to) All with the goal of creating a team picnic meal, which would “hold well, serve at room temperature, and be easily eaten,” according to Tom Colicchio.

It ended up being fun challenge, mostly because Padma was drinking champagne the entire time. Sharp-eyed viewers may have noted that she seemed at least medium wreck’d for most of the segment. Champagne Padma was first introduced in 2020 and has become probably this show’s best recurring character — characterized by laughing at her own asides, barely getting through critiques without breaking into giggles, and demanding more champagne. I love Champagne Padma. Almost enough to forgive this being a “to be continued” episode.

The Teams

Yellow: Gabri, Tom, Sylwia, Amar, Ali.
Blue: Sara, Charbel, Nicole, Victoire, Buddha, Dale.

Results

“Quickfire” (not really) Top: Dale.
“Quickfire” Bottom: Begoña**.

Elimination Top: Nicole*.
Elimination Bottom: Sylwia. Tom.

*Winner. **Eliminated.

Rankings

12. (-1) ((Eliminated)) (((Again))) Begoña Rodrigo

Begoña Rodrigo
David Moir/Bravo

AKA: Tílde Swintón. Beach Mom. Thtevie Nickth.

As I said above, I was legitimately sad about this elimination. Not necessarily because I like Begoña so much better than Johnnycakes, it just didn’t seem like she got a fair shake. She actually finished finger sandwiches, scones, and eclairs in an hour, and she didn’t even get to serve the eclairs, all because she couldn’t get them on those fussy stacked plates in time. She needed maybe 10 more seconds! That just seemed unnecessarily cruel. Besides, she’s Spanish. You can’t ask a Spaniard to do something on a schedule, that’s like asking a deer to ride a bike.

I admit, I did kind of get a kick out of Begoña frantically running towards her towers with an armful of plates, running into the cameraman, spilling the plates onto the floor where they broke, and then deadpanning “The plates are break.”

The plates are break indeed. I’ve never seen someone go from manic to dead calm in a split second like that, it was a little unnerving.

That being said, not only did Begoña not get her dishes plated in time, the judges didn’t seem to much care for her crab sandwiches either. “I couldn’t tell if this was crab or tuna at first, which seems like a bad thing,” said Padma.

I really hope that was lump crab meat from the fridge or the canned stuff from the pantry (presumably the latter, judging by the fact that it tasted like tuna), because if they made this lady deshell crab, bake scones, and make eclairs from scratch in an hour they should be in prison.

Ah, well, alas. Begoña is gone, supposedly, but I don’t quite believe it yet. I haven’t gotten to the acceptance phase of grief yet.

11. (-2) Sylwia Stachyra

Sylwia Stachyra
David Moir/Bravo

AKA: Auntie Claus. Potato Girl. The Bone.

I didn’t want it to be true, but I can only ignore the writing on the wall for so long: it seems our precious Potato Girl is not long for this competition. She said she was making sü borek this week, which, if you have some Armenian ancestry like me, is a sort of baked mac-and-cheese kinda dish made with noodles or fillo dough. Polish Sylwia explained that the “sü” means “wet,” denoting some kind of wet pastry, which she then compared to the English sausage roll, which is notably not wet. “Only I’m gonna make it like a muffin,” she added.

“Sometimes when we’re eating sausage roll on picnic we think it would be nice to have a sauce what we can dip in,” she went on.

Okay, so wet pastry, which is like a sausage roll, that’s also going to be a muffin, but also it will have a built-in sauce? I think I’m following along, but juuuust barely.

Sylwia’s sauce? Lemon posset, which is apparently like lemon curd. Okay, now you’ve lost me.

Su borek
Bravo

“That’s weird,” said Tom.

“It tastes like lemon curd,” added a baffled Padma.

“Confounding,” commented Gail Simmons.

Potato Girl is usually the queen of comfort food, but this might’ve been one of the weirdest dishes ever served on this show, and there have been some doozies. She goes into a head-to-head showdown with Fuckboi Tom in Last Chance Kitchen, and I have to think he’s the favorite.

10. (-3) Victoire Gouloubi

Victoire Gouloubi
David Moir/Bravo

AKA: Al Dente. Minute Rice. Steven Seagal. Three’s Company. Pulp Fiction. Backstory.

Victoire has been all over the place in this competition, and after consecutive episodes detailing her insane journey from refugee to dumpster diving culinary student to acclaimed chef and Top Chef winner who speaks seven languages, she didn’t get much screen time this week. Other than to denote that she would again be sharing a kitchen with chefs cooking with walnuts, which almost killed her two episodes ago. I hope she’s getting hazard pay.

Victoire
Bravo

Victoire made a foie gras cabbage roll, which looks elegant enough, but most of the judges found too dense. I love foie gras, but I don’t know if a big tube of it is its ideal form.

9. (-1) Gabri Rodriguez

Gabri Rodriguez
David Moir/Bravo

AKA: The Black Pearl. The Mongoose. Wile Y. Coyote.

One of the low-key worst parts of this episode was watching Fuckboi Tom, who had just spent 160 of his team’s 200-pound budget on 20 pounds of seafood, caviar, and avocados, talk Gabri out of buying sesame seeds. Sesame seeds! How expensive could those have been?

Gabri ended up making this:

Gabri
Bravo

Those are some of the most adorably chopped shallots and cucumbers I’ve ever seen. It also looks pretty good. Unfortunately, Gabri had to explain its multiple-part construction to the judges, and the tostada ended up breaking the second they tried to bite in. I’ve had a lot of seafood tostadas, and in my experience, this basically always happens. Mexicans mostly just seem to accept that such is the way of tostadas. The tostada is break.

The stiff upper lips of limey land were making no such concessions, unfortunately, and Gabri only narrowly missed the chopping block. If I could play Monday Morning Chef here, I feel like if Gabri would’ve just served this as a ceviche and had the judges dip their crispy tortilla in there like chips and dip instead, they would’ve loved it. Have you watched this show before? Top Chef judges are demons for ceviche.

8. (+2) Nicole Gomes

Nicole Gomez
David Moir/Bravo

AKA: Clawhoser. The Contessa. Kindergarten Cop.

Ay, check out the big win for Kindergarten Cop! This came as a huge surprise, because my first thought when Nicole decided she was going to make a nicoise salad was, “Wow, that sounds boring as hell.”

And my reaction was nothing compared to Tom Colicchio’s when he found out Nicole was making it with salmon instead of tuna. I thought he was going to start flipping over tables! Nothing makes these snoots madder than a petty squabble over nomenclature.

Nicole
Bravo

Instead the judges ended up loving it, which I have to think was partly a function of all Canadians knowing exactly how to cook a salmon, and partly that it sounded so boring that when it was actually good, everyone was pleasantly surprised. A big win for lowered expectations!

Maybe Nicole deserves a bigger bump in the rankings, but I’m not quite ready to give it to her. Probably it’s just misdirected anger towards all my elementary school teachers she reminds me of.

7. (-3) Tom Goetter

Tom Goetter Top Chef World All Stars
Bravo

AKA: Meekus. Sprockets. F*ckboi Tom. Spotted Ox Hostel.

I can’t decided whether I love Tom or love to be annoyed by him. I actually rolled my eyes this week when he pulled out his junior high science fair molecular gastronomy kit again this week.

Tom’s justifications for all of it seemed even more ridiculous. Whomst among us could quibble with the unassailable logic that sometimes olive oil makes a salad too oily?! Solution? Turn it into a dust, of course. Everyone loves eating dust!

pacojet The menu
Bravo

This was all in the service of a “cioppino salad” that Tom initially figured would “cost maybe 20 bucks.”

This “cioppino salad” (a what now?), which included such classic cioppino ingredients as caviar and avocados, ended up burning 160 of his team’s 200 pound budget, all for a baffling dish whose main ingredient seemed to be tomatoes. He turned the caviar, one of the most defined-by-its-delicate-texture ass ingredients in existence, into a chip. To top it all off, he introduced it with an even more baffling sentence, “When I do barbecues, usually we do cioppino…”

Tom dish
Bravo

The judges were even angrier at this weird ass dish than I am. Tom goes up against Sylwia in a head-to-head elimination match he’s probably going to win.

6. (even) Charbel Hayek

Charbel Hayek
David Moir/Bravo

AKA: Soup Nazi. Sir Davos.

The Onion Knight made some dips this week. Literally some dips, with a cute lil’ crudité platter. He seemed to think this was a “brave” choice, and amazingly, the judges agreed with him.

Charbel
Bravo

So, so brave.

I dunno, man. That must’ve been some pretty good goddamned hummus, because if someone served me that and called it lunch I’d be stomping off that picnic blanket in a huff.

5. (+7) Dale Mackaye

Dale MacKaye
David Moir/Bravo

AKA: Johnnycakes. Lance Farmstrong. Minor Threat. Deviled Egg Dale.

Ayyy, check out the big win for Dale! Our favorite Sasketchawiener is back, baby!

Okay, I was maybe a bit unfair in characterizing Dale’s victory in the Last Chance Kitchen finale as a Begoña screwup. Dale did actually manage to do all of that in an hour, complete with a scone that actually looked pretty good. After that impressive showing, we were treated to a little “better know your Dale” editing package, complete with clips of a younger Dale being a bit of a tyrant in the kitchen. I call it the “I used to be a piece of shit” montage.

Piece of shit
Netflix

Spiked up blonde hair, little bitty jeans, chicken spaghetti at Chickelittis…

Luckily, Dale chilled out over the years, thanks to getting really into triathlons. As I always say, extreme distance running is a great way to take all that anger and really channel it into avoiding your family.

Anyway, Dale returns to the power rankings all the way up at number five. What can I say, he crushed it this week, first by working his ass off in the tea tower challenge and then by playing it smart. Knowing he had immunity, Dale made a deviled egg, arguably the greatest no-brainer picnic dish of all time. Even a bad deviled egg is still pretty good. I don’t think I’ve ever eaten less than six of them. Not only that, Dale symbolically exorcised his egg demons from week three, when he went home for a sub-par Scotch egg.

Deviled egg
Bravo

Now that the old egg magic is back, Dale looks to be a force to be reckoned with.

4. (-2) Ali Ghzawi

Ali Al Ghzawi
David Moir/Bravo

AKA: RRR. Maui Wowie. The Strain. The Ghizza. Muhammara Ali.

Ali telling the team he wanted to make a “nice mezze platter” was almost as predictable as Tom breaking out the agar-agar chemistry set. The difference being that everyone generally seems to enjoy Ali’s mezze. Much like Charbel, the Jordanian Heartthrob also basically made a dip, but at least Ali made a creative vessel for his.

Ali muhammara
Bravo

A muhammara lettuce wrap? Hey, why not. Probably my biggest dilemma in this week’s ranking is who is on top between BFFs Ali and Amar.

3. (+2) Amar Santana

Amar Santana
David Moir/Bravo

AKA: Big Sleazy. Laughtrack. Hibbert. Flava Flav.

Big Sleazy has spent most of this season bigging up his fellow contestants, laughing supportively at their crap jokes and hyping up Ali like Ali’s personal Flava Flav. He opened this week in much the same fashion, trying to counsel Chef Gabri from the perspective of an older guy who’s been there. Amar really does seem like the most care-free Top Chef contestant since Sheldon Simeon. When the other chefs started sprinting around the fancy grocery store, Amar just laughed. “Haha, I’m not running.”

You could do worse, in terms of mantras. All Americans could take a lesson from Amar.

He ended up dedicating a flan to his mother, which the judges loved, and there’s a good chance he would’ve won the challenge if he hadn’t been on a team with Sylwia and Tom. That’s two or three solid performances in a row for the Dominican Chillnado.

Amar Flan
Bravo

2. (+1) Sara Bradley

Sara Bradley
David Moir/Bravo

AKA: Party Mom. Reebok. Sassparilla.

Again, basically a dead heat between Sara, Amar, and Sylwia in terms of who on the show seems like the best hang. Whereas Sara has mostly avoided screwing up until now, this week seemed like a genuine triumph. If this week’s dishes had been a menu, my first order would’ve been Sara’s charcutified broccolini with a bullet.

Sara
Bravo

That looks good, even if one bread pie eater thought it was “too big.” Sorry, Nigel, that there is a Kentucky small.

Anyway, normally I wouldn’t say I’m the world’s biggest broccoli fan, but broccoli as a vessel for aged cheese, pig fat, cured pig, and truffles? Giddy up. With this dish, Sara breaks into the top two.

1. (even) Buddha Lo

Buddha Lo
David Moir/Bravo

AKA: Moneyball. Double Down. Big Data. Buddha.

Another week without a win for Buddha, another week on top of my power rankings. How to explain? Well, last week I only had Buddha at number one, mostly for lack of anyone else to put there. If Buddha had had another bad week this week, I easily could’ve put Sara, Amar, or Ali in this spot.

Only this week, it felt like Buddha sleepwalked through the challenge and still easily could’ve won. In fact it seemed almost like they were giving him the Cate Blanchett treatment aka the Meryl Streep treatment aka the Olivia Colman treatment (some day it will be the Barry Keoghan treatment). That’s when Olivia Colman doesn’t win an Oscar because she’s so good always and in everything that people just sort of expect it now. Then when she does it again (like in Empire of Light, which was mostly average but she was incredible) it’s so unsurprising that no one really thinks to give her an award. That’s kind of the way it felt with Buddha this week.

Buddha
Bravo

He made a banoffee pie contained entirely inside a banana shape, which is somehow obvious, inspired, and too cute by half all rolled into one. Banoffee pie is such an easy, great dessert, and Buddha found such an easy, great way to reinvent it, which was novel and yet straightforward, that all anyone really had to say about it was “yep.”

Of course, no food is ever that obvious — it could’ve been soggy, underseasoned, overseasoned, hard to eat, etc, etc — and so it’s a testament to Buddha that he made it look that obvious. Moneyball, man. The other chefs are going to need a lot more comfort food challenges to take him down, and I don’t see that happening much in a London-based competition where they’ve already done pub food.

Follow me on Twitter and Patreon so you can find these Top Chef posts! Only one more on Uproxx!

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There Aren’t Many Sex Scenes In Quentin Tarantino’s Movies Because They Aren’t Part Of His ‘Vision’

With his deep and abiding love of exploitation films and the wanton wet work in his own filmography, it’s always been a little odd that Quentin Tarantino rarely includes sex with his violence. Speaking with Spanish journalists at Diari ARA (via Variety), the 9-time director explained why.

“It’s true, sex is not part of my vision of cinema,” Tarantino said. “And the truth is that, in real life, it’s a pain to shoot sex scenes, everyone is very tense. And if it was already a bit problematic to do it before, now it is even more so. If there had ever been a sex scene that was essential to the story, I would have, but so far it hasn’t been necessary.”

The answer itself is a mix of pragmatism and artistry, and it makes perfect sense. His films have almost always been about power, cruelty, and bullets than they have about coitus. Less getting together and more tearing people apart.

Besides, try to think of any of his movies where a sex scene might have served the story, as his rubric calls for. It’s not that easy. There’s certainly no reason to cram one into Reservoir Dogs or Inglourious Basterds, and the flirtatious passion of characters like Vincent and Mia or Shosanna and Marcel work far more marvelously than a sex scene would.

Tarantino is currently prepping his 10th and ostensibly final film as a director, aiming to shoot this fall for a project focused on a film critic in the 1970s. Naturally, it signals one last chance to avoid putting sex in a movie.

(via Variety)

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Michelle Yeoh Honored Her Mom By Bringing Her Oscar Back Home To Malaysia

Carrying the mother-daughter feels from Everything Everywhere All At Once into real life, Michelle Yeoh thanked her mother during her Oscar acceptance speech, saying, “I have to dedicate this to my mom, all the moms in the world, because they are really the superheroes, and without them, none of us would be here tonight.” She also promised to bring the award back home to Malaysia.

Not only has she done it, she got a fantastic photo of her adorable mom Janet holding the Academy Award statuette to boot.

In her post, she said: “Brought Mr. O home… Without my parents love and trust and support…I wouldn’t be here today…love so much.”

Yeoh’s father, Datuk Yeoh Kian Teik, died in 2014, and she brought the statue to his gravesite to honor him as well.

Obviously, the Daniels‘ film, which won Best Picture and six other Oscars last month, revolves around a daughter’s relationship to her mother as both navigate what they mean to each other, so it’s especially touching that Yeoh has shared this achievement with her parents. No word on whether she gave her mom commemorative hot dog fingers or a big box of googly eyes, though. It might be tough to return home as an Oscar-winning movie star only to hand your mom a pet rock.

(via The Hollywood Reporter)

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The FBI Recruits Kate Mara And Brian Tyree Henry For The ‘Class Of ’09’ Trailer

An FBI thriller with Brian Tyree Henry and Kate Mara? From one of the creators of American Crime Story? Questioning the justice of the present and the potential justice of the future? Yes, please.

Class Of ’09‘s trailer gives us a hint of the tone of this crime drama and the scope of how each of the characters joins as outsiders under the FBI banner and then spreads their wings (or plummets to the ground) after their training ends. It’s got a hint of The Recruit, but the emphasis feels squarely on the dramatics and messy human interconnectivity instead of pure twisty goodness.

Here’s the official synopsis:

Class of ’09 follows a class of FBI agents set in three distinct points in time who grapple with immense changes as the U.S. criminal justice system is altered by artificial intelligence. Spanning multiple decades and told across interweaving timelines, the series examines the nature of justice, humanity and the choices we make that ultimately define our lives and legacy. The series stars Brian Tyree Henry as ‘Tayo,’ one of the most unorthodox agents to ever join the bureau, and Kate Mara as ‘Poet,’ one of the most successful undercover agents of all time.”

The series, which hits FX May 10th, also stars Sepideh Moafi, Brian J. Smith, Jon Jon Briones, Brooke Smith, Jake McDorman, and Rosalind Eleazar.

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Dracula Goes Sailing In The ‘Last Voyage Of The Demeter’ Trailer

This movie has been a long time in the making. Bragi F. Schut wrote the first screenplay for The Last Voyage Of The Demeter in 2002, and the project has been on a cursed ride through development hell ever since. Directors like David Slade and Neil Marshall, and actors like Noomi Rapace and Ben Kingsley have been attached throughout its 20-year sailing, and it’s finally come into port under the captaining of Trollhunter director André Øvredal, who has a keen eye for outstanding visuals that blend practical and virtual effects. That’s clear here in the trailer, where it’s all too easy to feel like you’re on board the damned ship, rocking and fearing for your life.

The story is an expansion of the “Captain’s Log” chapter in Bram Stoker’s Dracula, wherein a crew is chartered to bring mystery cargo from Carpathia to London. Bad news about what’s inside one of the boxes.

It’s a sequence Dracula fans will know well that was brought to especially potent life in the 2020 British series Dracula, but it’s an intriguing idea to stretch the events further and focus so much on the people aboard as they face an unstoppable evil.

The Last Voyage Of The Demeter (spoiler right there in the title!) stars Corey Hawkins, Aisling Franciosi, Liam Cunningham, and David Dastmalchian. It hits theaters August 11th.

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Have you noticed your favorite shows don’t look as good as they used to? This viral post explains why.

For fantasy fans, it truly is the best of times, and the worst of times. On the bright side—there’s more magic wielding, dragon riding, caped crusading content than ever before. Yay to that.

On the other hand, have you noticed that with all these shows, something feels … off?

No, that’s not just adulthood stripping you of childlike wonder. There is a subtle, yet undeniable decline in how these shows are being made, and your eyes are picking up on it. Nolan Yost, a freelance wigmaker living in New York City, explains the shift in his now viral Facebook post.

The post, which has been shared nearly 3,500 times, attributes shows being “mid,” (aka mediocre, or my favorite—meh) mostly to the new streaming-based studio system, which quite literally prioritizes quantity over quality, pumping out new content as fast as possible to snag a huge fan base.

The result? A “Shein era of mass media,” Yost says, adding that “the toll it takes on costuming and hair/makeup has made almost every new release from Amazon, Netflix, and Hulu have a B-movie visual quality.”

He even had some pictures to prove it.


Yost first addressed the Amazon Prime Series “The Rings of Power.” One of the many, many things that makes Peter Jackson’s “The Lord of the Rings” trilogy so iconic is the costumes. But that legacy was the direct result of dedication to detail.

“The production spent years hand-making every single piece of armor with real metal, hand-dyeing all-natural fiber fabrics, and designing distinct embroidery and hairstyles specific to each race in Middle Earth that had continuity through the story,” Yost wrote.

He added, “the natural dyes and dedicated layers of fabrics for elves, for hobbits, wool/dyes, and for men had a much more muted/medieval look, yet ethereal because of the slight detail you don’t really notice, but the depth draws your eye to every inch of the costume regardless.” This, he says, is why those three movies stand the test of time.

Compare this to the two images from “The Rings of Power,” below. In one photo “they barely scrapped together an unnaturally gilded scale mail breastplate and just screen printed a stretched long sleeve shirt to match underneath, all over a skirt in a single layer of a warped poly skirt.”

rings of power, house of the dragon

The other image shows “they just saved money on an Elven wig altogether for a 2022 pompadour, with a velvet pleated priest smock (with crushed parts not even steamed out), and a neckline that isn’t tailored to fit like we’ve seen previously with Elrond or Celeborn.”

Yost then moved onto HBO’s “House of the Dragon.” Arguably even those who have never seen a single episode of its predecessor, “Game of Thrones,” would still recognize Daenerys Targaryen for her platinum white hair—an attribute that Yost notes was quite expensive.

got hbo

He explained that for the show’s final season alone, Daenerys’ wigs most likely cost tens of thousands, requiring human hair to be custom made into multiple wigs.

Luckily, there was only one character with that signature look in the show. For “House of the Dragon,” however, with a cast almost entirely made up of silver-haired brooding powerhouses, Yost surmises that due to budget constraints, the creators opted for synthetic wigs.

You can see below the problem this cost-cutting decision makes in terms of authenticity.

house of the dragon, house of the dragon wigs

“Synthetic hair reflects light throughout the whole hair shaft and it tangles extremely easily,” Yost writes. “With any shot where a character isn’t actively moving or is performing dialogue and the hair isn’t being actively smoothed down every couple of seconds between shots, each flyaway is going to show up on camera if there’s any indirect lighting and look messy. Not only that, synthetic hair is also twice as thick per strand than human hair, so regardless of that the wigs are going to look bulky in an uncanny valley sort of way.”

This affects not just sci-fi and fantasy, but other genres meant to transport viewers into other worlds, like period pieces, which Yost points out with a picture from “Bridgerton” by Shonda Rhimes.

bridgerton

“It’s obviously not meant to be historically accurate, which is totally fine,” he writes, but without important details or embellishments or even proper undergarments to make the clothes fit well, everything looks like a slightly more expensive Halloween costume.

Yost’s insightful post really shines a light on what audiences are having to trade off for the sake of constant output. The phrase “done is better than perfect” takes on a new meaning altogether as studios race to meet a deadline with whatever is easiest to mass produce. But if viewers are so easily taken out of these stories because of noticeable corner cutting, then perhaps it’s a sign that what we really want and need are stories worth waiting for, ones that truly pull us in and leave us captivated. This is no easy ask, for studio execs or customers alike (I too am a voracious binge-watcher), but as we can see in these examples, the most valuable experiences rarely, if ever, come from rushing.

This article originally appeared on 9.10.22

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Jessie Ware Is Ready To ‘Begin Again’ As She Shares Another Shimmery Single From Her Upcoming Album

Jessie Ware has dropped the third single from her forthcoming new album, with “Begin Again.” The dreamy, disco-influenced song was inspired both by Ware’s recent work and her time in Brazil. It was also one of the first things written for her record.

“‘Begin Again’ is where this album started,” she shared, according to Line Of Best Fit. “On a miserable afternoon during lockdown, James Ford zoomed Shungudzo and Danny Parker in Los Angeles. They were just waking up, it was already dark in London. Frustrated yet completely focused, we set about writing in a new – and unnatural – way over the internet.”

“Dreaming of human touch, escapes to Brazil, beach bodies, holiday romances, all of it!” she added. “I absolutely adore this song and I’m so excited for you to hear it, to hear the beautiful production by James and horns by Kokoroko, it’s the song that I knew I wanted to make as soon as I finished ‘Remember Where You Are.’”

The music video for Ware’s latest song was directed by Charlie Di Placido. It finds her and various background dancers just having a great time to keep with the carefree energy. Oh, and there’s also some fun costume changes throughout.

Listen to “Begin Again” above.

That! Feels Good! is out 4/28 via EMI. Find more information here.

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Jaden And Samsung Have Unveiled Their Samsung Galaxy x MSFTSrep Eco-conscious Accessories Collection Ahead Of Earth Day

Actor and rapper Jaden Smith is partnering with Samsung for a good cause. For the third iteration of their sustainable collection initiative, Samsung and Jaden have teamed up for a collection of limited-edition mobile accessories collection to celebrate Earth Day.

In Jaden and Samsung’s collection are an array of environmentally conscious cases for the Galaxy S23 Ultra, Galaxy Z Flip4, and Galaxy Buds2 Pro. The collection also features eco-friendly watch bands for Galaxy Watch5.

The Samsung Galaxy x MSFTSrep Eco-conscious Accessories Collection comes as part of Jaden’s MSFTSrep fashion and art brand. The designs draw inspiration from the interconnections of humankind, and the accessories are made with renewable resources and ethically sourced material.

According to Jaden, the arrival of the new accessories could not be more timely, as more consumers are becoming more conscious of their habits and their purchases.

“I think the public shift towards sustainability is amazing because people are waking up and realizing what we actually have to do to change the world,” said Jaden in a statement. “We have to change the way that we produce and the way that we consume, and everyone is waking up.”

Fans can purchase these stylish and eco-friendly new accessories here.

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Cypress Hill Is Bringing Their London Orchestra Joke From ‘The Simpsons’ To An Upcoming Real-Life Show

Back in a 1996 episode of The Simpsons, Cypress Hill made a cameo at Hullabalooza, a music festival that Homer had attended. During their appearance, the band was also part of a funny joke that involved them hiring a live orchestra.

After Homer and the rest of the Simpsons family went backstage, they encountered a crew member trying to find out which act booked the London Symphony Orchestra. “Cypress Hill, I’m looking in your direction,” he said.

“I think we did,” Cypress Hill replied, asking the orchestra, “Do you know ‘Insane in the Brain’?”

Cypress Hill and the London Orchestra then performed that song live on stage, in cartoon form. Now, fans will have the opportunity to hear it in real life. The band replied to an Instagram throwback video of The Simpsons scene to announce the news.

“July in Denver with the Colorado symphony we are playing Black Sunday in its entirety to celebrate its 30 [year] anniversary. After that, we plan to make the gig with the London Symphony a reality. Salut to The Simpsons for birthing the idea,” they wrote, according to NME.

Over the years, they’ve been trying to put something together, teasing in a Twitter conversation from 2017, “Let’s make something happen for real.”

While it’s unclear when the London Symphony gig will be taking place, Cypress Hill fans have something to look forward to, and The Simpsons lovers have another show-to-reality prediction in their books.

Check out the original clip above.

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Magdalena Bay Shares Their Eclectic ‘Mini Mix Vol. 3’ Ahead Of Their Coachella Debut

Indie-pop duo Magdalena Bay is making their Coachella debut tomorrow (April 14). Ahead of their upcoming performance, the two have shared a third installment in their mini mix series.

Over the course of 15 minutes, Magdalena Bay delivers a trippy whirlwind of sounds. The mix opens with the jazzy, thumpy “Slug Song,” before it transitions into the percussion-heavy, ’80s-inspired “Exo.” The mix’s accompanying music video sees the two dancing, singing, and playing music while moving against hypnotic visual effects.

The clip for the breezy “2 Wheel Drive” features scenes of Magdalena Bay’s Mica Tenenbaum riding her bike into a forest, juxtaposed with images of aliens. The song then transitions to poppy, electronic “Top Dog,” which sees Tenenbaum and producer Matthew Lewin playing with animated dogs in a cartoon dog house.

“Our mini mixes delve into eclectic sounds, sometimes pastiche,” said Magdalena Bay in a statement. “We feel less pressure while making them than with a more serious release so they naturally have a fun spirit to them. The mini mix knows no bounds in terms of genre or stylings. The only rule is we try to keep the songs relatively short, but we don’t really enforce that all too much.”

You can watch the video for “Mini Mix Vol. 3” above, and find the EP’s cover art and tracklist below.

mini mix vol 3 cover
Luminelle Recordings

1. “Slug Song”
2. “EXO”
3. “2 Wheel Drive”
4. “Top Dog”
5. “Tonguetwister”
6. “Wandering Eyes”
7. “Slug Song (Reprise)”

Mini Mix Vol. 3 is out now via Luminelle Recordings. Find more information here.