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Sam Asghari Insists Britney Spears Is ‘In Full Control Of Her Life’ After Rumors About An Attempted Intervention

Britney Spears’ husband Sam Asghari has spoken out to set the record straight about recent reports regarding his pop star wife.

Rumors began swirling about the “Baby One More Time” singer’s mental health over the past couple days, after outlets like TMZ reported that her closest family and friends, including Asghari himself, had attempted to hold an intervention for the Mississippi hitmaker. This past January, Britney was spotted in local restaurant near her home, where witnesses reported she was acting “manic.”

However, despite the recent incident, Asghari makes it clear this his wife is in perfectly good health and capable of making her own decisions. The personal-trainer-turned-actor firmly maintains that the rumored intervention didn’t happen.

“An intervention did not occur,” he told Access Hollywood host Mario Lopez in an exclusive statement. “My wife is in full control of her life and will continue to make all decisions involving her care regardless of circumstances.”

He continued, “Speculation on her health is inappropriate and should end immediately.”

The pair have been dating since 2016, and got engaged in 2021, nearly two months before her 13-year long conservatorship had ended. The couple finally tied the knot last June, with 60 guests — including a bevy of her famous friends like Madonna, Paris Hilton, Kathy Hilton and Drew Barrymore — in private ceremony in Los Angeles.

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Hayley Williams Explained How Taylor Swift Inspired The New Paramore Track ‘Running Out Of Time’

Paramore‘s long-awaited new album This Is Why is finally out now after the release of bewitching singles like the title track, “The News,” and “C’est Comme Ça.” Hayley Williams already revealed Bloc Party and Dry Cleaning as influences, and now she name-dropped another artist while discussing the track “Running Out Of Time.”

In an interview with Apple Music’s Zane Lowe, Williams talked about how her experience with Taylor Swift over a decade ago inspired that song.

“I remember when we were 19 and I was closer with Taylor Swift at that point because we both lived in Nashville and we’re both experiencing our own versions of real success for the first time,” Williams recalled. “I went over to hang out. She’s a really good cook, by the way. She’s a really good cook. She has taught me how to make stuff that I did not retain at all.”

Swift showed Williams a closet full of gifts for people she’s grateful for. “I was like, ‘Oh my God, my life is so not together.’ I was like, ‘I can barely remember to send someone a card or flowers.’ There are still Christmas gifts at my house that I have not sent to my friends just sitting there in the back of my closet,” Williams said.

She continued, “I wish that I was the person that felt like I had all my sh*t together and I was like, ‘Oh, I had some extra time, so I’m just popping by with some flowers.’ That kind of thing, that is my idealized self.”

Watch the interview above.

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Kyrsten Sinema Is Pushing Back On George Santos’ Claims That She Told Him To ‘Hang In There, Buddy’

Welcome to another lesson in “stop interviewing George Santos, he’s just going to lie to you.” During a Thursday night appearance on Newsmax, the embattled congressman fielded questions about his tense exchange with Mitt Romney at the State of the Union address. Romney reportedly called Santos an “ass” and told him he should be “embarrassed” for himself, prompting a back and forth between the two. While no one can be seen coming to Santos’ aid, he told Newsmax that Arizona senator Kyrsten Sinema briefly comforted him after the tense exchange.

According to Santos, Sinema told him to “hang in there, buddy” and was “very polite, very kindhearted.” He also accused Romney of having “prejudice towards minorities.”

“She’s a good person, unlike Mr. Romney, who thinks he’s above it all,” Santos said. “And his whole mighty white horse trying to talk to us down on morality.”

Of course, this is George Santos we’re talking about, so you’ll never guess what happened when NBC News reached out to Sinema’s office to confirm his story:

But that never happened, Sinema’s spokesperson Hannah Hurley, told NBC News, calling Santos’ comment “a lie.” The two lawmakers never spoke, Hurley said, and Sinema was not aware of the exchange between Santos and Romney until the GOP senator filled her in afterward.

To the surprise of no one, Santos office declined to comment further and being caught in yet another lie is the last thing the congressman needs right now. Earlier in the week, House speaker Kevin McCarthy confirmed that Santos is facing an investigation from the House Ethics Committee, and CNN reports that Republicans have signaled that Santos could face “expulsion from Congress” depending on the results.

(Via NBC News)

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Our 10 Favorite Super Bowl LVII Prop Bets

With the widespread legalization of sports betting and the race to add new users on a daily and weekly basis, sportsbooks are much more invested in the prop market than ever before. That includes full slates of prop offerings every night in the basketball and baseball worlds, with expanded slates for primetime NFL and college football action. Still, nothing brings attention to prop bets like the Super Bowl, and this year’s showdown between the Kansas City Chiefs and Philadelphia Eagles is a heavyweight battle by any description.

In addition to our usual “winners” column (and with some crossover), it’s time to roll out ten favorite prop bets for the big game. Keep in mind that it is always the right choice to shop across different books in search of the best line and, even on the night of the Super Bowl, it’s okay to pass on a less than desirable number.

Chiefs and Eagles combine for UNDER 5.5 sacks — DraftKings

There is a lot of buzz about both pass rushes, and with good reason. Philadelphia has a historic mark with more than 70 sacks this season, and Kansas City was a top-three team in sacks. As such, this number is inflated. Then, Patrick Mahomes is (very) adept at avoiding sacks, and Hurts can get us home on the other side behind two quality offensive lines.

Dallas Goedert longest reception OVER 18.5 yards — FanDuel

From a trend standpoint, Goedert beat this more than half the time in the regular season, and I’m a fan of his YAC ability. Kansas City doesn’t always have best tackling room and, crucially, this is the best number I’ve seen in the market as of Thursday evening.

Kadarius Toney Over 25.5 receiving yards — PointsBet

This is a talent bet more than anything. Toney was an early exit from the AFC title game with injury, but without Mecole Hardman to stretch things out with speed, Toney is important here. One catch could do it, and this is the best number available in the market.

Patrick Mahomes Under 10.5 yards on his longest rush — FanDuel

Oddly enough, I also like Mahomes over 4.5 rushing attempts. There will be times where he’s given running lanes, and because it’s the Super Bowl, he will take them on occasion. However, he’s also still dealing with his ankle injury and he will be getting down as soon as he can on scrambles. We’ll just hope the Eagles don’t part the seas completely and give him an 11-yard window where no one’s going to hit him.

Isiah Pacheco Over 15.5 receiving yards — DraftKings

The Chiefs are going to have to pass the ball, but they don’t have a lot of great receiving depth. Picking who, beyond Travis Kelce, is going to have a big game for the Chiefs has been a very difficult task this year because Mahomes spends so much time spreading the ball around, but Pacheco’s become their best receiving threat out of the backfield and I’d expect him to get a few targets to try and pick this up.

Kenneth Gainwell Over 19.5 rushing yards — DraftKings

Gainwell had a massive game last week and I’m not afraid to go back to the well. He’s still not at the top of the list of guys you’re trying to take away defensively if you are the Chiefs, and we know the Eagles are going to want to establish some form of rushing attack. He’s great bouncing it outside and that means he’ll always be one missed assignment on the edge from picking up most of this total on one carry.

Jake Elliott Under 7.5 points — FanDuel

The Eagles don’t like kicking field goals. If they have a fourth and short in plus territory they usually go for it (and for good reason with Hurts as an elite rushing threat at QB), which takes away Elliott’s opportunities to tack on three. You’re obviously fading a shootout with this bet, but it’s also not out of character for an occasional two-point try from the Eagles to help you out.

Over 41.5 combined first downs — FanDuel

These are two very good offenses, but what the defenses on both sides are going to be most concerned with is avoiding giving up big plays. As such, I see there being plenty of first downs and both teams being forced to move it down the field methodically rather than in massive chunks, which bodes well for the over on first downs.

Patrick Mahomes Alternate Over 350 passing yards — FanDuel

This is +310 at FanDuel and given how good Philadelphia’s defensive front is, there’s a decent chance the Chiefs spend much of this game throwing the ball just out of necessity. Mahomes is capable of outrageous production, even with a wide receiving corps that’s less than ideal, and the nice thing about this bet is, it could come through in a win or a loss. The one thing you’re fading here is a Chiefs blowout, but any other outcome could see Mahomes really putting the ball up.

Kenneth Gainwell Receptions (-0.5) vs. Manchester United Goals vs. Leeds (12/2) — DraftKings

We can’t do a Super Bowl props column without having a disgusting cross-sport prop on the board. I’m high on Gainwell props in general, as he’s been an increasingly large part of the gameplan for Philly. I also like this as value from a handicapping perspective, as you’re starting with the assumption basically sets the number at 2.5 receptions, given Man U hasn’t scored 3 goals in a Premier League game in a month and just had a 2-2 draw with Leeds earlier this week. It’s possible we get an even better number (or worse, of course) and so I’ll take my chances with Kenneth hopefully being involved in the passing game once again.

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‘Squid Game: The Challenge’ Reality Series Underwent Safety Reviews After Multiple Reports Of Injuries

Last year, it was reported that Netflix would give fans a chance to compete in a new reality series, which is a pretty normal thing for the streamer to do. But the show would be based on Squid Game, the hit series that is about literally fighting to the death in a competition series, and some red flags were raised.

Squid Game: The Challenge wrapped production last week, with one winner walking away (allegedly unharmed) with $4.56 million, which is the largest prize in reality show history. Ken Jennings should really be offering more.

But Deadline reports that the show underwent review after a number of complaints and injuries were reported. The production was visited by Britain’s Health and Safety Executive (HSE), though they didn’t find any violations. “We contacted the programme producers after receiving concerns about their recent filming,” HSE’s statement to Deadline read. “We reviewed the responses from the producers and decided to take no further action. We did stress to them the importance of planning properly for any risks in future filming.”

After a report in Rolling Stone, many players claimed there were “inhumane conditions” and players were treated “like horses.” A rep for Squid Game: The Challenge said that the production was maintaining proper safety precautions, despite the various complaints. “Netflix, Studio Lambert, and The Garden have done everything required by the health and safety legislation and the HSE have said they have assessed and closed the matter.”

Meanwhile, other crew workers said that there was nothing out of the ordinary while filming. One source said: “Red Light, Green Light’ was unbearably cold, but there was no coercion to freeze in place. The contestants also did practice runs and stretches,” the source said. “With the type of people being cast, there are always going to be those who are likely to find issues with things, particularly if you fly a very long distance and you’re out in the first round.”

(Via Deadline)

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Taylor Sheridan’s Sprawling Paramount Universe Sees Another Shakeup With The ‘Tulsa King’ Showrunner Departing Season 2

Former Sons Of Anarchy cop Taylor Sheridan’s vast assembly of Paramount shows includes not only Yellowstone and multiple prequels but also the likes of Tulsa King and other impending unrelated projects, including Lioness (starring Zoe Saldana and Nicole Kidman) and Land Man (starring Billy Bob Thornton). With all of these balls in the air, one can expect the occasional hiccup, and the granddaddy of them all, Yellowstone, saw reports of a significant shakeup this week. If those reports are true, the juggernaut series might be ending with the departure of Kevin Costner.

Part of that report indicated that — keeping in lockstep with A-listers clamoring to enter Sheridan’s universe — Matthew McConaughey could be onboard to lead a Yellowstone offshoot. Now, Tulsa King is seeing a significant shakeup ahead of Season 2. Showrunner Terence Winter (of Boardwalk Empire fame) has exited the building due to what Deadline’s Nellie Andreeva reports are “creative differences.” The outlet adds that he has other irons in the fire, too, including more Scorsese and a passion project about the Mets. From Deadline:

Terence Winter is stepping down from the post while remaining an executive producer on the series from Yellowstone‘s Taylor Sheridan and focusing on other projects, including a top-secret streaming series with frequent collaborator Martin Scorsese and a limited series about New York Mets’ historic 1986 run, which has been a passion of his for a while, I hear. Search is under way for a new Tulsa King showrunner.

Previously, Winter mentioned to Deadline that he and Sheridan held different visions of Tulsa King with Sheridan envisioning Dwight as a non-convict who ended up running Kansas City as a reward for a lifelong job well done. Winter’s version is what materialized onscreen, so we saw Dwight exit prison after 25 years expecting a reward, only to be shipped off to the Center of the Universe.

What this means for Tulsa King, obviously, no one knows. Stallone has gone on record to say the show is the most difficult job that he’s ever pulled off in a stories career, and presumably, that includes his upcoming reality series with the Stallone fam.

(Via Deadline)

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Anthony Davis Explains Why He Sat On The Bench While LeBron Broke The Scoring Record

LeBron James broke Kareem Abdul-Jabbar’s all-time scoring record at Crypto.com Arena earlier this week. Everyone in attendance was in a celebratory mood all night during the game against the Oklahoma City Thunder, and when James’ record-setting jumper went in during the game’s third quarter, the roof came off the building and everyone affiliated with the Los Angeles Lakers made it a point to show their appreciation for the eventual Hall of Fame inductee.

The one exception to this was Anthony Davis. In a video that went around after the game, Davis was seen sitting on the bench while everyone else was standing and applauding his teammate’s accomplishment.

Because this is the Lakers we’re talking about here, there were a ton of questions about what was going through Davis’ mind here. He was asked about this in the aftermath of the team’s 115-106 loss to the Milwaukee Bucks on Thursday night, and after making clear he really did not want to talk about this, he explained that his frustrations stemmed from how things were going for the Lakers against the Thunder.

“Y’all know me and Bron’s relationship,” Davis said. “It’s nothing. Upset about the game. I mean, we’re losing to [the] Oklahoma City Thunder, a game we needed, and I was pissed off that we were losing. It’s that simple, it’s nothing that had to do with Bron. He knows that, everybody else outside looking in, that’s their opinion, but I was pissed off that we were losing the game.”

The basket that set the record cut Oklahoma City’s lead at the time to five points late in the third quarter, so there was more than enough time for the Lakers to mount a comeback. That, however, ended up not happening, as L.A. went on to lose, 133-130.

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You Won’t Believe How Much 50 Cent Gets Paid To Perform Live

50 Cent got very candid in a recent interview about how much he gets paid for live performances, revealing that it’s no small fee. The Queens-bred mogul recently graced the cover of Billboard, where he trekked through his journey from rap star to entrepreneur, as well as his entry into film and television. Prior to his Get Rich, Or Die Tryin’ days, the rapper revealed his price tag is stark in comparison to the huge fee he gets paid these days.

50 revealed that when he was booked by Master P for a handful of performances, he was paid less than $100k, now he gets ten times more than that.

“I think he gave me like $80,000, and now I’m getting like $900,000, $ 1 million,” the 47-year-old rapper told Billboard.

He continued, “The coolest thing we create in America is celebrities. If you see LeBron [James’] fan base internationally, you’ll argue, ‘Why is he staying here?’ He’s that big internationally. For the most part, I can’t speak for everybody, but the international side of the game is different.”

The rapper-turned-actor said, “I get the attention I want from music when I want it” and that he has found solace working on his film and TV projects. Despite his career highs, the Power creator noted that he’s not completely stepping away from music and that he wants to offer something new to fans.

“I just went out and toured 45 countries, and everywhere was sold out. That made me want to offer new music that I could integrate into everything now. I’ve done what I wanted to do in the [sales] capacity,” he said.

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Marc Maron On Laughing Through Grief In His New HBO Comedy Special

There’s a moment that I keep coming back to from this interview with Marc Maron where he’s talking about a joke in his new HBO special (From Bleak To Dark, which premieres tonight at 10PM) and how it moves from being devastating to something that “rides a line” between that and humor. The story is about Maron, the death of his partner (filmmaker Lynn Shelton), a hummingbird, and dipping into mystical thinking when held by grief.

“Over time, they became stories that I learned how to tell,” he says, speaking to the repetition and honing that helps to keep him from “succumbing to the sadness” of these stories. “I don’t know that it became routine, but they are routines, right? By nature. And that’s not necessarily a bad thing.”

Maron is, as ever, open, having unleashed raw and powerful streams of emotion on episodes of his WTF podcast in the days following Shelton’s death before developing and working out material that gets quite personal. But as he says in our conversation, “I do save a little bit for myself, but not a ton.”

This special is as sharp, funny, and devastating as you can imagine if you’re familiar with Maron’s previous work and a regular WTF listener, but it’s not a therapy session or a TED Talk on dealing (something he jokes about in the special). The point isn’t his catharsis, it’s in making you laugh by examining scary things — the loss of a loved one, a parent with dementia, aging, anti-semitism — through his unique perspective and lived experiences. And if he feels a little better having worked through some shit while working on some shit, great.

We spoke with Maron about the feel-good nature of dark comedy, grieving on the air, establishing boundaries, stressing out about other people’s kids, and talking about a thing as universal and universally avoided as grief.

The deepest laughs for me were some of those jokes that you just couldn’t believe. Like the angel factory. What is it about dark comedy that most appeals to you?

I don’t know. I don’t know that I always saw everything that I was doing as dark, because that’s just the way I think, so it’s not some sort of intentional method. This is just how my brain works. And I mean, I think there’s some lighthearted stuff in there, I guess. But I believe the way I talk about certain topics… and taking on certain topics by their nature makes it a little dark. But I don’t sit down to do dark comedy.

No, of course. But is that sort of your way through to deal with loss?

Sure. I think that comedy has always served that purpose for me, and that’s why I was attracted to it when I was a kid, and that’s why I like watching comedy. It does give you a way to see things through the lens of humor. It can disarm the most tragic events. It can take away a bit of fear around things that seem terrifying. I mean, it has the power to really sort of move you through darkness and pain and fear in a way so you can kind of handle it. So that power that comedy has, it was always helpful to me when I was a kid and it just became the way I think. So yeah, it does help me process things.

I was listening to some of the episodes of WTF from around the time when Lynn Shelton died. At one point, you said something to the effect of, “God damn, am I ever going to be funny again?” I’m curious when you felt like that was happening for yourself.

It’s hard to know. But there was a period there, a few months after Lynn passed away, where I was doing those Instagram Lives fairly regularly just in order to keep in touch with some sense of an audience. And I think that the engagement with people, and the engagement with my life around the house, and my cats and my music, and just being in that mindset of improvising, and driving around in the car people watching, (that’s when) it started to kind of happen. I think it started to happen when I began to interact with large groups of anonymous people that were in sort of the same situation that I was in, which everybody was. It was kind of terrifying, the pandemic. And just finding moments in life (was) when I was able to get into that gear again.

In terms of developing comedy around it, I think that also happened during the Lives, and it started to happen on the podcast a bit, but it was challenging to start to make that stuff work on stage. It took a while, but I think it’s a little dramatic to say, “will I ever be funny again” because there are two things working there

I mean, it was probably within a week of when everything had happened.

Well, yeah. But also we weren’t doing comedy, so it was a weird question [for him to ask himself] in light of the fact that there was no more standup. And I wasn’t going to do those outdoor shows, I wasn’t going to do drive-in shows, I wasn’t going to do Zoom shows. It’s not my bag. So it was a layered question, was I ever going to be funny because of the sadness and the heartbreak, but also just the fact that I didn’t know if anyone was going to do standup anymore.

Obviously, you’ve long allowed yourself to go to a vulnerable place. You open up your life to your audience. Is there an impulse, especially with this, but with anything really, to bottle stuff up and not be as forthcoming?

Well, I do save a little bit for myself, but not a ton. Through the different mediums, through Instagram and everything else, people have a lot of access to us, and it’s a very one-sided relationship. So it really becomes about not so much me stuffing stuff down or closing up, just being careful in terms of my boundaries around people who think they know me, who think we’re friends, or who think, you know what I mean? I still have a lot of life that isn’t lived publicly. So within that, I can have some boundaries. As a performer, I’ve definitely put myself out there within the full spectrum of emotions and (been) as vulnerable as I’m going to get, but I think in life, yeah, I’m a little more protective of my emotions. I think for me, somehow, there’s less risk in just talking either on the podcast or in comedy about my emotions and vulnerabilities as opposed to with people I see every day or every other day. You’ve got to be careful with those people.

You have more control in these situations than in a conversation with someone you know.

Right. It’s one-sided.

You talk about it in the special, about grief and how it’s such a part of human nature. But with the pandemic, people are trying to move away from, I think, feeling that general sense of grief. Death is not something people are talking about as much.

It’s interesting. It seems to be pervasive in culture, the idea of grief. I tried to develop a show with FX around it, and there’s a show now with Jason Segel (Shrinking) and Amy Schumer did a grief show (Life And Beth). I mean, the Carell show about the therapist (The Patient). There’s definitely something in the culture that’s reflecting it, but there isn’t a conversation about it. And I do think it’s odd that after going through three years of terror around a disease that people really want to get past it.

A good example is, Republicans will still talk about Hillary Clinton, and it’s like, all of us just went through the most disturbing, aggravating, terrifying time of our lives on the entire planet for years. And people just wanted to get it behind us. And I do too, to a certain degree, but it’s kind of weird. People will talk about shit from five years ago, four years ago, ten years ago, references, but they really just want to compartmentalize this horrendous three-year period. It’s a weird thing, but I think that speaks to survival, but it also speaks to our inability to integrate that stuff. But what do I know? Maybe a lot of people are integrating their PTSD and their grief around that. I don’t know. I don’t know if it’s a fault or if it’s a survival instinct, to be honest with you.

Yeah, I don’t either. I think you just hit a level. I know when going through it, I just didn’t want to think about the worst-case scenario of it. And now I feel like all I can think about is the worst-case scenario of it. So it’s like you said, it’s PTSD.

I think that I just found that there are people out there that, I think it’s most of our nature, just like how we deal with the elderly, that there’s a lot of things people just don’t want to deal with or see, because it implies something about them. That no one’s going to get out of it alive and in how everything’s sort of a luck of the draw in a lot of ways. You can only be as safe as you can be. And all that stuff’s very frightening, so it’s instinctual to almost just repress all that stuff or compartmentalize it to a point where it isn’t dealt with. But the assumption is then it comes out in other ways, which I think is true.

You can’t really, you can’t dodge grief. It’s always kind of there. And I’m new to it within the last few years, and certainly people have lost people who have had much longer relationships, or different types of relationships, but once it’s in you, it’s in you. So you can get a handle on it, but it can sneak up on you depending on the moment or the conversation, and it’s pretty fresh under there usually, the sadness, and you just kind of let it happen when it happens.

You mentioned the old age stuff, the stuff with your father and dementia (in the special), grief, things that aren’t necessarily being talked about by people. Is that part of the motivation for you to bring these things into the special or to talk about these things in general?

Yeah, I mean, because this is really what life is, right? I mean, you can have your opinions about whatever, but ultimately if you’re lucky, you get old and die. If you’re not lucky, it happens before that. I don’t know if I’m obsessed with it, but I’m entering a stage of my life that is on the precipice. I’m 59, so there’s a point where everyone’s like, “nah.” It’s like, no, I’m not old, but I’m up there. It’s just crazy. It’s hard to even think about.

It’s just finding that balance though, between thinking about it too much and not thinking about it enough.

Well, I really think that because I don’t have kids, like I said in the special, it isn’t as in my face. I really think that seeing your kids grow has got to be, as exciting as that may be, it does indicate waning on some level.

My wife and I are talking about whether we want to, and my age and everything is starting to really hit me in the face with that conversation. So yeah, the idea of having a kid, I think it would just be a nonstop reminder.

I was talking to a guy yesterday and it was like, because he brought that up, he said he didn’t have kids either, and it was interesting to hear it talked about. I said, “Look, man, it’s like,” I just said, “I’m too selfish and I’m really too neurotic. And those things require time. You have to make time for both of those things, and that’s going to cut into the kid time.”

Did you make a conscious decision? You just were never interested in it? Or was that something that just became clear over time?

I think, it seems that people that want to have them know they want to have them. I just was never one of those people. It’s never been like I want to have them. So I don’t know what that means. I don’t have a problem with them, but I just never really feel it.

I’d say I’m somebody who’s 60/40 on it, and that’s really a hellish place to be. I wish I could just be as clear as “I definitely want them” or “I definitely don’t,” because the half on half off is rough. You can’t return them.

Some people just, it is part of life to a good many people. It’s why they’re here, in some ways, to them.

Yeah. I trend towards the selfish, like you’re saying though, so I definitely have that pop up a lot of the time where it’s just like, “yeah, but I want to travel, or I want to do this, or I want to do that.”

It’s weird. I don’t even think about traveling or any of that. I just think about not worrying. I’ve got enough on my mind. It’s not a freedom thing with me. It was just always about anxiety, to be honest with you.

Oh, it’s insane. I have a niece who, when we watched her when she was younger, four years old, almost running out into the street, falling off playground equipment, it’s just an exhausting non-stop thrill ride.

Yeah. I don’t even know how you let them go to school. So it seems like most of the people I know that have kids deal with this stuff and it just becomes, you adjust. But I have enough anxiety in my life. I’m anxious about kids I don’t have. So I don’t know.

‘From Bleak To Dark’ premieres on February 11 at 10PM on HBO.

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Indiecast Talks Beyonce vs. Harry Styles, Steve Albini, and Yo La Tengo

It’s early February, which means that the annual post-Grammys furor arrived on schedule this week. At issue was Harry Styles beating out Beyonce for Album Of The Year, a turn of events that might end up being the worst thing to ever happen to Styles. Has the hunky British pop star just been Timberlake-ized? What does it mean to be Timberlake-ized anyway? Let’s hash it out.

Here’s something we did not expect this week: Steve Albini talking about how much he hates Steely Dan! But that’s exactly what the irascible indie legend did on Twitter, which sparked a lot of conversation both for and against the ’70s jazz-rock institution. While it’s not surprising that the man who is synonymous with abrasive and inaccessible rock music would not enjoy the tunes of Donald Fagen and Walter Becker, it was funny to see a 60-year-old poker player from the Midwest earnestly start a sentence with “I’m the kind of punk who …”

Finally, we talked about a band that we can all agree is great: Yo La Tengo. The trio is back with another album this week, This Stupid World, and it’s one of their best efforts in years. Then again, has there ever been a bad Yo La Tengo record? We discussed what makes the new album good, and offered suggestions for newbies on where to start with the band’s big and impressive discography.

New episodes of Indiecast drop every Friday. Listen to Episode 125 here or below and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at [email protected], and make sure to follow us on Instagram and Twitter for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.

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