The King of the Hill revival has officially found a home on Hulu. After creators Mike Judge and Greg Daniels kicked off “hot negotiations” back in March 2021, Hulu emerged as the victor and is bringing back the original cast from the hit series that ran for 13 seasons on Fox.
“We are all so excited to welcome back Hank, Peggy, and Bobby, and to see what they have to say about the world we live in and continue the conversations we began years ago,” ABC Entertainment, Hulu, and Disney Branded Television Streaming Originals president Craig Erwich said in a statement. “This show has all of the perfect ingredients to meet this moment in animation at Hulu, and we’re so thankful to be having those conversations alongside this talented group.”
For those who aren’t familiar with the Hills or the classic animated comedy, here’s a rundown via Deadline:
The show, set in the fictional Arlen, Texas, follows the life of Hank Hill (Mike Judge), an enthusiastic seller of propane and propane accessories; his wife, Peggy (Kathy Najimy), the local Boggle champ and substitute teacher; and their 13-year-old son, Bobby (Pamela Adlon), who defies any expectation his father had for a son. Hank’s friends — conspiracy theorist Dale (Johnny Hardwick), military barber Bill (Stephen Root) and cool but inarticulate Boomhauer (Judge) — along with Peggy’s friends Minh and meteorologist Nancy, and Bobby’s friend Connie, help the Hills navigate a changing world.
According to writer Brent Forrester, the revival was sparked thanks to Donald Trump, whose single term as president made the characters and its small-town setting “very relevant again.” So… thanks… for that.
The music industry is still mourning the passing of folk-rock pioneer David Crosby. Former bandmates Stephen Stills, Graham Nash, and Neil Young have shared touching tributes in his honor. Other entertainers like Jason Isbell have also shared their fondest memories of the late musician.
Now fans have joined together to show their love for Crosby. Whether intentional or not, due to the streaming uptick of the late entertainer’s discography, two albums have re-entered the Billboard 200 chart. The albums in question are Crosby, Stills, Nash & Young’s 1970 album Déjà Vu and their 2005 compilation Greatest Hits.
Déjà Vu landed in the No. 129 slot on the Billboard 200 chart, while Greatest Hits came in at the No. 156 spot. As Crosby is considered to be one of the premiere creative forces in the folk-rock and psychedelia movement of the ’60s during his time with the band The Byrds, this outpouring of love shouldn’t come as a surprise.
Given that the late musician was reportedly giddy about new material he was working on before his passing, Crosby would have most likely been excited to see his work re-entering the music charts.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Both HBO and the DCEU have been undergoing extensive changes in order to keep up with all of the many Marvel titles that Disney+ has been churning out over the last year. In 2022 alone, Disney+ released eight (8!) different shows, films and specials that took place in the superhero universe, while DC was struggling with some other stuff. Now that DC Studios has given the reigns to Marvel alum James Gunn and Peter Safran, they are looking to compete with the various multiverses.
The duo has revealed their plans for the next phase of DC Studios, which includes six new films and five shows that will be produced in the coming years. One of the shows on the schedule is a new Wonder Woman series, titled Paradise Lost.
Gunn and Safran described Paradise Lost as a Game of Thrones-style drama taking place in Wonder Woman’s birthplace of Themyscira, which she visited in Wonder Woman 1984. The series will take place before the events of any of the DC Wonder Woman films, and focus on the all-female island and its political dynamics. It’s a promising plot that has been working out so far for the cast of Yellowjackets.
“One of our strategies is to take our diamond characters, which is Batman, Superman, Wonder Woman, and we use them to prop up other characters that people don’t know,” Gunn explained, so while we might not get to see Wonder Woman herself, we will see her ancestors of god-like women all living and fighting together. Which is a pretty good alternative! Gal Gadot is probably very relieved.
Using the same audio that Swift used for the intro to her Reputation tour, the Empire State Building layered it over a video montage of a bunch of articles and hate tweets directed at them. “We’ll see you at the Big Game,” they captioned the post.
The drama started after the football game between the Philadelphia Eagles and the San Francisco 49ers on Sunday when the Empire State Building decided to support the Eagles’ win by switching their lights to green. Immediately, sports fans met the Twitter account for a literal building with intense hate that boiled over into real life.
According to a post from someone live on the scene on Sunday, New York Giants fans flooded the lobby of the Empire State Building with two demands: that the lights be switched and their Twitter poster be fired.
I’m here at The Empire State Building where an angry mob of New Yorkers has descended. They are demanding the building lighting be changed from green. And they want the person who tweeted to be fired. pic.twitter.com/U04U4LhJVv
Despite the building also later turning the building red for the Kansas City Chiefs, it appeared the sports bros were still pretty mad. Even New York’s mayor got in on the hate train by calling the move “unfortunate.” (The Eagles had previously beaten the Giants a week earlier.)
At 6’3, I’m often the tallest person in the room, especially if I’m in a room with notoriously short actors. But I’ve never felt shorter than when I briefly spoke to Alexander Skarsgård. It was years ago, back during the early (good) seasons of True Blood. I had a friend who worked at TV Guide magazine and he tipped me off that Skarsgård would be visiting the office in Manhattan for an interview to discuss the HBO vampire series, and if I loitered outside around so-and-so time, I might be able to meet him. Which I did.
This is stalker-y in retrospect (sorry!), but Skarsgård couldn’t have been nicer. He autographed my bottle of Tru Blood that I purchased at the HBO Store and we spoke about… I’m not sure what we talked about. All I remember is looking up and feeling like I was talking to a mountain. Skarsgård is only an inch taller than me, but he has the presence of someone who’s pushing 7 feet. That handsome presence, along with his obvious talent, is one of the reasons why he’s become an in-demand TV and movie star.
The other: he’s up for anything.
In Brandon Cronenberg’s (sadly R-rated) Infinity Pool, Skarsgård plays James, a struggling novelist who’s able to stay at fancy resorts after marrying rich. While on vacation in a fictional European country, James and Mia (Cleopatra Coleman) meet another couple, Gabi (Mia Goth) and Alban (Jalil Lespert), who convince them to leave the resort compound for a day of drinking and eating — and a secret handjob. While driving back, an intoxicated James hits a farmer and instead of calling the cops, they leave his body on the road. The next day, James and Mia, as well as Gabi and Alban, are arrested. James has two options: he can be executed, or he can get cloned and have his body be killed instead, assuming he can afford it. He — well, his wife — can afford it. The cloning procedure requires James — and by proxy, Skarsgård — to be stripped down, wear a piece of plastic in his mouth that makes him look like Homer at the Re-Neducation Center, and step into goo. This is not the most physically and mentally demanding thing that happens to him in the movie. There are orgies, James has to fight a leashed dog-like version of himself (Skarsgård seemed to really enjoy this), and in a moment of public emasculation, he drinks milk from Gabi’s breast.
Mia Goth is the one being asked about “provocative” performances, and don’t get me wrong, she’s incredible in Infinity Pool (she also deserved an Oscar nomination for Pearl, but alas). The scene where she’s on the hood of a car, holding a gun at James, and nearly in tears when her bottle of wine rolls away? That’s cinema. But the scene wouldn’t be possible without a beleaguered-looking Skarsgård being open to humiliating himself.
Throughout his career, Skarsgård has shown a willingness to do whatever. Get blown up in a gasoline fight? You bet. Naked volcano fight with CGI genitals? Sure. Swing from ropes during a wildebeest stampede to rescue Margot Robbie? Obviously. Hell, I’d do that last one. But the others, not so much. He’s also watched Kong fight Godzilla; joined a Lars von Trier movie without reading the script (always risky); filmed a neo-noir thriller in freezing conditions; and been called the “king of sex scenes” for a movie where he takes a teenage girl’s virginity. On the TV side, he’s played Nicole Kidman’s abusive husband (Big Little Lies), a lascivious of himself (Atlanta), a marine (Generation Kill), an Israeli intelligence officer (The Little Drummer Girl), a Werner Herzog-type (Documentary Now), and an over-it tech mogul who’s really good at fake crying (Succession).
“The year before, Zac Efron had taken his shirt off. He is so sexy. I decided to also show a little bit of skin. I couldn’t take my shirt off, ’cause Zac had already done that. So I thought, well, then I’ll take my pants off, ’cause it’s equally sexy,” Skarsgård explained about the pantsless profile pic. Even when he’s being “sexy,” he’s doing it with a wink. Or as he told GQ, “I just don’t give as much of a f*ck any more.”
That not-giving-a-fuck attitude is why Skarsgård will show up to a premiere in drag or shave half his head. He won’t allow himself to be typecast as a boring hunk; he’d rather have another man suck his toes in an orgy scene than become the next Chr*s Pr*tt.
It took awhile for Skarsgård’s full range of perverse-to-playful talent to be explored, but it’s always been there. After watching Infinity Pool, I found the Tru Blood from our years-ago encounter and remembered that when he signed his name on what’s supposed to be a literal bottle of blood (perverse), he drew goofy vampire teeth into the autograph (playful). Let’s give it up for Skarsgård, Hollywood’s tallest silly little guy.
If there’s one thing Seth Meyers lives for, it’s this video of Joe Biden tripping up the steps to Air Force One — twice!
White House principal deputy press secretary Karine Jean-Pierre says U.S president Joe Biden,78, is doing 100% fine after tripping 3 times jogging up steps to Air Force One. Biden’s trip to Georgia yesterday got off a rocky start;incident blamed to wind gusts.#CroozefmNewspic.twitter.com/z29yrUiVg4
But he also loves a good political rivalry, especially one that involves former president Donald Trump, whose lack of talent for turning people’s names into insults is practically legendary at this point. Which is only part of the reason Meyers is so excited to watch Trump go head-to-head with Florida governor Ron DeSantis, a.k.a. Ron DeSanctimonious (good one, Donald).
On Monday night, Meyers dedicated much of his “A Closer Look” segment to the chaos surrounding the Republican party, including the fact that there was the actual possibility of it being run by MyPillow weirdo Mike Lindell. But, despite being under investigation for a sh*tload of crimes (yes, that is an official measurement) — not the least of which being inciting an insurrection on January 6th — Trump is refusing to read the room, as always, and kicking off his 2024 election campaign. Yet rather than explain what he plans to do to Make America Great Again… Again, Donald’s chosen method of pitching himself as leader of the free world is to knock anyone who might challenge him. As Meyers explained:
“Trump is up there as if he never once incited a coup or oversaw one of the most disastrous, chaotic, corrupt presidencies in American history. He’s even freely taking shots at his main rival Ron DeSantis. No one in the GOP seems to care. In fact, Trump spent all weekend going after DeSantis, calling his ‘disloyal’ if he runs while he was on his campaign plane, flying from one stop to the next.”
In a clip from CNN, Trump basically took credit for DeSantis even having a heartbeat. “So Ron would have not been governor if it wasn’t for me, and that’s ok,” Trump said — while clearly it was NOT ok. “Number one, he wouldn’t have gotten the nomination. And, number two, he wouldn’t have beaten his Democratic opponent. So, then when I hear he might run, you know, I consider that very disloyal. But, it’s not about loyalty, but to me it is. It’s always about loyalty. But for a lot of people it’s not.”
Meyers could barely contain his excitement at what’s to come in this rivalry — especially once Trump “sees that picture of DeSantis in his fancy white boots. It’s a real picture. Can you imagine what Trump is going to say once he sees that picture of DeSantis? ‘You know, it’s not fair. Many people are saying Ron stole those fancy little boots from the Dallas Cowboys cheerleaders. And he should give ‘em back, that’s not nice.’”
NBC
Ultimately, concluded Meyers, it’s the GOP’s fault that Trump is back. Because while many members of the 45th president’s own party have made it clear that they want nothing to do with Trump, no one has had the guts to say it loudly and publicly. And, according to Meyers, “If Republicans don’t take on Trump directly, he could very well tear through them like he did in 2016.”
You can watch the full segment above (the DeSantis convo begins around the 11:45 mark).
With James Gunn finally revealing the first chapter in his upcoming DC Universe slate, one of the surprising additions is a new movie titled The Brave and the Bold. According to Gunn, this film will introduce a new Batman to the DCU along with his son Damian Wayne who takes on the mantle of Robin in the comics.
What makes The Brave and the Bold an interesting inclusion is that, until now, there has been little talk of Gunn’s plans for Batman. The upcoming The Flash movie was supposed to wipe away Ben Affleck‘s Batman and replace him with Michael Keaton, but clearly that strategy is out the window as Gunn lays out his more connected universe as DC gets ready to go toe-to-toe with Marvel.
“This is the introduction of the DCU Batman,” said Gunn. “Of Bruce Wayne and also introduces our favorite Robin, Damian Wayne, who is a little son of a bitch.” The movie will take inspiration from the now-classic Batman run written by Grant Morrison that introduced Batman to a son he never knew existed: a murderous tween raised by assassins. “It’s a very strange father-and-son story.”
In the comics, Damian Wayne is the son of Batman and Talia al Ghul, daughter of the classic villian Ra’s al Ghul. However, his existence is a surprise to Batman who has the kid unceremoniously dropped on his doorstep by his mother. While attempting to take him under his wing, Batman quickly learns that Damian has other, more deadly plans for dishing out justice, and he’s arrogantly confident in his ability to do so. He’s also the rightful heir to the Batman mantle, and Damian’s future as The Dark Knight is foreboding to say the least.
Anybody who thought the vinyl resurgence was just a fad was mistaken: The industry has experienced a legitimate revival. As a result, music fans are interested in physical media in ways they may not have if the decades-old medium hasn’t made a comeback. That doesn’t mean everybody is listening to just their parents’ old music, though. That’s part of it, sure, thanks to rereleases that present classic albums in new ways. A vital part of the renewed vinyl wave, though, is new projects being released as records, of which there are plenty.
Whatever you might be into, each month brings a new slew of new vinyl releases that has something for everybody. Some stand out above the rest, naturally, so check out some of the best vinyl releases of January below.
Bob Dylan — Fragments – Time Out Of Mind Sessions (1996-1997): The Bootleg Series Vol. 17
Columbia Records/Legacy Recordings
Over the decades, Bob Dylan has been generous with pulling back the curtain on parts of his career via his Bootleg Series releases (as evidenced by the fact that this new one is Vol. 17). This effort focuses on Dylan’s 1997 album Time Out Of Mind, and aside from all the extras, the base album has been given a new remix that promises to sound “more like how the songs came across when the musicians originally played them in the room.”
On Gloria, Sam Smith reaches a new career peak thanks to “Unholy” hitting No. 1 on the singles chart. Now the full album is out and it’s a work worth enjoying in its entirety, especially when you can get it on striking gold-colored vinyl.
Last year, Uproxx’s Steven Hyden declared that Wilco’s new album Cruel Country is the band’s “best in more than a decade.” Now they’re finally giving it a physical release, which includes the lovely blue and red vinyl pressing seen above. They’re going on tour, too.
Diamonds & Dancefloors leaked months ago (much to the upset of Ava Max), but now it’s officially out. The vinyl edition comes with alternate cover artwork with a bold red vinyl pressing that brings out the art’s highlights.
In a recent interview with Uproxx, White Reaper’s Tony Esposito explained what the band learned while making their latest album, “That we just have to persevere. That was the main thing, because there were definitely lots of times when I was like, ‘What’s the point of even doing this?’ Like, as soon as we make a decision, we’re going to get some email that’s going to blow everything up and push it back another month. And that just happened time and time again. Like I said, it was dark times there for a minute, but I’m glad that we stuck it out and finished, because it feels great now.”
In 1997, just a few years removed from their 1994 breakout album Dookie, Green Day dropped Nimrod, the parent album of one of their most recognizable songs, “Good Riddance (Time Of Your Life).” That was a bit over 25 years ago now, so the band is celebrating with reissues, the vinyl version of which features demos and a full “Live At The Electric Factory 1997” performance.
This one is still a bit of a mystery. What we do know about whatever Parton and Vinyl Me, Please have planned here is what VMP says of it: “Get ready to immerse yourself in Vinyl Me, Parton – the first of its kind, limited edition monthly record club curated with and dedicated to Dolly Parton herself. There will only be a limited amount of spots available. Join the interest list today and be one of the first notified when pre-orders open in February.”
Black Nasty — Talking To The People (Vinyl Me, Please Reissue)
Vinyl Me, Please
There was so much superlative funk that dropped in the ’70s, and among those release is the underappreciated Talking To The People by Stax Records act Black Nasty. Vinyl Me, Please is giving the LP its flowers with a new pressing featuring audio remastered from the original master tapes.
Unknown Mortal Orchestra’s 2011 self-titled debut album was beloved, so following it had to be tough. Admirably, though, the band came through with 2013’s II, a strong sophomore effort that was also well-received. Now that it turns a decade old this year, Secretly Society has given it an exclusive reissue pressed on “strawberry shortcake splash” vinyl.
Cloud Nothings — Attack On Memory (10th Anniversary Edition)
Carpark Records
Attack On Memory was the album that put Cloud Nothings on a lot of now-fans’ radars, and it turned ten years old last year. Now it’s getting a fresh reissue with a particularly enticing goodie: two bonus flexi 7-inch records that feature two previously unreleased songs from the original album sessions: “You Will Turn” and “Jambalaya.”
Coco Jones is finally blossoming into the multi-talented star she should have been a decade ago. Cut from the Disney cloth that also produced fan favorites like Raven Symone, Selena Gomez, Miley Cyrus, and Zendaya, Jones was destined for that same success. For her, however, Disney quickly went from the stepping stone it should’ve been and was for the aforementioned names, to a roadblock that eventually detoured her from achieving her dreams. Promised TV shows and movies were nixed and a record deal arrived and departed all while attempting to make the Tennessee-raised actress and singer something she wasn’t. They say good things come to those who wait, but for Coco Jones, her wait was actually an example of the entertainment industry’s mistreatment of dark-skin women.
The bright side is that the lows that Jones spent years hoping she would finally be able to climb out of are finally behind her. She stars in Bel-Air, Peacock’s reimagined version of The Fresh Prince of Bel-Air, as Hilary, a role she thrived in from the show’s start in February 2022. A month after the season one premiere, Jones signed a record deal with High Standardz and Def Jam Recordings, and in November of that year, she released her major label debut EP What I Didn’t Tell You which is highlighted by standout records like “Caliber” and “ICU.” It shouldn’t have taken this long for Jones to be granted her moment, and though she’ll certainly agree, she’s found her silver lining through it all. “I think what helped me to overall just take a breath and let things be is understanding that my journey has never worked out in the specific ways that I wanted it to — always better,” she tells me over a Zoom call. “Better in ways that I would have never known to pray for.”
Some of these ways include the opportunities to work with some of the industry’s most gifted names. She collaborated with Babyface on “Simple” from his Girls Night Out album and Teyana Taylor, under the moniker Spike Tey, directed Jones’ sultry and enticing video for “Caliber.” Despite these bright moments, Jones describes the flowers she’s received from the industry over the past year as “bittersweet,” and it’s for a reason you can’t really blame her for. “It’s kind of hard to describe,” she admits. “One part of me kind of feels like, ‘Oh wow, this is amazing.’ But then the other part of me is like, ‘Yeah, but I’ve been doing this. I tried to wake y’all up literally years ago!’” Still, whether it be Babyface, Teyana Taylor, or Janet Jackson, Jones is appreciative of the love they’ve shown her as there was once a time that it didn’t come her way from them and others. “She posted my whole performance of her song, ‘I Get Lonely,’ and that was crazy,” Jones said about Jackson. “That’s a legend. That’s somebody that I learned from.”
Coco Jones has been waking up the entertainment world for a little over two years now. In the fall of 2020, she took to YouTube to detail the negative experiences, much of which were in relation to colorism, that she had in the industry in response to a fan who asked, “What happened to Coco Jones?” Since then, she’s been honest about the trials and tribulations she faced in her career, re-introducing them to her God-given gifts that now have people diving into an open verse TikTok challenge to “ICU,” and highlighting the other pieces of the puzzle that make Coco, Coco. Slowly but surely, they finally acknowledged the alarm she’s been ringing. What I Didn’t Tell You spent its first week at No. 1 on Apple Music’s US R&B/Soul Chart, an accomplishment that Jones manifested prior to the EP’s release. “I was literally crying because I had edited a picture to make it look like it was my album that went No. 1, and I put that on my vision board,” she says. “So to see that in real life… like all I had to do a screenshot it.” It was a reaffirming moment for Jones, who admits to sometimes putting a ceiling on her aspirations to cushion an anticipated fall from an industry that’s knocked her down too many times. “Because I’ve had so many rejections, I get scared to have big expectations sometimes. So even seeing that [it’s like], Courtney, you really need to tap back into the nine-year-old you who was like, I’m literally going to take over the world.” In her words, this takeover could very well include a Coco Jones theme park, Coco Jones french fries, and/or the Coco Jones chicken nuggets she joked about during over conversation. “Whatever it’s going to be, it will be.”
The next instance of Coco Jones continuously waking up her past doubters begins next month as season two of Bel-Air returns on February 23. The actress is expectedly tight-lipped about what we can expect for season two, but she confirms love is in the air for her character Hilary. “You can expect Hillary to be in love. Her and Jazz are definitely boo’d up, and without spoiling too much, someone from her past comes into play and shakes things up.” The similarities between Jones and her character Hilary are hard to ignore. Just like Jones, Hilary possesses the Gen-Z quality that makes us equipped to never settle for less than what we think if rightfully ours. “If I didn’t really love what I was doing, I would have given up [one of] the first 17 times I wanted to give up,” she notes. “I think for me, it was more like what if I go back home and start a completely different life and one day regret it? What if I was literally almost there? Now, I actually am almost to the place where I’ve always seen myself since I was nine years old.”
When I ask Jones what advice she’d give a young Black girl who was to ever find herself in a period of doubt like she was once in, she recalled something she was told during a conversation she had with SZA. “It was something about having this delusion, about how things are just going to work out,” she says. “Just live in your own world, where these things that you want for yourself will happen.” Jones continues, “Move and speak and think as if this is your world, and you can have anything […] and maybe sometimes it’s gonna look delusional, because the timeline is taking longer, and people on the outside who live in fear are like, ‘Girl maybe it’s time to give it on up and cash in your chips,’ but they don’t live in your world. They live in theirs.” To SZA’s point, there’s a moment where this delusion becomes something real and attainable. So after collaborating with Teyana Taylor and the legendary Babyface, it’s no surprise that Coco Jones is aiming higher and wider. She hopes to one day make records with Brandy, Bad Bunny, Wizkid, Burna Boy, Tems, gospel artists like Cece Winans, and even country artists. She also aspires to have a career that can be most compared to Rihanna’s. The world is Coco Jones’ and she’s coming after everything she’s owed and then some.
What I Didn’t Tell You is out now via High Standardz/Def Jam Recordings. You can stream it here.
There are a lot of new things happening lately on streaming sites as we move into “Peak TV” finally after all this time. The latest streamer to make some big changes is Showtime, the home of various hits like Yellowjackets and Billions, which launched its own streaming service in 2015. It was announced this week that Paramount+ will be integrating with Showtime, merging all of their classic shows into the Paramount universe, sitting comfortably alongside Yellowstone and Beavis and Butt-Head. But what does this mean for current subscribers? A few things.
The change will go into effect later this year, titled “Paramount+ With Showtime,” which is… straightforward! Even though the name change is underwhelming, Chris McCarthy, president and CEO of Showtime and Paramount Media, says that the merger is a good thing for Showtime, which will be able to use some of Paramount+’s giant mountain of resources. In a memo to staff, McCarthy said:
As a part of Paramount+, we can put more resources into building out the lanes that have made the SHOWTIME brand famous, as well as turning our hit shows into global hit franchises. To do this, we will divert investment away from areas that are underperforming and that account for less than 10% of our views. We have already begun conversations with our production partners about what content makes sense moving forward and which shows have franchise potential.
But with shiny new resources come some big changes, including three of Showtime’s recent original shows getting the axe: Jon Bernthal’s American Gigolo remake, Shailene Woodley,’s unaired Three Women, and the TV remake of Let The Right One in. There is a chance these shows can find a home somewhere else, which has been happening more and more as of late. The company is also expected to announce layoffs due to the merger.
As for the price, the company is expected to announce new pricing in the coming weeks, but as with any add-on, it will likely mean a price hike for anyone who wants access to their Showtime shows. As of right now, Paramount+ comes in at $9.99 a month, while Showtime’s premium plan costs $11.99. If you want to be able to watch Twin Peaks: The Return on the same streamer as South Park, you’re going to have to pay a little bit!
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