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Once Again, Dan Orlovsky Has A Bad Food Take, This Time About Tacos

Alright folks it’s time for another blog about Dan Orlovsky and food. In a previous post, we highlighted a take that Orlovsky had about cannoli, a perfect, delicious little morsel created by my people.

And now, Dan Orlovsky, who to be clear seems like a very nice guy, is at it again. In a tweet posted on Friday night, the ESPN studio analyst who occasionally hops into the booth and provides in-game analysis for college football and NFL games gave us a glimpse into his dinner at what I assume is Casa de Dan. It was tacos, which, sure! The catch: Orlovsky threw some cucumbers into them.

What, exactly, are you gaining from this? Maybe a quick pickled cucumber adds a nice, acidic bite to cut through the richness of the beef, but just wantonly throwing some normal cucumbers onto this when you can simply add a little more lettuce and have it achieve basically the same goal is … we’ll say a curious decision. Don’t take my word for it: Two of Orlovsky’s colleagues, Mina Kimes and Marcus Spears, got on him for this, as did former NFL quarterback Joey Harrington.

As for what’s next, my guess is Orlovsky sends a tweet saying he puts ketchup in chicken noodle soup.

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Inhaler Opened Up About How Watching The Beatles ‘Get Back’ Documentary Helped Their New Record

Inhaler, the rising rock band, opened up in a new interview with NME about how the recent Beatles documentary, Get Back, helped them feel less pressured on making their sophomore album: the upcoming Cuts & Bruises.

“You’re watching the greatest band of all time and go through their own problems and their own struggles. You think, ‘That’s a perfect record – how could there be anything wrong with it?’, and then you see what their relationship was like,” said drummer Ryan McMahon. “It gave us a sense that, though we were at loggerheads sometimes, we were all working on something that felt good and felt right.”

“We had such a hard time making this record. We thought, ‘Aren’t you meant to enjoy making a record to some extent?’” lead singer Eli Hewson also noted.

Specifically, Inhaler struggled with making the record’s final closing track, “Now You Got Me.”

“It was those little bursts of magic we saw in Get Back that we were searching for,” McMahon added.

The band is set to hit the road across the UK next month in support of the record. More information on tickets is available via their official website.

Continue scrolling for a complete list of tour dates.

02/16 — Leeds @ O2 Academy
02/17 — Newcastle @ NX
02/18 — Liverpool @ Mountford Hall
02/20 — Norwich @ UEA
02/21 — Cardiff @ University Students Union
02/23 — Nottingham @ Rock City
02/24 — Birmingham @ O2 Academy
02/25 — Bristol @ O2 Academy
05/19 — Manchester @ O2 Victoria Warehouse
05/20 — London @ O2 Academy Brixton

Cuts & Bruises is out 2/17 via Polydor. Pre-order it here.

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Sega Bodega And Shygirl Give Bjork’s ‘Ovule’ A Hypnotic Update

Bjork has shared a new version of one of the standout tracks from her latest album Fossora. “Ovule” had fans abuzz upon the release of Fossora last September. Now, she has given the song a trippy, hypnotic update, with a new beat by Sega Bodega and additional vocals from Shygirl.

In a statement, Bodega described updating the song “as kind of a full circle moment here, for me at least. The three of us had an evening of all listening to music we loved at Shy’s place last year and after absorbing that the remix came together pretty quickly – we like things fast.”

“it has been so nourishing sharing music with shy and sega,” added Bjork in a statement. “soooo honoured to be in their hands !! and in this remix admiring sega exploring chill-bassdrum-gabba and a thrill seeing shy diving into my lyrics and taking it to a new place.”

Shygirl’s vocals give the song a more silky, echoing feel, as she slides on the beat with pure ease, singing of the complexities and nuances of love and the human condition.

“What I’d pay to give you a minute of this / All I feel is bliss when I think of you / What I’d pay to givе you a minute of this / All I feel is bliss when I think of you,” sings Shygirl on one of her verses.

Check out “Ovule (Sega Bodega Remix)” above.

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The James Harden-Joel Embiid Pick-And-Roll Has The Sixers And Their Offense Rolling

Just past 10 p.m. on a brisk, dreary night in Portland, Joel Embiid is holding court in the corner of the Philadelphia 76ers’ cramped visitors locker room. As he motions with his hands to elucidate the intricacies and windfalls of operating from the high post, his 7-foot frame towers over the trio of reporters listening intently.

Years ago, Embiid’s preferred region of the floor was the mid-post on the left side. Yet over the past 2.5 seasons, he’s increasingly shifted himself to the middle of the floor and deemed that his go-to spot. It’s especially true alongside James Harden, who joined the Sixers about 11 months ago. Harden’s arrival has spurred notable amendments to Embiid’s usage, most notably the evolution from a low-block scorer to a pick-and-roll big.

“We just felt like he needs a place where he can close games at. That was the big conversation going into the summer,” Sixers coach Doc Rivers says. “Everyone has their little area that they can pick down the stretch, they also have their move, they have their shot. And they have their secondary move. The great ones do. So, we felt like that was Jo’s step to take, and he’s done that.”

“[Rivers] just told me that I needed to find whatever area on the floor that I was gonna be most comfortable with. Obviously, me and [my trainer] Drew [Hanlen], we studied a lot,” Embiid says. “So, we just started figuring out, ‘OK, where can I be a better playmaker and where can I be a better scorer without being doubled and without being easy to double?’ And that was at the nail, so we started all of our work visiting those areas.”

In 2020-21, the first year he finished runner-up for MVP, 36.5 percent of his shots were derived from post-ups, according to Synergy. He generated 1.084 points per possession and led the league in total post-ups. His pick-and-roll roll man frequency was just 12.5 percent (1.031 PPP).

This season, amid another MVP-caliber campaign, his post-up rate has dwindled to 15.8 percent (1.175 PPP). Meanwhile, his ball-screen frequency has spiked to 24.5 percent (1.182 PPP). Despite missing 11 games, he leads the NBA in roll man possessions at 247. Bam Adebayo is second with 191 total possessions.

“Posting up and posting all game long is hard, it’s easy to double,” Embiid says. “It’s funny when we got these old guys always talking about posting up, need to spend time in the paint and all that stuff. You can’t win this way anymore. It’s not the freaking 90s or 80s.”

The Harden-Embiid pick-and-roll is the foundation of the Sixers’ burgeoning, elite offense. Over their last 21 games, a stretch in which they’ve won 17 of 21, they’re fourth in offensive rating (119.9) and fourth in net rating overall (plus-7.1), according to Cleaning The Glass. It’s a six-week run that’s propelled them from 12-12 and tied for seventh in the East to 29-16 and tied for second.

Philadelphia isn’t particularly innovative because it doesn’t have to be. Its point guard is a virtuoso facilitator averaging 11.2 assists per game. Its center is the reigning scoring champ and is averaging 33.6 points per game on 64.4 percent true shooting. Surround them with release valves such as Tyrese Maxey, Tobias Harris, De’Anthony Melton, and Georges Niang, and the results will be prolific.

Most often, defenses run drop coverage against the Harden-Embiid ball-screen tango. Harden’s marriage of pacing, creativity, and accuracy ensure he’ll routinely feed the big fella where he wants it. As soon as the defense commits multiple bodies, the 11-time All-Star seamlessly slings a feed to his superstar center. To avoid hinting his next move for the opposition, he doesn’t break stride before whirling dimes.

“He sees things very slowly,” Blazers head coach Chauncey Billups says. “He sees coverages, he sees rotations, in his mind very slow, even though it’s moving fast.”

Drop coverage is simply untenable, given their complementary skill-sets. The screen navigation and positioning have to be immaculate to deter the angle for a pocket pass from Harden, who is arguably the NBA’s premier pocket passer.

Embiid is a midrange maven and effervescent scorer. Most domineering roll threats don’t tout the self-creation chops he does. That simplifies Harden’s job. Just get the ball to Embiid with a slight advantage and let him cook. While Embiid’s usage rate still hovers around a carer-high 37 percent, his offensive responsibilities and touches are less taxing with Harden in the fold. According to Cleaning The Glass, a career-high 64 percent of his field goals are assisted, a stark jump from 54 percent last season and 48 percent in 2020-21. Among Harden’s slippery handle, crafty ball-screen setups, and deceptive cadence, he wanders where he wishes and eases Embiid’s burden.

“He’s just a wizard with the ball,” Maxey says. “He knows where he wants Joel to be and they have a connection to where they know when to roll, when to pop.”

Embiid began gravitating toward the nail and elbow as a face-up scorer following the Boston Celtics’ sweep over Philadelphia in the Bubble. He wanted to maximize his scoring arsenal for a playoff setting and determined a reorientation was in order. As a result, he and Hanlen studied the likes of Kobe Bryant, Dirk Nowitzki, and Michael Jordan, all Hall of Fame inductees who thrived playing at the nail.

It’s since aided his assimilation to working off of Harden as a play-finisher rather than the lead passer and scorer. The elbows and nail are his office space; Embiid said the elbow shots are his favorite. According to Second Spectrum, when Embiid screens for Harden, they’re producing 1.163 PPP this season.

“From the beginning, it was easy,” Embiid says. “With [Harden’s] playmaking ability, all I gotta do is set a good screen. A lot of times, I don’t even have to set a screen because of the way we’re being guarded, so it’s all about playing off of each other.”

Much like his co-star, Harden’s also tailored a steadfast successful ethos to accommodate his new scenery. For years, he flourished in pick-and-rolls alongside aerial threats like Clint Capela, Dwight Howard, Nicolas Claxton, and DeAndre Jordan. Even the small-ball Rockets during his final full season in Houston were stylistically much different than what Philadelphia offers.

Rather than attack all the way to the rim — either to finish on his own, toss up a putback chance (a la a Kobe Assist), or hurl a lob — Harden’s dialed back the speedometer. Some of that is because Father Time has started to catch up and impact his explosiveness, both vertically and horizontally.

But another component of it is Embiid’s ground-bound scoring predicated in the midrange. Harden’s ability to prosper at vastly contrasting paces and in different contexts underscores his adaptability. Once an MVP candidate pouring in 35 points a night, he’s averaging his fewest points and shots per 100 possessions since 2011-12 — his final year with the Oklahoma City Thunder — while posting the second-highest assist rate of his career.

“He is proving that he can actually play with a dominant player in Joel, and kind of pull the reins back on his game, and still be just as effective and efficient,” Billups says. “That’s hard to do. That’s really, really hard to do.”

“It’s crazy, just because I saw it when I was at home watching him when he was in Houston and when he was going for 50 a night,” Maxey says. “Now, I’m on a court with him while he’s doing like 20 and 15 and 10 boards. He’s coaching everybody and putting guys in their spots. To have a guy like that, it’s just a blessing and we’re not taking it for granted.”

The potency of Harden and Embiid’s two-man game is multiplied by its versatility. They can dissect seemingly every type of ball-screen coverage. In Philadelphia’s 120-110 win over the Los Angeles Clippers on Tuesday, the Clippers stashed Ivica Zubac on P.J. Tucker and stuck two of their many rotation wings on Harden and Embiid, so they could switch any pick. That didn’t pan out. Embiid played bully-ball for buckets and free throws against Los Angeles’ collection of forwards. He scored 41 points on 68.5 percent true shooting.

They’re both accomplished one-on-one scorers, rendering switches untenable. Embiid’s in the 98th percentile in volume and 63rd percentile in PPP on isolations. Harden’s in the 99th and 77th, respectively. Grant them a mismatch and they’ll torch it.

Toss two at the ball to respect Harden’s pull-up gusto (87th percentile off the dribble at 1.148 PPP) and that leaves the NBA’s second-leading scorer in a luxurious 4-on-3 circumstance. According to Synergy, Harden’s yielded 1.529 PPP on 17 possessions against traps this season. Doubling or playing at the level won’t suffice.

Typically, Embiid will saunter toward the free-throw line and proceed from there. As he and Harden refine their partnership, though, they’re sprinkling in different looks to flummox the defense and weaponize that effective predictability. Speed is the counter to their methodical nature.

“You catch teams off guard because teams are loading up now to try and take away the elbow pass,” Rivers says. “All of a sudden, he rolls on you.”

Beyond the general necessity of floor-spacing around Harden and Embiid, the quintet of credible shooters and/or drivers in Maxey, Melton, Harris, Niang, and Shake Milton presents options for flexibility. Late in Philadelphia’s win over the Los Angeles Lakers on Sunday, LeBron James rotated aggressively to the nail and eliminated Harden’s window for a pocket pass, which resulted in a blocked layup.

On the ensuing two pick-and-rolls, the Sixers’ final two of the night, they loaded the left side with legit spot-up threats and kept Niang in the corner to complicate James’ possibility of early help at the nail. If the Lakers wanted to ignore Niang, a 41.6 percent long-range shooter this season and Philadelphia’s best off-ball marksman, they could at their own peril. The one time they elected to, it cost them three points. The Sixers scored five points on those last two ball screens.

Philadelphia’s pick-and-roll profits usually end with Embiid in some form, but they start with Harden. He’s one of the most impactful and adroit passers in the NBA. According to PBPStats, despite the tandem only playing 24 games together, the Harden-to-Embiid assist combo leads the league at 127 dimes, 20 more than the second-place Tyrese Haliburton-to-Buddy Hield connection.

Back in the preseason, a portion of Philadelphia’s training camp was broadcast on NBA TV, with both Rivers and Harden mic’d up in a remarkably prescient conversation. At one point, the two discuss the potential and progression of Harden and Embiid’s pick-and-roll synergy. Rivers tells Harden they have to forge an innate bond that lets them sleepwalk into a flurry of points every game. He also notes “there’s a pecking order” offensively. Embiid and Harden are the focal points.

Harden recognizes the stress he inflicts on defenses by sheer virtue of his existence, which he can parlay into stress-free opportunities for everyone. Rivers emphasizes that it’ll take time to organize and harps on the need for Harden to be aggressive as a passer and scorer, not solely the former.

“When it clicks, James,” Rivers says, “we’re gonna be unbeatable, unbeatable.”

The Sixers own a 121.6 offensive rating and plus-10 net rating with their stars on the hardwood. They’re 16-8 when they both suit up, including 14-3 over the past 17 outings. Embiid is enjoying a third consecutive season in the MVP race. Harden is back to All-NBA form. They should each be in Salt Lake City next month for the All-Star Game.

“Sometimes, when you’re on the court,” Maxey said, “you’re watching like, ‘What’re they gonna do next?’”

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Steve Kerr Calls Resting Stars ‘A Brutal Part Of The Business’ And Will ‘Advocate For 72-Game Seasons’

The Golden State Warriors announced they will be sitting Stephen Curry, Klay Thompson, Andrew Wiggins, and Draymond Green against the Cavaliers in Cleveland on Friday night. Golden State played an overtime thriller against Boston the night before and are sitting their stars as a way to guard against injuries.

It’s unfortunate that the fans in Cleveland won’t get to see Golden State at their best after the two franchises went toe-to-toe in the NBA Finals during LeBron James’ second stint in Ohio. The disappointment that fans may feel is not lost on Warriors head coach Steve Kerr.

Injury management affects all teams through an 82-game season. As Kerr mentioned, the data is clear on the risk that comes with playing a high level of intense NBA game minutes within a 24-hour span. The league has made attempts to minimize the wear and tear of the season through strategic road trips and two-game series between teams, but the simple solution is reducing the season to 72-games to eliminate all back-to-backs.

Furthermore, this specific situation for the Warriors could have been avoided by the league schedule makers. Why is Golden State playing Boston and Cleveland on back-to-back nights when those two cities aren’t close geographically? It’s a shame the Cleveland fans won’t get to boo or get their hearts broken by Curry, but it’s a decision that the NBA has decided to live with.

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Dolly Parton Delivers An Empowering Ode To Football And Friendship With The New Song ‘Gonna Be You’

Dolly Parton is on fire this year! The country legend dropped a new song today, “Gonna Be You,” that also features Brandi Carlisle, Debbie Harry, Cyndi Lauper, and Gloria Estefan. Recorded for the soundtrack of the upcoming flick, 80 For Brady, the uplifting anthem serves as a sweet ode to friendship.

“I’m sticking with you because I know there’s no one else,” Parton opens the song. “Who knows me better / Holds me together / And everybody else will turn their back on me.”

The music video includes footage from the movie, which stars Lily Tomlin, Jane Fonda, Rita Moreno, and Sally Field, as well as Parton and the other performers rocking Patriots jerseys. “It’s gonna be you / Who comes to the rescue anytime that I’m drownin’,” they all sing together in the chorus.

Plus, there’s even some shots of Tom Brady himself, as the film’s plot centers around friends going to support the football star.

Diane Warren, who originally wrote the song, opened up in a statement (via NME) about the recruitment process for the track.

“Since 80 was in the title I got a crazy idea, why not get some of the most iconic singers from the ’80s, who are still amazing and always will be, to all sing it?” Warren shared. “Everyone I approached said yes and was just as excited as me!! I’m honored to have Dolly Parton, Belinda Carlisle, Cyndi Lauper, Gloria Estefan, and Debbie Harry on this song!! ‘Gonna Be You’ is that song you want to sing along to with all your good friends!”

Watch the new video for Dolly Parton’s “Gonna Be You” above.

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Meet Me @ The Altar Have Announced The Release Date For Their Debut Album, ‘Past // Present // Future’

Alt-pop trio Meet Me @ The Altar is finally gearing up to release their debut album. The band announced the album last night during an episode of The Late Show With Stephen Colbert.

During the episode, the trio revealed that the album will be titled Past // Present // Future and that it will arrive in March. They later sent out a statement explaining the album’s title.

“The things we hold from our past inform who we are now and where we might go,” the band said. “This album pays homage to the music we loved growing up while reflecting our modern-day lives, sounds, and experiences – we can’t wait to share Past // Present // Future with the world.”

Also during the show, Meet Me @ The Altar delivered a power, punchy performance of their buzzy new single, “Say It (To My Face),” challenging their critics to vocalize their reservations toward them.

You can check out the performance of “Say It (To My Face)” above and the Past // Present // Future artwork and tracklist below.

1. “Say It (To My Face)”
2. “Kool”
3. “Try”
4. “TMI”
5. “Same Language:
6. “A Few Tomorrows”
7. “Need Me”
8. “It’s Over For Me”
9. “Thx 4 Nothin’”
10. “Rocket Science”
11. “King of Everything”

Past // Present // Future is out 3/10 via Fueled By Ramen. You can pre-save it here.

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Hilarious TikTok explains what NOT to do for the Lunar New Year

Lunar New Year is one of the most important celebrations among East and Southeast Asian cultures. Unlike the Gregorian New Year, which takes place for one night, Lunar New Year celebrations last for several days and involve centuries old traditions steeped in superstition. Even the most mundane of everyday activities, when done on Lunar New Year, could decide a person’s fate—for better or worse.

Luckily, home decor blogger Wendy has given us a perfect rundown of taboo activities to avoid this Lunar New Year and thwart ill tidings—in the form of one hilarious TikTok.


As Wendy explains in her caption, many customs are based not only in superstition, by a play on words. Washing your hair “washes” away your fortune, for example. Sweeping “sweeps” it all away. You get it.

There’s even caution against items that sound like Chinese words with a negative connotation—buying a book, which sounds like the word “lose” in Chinese, would bring bad luck. Similarly, buying shoes, which sounds like “rough” in Cantonese and “evil” in Mandarin, would be equally bad. There will be no trips to Barnes and Noble or Foot Locker during Lunar New Year. No sir.

While the education is already great, what makes this video next-level is the amazingly cartoonish slow motion chase scene happening the whole time on loop.

Watch:

@thekwendyhome What not to do on Lunar New Year. Inspired by: @thehustlingmama Most of these customs are based in superstition and a play on words! But I’ll take the excuse not to wash my hair or clean any day! Watching our expressions in slow motion really made us laugh out loud. Especially the scene where K runs with the knife and scissors. Which you should neverrrr do. This video took me much longer to edit with the “special effects” but I think it makes it funnier that we are chasing each other in a perpetual loop. #lunarnewyear #chinesenewyear #cny #cny2023 #chineseculture #chinesecustom #chinesenewyear2023 #yearoftherabbit ♬ Mr. Blue Sky – Electric Light Orchestra

Wendy alluded to the video being a time consuming project—what with all the special edits—but man was it worth it. This is TikTok comedy at its finest.

The clip has already garnered over 195K views. Those familiar with the customs found it laughably relatable. One person wrote, “thank you! I was running them through my mind and this was a great mini refresher.”

Others marveled at just how many things could make a year go terribly, terribly wrong. “Well, I’ll just stay in bed and not do anything,” one person joked.

The Lunar New Year for 2023 will fall on Jan 22, transitioning away from the Year of the Tiger and into the Year of The Rabbit, which represents wealth and prosperity in Chinese culture. Hey, if it means becoming rich this year, I suppose we can let the hair washing and sweeping slide for a day.

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Ariana Grande Rejects The Not ‘A Singer Anymore’ Rumors By Delivering A Mesmerizing New Cover

Ariana Grande posted a brand new TikTok that certainly has fans talking. After months of an online discussion about whether Grande was stepping away from being a pop singer, she’s now clearing things up for everyone.

“wHy Are’NT yOu A sInGer AnyMoRee?!?!?” the text in the video reads. Grande also notes that she’s “literally on set filming two musical movies all day every day,” referencing her work on the upcoming Wicked adaptation.

However, while in the middle of getting ready and hiding her character Glinda’s hairstyle over a pink robe, Grande shared a singing clip with fans as a treat.

“wanted to sing you a little something but don’t want to sing anything that is not ‘Ozian’ at the moment :),” Grande captioned the video. “keeping to my little bubble for now … done with lots of love.”

She sure delivers, as her cover of The Wizard Of Oz’s “Somewhere Over The Rainbow” shows off Grande’s controlled and impressive vocal technique.

@arianagrande

wanted to sing you a little something but don’t want to sing anything that is not “Ozian” at the moment 🙂 keeping to my little bubble for now … done with lots of love.

♬ original sound – arianagrande

Kristin Chenoweth, who first played Glinda in the Broadway version of Wicked, dropped a “LOVE THIS” reply.

Others also wrote in, expressing their love for the cover. “She said in case y’all forgot I’m classically trained,” one fan commented.

Continue scrolling for some fan reactions to Ariana Grande’s new TikTok.

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Yung Miami Revealed We Can Expect A New City Girls Album This ‘Spring, Summer’

It looks like City Girls fans can expect another City Girl summer. Yesterday (January 19), Yung Miami, one half of the rap duo, spoke with former Bachelorette Rachel Lindsay for Extra TV at the red carpet premiere of Netflix’s You People.

Lindsay asked Miami whether or not we can expect new music from City Girls in the near future. Miami answered with a simple “Yes, spring, summer.”

While it may be a while till we hear new music from the duo, the ladies are making a big splash in various avenues. Miami has a role in You People, and also stars in the second season of BMF on Starz. She has also garnered a large following with her talk show, Caresha, Please on Revolt TV.

Still, music is the ladies’ first love, and with their upcoming new era, they hope to have a breakthrough moment. In an interview with XXL, Miami revealed she wants for the next album, or at least an upcoming single, to reach No. 1 on the Billboard charts.

“I want us to be successful,” Miami said. “I just want us to go up. I want to have a No. 1 song on the radio. I want to have the No. 1 song on the charts. The No. 1 song everywhere. I want to perform on every awards show. I’m just ready to go up in our career. I feel like it’s time.”