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‘Tis the season for holiday music. Even if you don’t celebrate holidays, it is hard to deny to warm feeling holiday music brings. R&B singer Ari Lennox is the latest in a long line of musicians to release a cover of their favorite festive jams.

Instead of following the footsteps of tradition, Lennox opted for a sultry soul rendition of the play, The Sound Of Music‘s most popular tune, “My Favorite Things.”

The “POF” singer did not hold back any pressure as she smoothly belted out the track’s mantra-inspired lyrics. With strength and precision, Lennox brings together the song’s classic element with a pop of soulful flair.

The song, originally written by Oscar Hammerstein with composition by Richard Rodgers, has become a staple across the music industry, not just musical theater. Most recently, in 2019, pop singer Ariana Grande sampled the track on her single “7 Rings.” The interpolation was heard in the song’s opening stanza, “Breakfast at Tiffany’s and bottles of bubbles / Girls with tattoos who like getting in trouble/ Lashes and diamonds, ATM machines / Buy myself all of my favorite things.”

It is nearly impossible to miss the mark with “My Favorite Things,” but Lennox’s cover is in a league of its own, and fans online agree.

Listen to the full track above.

María Becerra released her highly-anticipated album La Nena De Argentina today (December 9). While the rising Argentine pop star has scored global hits alongside J Balvin and Camila Cabello, she wanted to shine solo on her new LP. Becerra talked with Uproxx about her decision to leave out the features and her time working with Cabello.

Since emerging last year, Becerra has become the most-streamed female artist from Argentina on Spotify. She has over 22 million monthly listeners on the music platform. Her success has led to multiple collaborations with global artists like J Balvin, Sofía Reyes, and Manuel Turizo. Earlier this year, Becerra featured on Cabello’s Latin album Familia. The two Latinas teamed up for the disco-pop bop “Hasta Los Dientes.”

“She’s a very normal person,” Becerra told Uproxx. “You feel comfortable with her. Her and her mom are very Latina, like my mom. It felt like a family environment. I felt like I was with a friend. Camila and her mom, they treated me very well and I felt a lot of love.”

In all her songs, Becerra calls her self La Nena De Argentina. She said the title is like her “trademark” in music. Becerra celebrates her come-up from Argentina in the title track, a reggaeton-pop anthem where she lives up to her title. Across the 12 tracks, she stands alone with zero features.

“I felt like it was a good moment to establish the name,” Becerra said. “What could be better than putting La Nena De Argentina on an album that’s just me. More than anything, it has music I wanted to make by myself. That’s why I decided on the [album’s] name.”

While Becerra has scored multiple hits in reggaeton like the revved-up “Automático,” she used her second album as an opportunity to explore different genres. In the kiss-off track “Adios,” Becerra blended cumbia with Latin pop music. The sultry “Hasta Que La Muerte Nos Separe” marks her first time working with influences of bachata music.

“I feel like [the album] is showing me as a complete artist,” Becerra said. “It’s different. It’s very versatile. I love experimenting with all the genres. I’m a person who likes challenges and I learn from them each them.”

La Nena De Argentina is also a personal album for Becerra. In the vulnerable track “Inspiradora,” she embraces being openly bisexual by singing to another woman. Becerra is always proud to represent the LGBTQ+ community that she’s a part of.

“Always in my albums, I have included a song that represents the LGBTQ+ community because that’s something that represents me as well,” she said. “That’s the person who I am. I like men and women. It’s an album that describes me in each song with a lot of my own experiences. I sing about that because it’s a way to normalize [queer relationships], also to open myself up to people, and show them who I really am.”

La Nena De Argentina is out now via 300 Entertainment LLC. Listen to it here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

If Taylor Swift wrote “Today Was a Fairytale” in 2022, instead of 2008, the song wouldn’t be about some guy telling her that she’s pretty when she looks like a mess. It would be about Guillermo del Toro giving her the book that inspired him to make Pan’s Labyrinth.

While appearing at the Modern Art Film Benefit at New York City’s Museum of Modern Art on Thursday, the Oscar-winning filmmaker was asked whether he heard that if Swift could swap places with anyone in Hollywood for one day, it would be him. “Yes, yes,” del Toro told W magazine. “She’s a very accomplished director, she’s incredibly articulate, and deep about what she’s trying to do — and what she will do.”

The Pinocchio director also revealed that he’s met her before.

“I have the greatest admiration for her; we had one of the most stimulating and gratifying conversations. We have many, many common interests. And her interest in fable and myth and the origins of fairy tale is quite deep. I gave her a few books that I thought would be interesting for her — among them, very importantly, a book that was useful for me in creating Pan’s Labyrinth called The Science of Fairy Tales, which codifies and talks about fairy tale lore.”

Can you feel this magic in the air? Yes, and it feels like Swift making a Pan’s Labyrinth-inspired movie for her directorial debut.

(Via W magazine)

UPROXX’s Show Up has a central ethos — “Some people refuse to wait for change, they show up and do it themselves.” That central ideology resonates deeply in the latest episode of the series, in which Between The Lines co-founder Lamont “Tory” Stapleton takes us on a deep dive into recreational therapy in U.S. prisons via a basketball program.

Stapleton — a former college ball player and now fashion designer — co-founded Between The Lines (with Darren Duncan, another former basketball player) to address the lack of positive community, recreation, and artistic expression in the U.S. prison system, starting with California’s prisons. The thrust of their program is to offer a community that delivers a “belief in oneself, the value of discipline and hard work, responsibility, accountability, how to be a team player, overcoming obstacles and adversity, dealing with wins and losses, persistence, time management, making sacrifices, and an overall respect for others,” according to the Between The Lines mantra.

That may sound like a lot, but Between The Lines takes this challenge one step at a time with coaching and games in the prisons that bring inmates together and helps them reintegrate into the world after their sentences are served, with a focus on decreasing recidivism rates with all who participate in the program. Part of that comes through the lessons learned on the court and part of that comes through the feeling of ownership that Between The Lines brings by having an in-house artist tailor each court to the men playing on it every day.

This reaches a high point with a testament from Salvador Gomez, Between The Line’s Reintergal Program Leader and former inmate, whose life was changed through being part of a team while in prison, playing some hoops, and feeling like he had a chance once he made it to the outside world again after 20 years inside. Gomez tells it simply, Between The Lines is all about “becoming better people … becoming better humans.”

To learn more about this generous program, watch the whole episode of Show Up above.

The favorites to lift the World Cup are heading home. While a Neymar goal in extra time looked like it was going to lead to his first World Cup semifinal appearance, Croatia defeated Brazil in penalties on Friday in the quarterfinal to secure a spot in the semis after a Marquinhos effort to extend the game went off the post.

Croatia, as they are wont to do, spent all 90 minutes of regulation frustrating Brazil. Every time it looked like the South American giants had the opportunity to score, Croatia put out the fire, proving nigh impossible to break down.

That continued for much of the first period of extra time. The fourth official put up one added minute, and while Brazil could have sat on the ball and waited for the referee’s whistle to blow, Neymar had other ideas. The Paris Saint-Germain star stood on the ball and executed a series of 1-2s — first with Rodrygo, then with Lucas Paquetá — to get himself into the box.

Croatia’s defense, once again, scrambled to try and put out the fire. Instead, Neymar shrugged off a challenge by Borna Sosa, got around Dominik Livaković, and smashed the ball into the top of the net.

There may not be a team in world football more capable of rallying back in this exact sort of situation as Croatia, though, as seven of their last eight knockout round matches have gone to extra time. And in the 117th minute, the tying goal came by way of a sensational counterattack that saw Mislav Oršić run into the box and play a ball into Bruno Petković.

Marquinhos tried to block his effort, but instead, the ball came off of his leg in such a way that Alisson couldn’t stop it from going into the net.

In penalties, Nikola Vlašić stepped up first and scored, while Brazil went with Rodrygo, who was denied by Livaković. The second round of penalties came awfully close to going the same way: Lovro Majer beat Alisson, while Livaković guessed right on Casemiro’s effort. Unfortunately for him, the Manchester United star placed it just out of his reach.

Luka Modrić, one of the greatest midfielders of all time, made it 3-for-3 for Croatia, while Pedro did what he needed to do by converting. In the fourth round of penalties, Oršić put Croatia on the verge of advancing — Alisson guessed correctly but could not get to it. Marquinhos stepped up for the Brazilians, and while Livaković went the wrong way, the PSG defender hit the post.

With the win, Croatia will wait to see if they’ll have a semifinal matchup with the Netherlands or Argentina. Those two teams are slated to play on Friday at 2 p.m. ET on Fox.

SZA’s long-awaited sophomore album, S.O.S., is (finally) out now via RCA and Top Dawg Entertainment, and fans have been celebrating all day. They’ve marveled at her reimagining of Radiohead’s signature hit “Creep” on “Special,” fallen in love with the lush songwriting on her Phoebe Bridgers collaboration, “Ghost In The Machine,” and relived their emo glory days thanks to the pop-punk vibes of “F2F.” But, as it turns out, Ms. SZA wasn’t finished yet.

12 hours after the album’s release, SZA has shared the music video for her latest single, “Nobody Gets Me.” It’s a soul-searching breakup anthem on which she relatably questions the wisdom of walking away from the only person she feels truly understands her, and the video reflects that vibe. Shot in moody grayscale, the video sees SZA standing on a rooftop overlooking the city in one of her trademark, baggy, sports paraphernalia looks as she sings, “How am I supposed to let you go? / Only like myself when I’m with you.”

“Nobody Gets Me” builds on the momentum of her previously released singles, “Shirt” and “I Hate U,” but fans are already picking their favorite songs from the album, which already looks like like a worthy successor to her debut CTRL and a smash hit in its own right.

Watch SZA’s “Nobody Gets Me” video above.

The Rundown is a weekly column that highlights some of the biggest, weirdest, and most notable events of the week in entertainment. The number of items could vary, as could the subject matter. It will not always make a ton of sense. Some items might not even be about entertainment, to be honest, or from this week. The important thing is that it’s Friday, and we are here to have some fun.

ITEM NUMBER ONE – Be honest

The end of the year is a great time to take stock of things. Things that happened, things that didn’t happen, things you want to happen before the end of the next year so you’re not beating yourself up about the same junk next December. It’s a time for looking back and looking forward at once, which is kind of impossible but we all try to do it anyway. It’s one of the stupid things about having a brain. We should be thankful it just does its job of keeping us alive, but then here we are, every year, just as it starts getting cold and dark and miserable outside, cranking away on all of our successes and failures. Again, stupid.

But if we can’t change it, we might as well make the best of it. And with that said, I’d like to look back and forward at two things I think are pretty important:

• Better Call Saul ended this year and we should really all be so thankful that show was as good as it was, mostly because a prequel of another good show based on a character who was there for comic relief has a degree of difficulty about **thisclose** to “impossible”
• We should all probably focus more of our energy going forward on making Rhea Seehorn as big of a star as she wants to be

How good was that lady in that show? I mean, honestly. Everyone was good in that show, to be fair, and I promise this is not me preparing to launch into another 1000-word rant about my beloved Lalo Salamanca, but still. It is both fair and a little wild to say that Seehorn, as Kim Wexler, was the best part of the whole thing. The show was about Bob Odenkirk’s character journey from Slippin’ Jimmy to the devious Saul Goodman, but none of it would have worked at all without Kim’s journey next to him. Look at these two.

But you knew that. Or you should have known it. Or you know it now. Either way, not the main point I’m getting at. The main point I am getting at is that we all — you, me, everyone — need to focus on continuing this momentum for Rhea Seehorn going forward. I am doing my part by writing these paragraphs. Vince Gilligan, the mastermind of the whole Breaking Bad universe, is doing his part, too, with the mysterious new series he sold to Apple TV earlier this year that will star her and occupy a little beachfront condo in my mind until I learn more about it.

“After fifteen years, I figured it was time to take a break from writing antiheroes… and who’s more heroic than the brilliant Rhea Seehorn?” Gilligan said in a statement. “It’s long past time she had her own show, and I feel lucky to get to work on it with her.”

So he and I are good here. We’re checking our own individual boxes. That leaves… well, you, the person reading this. What are you doing to help Rhea Seehorn continue to thrive? Have you even started doing anything? I say this with only minimal judgment, I swear, seeing as I just wrote this thing up last night to get myself on the board with Vince, but it is something to think about as we head into 2023. Maybe you think there’s not much you can do, at least not without big-time Hollywood connections or a WordPress login and a very patient editor. But this is where you need to think outside the box. Think big. And think small. And medium, too, just to cover all your bases.

I’ll give you some ideas to get started:

• Pool some money together with friends and rent space on a billboard near the highway and have it say “RHEA SEEHORN IS PRETTY GOOD”
• Start a little appreciation group that meets at the library every other Tuesday to talk about ways to get the word out
• Make t-shirts
• Hold a bake sale and put little notes that say “HEY DON’T FORGET ABOUT RHEA SEEHORN” inside the aluminum tins so people see them when they finish their pie
• Share this article with everyone you know
• Skywriting
• Take a hostage and wait for the news cameras to get there and then read a manifesto about it

Hmm. Maybe not that last one. That’s too far. But some of the others could work. Something to think about over the holidays, I guess.

ITEM NUMBER TWO – [GRUNTS, SNIFFS]

This one is great for a few reasons, which we can cover quickly both for efficiency and to avoid over-explaining an objectively good thing.

REASON NUMBER ONE: It is a screencap of Jennifer Coolidge doing cocaine in Palermo on the most recent episode of The White Lotus. That’s a fun sentence to type and then read back to yourself, maybe out loud. It’s not quite as much fun as “Judith Light doing cocaine at the rodeo in the short-lived basic cable reboot of Dallas,” but it’s close, which, given the competition, is its own small achievement in a way. The silver medal ain’t so bad when you’re swimming against Michael Phelps.

REASON NUMBER TWO: The caption on this sucker is “[GRUNTS, SNIFFS]” and that’s… I mean, it’s beautiful. It’s the GRUNTS that really does it for me. Reasonable arguments can be made that it’s my favorite caption since The Righteous Gemstones gave us “[ALL SOBBING AND RETCHING]” last season, which I will use to link to this and remind you to always watch television with the captions turned on.

REASON NUMBER THREE: It allows me to remind you about all the slurping this season. I did not think they could ever top that in the caption department. But then, blammo, “[GRUNTS, SNIFFS]” right there in all caps. It will take me weeks to get over this. Maybe months.

It’s a good show.

ITEM NUMBER THREE – Inside the NBA is one of our finest television shows

The important thing here is that Kenny Smith shoved Shaq into a Christmas tree. He really did. Watch the video up there one or 800 times if you don’t believe me or want to experience joy in your life for a while. It’s so good. He catches him mid-stride and sends about 375 pounds of NBA Hall of Famer flying into a physical representation of Christmas cheer. I could watch it every day. I kind of have watched it every day since it happened earlier this week. I suspect I’ll keep watching it every day until Christmas. I might just keep going until spring. It’s good to keep the holiday spirit in your heart throughout the year.

The other thing worth noting is that the show this happened on, TNT’s Inside the NBA, is one of our finest and funniest television programs and has been for a long time. I should put it on my Top 10 list every year. It’s as reliable as SNL for laughs and it does it with zero career sketch comedians, just Charles, Kenny, Shaq, and Ernie pontificating about basketball or whatever the hell else is on their minds between or after the game they’re allegedly covering. I watch a lot of television for this job and still, to this day, after watching probably thousands of hours of scripted comedy in my life, I do not think I’ve seen anything funnier than Shaquille O’Neal explaining that the moon can’t be that far away because he can see it from the ground in Georgia, unlike California. Please watch this clip. Watch everyone’s face as he keeps talking. Tell me any episode of The Office has ever been better than this.

It’s not just me, either. Bill Hader — a pretty funny guy! — appeared on a recent episode of The Steam Room and said that comedians routinely share clips from the show with each other even if they don’t watch basketball.

So there you go. Confirmed. And I don’t want to hear anyone coming to me with theories that the tree shove was faked or embellished or that Shaq jumped into the tree himself. Yes, I know he is a very large man and that sending him hurtling through the air would require a significant amount of force. My responses to this line of reasoning are as follows:

Shut up.

Let me have this.

Leave me alone.

Thank you.

ITEM NUMBER FOUR – Let Brett Goldstein make a damn Muppet movie!

It remains my position that The Muppet Christmas Carol is both the best version of the classic Dickens story and one of the top five Christmas movies of all-time, despite only being the second-best Muppet movie. I don’t really need an excuse to talk about it every year at the holidays, but I have one this time anyway, because this year marks the 30th anniversary of its release. So here we are. Also, here Brett Goldstein is, doing a lengthy interview with the Muppets about it. This is good. I love that Brett Goldstein loves the Muppets, in part because the Muppets rule and in part because he — as we’ve learned from Ted Lasso — is one of the world’s best cussers, and I like that juxtaposition.

Here’s a little taste from the chat, which I recommend reading and/or watching in full sometime this weekend:

GOLDSTEIN: Yeah. Gonzo, you are famously a stunt artist and you put your body through a lot in this film, falling out of windows, smashing into churches, all sorts of things. But actually, Rizzo is put through a lot worse. What was the biggest injury you sustained on set? And what was the hardest stunt to film?

GONZO: You know, as an actor, I use the Stanislavski method. He always told us, “If it doesn’t hurt, it’s not acting, and if it does hurt, you don’t have to act.”

KERMIT: Wait a second, Gonzo. You’re saying that you learned that from Stanislavski?

GONZO: Yep, good old Crash Stanislavski.

KERMIT: Different Stanislavski. Okay, got it. I’m sorry, Brett. Next question.

Three things are important to note here, and I’m going to knock them out via bullet point as well:

• It has been too long since we had a new Muppet movie
• We should let Brett Goldstein make one where he is allowed to cuss a little
• I don’t think we as a society spend enough time praising the people who do the Muppet voices for being brilliant improvisers who manage to whip out funny lines on the spot in character despite crouching on the floor under a table

I will say it again: The third Knives Out movie should take place at a ski lodge filled with Muppets and Daniel Craig should show up to investigate a murder that was committed by either Walton Goggins or maybe Christoph Waltz. I am not joking. It would be so good. Someone call Rian Johnson and yell at him about this.

ITEM NUMBER FIVE – Quinta Brunson rules

Everyone knows that Abbott Elementary and Quinta Brunson are great. I don’t need to hammer that point home. Especially not after an episode that featured appearances by both Vince Staples and NBA champion (and former Sixer) Andre Iguodala. We can file all of that away as previously known information and move along. To… well, to this. GQ honored Brunson in one of their big year-end award things and interviewed her a little bit and she said this, which I want to highlight quick.

“I am more interested in stories like Abbott that are about a neighborhood of a certain socioeconomic class that are more realistic for most Black Americans, I think,” she continues. “I think most Black Americans, they’re not fish out of water. Most of them live in neighborhoods with other Black people. And I loved my Black-ass neighborhood and where I’m from and my Black-ass upbringing. It wasn’t a sob story. It’s much like Abbott—these people who get by and love each other and that’s that. I know we put a lot of emphasis in American society on winning and big triumphant shit. But for a lot of people, just getting up out of the bed is the biggest task they could have completed that day—and it means something. It means that they made a choice to keep going. And to me that is where the real inspiration for Abbott comes from.”

This is… cool. It’s cool and true and a good philosophy and perspective to have about life, just generally. It’s also, in a way, something I’ve tried to hammer home about my own stuff, the thing where I have a spinal cord injury and use a wheelchair etc etc etc. So much of the scripted programming that focuses on people with disabilities is about overcoming obstacles and this big triumphant feel-good hooey where it all ends with the town throwing a parade. And that’s… I guess it’s fine. But there are so many other stories worth telling about cool and smaller things that are just as good, if not better, and it would be cool if we could all work on telling those, too. I’ve gone on this rant before. I’ll probably go on it again.

But the point here is that Quinta Brunson gets it. One of the best.

READER MAIL

If you have questions about television, movies, food, local news, weather, or whatever you want, shoot them to me on Twitter or at [email protected] (put “RUNDOWN” in the subject line). I am the first writer to ever answer reader mail in a column. Do not look up this last part.

From Rebecca:

Back when you and Alan Sepinwall were doing your TV Avalanche podcast, you mentioned that you always sing the wordless Brooklyn Nine-Nine theme song as “Brooklyn Nine Dash Niiiine” and ever since, that’s all I hear when the theme song plays (which is often, since the show is on a constant repeat in my home). You’re not the only one who has further broken my already quite broken brain in this way- the same thing happens with the South Park “flopping weiners” version of the “Game of Thrones” theme, and with Demi Adejuyigbe’s rejected lyrics to the Succession theme. I’ve even done it to myself by singing my own lyrics to the Stranger Things theme song (it goes “stranger things and stranger things and stranger things and stranger things.” I am not a complicated person.) I will watch these shows, and then these fake silly versions of the theme songs will get stuck in my head for hours or days at a time if I’m not careful. Just walking around singing nonsense while my boyfriend exhausts every synonym for the word “lunatic” he can think of. As previously mentioned, my brain is very broken.

My question is, what other wordless theme songs can you ruin for me with silly lyrics that reside in your own broken brain?

Well, this is a lovely email. I suppose it requires a little backstory, maybe, although Rebecca did a good job of hitting the main points. I did, in fact, used to do a podcast with Alan Sepinwall, and I did, at some point, torture that poor man — one of the nation’s most respected television critics — with the lyrics I created in my head for the lyric-free theme song to Brooklyn Nine-Nine. The lessons here are twofold: I am an idiot and I should not have a podcast.

But anyway, to answer the question… I do not actually have another good one right now. Which stinks! I’m going to place most of the blame on the Skip Intro button and some of the blame on lots of shows just straight-up bypassing theme music recently. But I will say these two things:

• I will once again be on the lookout for these now because they are fun to uncover and they ruin people’s lives once they get lodged into a brain, and I kind of love to do that
• If you have a good one, please tell me, because it makes me very happy

Thank you and I’m sorry.

AND NOW, THE NEWS

To Germany!

Authorities say about 60 containers of bull sperm were stolen from a farm in the town of Olfen, 90 kilometers (56 miles) northeast of Cologne, late Monday or early Tuesday.

Happens.

Police said in a statement Wednesday that while it’s unclear how the rustle happened, the precious cargo needs to be supercooled with liquid nitrogen at –196 Celsius degrees (–320 Fahrenheit) so it isn’t spoiled.

I have been thinking about this for days now and I can’t get over the mental image of a team of thieves wearing tuxedos with thermal vests underneath executing a multi-stage plan to steal dozens of containers of bull sperm and make off with it in refrigerated trucks like they’re stealing nuclear material from a facility in the polar ice caps in the first act of a James Bond movie.

That sentence was way too long but I was too excited for punctuation. This happens, too.

They are seeking tips from the public that might lead to the recovery of the sperm, which was intended for artificial insemination.

I like that they included the last phrase here. Just for clarity. Like there was some other reason a facility in Germany was storing 60 canisters of nitrogen-cooled bull semen. You never know, you know?

Bam Margera is reportedly battling a “very serious case of pneumonia.” The former Jackass star was hospitalized in San Diego earlier in the week and also reportedly tested positive for COVID. According to TMZ, doctors put him on a ventilator, and he’s currently in the ICU. However, his condition is stable as of this writing.

Possibly complicating matters is Margera’s history of drug abuse. He reportedly fled court-ordered rehab on multiple occasions and has been spotted partying for months now. Via TMZ:

Our sources say during one of his stints in rehab, he befriended an attorney who convinced him he could get him out of the court-ordered treatment and “free Bam.”

Since then, we’ve seen him partying it up in Atlanta in September, and hitting Las Vegas the following month. We’re told Bam never completed his court order and many people close to him were concerned for the former ‘Jackass’ star.

Margera’s struggles with substance abuse led to a significant falling out with his Jackass co-stars. He was cut from Jackass 4, which sparked a series of lawsuits, and at one point, death threats against director Jeff Tremaine. Margera likened the conditions he experienced to Britney Spears’ conservatorship, but Paramount’s lawyers stepped in and called his accusations “outright lies.” Specifically, this refers to Margera’s claim that he was fired from Jackass 4 because he tested positive for Adderall. According to the studio, Margera reportedly admitted that he “bought it off the street.”

(Via TMZ)

There are a lot of reasons to be frustrated with the characters in this season of The White Lotus. For one, they are all too good-looking, which is just unfair to the rest of us. Another reason is the fact that these Americans don’t seem interested in exploring the world-famous Italian cuisine, which is fine because there is a lot of other stuff going on, but now everyone is mad that they haven’t seen Aubrey Plaza Eat, Pray, Love herself yet.

But for some reason, the worst offense has nothing to do with drugs or infidelity, instead, fans are loudly critical of Portia’s fashion choices. And that criticism made its way to the actress herself, Haley Lu Richardson. To be fair, some of the Tweets were very spot on:

“Here’s the thing that I don’t understand,” Richardson recently told TMZ. “I wear that bucket hat in the show, and I think it’s so cute. And I thought everyone liked bucket hats. But then everyone’s been s***ing on my bucket hat on Twitter. And I actually crocheted it, so I’m a little bit sad!” The actress confessed. Bucket hats were a thing for a while! Everyone had an ugly Ikea bucket hat at one point or another, so Richardson was right about that.

Unfortunately, Richardson saw all of the hate on the hat, which she just so happened to make. “There’s like tweets with thousands of likes being like ‘f*ck her and her bucket hat.’ And I made it!” She said.

Later, while speaking on The Today Show, Richardson admitted that she had to stop reading what people were saying online. “People were so opinionated about Portia’s style. A lot of people were repulsed but it. I got kinda sucked into that for a little, but then I just had to cool it,” she said. The bright side is that while Richardson might have made a cheesy-looking bucket hat, she was able to wear it on one of the most-watched shows this year, and her Hat Haters can’t say the same for themselves.

(Via TMZ)

International musical act Stormzy (real name Michael Ebenezer Kwadjo Omari Owuo Jr.) isn’t allowing mandatory album promotion efforts to push his charitable efforts to the wayside. Instead, the grime rapper will shelve press for his new album, This Is What I Mean, at least on December 15 and 16 as he hosts the second annual “A Very #Merky Xmas” event.

The holiday party extravaganza presented by his charity, The #Merky Foundation, will be held in Stormzy’s hometown of Croydon at the Fairfield Concert Hall in South London. Across the two-day event, attendees can see live gospel performances, interactive games, and other traditional holiday activities.

Although the rapper’s friends Adele and Bree Runway won’t be making an appearance, attendees will have the chance to see musicians Guvna B, Tab Worship, Becca Folks, Called Out Music, Volney Morgan, and New Ye live on December 15 hosted by Cassandra Maria and Muyiwa Olarewaju from Premier Gospel Radio.

The second day’s (December 16) activities include a Santa’s workshop tour, face painting, competitive tombola playing, and more. Despite Stormzy’s explicit lyrics, the event is described as children-friendly, welcoming kids aged 6 and above when accompanied by an adult. On December 16, the venue will welcome festive activities, including Santa’s grotto, face painting, tombola, and more.

If you are a Croydon resident, click here to request a ticket to this year’s event. There is a four-ticket limit per household. To learn more about the #Merky Foundation, click here.