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The War On Drugs Announce The Return Of Their ‘A Drugcember To Remember’ Holiday Benefit Shows

After a two-year break, The War On Drugs has announced three new annual benefit shows under the title ‘A Drugcember To Remember.’ Hosted on December 19-21 at Philly’s Johnny Brenda’s, the intimate concerts will raise money for the nonprofit The Fund For The School District Of Philadelphia.

The band is also hosting both a live raffle each night and an auction in January. Items at the auction include “a Golden Ticket good for a pair of tickets to any headline show from The War on Drugs for the next five years, signed memorabilia from Philadelphia professional sports teams, signed instruments from The War on Drugs, signed items from additional esteemed musicians” and more, per a press release.

“There’s no better way to wrap up a long year on the road than with three shows at our favorite club, Johnny Brenda’s in Philadelphia,” shared band leader Adam Granduciel. “We are grateful that since 2018, with our fans’ help, our Drugcember to Remember shows have raised money for The Fund for the School District of Philadelphia. This year will be no different and we can’t wait to cram on that tiny Brenda’s stage, jam with some friends and have three more memorable nights in Philly. See y’all soon xo ag.”

Tickets for The War On Drugs’ ‘A Drugcember To Remember’ shows go on sale tomorrow (December 2) at 10 a.m. ET. More information is available here.

The War On Drugs is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Riley Keough Will Play Author Rebecca Godfrey For Hulu’s True Crime Series ‘Under The Bridge’

On November 14, 1997, 14-year-old Reena Virk was invited to hang out with a group of other teenagers under the Craigflower Bridge in Saanich, British Columbia, Canada. There, she was beaten and kicked by a mob of six bullies before being drowned in the river. It became a national tragedy, highlighting the potential fatal consequences of bullying.

A few years later, writer Rebecca Godfrey went to investigate the crime, ultimately resulting in a book called Under the Bridge, which is finally getting made into a series by Hulu after years in development hell. According to Deadline, Riley Keough will executive produce and star as Godfrey as a modern-day Truman Capote figure embedding herself into the world of the accused killers. Keough is partnering again with Gina Gammell after co-directing War Pony and earning the Camera d’Or, Cannes‘ prize for debut filmmaking. Quinn Shephard (Not Okay) wrote the script and will executive produce, and Geeta Patel (Meet the Patels) is set to direct.

Godfrey’s book was optioned by Reese Witherspoon’s production company back in 2007. Godfrey died earlier this year, and will be credited as an executive producer after collaborating with Shephard for several years on the screenplay.

It’s a sensitive tragedy swimming in a genre where the incentives for sensationalism tend to outweigh respecting victims and their families. Hopefully, this is the team to get the balance right. Production starts this month, so we should see Under the Bridge on Hulu next year.

(via Deadline)

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Brazil Comic-Con Celebrated ‘The Legacy Of Ant-Man’ Ahead Of ‘Quantumania’

Besides launching the trailer for Guardians of the Galaxy Volume 3 and its multi-armed, gun-wielding Groot, Brazil Comic-Con got a chance to see a touch of new Ant-Man and the Wasp: Quantumania footage at the tail-end of a featurette celebrating all things Scott Pym. Honestly, at this point in the MCU, this type of featurette should be made for every main character to play as a Last Time On before each new movie. It’s handy! And more than a little emotional, especially since Pym is perhaps the most normalish of the superhero crew leading into his miniaturization.

It also works as a nice trailer as Scott and Hope Van Dyne kick off a relatively chill Marvel year — with only three films set for release, all featuring characters we’ve seen before.

Here’s the official synopsis for Ant-Man and the Wasp: Quantumania:

“Superhero partners Scott Lang (<a href=”https://uproxx.com/topic/paul-rudd/” target=”_blank” rel=”noopener”>Paul Rudd</a>) and Hope Van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and the Wasp. Together, with Hope’s parents Hank Pym (Michael Douglas) and Janet Van Dyne (Michelle Pfeiffer), and Scott’s daughter Cassie Lang (Kathryn Newton), the family finds themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible. Directed by Peyton Reed and produced by Kevin Feige, p.g.a. and Stephen Broussard, p.g.a., “Ant-Man and The Wasp: Quantumania” also stars Jonathan Majors as Kang. The sci-fi adventure opens in theaters on Feb. 17, 2023.”

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Julia Jacklin Pays Tribute To Celine Dion With A Stunning Live Cover Of A Karaoke Classic

Julia Jacklin paid tribute to one of music’s biggest icons — someone who has also personally impacted her creative process: Céline Dion.

During Jacklin’s recent concert in Madrid, she performed a cover of Dion’s classic hit, “My Heart Will Go On.” Fans and casual music listeners might recognize this track from the famous Titanic scene. That being said, anyone deciding to cover Dion isn’t up for an easy challenge.

Still, Jacklin managed to put her spin on the song as a duet with Erin Rae and do it well. Instead of trying to reach the high vocal notes, she gives it a dreamy, joyous tone that is elevated by being able to hear the crowd cheer and sing along. It shows just how universal music is.

Dion doubled as Jacklin’s guiding influence for making her recent record, Pre-Pleasure, making this all the more fitting of a choice.

“I feel like it’s a bit of a personality test for me now,” Jacklin told Consequence. “If someone is shit-talking Céline Dion, I’m like, ‘What do you find joy in?’ I’m not saying everyone has to like Céline Dion, but it’s so easy to not take that kind of artist seriously. But they are so beloved and they obviously are doing something that really connects with people, and that is so valuable.”

Watch Julia Jacklin perform Céline Dion’s “My Heart Will Go On” above.

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J. Cole’s ‘False Prophets’ Trends Again On Social Media After Kanye West’s ‘Hitler’ Comments

Back in 2016, J. Cole received much flack for his song “False Prophets,” which was thought to be about Kanye West. Now, following Ye’s antisemitic rants, this time on Info Wars with Alex Jones, many are saying that Cole predicted Ye‘s downfall.

On “False Prophets,” Cole tells the story of an unnamed artist, who is seemingly experiencing a fall from grace, and no one in the artist’s circle appears to be holding the artist accountable.

“Well, f*ck it, what’s more important is he’s cryin’ out for help / While the world’s eggin’ him on, I’m beggin’ him to stop it / Playin’ his old sh*t, knowin’ he won’t top it / False prophets,” he raps in the song’s first verse.

Today (December 1), several people have taken their Twitter to affirm Cole and his six-year-old preachings.

“I hate to be that guy, but J Cole’s verse on false prophets is becoming truer day by day,” said one Twitter user.

“Kanye proved J Coles point on False Prophets,” said another Twitter user. “that man needs to stop.”

While some are willing to give Cole his props for seemingly predicting the demise of Ye’s career, others still don’t want to hear “False Prophets,” no matter how much it holds up years after the fact.

“Kanye can do all that and I STILL don’t ever wanna hear False Prophets by J Cole,” said one Twitter user.

If you need a refresher, you can listen to “False Prophets” here.

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The xx’s Oliver Sim And Romy Covered The Verve’s ‘Bittersweet Symphony’ Mashed Up With Fred Again’s ‘Strong’ And Ok, Wow

The xx can pretty much do whatever these want these days and it’s gonna sound spectacular. Now the lead up to a long-rumored upcoming album from The xx has been bearing solo fruit too. From Jamie xx’s explosive “Kill Dem,” to Oliver Sim’s “GMT,” Romy’s latest collaboration with Fred Again.. in “Strong.” and a ten year anniversary release of Coexist, it’s all been absolute fire. Now Sim shared an ultimate easter egg in a cover of The Verve’s “Bittersweet Symphony,” mashed up with that Romy and Fred Again.. song, “Strong.” And he performed it live with a lot of bells and whistles.

In a session recorded at the BBC’s Maida Vale Studios, Sim introduced the mash-up and what he called his “Queer choir” of Romy, Låpsley, Markia Jackman, Katie Gavin of Muna, and Casey MQ. “My initial idea was I’m going to cover one of my favorite artists in the world, my number one diva, which is Romy and her new song ‘Strong’,” Sim told said on the show. “And then I gave it a go and I just couldn’t, it was so hard! I’ve realized that me and Romy have a home within The xx where we often sing in unison, but when we step out of that, when Romy really stretches her voice she goes one way, when I really stretch my voice I go the other way.”

It’s a wild mash-up that totally works in bringing together 90s fans of The Verve and the millions of people who are getting swept away by Fred Again. Sim detailed the moment where inspiration struck: “I was driving round in my car, trying, trying, and I was listening to the radio and The Verve’s ‘Bittersweet Symphony’ came on and I ended up singing over it, singing over those incredible strings,” he continues. “What came of it ended up being a hybrid of Romy’s song with Fred again.. ‘Strong’ and The Verve’s ‘Bittersweet Symphony’ being backed up by my fantastic Queer choir.”

Listen to Oliver Sim and company covering “Bittersweet Symphony” by the Verve mashed up with Fred Again.. and Romy’s “Strong” here. The song begins at around the one hour and twenty-nine minute mark. You can also hear Sim talking about it and more.

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John Collins Will Miss At Least Two Weeks With An Ankle Sprain

The Atlanta Hawks snapped a three-game losing streak on Wednesday evening with a comfortable road win over the Orlando Magic. However, the Hawks were forced to play the entire second half without either John Collins or De’Andre Hunter, both of whom left the game with injury. On Thursday evening, the Hawks announced timetables for both players, with Collins missing two weeks with an ankle and Hunter being out a week with a hip flexor strain.

Collins went down just before the buzzer at the end of the second quarter in Orlando and had to be helped to the locker room.

This is a notable development for many reasons. For one, Collins has consistently been in the trade rumor mill for multiple seasons, including murmurs that began (again) in November. The Hawks are currently in the middle of the Eastern Conference, and Collins is a key piece of their current roster. His counting stats have dipped on offense, though, and the addition of Dejounte Murray and the presence of a pair of non-shooting centers in Clint Capela and Onyeka Okongwu have thrust Collins into a small-usage offensive role.

With Collins on the shelf, the Hawks also don’t have overwhelming depth at the forward positions, which is part of the calculus for why Collins is still on Atlanta’s roster. 2021 first round pick Jalen Johnson is the incumbent backup power forward, but he missed the last two games with an ankle issue, and the Hawks have also used both Hunter and Justin Holiday as small-ball power forward options. Against Orlando, two-way wing Jarrett Culver got the call at the power forward spot and, in short, any other option is a notable downgrade from Collins.

The Hawks seem to be in a potential state of flux, especially with Collins in the middle of the rumor mill. This could sidetrack that pursuit and, at the same time, make life a lot more difficult for head coach Nate McMillan and company.

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Mom’s praise of audiobooks ‘post-baby’ has parents sharing how it changed their lives

Not too long ago, it seemed like you could only be loyal to one team—team “physical books” or team “e-readers.” There was no neutral territory.

That debate might have dwindled, but it echoes on as people take a stand on physical books versus audiobooks, which have become increasingly popular—nearly half of all Americans currently pay for an audio content subscription, and the average adult in the U.S. listens to digital audio for a little over an hour and a half each day, 28% of that being spoken word. Audiobooks had a particularly big surge during the COVID-19 pandemic, as listeners found the activity more comforting and satisfying than a regular book while under quarantine.

You’d think that the general mindset would be “reading in any form has great benefits, so do whatever you want!” But alas, humans do find odd hills to die on.


Ashley Woodfolk might know a thing or two about books, being a writer herself, but it’s her perspective as a mom that really offers some fresh insight into why audiobooks and traditional books are not mortal enemies.

Woodfolk recently sent out a tweet rightfully boasting a total of 30 audiobooks listened to this year. It’s a number she never thought she would be able to hit after she became a mom.

“Accessibility is so important,” her post concluded. “Audiobooks have helped me regain a part of myself I worried was lost. Let people read however they can.”

Woodfolk was clearly not the only one to feel this way, as her tweet was met with an overwhelming positive response from people who could relate.

“Audiobooks helped me survive as a mom. Hard nights, never ending bedtimes, depression and feeling completely overwhelmed. These helped me hold something for myself and regain some peace,” wrote one mom.

Another added, “Yes, this! After my first was born I read like 10 books a year for 6 years (after reading 2 a week for the previous, I dunno, 15?). And then with my second, I fell in love with audiobooks and everything changed.”

One person suggested that audiobooks should be more widely embraced for children too, saying, “My kids will listen to audiobooks on road trips or when doing puzzles, and it’s increased their vocabulary and fluency so much!”

Several others shared how audiobooks were a godsend when it came to long commutes. One person commented, “My only alone time is my work commute. If I couldn’t do audiobooks, I couldn’t read!”

Someone even illustrated how audiobooks actually bring us back to perhaps an even more natural way of enjoying stories, saying, “Stories started around campfires being TOLD,” and adding that “Socrates thought writing things down was a lazy person’s way to escape having to use their memory.”

Sure, there’s no feeling quite like a book in your hand. Books have that magical paper smell and turning pages can be heavenly. Even I call Barnes and Noble my happy place. But truly, an even greater feeling is actually being able to consume a great story start-to-finish or gain valuable insights that you might have otherwise been oblivious to. It’s good for the brain and it’s good for the soul. As Woodfolk put it, “Let people read however they can.” What really matters is that we are met where we are, and having access to that which fulfills and nourishes us.

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Machine that bats away only green tomatoes at lightning speed has people nerding out

For thousands of years, people around the world have been honing the art of agriculture. For the vast majority of human history, people planted and harvested and sorted produce largely by hand, gradually developing tools and machines over time that would make farming more efficient.

Many crops still have to be harvested and/or sorted by hand, but thanks to a rather mind-blowing machine, tomatoes aren’t one of them. A machine that harvests tomatoes saves a ton of time and labor, but as tomatoes don’t all ripen at the same time, pulling up an entire tomato plant results in a good number of green ones getting into the mix.

One solution to this problem would be to have the tomatoes transported down a conveyor belt in a factory while workers spot and remove the green ones by hand. However, an automated green tomato sorter does it right in the field as the tomatoes are being harvested, and a whole lot faster than any person ever could.


How many humans would it take to separate 32 green tomatoes from red ones in a single second? Um, a lot.

We’ll get to the technology of how it works in a minute, but first you have to see the sorter work in slow motion. The machine is so fast you can’t even really see what it’s doing until you slow it down, but when you do, the wow factor is awesome. There are occasional misses, of course, but for how fast it’s going, the accuracy is remarkable—and impressive to watch.

As James Vincent put it in The Verge, “It’s sorting tomatoes, but it looks like the fingers of God flicking damned souls straight into hell.” Check this out:

So many immediate questions:

What?!?

How?!?

How does it know which tomatoes are green?

How does it work so precisely and freakishly fast to flick them away?

Am I the only one with a sudden urge to play Fruit Ninja?

The Henry Ford’s Innovation Nation dove into a few of those questions with Don Douglas, president of Weco, a company that builds the optical technology behind the sorter. Douglas explained that light is used to create a reflection off the tomatoes and a sensor connected to software determines which tomatoes are green using that reflection.

It’s actually tech that’s been used for decades, but it’s obviously been perfected and optimized over the years. Watch the machine at work and hear Douglas explain how it does what it does:

It’s not always better to have machines do work humans can do, and there’s certainly plenty of reason to be concerned about human labor being replaced by machines. But when that labor is back-breaking and tedious, technology can be a big help. Some inventions are also such prime examples of human innovation and ingenuity, you just have to marvel at them—even if they’re just sorting green tomatoes from red ones.

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Paul McCartney brought James Corden to tears with the story behind ‘Let It Be.’

This article originally appeared on 06.22.18

Imagine you’re sitting in a pub and Sir Paul McCartney walks in.

That’s exactly what happened when he guested on an episode of “Carpool Karaoke.” The legendary performer rolled through his hometown of Liverpool with host James Corden, sharing memories of the city, surprising fans in his favorite pub, and bringing all of us a badly needed emotional release with his music.


McCartney’s trip down Penny Lane was poignant, and his message of positivity brought James Corden to tears.

The most prevailing themes in The Beatles’ music are those of love, peace, joy, and togetherness. It’s the kind of music that you put on during the happiest times and when you’ve had a really rough day.

One of the most comforting songs in difficult times is “Let It Be,” and that’s no accident. During their road trip, McCartney told Corden it was inspired by a dream of his late mother.

“My mum, who died, came to me in the dream and was reassuring me, saying it’s gonna be OK, let it be.” McCartney said. “I wrote the song ‘Let It Be,’ but it was [inspired by] her positivity.”

“It got me emotional there, Paul,” Corden said, echoing the feelings of everyone watching.

“That’s the power of music,” McCartney replied. “It’s weird, isn’t it, how that can do that to you?”

McCartney’s reminder that things will be OK is something we all need.

“All you need is love” might sound a little sappy, but in these times, that message is more important than ever. And the Beatles’ continued success is a testament to how much we all need to work toward the joy the group so often sang about. To achieve it, we’ve all got to come together (right now).

Watch the full video below, free your tears, feel the full spectrum of your emotions, and then get to work making the world the awesome place we all know it can be. (The story starts at 4:50.)

James Corden heads to Liverpool for a special day with Paul McCartney spent exploring the city of Paul’s youth, visiting his childhood home where he wrote mu…