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The Biggest Strength And Weakness Of Each Top-5 Rookie In The 2022 NBA Draft (So Far)

Four of the top-five selections from this summer’s Draft are quickly approaching the midterm portion of their first NBA semester (get well soon, Chet Holmgren). Paolo Banchero, Jabari Smith Jr., Keegan Murray, and Jaden Ivey have all played at least 350 minutes. They’re all logging 29+ minutes a night, which makes it easy to compile initial returns on their games. Given the infantile nature of their presumptive careers, any hardline stances would be rash and faulty.

That, however, does not mean we can’t assess what we’ve seen from this quartet through one month and identify some strengths and areas of improvement for each of them. So, let’s do exactly that, praising one aspect of their skill-set and noting another that presents room for growth.

Paolo Banchero

Biggest strength: An advanced driving game

Though on the mend with a sprained ankle the past week and a half, Banchero’s roared out to a prolific start. The 20-year-old is averaging 23.5 points, 8.3 rebounds, and 3.6 assists on 55.6 percent true shooting. He’s been remarkably consistent, scoring at least 20 points in all but two of his 11 games. He doesn’t even yet know an NBA reality where he scores fewer than 15. He leads all rookies in Estimated Plus-Minus at plus-2.1 (39th overall), stationed right above All-Star guards Kyrie Irving and Dejounte Murray. Assuming he returns soon from his injury, an All-Star label next to his own name this year isn’t too far-fetched. He’s that good already.

Offensive superstardom awaits him. The primary reason for such a future stems from an adept slashing game. He’s a powerful 6’10, 250-pound tank downhill, merging strength, explosion, footwork, and a silky handle. His technical refinement, in conjunction with a special athletic profile, belies his first-year status.

According to NBA.com, he’s logging 13.3 drives per game and generating points on 69.2 percent of them, two marks that parallel Giannis Antentokoumpo (14.5, 73.8 percent), the gold standard for high-volume, big man slashers. The fluidity with which he moves and dribbles at his size, while also gracefully mashing through defenders when necessary, is a marvel to watch.

Only 44 percent of his makes at the rim are assisted (88th percentile among forwards), per Cleaning The Glass. He’s shooting 68 percent there (55th percentile). Overwhelmingly, he’s converting or drawing fouls (.472 free-throw rate). Banchero’s jumper has largely escaped him to open his career (26 percent from deep, 40 percent from midrange), but he’s still playing like a tremendous offensive talent because he’s already a dynamo attacking downhill. His array of physical gifts and advanced perimeter skills are the reason why.

Biggest area of improvement: Off-ball awareness

For all of his offensive exploits, Banchero’s defense is often a detriment. He’s a good rebounder and, when he analyzes rotations properly, an impactful secondary rim protector. That’s the extent of his reliably beneficial contributions. His awareness lags behind. He labors through screens, an understandable issue at his stature. More pressing, though, is his general lack of attentiveness. He loses cutters, fails to properly rotate on the weakside in help-the-helper scenarios, and just generally seems to not recognize or adhere to his responsibilities off the ball.

Apathy may not be the correct framing for his gaffes. But he’s certainly not up to speed on the complexities of his duties, nor does he position himself well, whether it’s standing upright or being caught in ineffectual purgatory. There are various plays most nights where the opposition creates an advantage and he played a prominent part in it.

Among motor, recognition, and technique, much must be cleaned up for Banchero to not be a liability in space off the ball defensively. The rebounding and rim protection are valuable traits, but they cannot override everything else at the moment. He’s quickly established himself as a borderline star, and defensive progression would help him further climb that hierarchy.

Jabari Smith Jr.

Biggest strength: Perimeter mobility

Prior to the Draft, when Smith was seemingly in the mix to go No. 1, his allure centered on this juiced-up 3-and-D forward whose versatile floor-spacing and comfort on the perimeter defensively would make him a distinct, indispensable cog for high-level winning.

The offense hasn’t burst onto the scene. The Houston Rockets aren’t utilizing him ideally on either end of the floor. They’re playing him in drop coverage against ball-screens a good bit, which seems like a poor allocation of his services. Nonetheless, he’s showcased flashes of rangy perimeter chops. He needs to build core strength to counter brawny wings and his screen navigation is clunky, due to some inflexibility.

But man, he can glide laterally. When he unfurls his 7’2 wingspan and crouches low, he covers some serious ground to fluster opponents. It’s awesome stuff so early in his NBA tenure, and an obvious point of optimism upon which to build.

Biggest area of improvement: Attacking closeouts

Smith is only shooting 30.4 percent beyond the arc on more than five attempts per game, an inauspicious start for someone billed as such a tremendous long-range gunner. Some of that isn’t his fault. The Rockets don’t really incorporate his movement shooting into their offensive sets. Far too commonly, he’s stashed in the corner and/or relied upon as a floor-spacer for Jalen Green, Kevin Porter Jr., and Alperen Sengun. Occasionally, that’s fine. Houston desperately yearned for spacing last season and Smith can help there. It’s the norm, though. Eventually, he will knock down more of these looks — his elevated release point is already a weapon, and hopefully, he’ll be better accommodated for his talents to shine.

What does look like more than merely an inauspicious start is his 32.8 percent clip inside the arc. That’s concerning for any player, let alone a 6’10 forward. Smith struggles to thrive off the catch when defenses close out aggressively. He doesn’t operate with much haste, force, or wiggle. Physicality rattles him. While he’s not gained traction from deep yet, defenses much prefer the alternative than to let him bomb away.

According to Cleaning The Glass, he’s shooting 52 percent at the rim (2nd percentile among bigs) and 24 percent from midrange (12th percentile). He looks overmatched around the basket and so many of his drives conclude with difficult fadeaways or pull-up jumpers. Those are wins for the defense.

Smith will rediscover his outside stroke. He’s been a very good shooter for a long time. But if he continues to be erratic inside the arc, shrewd defenders and schemes will skirt him off the line and exploit his shortcomings. It’s early, of course, and he doesn’t turn 20 until next May. Navigating options inside the arc can be one of the more complex learning curves for young shooters. That’s certainly the case for Smith at the moment.

Keegan Murray

Biggest strength: Off-ball versatility

The 8-6 Sacramento Kings are cruising. They’ve won seven of nine and are the league’s second-ranked offense. They’re tied for seventh in the West and a game out of second. Beyond De’Aaron Fox’s ascension, Sacramento’s lethal offense is built upon dynamism. Kevin Huerter, Malik Monk, and Keegan Murray are all malleable off-ball scorers. They’re equipped to flourish around Fox’s driving and Domantas Sabonis’ handoffs, screening, and interior presence. That’s exactly what they’re doing.

Murray’s slid into that role seamlessly. He’s a highly diverse off-ball scorer, leaving his imprint via cuts, relocation triples, movement threes, curling around handoffs, deftly tossing in floaters, and occasionally punishing mismatches. He’s averaging 12 points on 57.2 percent true shooting (.451/.375/.778 split). His early season scoring signature is littered with a plethora of different buckets playing off of Fox and Sabonis.

In trading for Sabonis last winter, Sacramento forged a clear vision for its future. The additions of Huerter, Monk, and Murray helped solidify that vision and amplify its success. Murray is a snug fit in this offense that’s proving to be a symbiotic partnership.

Biggest area of improvement: Defending in space

Just as Murray follows the lead of his teammates offensively with versatile scoring, he is similarly doing the same defensively. The frontcourt trio of him, Sabonis, and Harrison Barnes is quite slow laterally. The offseason worries about the defensive personnel of the roster have come to fruition. The Kings are 26th in defensive rating. They don’t have adequate rim protection, nor do they hoard an army of wing stoppers to mitigate their interior limitations.

Murray is among those unqualified to provide stout on-ball protection. He’s rather sluggish in space and cannot promptly flip his hips in response to changes of direction. Whether it’s on or off the ball, tracking movement from his assignments is a lofty task; dribble handoffs are a nemesis. His steps are choppy and he fails to curtail driving angles as a result.

Some of his interior rotations have been precise and impactful. He’ll read passing lanes well to muck up actions as well. Playing the three alongside Barnes and Sabonis doesn’t provide him any leeway. But becoming less susceptible in space, however he can, should be a priority to help that off-ball offense lead to even more individual and collective profits.

Jaden Ivey

Biggest strength: Finishing craft

Jaden Ivey seems to etch another highlight into his rapidly growing catalog on a nightly basis. He’s absurdly explosive, ingenuitive, and crafty. His downhill escapades will command attention from the audience, regardless of how they end for him. Through 15 games, the former Purdue star is averaging 16.3 points, 4.9 rebounds, 4.1 assists, and 1.3 steals.

The bedrock of his advantage creation is founded on his downhill speed and finishing. Only 35 percent of his buckets at the rim are assisted (67th percentile among combo guards). Forty-four percent of his field goals occur there (92nd percentile), where he’s shooting 62 percent (56th percentile).

Despite the Detroit Pistons’ cramped floor-spacing and dearth of effective ball-handling around him (sans Cade Cunningham), Ivey is an excellent finisher as a rookie. He’s flexible, creative, and will convert with either hand. He adapts on the fly when rim protectors rotate over. He explodes through space. Like an elite pass rusher, he ducks his shoulder, burrows his head, and charges inside. Eliminating the edge against him is exceptionally difficult.

Biggest area of improvement: Midrange game

Try as he might, Ivey cannot live exclusively at the rim. He can, however, call the paint his home. His screen manipulation, East-West handle, pliability, and burst enable him to routinely generate paint touches. When he finds himself probing inside the free-throw line yet outside the restricted area, a wave of discontent seeps into his game.

He’s shooting 29 percent from midrange. Floaters and intermediate pull-ups are a last resort. The floater looks like an uncomfortable push shot; it’s important he’s experimenting right now, even if the outcomes are murky. He’s prone to relinquishing advantages and resetting the possession when stuck in the midrange. Advantages are hard to fashion. Surrendering one can spell doom. The best initiators avoid such pitfalls.

A lot of analysis regarding Ivey seems to land on his long ball. He shot 32.2 percent at Purdue and has drilled 31.9 percent of his triples with the Pistons. More salient for his ceiling as a creator, at least from my perspective, is the midrange development. Much like other trackstar guards before him — ex: John Wall, De’Aaron Fox, Ja Morant — defenses will always prioritize stopping the drive ahead of the three. Ivey would have to become such a terrific sniper for that dynamic to shift.

Instead, broadening his pathways to success on these downhill forays, which he can almost always forge, would augment his offensive value. The finishing is stellar, but defenses will take it away at times. Expanding his midrange prowess is a necessary counter.

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Early Access: Pod Yourself A Gun Season One Finale, With David J. Roth

The latest episode of Pod Yourself The Wire is available now to subscribers. Sign up at Patreon.com/frotcast to hear this and all episodes of Pod Yourself The Wire totally AD FREE.

“By the time you’re on your fourth or fifth show it will be a full zoo crew situation.” -David J. Roth

Taint and the Beav, aka Matt and Vince, welcome writer, podcaster, Defector co-founder, and unofficial Pod Yourself a Fourth Member, David J. Roth, for a morning-zoo-crew-influenced edition Pod Yourself The Wire. Matt fires up the soundboard as the three break down The Wire’s first season finale, “Sentencing.”

There are many reasons David keeps getting invited to do the podcast, not the least of which is his ability to remember weird old guys that may have slipped from the cultural consciousness. Today, he reminds us of The Greaseman, a former radio personality who, according to his Wikipedia page, lost his position as a volunteer deputy sheriff in Falls Church, Virginia after saying a really racist thing on the radio, and is possibly the person responsible for popularizing the phrase, “who’s your daddy?”

Because even The Greaseman contains multitudes. David also has funny, insightful things to say about this episode of The Wire, but you knew that already. You didn’t know who the daddy of “who’s your daddy?” was until right now, so thank David.

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The Best New Hip-Hop This Week

The best new hip-hop this week includes albums, videos, and songs from Roddy Ricch, Saweetie, and more.

The holidays are peeking over the horizon, and while that means that there are fewer new music releases, they are no less impactful. Friday saw the releases of new songs from Babyface Ray (“Spend It” with Blxst and Nija). Chance The Rapper (“Yah Know“), Don Toliver (“Do It Right”), and Travis Scott (“Down In Atlanta” with Pharrell) after a week that included new drops from Gucci Mane “Letter To Takeoff“) and Rich Brian (“Vivid) along with the releases listed below.

Here is the best of hip-hop this week ending Month TK, 2022.

Albums/EPs/Mixtapes

38 Spesh & Harry Fraud — Beyond Belief

38 spesh beyond belief
38 Spesh

After teasing their joint release for a few weeks, upstate New Yorker 38 Spesh and city kid Harry Fraud have dropped the heavily anticipated project. It features rugged bars and haunted beats from Spesh and Fraud, respectively, as well as mean-mugged rhymes from the likes of Benny The Butcher and Conway The Machine from Griselda, Curren$y, El Camino, Jim Jones, Ransom, Stove God Cooks, and Wiz Khalifa

Brockhampton — The Family

brockhampton the family
Brockhampton

Yes, Brockhampton released two projects this weekend, and yes, The Family is more of a Kevin Abstract album than anything else but given it’s actually finished, it rates a little higher than TM, a more random collection of clippings. Both projects are interesting glimpses into the collective mindset of a group pulling itself apart while making one final pass at providing closure for their fans.

Jaypitts — Minimum Wage

jaypitts minimum wage
Jaypitts

Although Jaypitts hails from Detroit, his music would seem, at least at first blush, to be a departure from the reckless, punchline-oriented street style purveyed by the likes of BabyTron, Icewear Vezzo, and Sada Baby. His approach is more soulful, introspective, and narrative-driven — which makes for a fascinating, rewarding listen that encourages repeats.

Omeretta The Great — Emotional Gangsta

omeretta the great emotional gangsta
Omeretta The Great

Omeretta clearly defined the limits of her hometown for us earlier this year but makes an effort to get “Back To The Basics” on this eight-song release, refocusing on delivering rewind-worthy bars rather than courting controversy. It’s an effective strategy that evokes the early music of trap rap pioneer and fellow ATLien, T.I.

Roddy Ricch — Feed Tha Streets III

roddy ricch feed tha streets iii
Roddy Ricch

After Live Life Fast, his sophomore album, caught a lukewarm reception from fans, Roddy has returned to the fertile creative ground he traversed on his first two Feed Tha Streets mixtapes. The project will probably benefit from a more focused, constrained approach among his day-one fans while linking his latest effort to the lower stakes entries in his discography will buy him forgiveness for not exploring new territory. It’s a win-win.

Saweetie — The Single Life

saweetie the single life
Saweetie

Speaking of artists who need to buy back some goodwill, it’s clear that Saweetie’s frequent recalibrations of her debut album have worn fans’ patience down to the nub. With The Single Life, she simplifies the sound palette, gets back to her signature of sampling existing hits (Mtumbe’s “Juicy Fruit” on “P.U.S.S.Y.”), and resurrects the car freestyle flow that first garnered her attention and set her on the path to stardom. Will it renew excitement for Pretty Bitch Music? Who knows, but it’s nice that she finally released some music at least.

Singles/Videos

Busta Rhymes — “Bulletproof” feat. Skillibeng

This week was kind of a big one for EPs (which artists may see as a compromise between letting attention spans lapse for the winter and dedicating the resources to promoting a full project during a potential dead zone for new releases). Busta dropped The Fuse Is Lit with five new tracks, including this nod to his Caribbean roots.

Key Glock — “Jigsaw”

Key Glock also dropped a new EP, PRE5L, taking the inspiration for its single from Saw. A menacing beat and tough talk from Key — what more do you need?

E-40 — “In The Air Where It’s Fair” feat. Cousin Fik

Yay Areaaaaaa! 40 Water flexes his slippery flow over a wobbly, post-hyphy instrumental produced by prolific partner Rick Rock.

Morray — “Broken Vows”

J. Cole isn’t the only Fayetteville native whose name is ringing off outside of North Carolina. Despite drawing early comparisons to Rod Wave, Morry
has distinguished himself as a soulful, accomplished rap crooner in his own right. “Broken Vows” is a sign that he’s preparing to release a new album soon, which could be his breakout moment.

Westside Boogie — “Nonchalant” feat. Mamii

Westside Boogie’s More Black Superheroes was quietly one of the year’s best projects. This week, he updated it with a deluxe version adding five new songs, including live versions of some of the original’s standout tracks. The “Nonchalant” video highlights one of the strongest tracks, which examines a situationship that Boogie regrets putting mediocre effort into.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Pod Yourself The Wire 12: ‘Cleaning Up,’ With MMA Writer Ben Fowlkes


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“I once dated a woman who compared me, not entirely unfavorably, to McNulty, and you know what? It was kind of a wake up call.” -Ben Fowlkes

Making his debut on Pod Yourself The Wire is writer and podcaster from the Co-Main Event podcast, Ben Fowlkes, who joins Vince and Brent (still filling in for Matt even though his kid is like four-weeks-old which is old enough to get a job damn cut the cord already, Matt) to talk about The Wire season one episode 12, “Cleaning Up.”

Featuring one of The Wire’s most memorable scenes, what you might not remember about this episode, if you’ve already watched the series, is that Lester really walks a fine line between smooth older man and total creep taking advantage of a terrified young confidential informant. If learning how a beautiful woman likes her coffee and then reminding her of your military service were a crime, Lester would still not be in jail because cops look out for each other.

What you probably remember is the end of young Michael B. Jordan’s character, Wallace. He wasn’t cut out for the game. His heart did pump Kool-aid after all. RIP Wallace and RIP the uneaten hot dogs Poot, Bodie, and Wallace leave on the table just before the murder. Neither Wallace nor the dogs got to reach their full potential, but the game is the game.

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Pod Yourself The Wire 11: ‘The Hunt,’ With Ben Flores

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“Over the last 20 years, the goalposts for what is copaganda have moved.” –Ben Flores

As many of you know, our beloved piggy wrangling, bum lumming host is a father now, and the recording of this episode of the pod took place in the days immediately following the birth of Matt’s first child. Filling in as co-host is Pod Yourself The Wire producer, comedian, and writer of these descriptions, Brent Flyberg. Joining Matt and Brent is writer and humorist from the Please Save Me podcast, Ben Flores to talk about The Wire season one episode 11, “The Hunt.”

In the aftermath of the buy-bust gone wrong that left Kima leaking from some bullet holes, The Barksdales look to clean up their mess while the Baltimore Police Department looks sort of competent for once. Considering the episode revolves around the uncertain future of one of the series’s more likable characters, it’s a surprisingly funny episode. Even Wee Bey is so charming you have to remind yourself that he’s a bad man even by the standards of The Wire. He makes the meme face we all love!

Leave instructions for how to take care of your fish in a five-star review on Apple Podcasts

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Support the Pod: become a patron at patreon.com/Frotcast to get more bonus content than you could ever want. Sign up for the Pod Yourself a Shoutout tier to hear Vince give you a corner nickname on the podcast like this week’s newest members: Special K, Squirts, Draymond, and Horse.

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‘Sonic The Hedgehog’ Co-Creator Yuji Naka Was Arrested For Alleged Insider Trading In Japan

It’s rare to have individual icons in the world of video games. Making a game is a team effort that involves many talented people, so it’s unfair to give all the credit to individuals. But there are a few notable names out there who are instantly recognizable whenever they work on a title. Yuji Naka, one of the co-creators of Sonic the Hedgehog, is one of those names. His time at SEGA as a programmer and director earned him a status of fame in the video game community for his work on not only Sonic, but Phantasy Star, and ChuChu Rocket!

Naka eventually left SEGA and joined SquareEnix, where he would go on to produce Balan Wonderworld. It didn’t do particularly well critically or financially, and eventually, Naka sued SquareEnix over creative differences and what he believed was SquareEnix pushing him out of the game’s development. While the reason Balan Wonderworld failed is up to debate, it certainly damaged Naka’s reputation in the video game community.

Earlier in the week, Naka’s reputation took an even bigger hit when he, alongside two Square Enix employees, was arrested for alleged insider trading while with the company. Naka, according to reports by IGN Japan, allegedly invested stock into Square Enix before the mobile game Dragon Quest Tact was announced with knowledge of the game’s pending announcement. Via IGN:

He allegedly bought 10,000 shares in developer Aiming, at a value of around $20,000, ahead of it announcing the Dragon Quest Tact mobile game in partnership with Square Enix. The other employees arrested, Taisuke Sazaki and Fumiaki Suzuki, allegedly purchased a combined total of 162,000 shares at a value of around $337,250. Sazaki is also alleged to have informed Naki and Suzuki about the potential rise in value.

If the allegations prove to be true, then it’s unlikely we are going to be seeing him involved in the video game industry again.

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All The Best New R&B From This Week That You Need To Hear

Sometimes the best new R&B can be hard to find, but there are plenty of great rhythm-and-blues tunes to get into if you have the time to sift through the hundreds of newly released songs every week. So that R&B heads can focus on listening to what they really love in its true form, we’ll be offering a digest of the best new R&B songs that fans of the genre should hear every Friday.

Since the last update of this weekly R&B and Afrobeats column, we’ve received plenty of music and news from the genre’s artists. SZA confirmed her sophomore album’s title of S.O.S. and said it would drop next month while Lucky Daye shared a video for “F*ckin’ Sound” and announced a deluxe release of his Grammy-nominated Candydrip album. Speaking of the Grammys, Beyonce was the most-nominated artist for next year’s award show. Ari Lennox and Wizkid announced North American tours for their respective albums, Age/Sex Location and More Love, Less Ego. Elsewhere, Kelela announced her Raven album with “On The Run.”

Here are some more releases on the new music front that you should check out:

Eric Bellinger — “Obsession (Remix)” Feat. Muni Long

Late last month, Eric Bellinger announced that he and Hitmaka would team up again for a project, 1-800-Hit-Eazy: Line 2. They kicked things off by releasing “Obsession,” and now, Bellinger returns with Muni Long for a new remix. Muni checks in for a sultry verse that reciprocates passionate feelings.

Kaash Paige — S2ML

Prior to the start of this year, Kaash Paige had been particularly quiet since the release of her debut album Teenage Fever in 2020. At long last, she’s back with her sophomore effort S2ML (Soundtrack 2 My Life). The new project features 12 songs and appearances from 6lack and Lil Tjay.

Phony Ppl — Euphonyus

It took four years, but Phony Ppl is finally back with a new album. Euphonyus arrives with 12 songs and features from JoJo, Leon Thomas, The Soul Rebels, and Megan Thee Stallion. “Euphonyus is a harmonic celebration of sound and color through rhythm and melody,” Phony Ppl said in a press release. “It’s enticement. It’s about comfort, familiarity, and the safety and security that comes with that.”

Fana Hues — Flora + Fana

At the top of the year, Fana Hues opened her 2022 campaign with the release of her second project, Flora + Fana. Before the year comes to a close, the LA singer returns with a deluxe edition with three new tracks. They are “Float,” “Yours,” and a cover of Stevie Wonder’s “Never Dreamed You’d Leave In Summer.”

Rileyy Lanez — “Not Mine”

With plans to release her Bittersweet EP early next month, Bronx singer Rileyy Lanez returns with “Not Mine.” The track is about facing the truth about holding on to a relationship long after it ends. “Things that are sweet can turn bitter,” Rileyy said about her upcoming EP. “This EP shines a light on all parts of a relationship – the good and the bad.”

Hylan Starr — “If Pretty Was A Person” Feat. Wale

Hylan Starr is on a hot streak as of late. Earlier this year he connected with Lil Baby for “Don’t Make Me Beg” and now he’s back alongside Wale for “If Pretty Was A Person.” Starr uses the record to shower a woman with praises about her beauty, and it only makes sense that he calls on Wale, the poetic genius himself, to get his message across.

Minz — “Wo Wo”

Minz has grown into one of my favorite bubbling afrobeats artists. With records like “BDMN” and “234” under his belt, the future looks very promising for him. Minz continues to brighten that future with his latest single “Wo Wo.” It’s a timid record that is quite pleasing to the ear thanks to jazzy trumpets that ring in the production along with Minz’s cool, calm, and collected vocals.

Ruger — “Red Flags”

You should be excited for the 2023 year that Ruger has in store for the afrobeats world. His latest single, “Red Flags,” is great evidence of why that excitement should be in place. The record captures the frustration between two who lovers who can’t get on the same page. From his point of view, Ruger believes the blame for the relationship’s issues should go on his partner as they expect him to be something he’s never been.

Teni, Mayorkun & Costa Titch — “Maitama” Feat. Ch’cco

Nigerian singer Teni returned earlier this week with her latest effort “Maitama.” It features help from Mayorkun, Costa Titch, and Ch’cco for what amounts to an absolute amapiano banger. The song itself is named after a leafy town in Nigeria and it follows Teni as she departs from home for a journey of growth toward an unknown destination. “This track is about me having fun in both good and bad times and expressing myself,” she said in a press release. “I may not know where I’m going but I’m going somewhere.”

King Isis — “4Leaf Clover”

Oakland-born and Los Angeles-bred singer King Isis places their brushes in an array of colors to create music. Whether it’s rock, R&B, jazz, or blues, their music covers pain, growth, and transformation something that’s evident in their latest single “4Leaf Clover.” The new record also comes ahead of their upcoming EP set to arrive next year.

Aqyila — “Oh”

Toronto singer Aqyila recently signed with Sony Music and dropped off her latest single, “Oh.” With the song, Aqyila reclaims her broken heart with the help of the powerful R&B tune, which in the end, amounts to a powerful message about self-love.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Judy Greer Explained Why TV Shows Should Have More Boobs: ‘This Is Comedy’

There are millions of great things to be said about Judy Greer but the best is that she is always consistently laughing at herself, which makes sense because she is just that funny. Greer stars in Reboot, the new Hulu series about rebooting a popular 90s sitcom with all of the same actors who are now old and jaded by Hollywood. This seems to happen a lot.

What also seems to happen a lot is Greer consistently taking roles where she has dramatic topless moments and they are always a little out of place and sometimes extremely over the top (literally!). But she’s great at it, so it works.

Greer was recently speaking to The Hollywood Reporter when the topic of her shirtless scenes came up and she explained how boobs and comedy just go well together. In a scene in Reboot, Greer said that the topless part was unplanned but ended up in the final cut because… it was just funny:

Being topless was not in the script. What was written was her trying to get her top off and everything. When you’re shooting scenes like that, you can wear a bandeau or pasties, but, when it comes down to it, it’s a pain in the ass shooting around all kinds of undergarments. So I said, “Let’s just do the scene and then you guys can just deal with my boobs in the editing room.” When the scene was edited together, they were like, “Well, we have two versions, and there is a version where we can see your breasts — and it’s very funny. We’re never putting this in the show if you don’t want to, but why don’t you come and see what you think?” So, I saw it, and I thought it was funny.

When asked if being topless makes her uncomfortable, she explained that this is never an issue for male actors. In fact, people seem to want more of that stuff! “There are so many different kinds of nudity, and that was nothing as far as my comfort level,” Greer said. “If I was doing some crazy sex scene, I weirdly think it would be less interesting to me to show anything. This is comedy, and they’re just boobs. We never freak out when dudes have their shirts off.” The actress added that if she were a man, the topic would have never come up at all, which is probably true.

Speaking of reboots, maybe it’s time for Arrested Development to come back (again) so that Greer can return as Kitty. That’s just what the world needs right now.

(Via The Hollywood Reporter)

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Lizzo took giving someone the clothes off your back literally and brought a woman to tears

Lizzo is probably one of the most nonproblematic celebrities in the world today. She spreads positivity and kindness and encourages others with her openness about her mental health struggles. It’s pretty safe to be a Lizzo super fan and for Aurielle Marie, an Atlanta author, being a huge fan of Lizzo’s paid off in the most unexpected way.

Marie posted a video to TikTok pleading with Lizzo to wear her dress from the 2022 Emmys. But it turned out the dress was destroyed, according to Lizzo’s response, but her dress from the 2019 American Music Awards was intact. The dress was a beautiful muted fuchsia color with a fitted bodice and full tulle skirt complete with a thigh-high slit. Lizzo looked amazing in the dress so obviously fans would love to get their hands on it.

One of the most exciting things about social media is that you get the chance to interact with your favorite celebrities and, as luck would have it, Lizzo saw Marie’s video. The flute-playing megastar responded like an absolute queen.


Oh, you thought Queen Lizzo just sent this stranger a cute little video shout-out? Nope. Lizzo responded in the most down-to-earth way possible to help this author out. She sent her the dress. Yup. Just shipped her this gorgeous red-carpet-ready gown because Marie asked super nicely. Well, it probably had something to do with the fact that Marie was selected as one of Out Magazine’s Out 100. The author explains in her video, “It’s basically like the Time 100 but for LGBTQIA queerness. Like me!”

@lizzo

Replying to @badie_aukievah Love you @Aurielle Marie have an amazing time! 💋 @yitty

The event is taking place in New York and Marie has been struggling to find something to wear that fits her body shape and is appropriate for a red carpet event. There wasn’t a video explaining how Lizzo got the dress to Marie outside of an unsuspecting FedEx driver, but one would assume that someone as famous as Lizzo has people that find people.

Either way, the dress arrived just in the nick of time according to Marie. Much to her screaming and crying delight, the delivery person dropped the dress off only a few hours before the author’s flight was due to leave for the event. The joy that exuded from Marie as she opened the box was contagious. After she finished running around crying tears of joy, she tried on the dress. Perfect fit.

The exchange crossed platforms when Lizzo posted the video of Marie trying on the dress to Twitter and captioned it with, “It’s easy to be kind, and my absolute pleasure.” She closed out the post by telling Marie, “You look beautiful.”

I mean, obviously she was beautiful. How could she not be the epitome of beauty wearing that dress?

@auriellebewritin

Replying to @noirediamonds i might’ve gotten a few tears on your dress @lizzo, my bad babe! Words dont suffice, and thank you isnt enough. But THANK YOU! I’m speechless. Y’all! A bitch is certified LIZZO SIZED!!!!!! And LOOK AT THIS GOWN! @Out Magazine here i come! #fyp #foryou #lizzo

Who would’ve thought a random shot in the dark on TikTok would land you in contact with Lizzo and end in you borrowing her dress? The amount of screaming and pinch-me moments that must’ve happened between when the pop star responded and the night of the awards ceremony had to feel infinite.

It looks like Marie had a blast getting her award and thanks to Lizzo, she looked fabulous doing it. Here’s a reminder that a little kindness can go a long way.

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Get A Taste Of Seismic Dance’s Austin Event With These Wild Photos

Austin, Texas has a long history as an epicenter of live music — even earning the title “Live Music Capital Of The World.” From old german waltzes to pioneering jazz to swing to rock… Austin has always been a place to enjoy great music in warm weather with even warmer energy. It only makes sense that modern electronic music has also been welcomed into the city. And that was definitely the case last weekend when The Concourse Project hosted what’s become the South’s most eagerly anticipated boutique house and techno music festival, Seismic Dance Event.

At Seismic, each of the venue’s three stages, “Volcano, Tsunami, and Frequency” showcased a unique theme, production, and sound element– giving festival-goers a wide variety of options to choose from. Altogether, the immersive weekend was packed with nonstop music, art installations, food trucks, and dancing.

Like the stage names indicate, Seismic provided an eruption of world-moving musicians flooding the lineup. Some marquee performers included: Deutsche duo Ame, Jamie xx, LA star Shiba San, Italian tech vet Sam Paganini, Nala, Avision, Fatboy Slim, and many more. Also, shoutout to performers like LP Giobbi, a music queen whose local connection to Austin demonstrates the diversity of backgrounds that were on full display under the Texas high moon.

Check out the photos of the de facto Lollapalooza/Coachella of the South and mark it in the calendars for next year!

Seismic
Courtesy of Seismic Dance Event / Anthony Djuren
Seismic
Courtesy of Seismic Dance Event / Holden Brown
Seismic
Courtesy of Seismic Dance Event / Bryan Gonzalez
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Courtesy of Seismic Dance Event / Clark Terrell
Seismic
Courtesy of Seismic Dance Event / Clark Terrell
Seismic
Courtesy of Seismic Dance Event / Anthony Djuren
Seismic
Courtesy of Seismic Dance Event / Anthony Djuren
Seismic
Courtesy of Seismic Dance Event / Clark Terrell
Seismic
Courtesy of Seismic Dance Event / Jason Meyers
Seismic
Courtesy of Seismic Dance Event / Jason Meyers
Seismic
Courtesy of Seismic Dance Event / Clark Terrell
Seismic
Courtesy of Seismic Dance Event / Jason Meyers
Seismic
Courtesy of Seismic Dance Event / Holden Brown
Seismic
Courtesy of Seismic Dance Event / Bryan Gonzalez
Seismic
Courtesy of Seismic Dance Event / Anthony Djuren
Seismic
Courtesy of Seismic Dance Event / Jason Meyers
Seismic
Courtesy of Seismic Dance Event / Anthony Djuren
Seismic
Courtesy of Seismic Dance Event / Clark Terrell
Seismic
Courtesy of Seismic Dance Event / Holden Brown
Seismic
Courtesy of Seismic Dance Event / Clark Terrell
Seismic
Courtesy of Seismic Dance Event / Jason Meyers
Seismic
Courtesy of Seismic Dance Event / Bryan Gonzalez
Seismic
Courtesy of Seismic Dance Event / Anthony Djuren
Seismic
Courtesy of Seismic Dance Event / Anthony Djuren
Seismic
Courtesy of Seismic Dance Event / Holden Brown
Seismic
Courtesy of Seismic Dance Event / Jason Meyers
Seismic
Courtesy of Seismic Dance Event / Anthony Djuren
Seismic
Courtesy of Seismic Dance Event / Jason Meyers
Seismic
Courtesy of Seismic Dance Event / Bryan Gonzalez
Seismic
Courtesy of Seismic Dance Event / Anthony Djuren
Seismic
Courtesy of Seismic Dance Event / Anthony Djuren
Seismic
Courtesy of Seismic Dance Event / Jason Meyers
Seismic
Courtesy of Seismic Dance Event / Jason Meyers
Seismic
Courtesy of Seismic Dance Event / Bryan Gonzalez
Seismic
Courtesy of Seismic Dance Event / Clark Terrell
Seismic
Courtesy of Seismic Dance Event / Anthony Djuren