GoneTrending

At the moment, everything is a disaster for Ticketmaster. They bungled the sale of Taylor Swift’s The Era Tour tickets so badly that they ended up canceling the general sale of them altogether. Swift is really unhappy with the situation, as she wrote today, “I’m not going to make excuses for anyone because we asked them, multiple times, if they could handle this kind of demand and we were assured they could. It’s truly amazing that 2.4 million people got tickets, but it really pisses me off that a lot of them feel like they went through several bear attacks to get them.”

Now it turns out that while all of this was going down, parent company Live Nation Entertainment has been under investigation by the Justice Department.

The New York Times reports that according to “two people with knowledge of the matter,” the Justice Department has opened an antitrust investigation into Live Nation, to determine whether the company has abused its power in the live music industry. The investigation was apparently opened months before the Swift situation and is therefore not a response to it.

Per the NYT sources, the Department’s antitrust division has “contacted music venues and players in the ticket market, asking about Live Nation’s practices and the wider dynamics of the industry” and is trying to determine “whether the company maintains a monopoly over the industry.”

The Justice Department previously approved the Live Nation/Ticketmaster merger back in 2010, on the condition that the company sell some parts of its business.

Welp, it’s finally happened. After getting into businesses including breakfast cereals, children’s cartoons, and (of course) legal cannabis, the world’s most marketable rapper, Snoop Dogg, has gotten around to selling the most fitting product for a businessman with a canine cognomen: Pet accessories. One Tuesday (November 15), Snoop announced the business, Snoop Doggie Doggs, with a press release in which he said, “If my dogs ain’t fresh I ain’t fresh. These dogs and their apparel are a reflection of Tha Dogg himself, so they gotta look the role of a Top Dog, ya dig?!?!”

The line, produced in partnership with Amazon, Little Earth Productions, Inc, and SMAC Entertainment, will include dog clothes like jerseys, hoodies, and shirts, as well as other accessories like bandanas, collars, harnesses, leashes, and blinged-out water/food bowls. There are also “Doggie Doobie” chew toys and a a boom box chew toy that plays Snoop’s signature “bow wow wow, yippie yo, yippie yay” line from his 1993 hit “Who Am I (What’s My Name)?” Snoop shared the first ad for the company on his Instagram, as usual. You can check out more information on snoopdoggiedoggs.com

In more musical Snoop news, a biopic about the rapper helmed by Menace II Society director Allen Hughes was recently announced, as well as a spiritual successor to his debut album Doggystyle named, ([in]appropriately), Missionary.

We all know that Mother Nature is often the best medicine to relieve stress, improve fitness and increase happiness. However, these benefits aren’t always accessible to everyone. Hiking trails are next to impossible for many with physical disabilities, especially wheelchair users.

That’s why the Aimee Copeland Foundation, an organization created by a master social worker and quadruple amputee to help build a more inclusive community, and the Georgia Department of Natural Resources have collaborated to provide an innovative way to make outdoor recreation more obtainable—through a fleet of all-terrain, free-to-use wheelchairs scattered across 11 of Georgia’s state parks and historic sites.

---

Each chair is equipped to hike, hunt, fish and easily travel through difficult terrains like mud, water, sand and snow. And since the devices were designed with safety in mind, certification and a “buddy” are required to qualify for use. That said, visitors who qualify include those with cerebral palsy, muscular dystrophy, spinal cord injuries and lower limb amputations.

“Our mission is to provide outdoor opportunities for every Georgia citizen and visitor,” said Georgia State Parks & Historic Sites Director Jeff Cown in a press release. “I am proud to partner with the Aimee Copeland Foundation to offer access to visitors with mobility or physical disabilities.”

As Cory Lee, 32-year-old travel blogger and wheelchair user, notes in an interview with The Washington Post, this could be life-changing for many people. Lee has covered accessible adventures throughout the world, and yet has never been able to properly explore his home state of Georgia, as his regular wheelchair couldn’t handle the trails.

Lee had previously traveled to other states that provided terrain-ready wheelchairs, like Muskegon State Park in Michigan. Traversing the three-mile shoreline in his rented all-terrain wheelchair “allowed me to have so much independence on the sand,” he said. Now, he and others will be able to have that kind of independence in even more places throughout the country. In addition to Michigan and Georgia, South Dakota, Colorado and Minnesota have similar programs.

Independence and mobility have been noted to be the most vital factors in determining quality of life for those with disabilities. Despite the stigmas surrounding them, wheelchairs are valuable tools for providing this kind of autonomy. It’s lovely that more advancements are being made to improve a device that already helps so many fully live their lives. Hopefully even more take on this idea.

Remember the Wii U, the Nintendo home console that launched 10 years ago today? Avid video game fans probably do, but you might not if you’re part of the select group known as “most people,” because the Wii U was an undisputed commercial failure.

The console preceded the Nintendo Switch, which, unlike the Wii U, has been a huge success — 114 million Switch consoles have been sold so far. The thing is, though, the Switch owes a lot to the Wii U, which is worth remembering and appreciating on the ill-fated console’s 10-year anniversary.

But first, how did we get here? In its era, the Wii U was an afterthought in the video game landscape. By the time the Wii U was discontinued in 2017, Nintendo ended up selling just 13.56 million of the consoles. That is bad.

The Wii U is Nintendo’s worst-selling console, right behind the GameCube (itself another Nintendo commercial failure) at 21.74 million sales. For further reference, the Wii U’s competitors, the Xbox One and Playstation 4, sold 51 million and 117.2 million consoles, respectively. The Wii U defaulted its way into bronze in that race and secured its own section on the “List of commercial failures in video games” Wikipedia page. Then the Switch came out and, being the runaway hit it is, only needed 10 months to top the Wii U’s lifetime sales.

Despite the fact that it flopped, the Wii U was a neat piece of hardware. Think of it as a TV-based DS/3DS: While one part of the game was happening on the TV (the top screen in this comparison), a completely different visual — like a map or menu or other gameplay element — could be displayed and interacted with on the GamePad’s touch screen. (Sometimes, though, the GamePad just mirrored what was on the TV, depending on the game.) The DS and 3DS were both major success stories — especially the DS, the best-selling handheld console ever — so having faith in a console that combined (3)DS gameplay capabilities with the console-style gaming of the Wii seems reasonable enough.

What has so far ended up being the Wii U’s most enduring legacy, though, is the games. Despite how things went with the console, many of them were actually fantastic. In fact, if you’re a Switch owner, you’ve probably played most of the Wii U highlights.

Twenty-one Wii U games sold at least a million copies, and of those, 10 — Mario Kart 8, Super Mario 3D World, New Super Mario Bros. U, New Super Luigi U, Captain Toad: Treasure Tracker, Pikmin 3, Lego City Undercover, Hyrule Warriors, and Pokkén Tournament — have been ported to the Switch. There’s also The Legend Of Zelda: Breath Of The Wild, which was a simultaneous release on Wii U and Switch, so up that figure to 11. An additional six of those top 21 games — Super Smash Bros. For Wii U, Splatoon, Super Mario Maker, Mario Party 10, Yoshi’s Wooly World, and Mario & Sonic At The Rio 2016 Olympic Games — also have a Switch presence via sequels.

The Wii U games that are on Switch have performed admirably, too: Mario Kart 8 Deluxe is the platform’s best-selling game, while Breath Of The Wild, New Super Mario Bros. U Deluxe, and Super Mario 3D World + Bowser’s Fury are all in the top 15.

So, with all these worthwhile games, why didn’t the Wii U work out? The primary, most obvious, and oft-cited reason for its failure is bad marketing. Look at when Nintendo revealed the Wii U at E3 in 2011: They focused so heavily on the GamePad controller that they didn’t bother to actually show off the Wii U console, which can only be seen off to the side in some shots. It was never in a frame by itself or even really acknowledged. So, given that and the console name just adding a “U” onto “Wii,” the Wii U sure seemed like just a new type of controller for the Wii. There wasn’t much to indicate it was actually a new console of its own.

Here’s that E3 presentation, check it out:

After watching that video, are you really supposed to know what the Wii U’s deal is? Clearly, many did not.

Around the time the Switch came out, even Nintendo admitted they goofed with the Wii U. Comparing the Switch and the Wii U in a 2018 interview, Reggie Fils-Aimé — Nintendo of America’s iconic, meme-able president from 2006 to 2019 — said, “What we’ve been able to do with Nintendo Switch is a number of very important things. First, we’ve been incredibly clear with the positioning of the product. Why should you purchase this device? Well, it’s because you can play this great content, anywhere, anytime, with anyone. Tell me what the Wii U proposition was in 10 words or less. We weren’t as incredibly clear.”

Even though the Switch has mostly replaced the Wii U today, I’m happy to say I was there for the Wii U era. I bought mine, I believe, on Black Friday 2013. It wasn’t even on sale, I just wanted it. I look fondly back on the hours spent in my college apartments, creating courses on the original Super Mario Maker and playing through Super Mario 3D World. Whether or not the world knew it, the console had a lot going for it, and being there to experience it first-hand felt like being part of a secret club, a story I can tell my disinterested grandchildren in 40 years (even if they’d probably rather go back to their brain chip games than listen to me blabber on about “buttons,” “discs,” and other nonsense words).

Now, a decade later, the secret’s out: Thanks to the Switch, the Wii U has been redeemed and given at least some of the life, acclaim, and love it missed out on in 2012. Whether folks are playing formerly underappreciated games like Mario Kart 8 and New Super Mario Bros. U on a Wii U or a Switch, at least they’re finally playing them.

The Rundown is a weekly column that highlights some of the biggest, weirdest, and most notable events of the week in entertainment. The number of items could vary, as could the subject matter. It will not always make a ton of sense. Some items might not even be about entertainment, to be honest, or from this week. The important thing is that it’s Friday, and we are here to have some fun.

ITEM NUMBER ONE – Listen to me

I have tremendous news: the trailer for the third movie in the Magic Mike trilogy — Magic Mike’s Last Dance — dropped this week. It has Channing Tatum and Salma Hayek and various thrusts and gyrations taking place across Europe. Watch it now if you haven’t watched it yet. Watch it again if you have. Please never underestimate how wild it is that we have a full-on big-budget movie franchise about greased-up male strippers traveling the world that straight men and straight women and gay men and gay women all get kind of equally fired up about. The degree of difficulty on this was remarkably high. And yet. Here we are. It’s kind of incredible.

I really only have one complaint about all of this, which I tipped off in the headline and which any of you probably could have guessed anyway if you’ve spent more than 45 seconds around me: This third film in the trilogy should have been a heist movie.

I say this for three primary reasons, which I will outline below…

REASON ONE: It feels right. The first movie was an underdog story, kind of like Rocky if Rocky had been a Tampa exotic dancer instead of a boxer from Philadelphia, which is a wild thing to type and have be completely true. The second was a road trip movie with a bunch of sweet himbos on a bus and occasionally inside a convenience store covered in Cheetos and water. It just makes sense that the third movie would be a heist film, kind of like how the Fast & Furious movies started out about cars going vroom and the Fast Five was about robbing a Brazilian crime lord. Am I suggesting that they keep making Magic Mike movies until Channing Tatum goes to outer space with Ludacris and possibly gives a lap dance to an alien queen? Hmm. I think I am.

REASON TWO: There is history here. These movies are directed by Steven Soderbergh, who also directed the Ocean’s trilogy and Out of Sight and, perhaps most notably here, Logan Lucky, a heist film that starred Channing Tatum. Everyone here has experience and is good at this and it would be something squarely inside their various wheelhouses. It feels right. We should not fight the natural progression of things.

REASON THREE: I would like it. I really would. Show me Channing Tatum and Joe Manganiello in tearaway security guard uniforms with glistening torsos hidden underneath. Let them hypnotize female pit bosses with a series of wiggles and thrusts. Have them slither through a room filled with crisscrossing lasers that bounce off of their shiny abdomens and shoot back into the source and fry millions of dollars worth of high-tech security equipment. Bring back Al Pacino as Terry Benedict and give me a series of shots of him frowning at various monitors from inside a bunker. I would watch this movie right now if it were on television. I wouldn’t even finish typing this paragraph. I need you to know that I am not joking about this.

Please. Please. Channing Tatum and Steven Soderbergh. Consider this. It’s not too late. Do it for the people. And for me. Do it for the people and me.

ITEM NUMBER TWO – Hey, speaking of dancing and/or Logan Lucky

Here’s the new commercial for Belvedere vodka. It features Daniel Craig dancing and strutting and smirking through the halls of a hotel. I love it very much. I’ve probably watched it 20 times this week. I bet I will watch it another five or six times this weekend. It makes me so happy. Look at him and his face and his arms and legs. He is so happy to be done playing James Bond. Between this and stuff like Knives Out and Logan Lucky, he has become devoted to silliness to a degree that I did not see coming but really appreciate. Good for Daniel Craig.

Variety has a really solid write-up on the spot — which was directed by Taika Waititi, one of those facts that make perfect sense after you learn it — and the Bond of it all. It’s a good read. Here’s the highlight.

Here’s what’s such cool fun about the Belvedere commercial. Craig, playing “Himself,” gallivants through the hotel in a funky, hot, preening dance-club way that is so not James Bond, yet the joke is that it’s almost as if it were Bond doing it. Craig exchanges the rock-hard masculinity of Bond for a different kind of masculinity, one that’s a lot more sexually fluid. Yet if you look at his worn-granite face, he’s the same rugged king-stud dude. In the commercial, his face tells one story and his body tells another. The story the commercial is telling is about the dialogue between the two.

Agreed. I’m glad someone out there watched this and took the time to piece together this interpretation, both because I enjoyed reading it and because it allowed me to blockquote something in this section to look smart instead of just typing “imagine you are staying in a five-star hotel and wake up and stumble to your door to grab the waffles and coffee and orange juice you ordered from room service the night before and you crack it open and look to your left and the first thing you see is international movie star Daniel Craig sashaying down the gallery toward you.”

The worst part of this would be — even as you watched it happen in three dimensions right in front of your face — knowing that no one would ever believe you. They might now, though, after this commercial. Let’s go ahead and that to the list of reasons it’s all just very good.

ITEM NUMBER THREE – Being a stuntman seems cool

In what appears to be my ongoing quest to hammer John Wick content into this column every week, I come to you with this: Collider interviewed the franchise’s director and general mastermind Chad Stahleski to talk to him about the arc of the saga and the recently released trailer for the fourth movie and dogs. Lots of dog chat. Which is fair, for a lot of reasons, some having to do with the whole arc of these movies starting with a dead puppy and some having to do with the thing where it’s just fun to talk to people about dogs for a while. Try it this weekend.

Anyway, the dog talk led to this, which has rocketed into my top five behind-the-scenes movie things ever.

You have to get to know your friends. So in order for the dog to be very playful, and safe, and have the confidence just like a human would, they have to spend time with each individual stunt guy. So we had to rotate every hour. One of our 10 main stunt team guys would go and play. That was his job. He had to go play with the dogs, and get tackled by the dogs, and play Frisbee with the dog. So you get acclimated to our canine friend and then that’s how we started working it. But it was about a little over five months.

There are parts of being a stuntman that do not seem fun to me. Throwing yourself off buildings, lighting yourself on fire, heading into the emergency room with yet another broken bone or squirting wound or charred extremity. This part seems cool, though. The only downside I see is that it would make it impossible to complain about your job to anyone.

YOU, A STUNTMAN: Wow, my legs sure are sore from playing with those dogs all day on the set of the smash-hit Keanu Reeves movie.

YOUR SIGNIFICANT OTHER, WHO IS LIKE A NURSE WHO JUST WORKED A DOUBLE IN THE ER AND HAD TO SPEND TWO HOURS IN THE EXPOSURE UNIT BECAUSE A PATIENT’S BLOOD SQUIRTED IN THEIR EYE: Sorry to hear that.

This is a real problem.

ITEM NUMBER FOUR – I do not think I would enjoy explaining this to Oprah but good for Quinta Brunson

We can knock this one out with a series of bullet points:

• Abbott Elementary creator and star Quinta Brunson is going to sit down for a long interview with Oprah
• This is cool
• Quinta Brunson rules and I am happy to see her blowing up to “lengthy sit down with Oprah” levels
• Quinta Brunson also played a very loosely adapted version of Oprah in the Weird Al movie
• Imagine you played a goofy version of Oprah in a movie and then you sat four feet away from her and she asked you about it
• I do not think I would enjoy that at all
• I would immediately retreat into “student getting a stern talking to from the principal” mode
• No thank you

Congrats and good luck, Quinta.

ITEM NUMBER FIVE – Finally, Christmas movies for me

It is my great pleasure to report to you that HGTV and the Food Network, for reasons that are borderline unknowable but can be loosely covered by “if Hallmark can do this crap so can we,” are getting into the business of Christmas movies this year. Like, they are making their own. With actors and stories and everything. And guest appearances by the big-name state of the networks. It’s extremely weird and kind of insane and I enjoy it very, very much.

An example will help. Here is the plot summary of the upcoming Food Network Christmas film A Gingerbread Christmas, starring Tiya Sircar from The Good Place and Duff Goldman from Ace of Cakes.

“After a devastating workplace development throws Hazel Stanley’s (Sircar) job prospects as a full-time architect into question, she leaves NYC to spend the holidays with her father Ted (Varughese) in her suburban Chicago hometown. While there, she discovers that the family bakery is even worse off than she imagined, having been on the decline since the passing of her mother. And to add insult to injury, her former best friend Shelby (Teresa) has opened a trendy new bake shop across the street. When all seems to be lost, she gets the idea to enter a Gingerbread house competition led by homegrown food celebrity Mark Clemmons (Goldman) offering a $100k prize — enough to get the ailing bakery back on track. While working on her magnificent cookie edifice, a romance begins to bloom with a local contractor James Meadows (Bendavid) who — along with his daughter — has been helping her father out by lending his baking prowess to the place while trying to fix it up in his spare time. A series of frustrations and misunderstandings threaten to tear them apart, but will the magic of the holiday lead everyone to have a Merry Christmas?”

Dear lord, this one checks all the boxes. We have:

• An architect from the big city
• Who returns home to help with a struggling family business
• And enters a baking competition
• With the help of a single dad who presumably has a jawline you could slice a sheet cake with

It’s perfect. I am so proud of everyone involved in making this happen. All I need now is for this to be a big enough success that they do it again next year with double the budget so I can pitch them my idea about Santa Claus breaking his ankle while going down a chimney and Guy Fieri stepping in to take over. I am barely joking about this. They already have a lot in common.

I will not rest until this happens. That’s not true. I will rest a lot. But I’ll be thinking about it. Sometimes. When I remember. But still. Something to consider.

READER MAIL

If you have questions about television, movies, food, local news, weather, or whatever you want, shoot them to me on Twitter or at [email protected] (put “RUNDOWN” in the subject line). I am the first writer to ever answer reader mail in a column. Do not look up this last part.

From Joe:

I’m not sure if you remember the awesome History Channel show Dogfights, where they would talk about famous air battles and interview historians or even the pilots who were part of the conflict, all while using early 2000s computer technology to re-enact the battle. The show was great and it featured the best moment to ever happen on History, when Jefferson Deblanc talks about how he was rescued after getting shot down in the Pacific Theater in World War Two. This man had to have told this story a million times and I’m sure he loved doing so each and every time.

Okay. First things first, Joe included the clip with the timestamp, which I appreciate almost as much as the fact that this man’s name is Jefferson Deblanc. Really great stuff all around.

https://www.youtube.com/clip/Ugkx_fKnlvV7WXOJ_PrEL7A5UNrzjNtv4UM4

The other thing: So back when I was a freshman in college, a million years ago and before my spinal cord injury, a buddy of mine named Rob found a flier advertising a job making $20/hr to work during a Philadelphia Eagles game. We responded and showed up and it turned out the gig was like a security thing with bright yellow “EVENT STAFF” coats and walkie-talkies and all of it. At one point, we were stationed down by the field while the cheerleaders were rehearsing their dance to the song “Let’s Get Loud” by Jennifer Lopez. I turned to Rob and said “How funny would it be if we just walked into the end zone and started dancing, too?” and Rob thought for a second and motioned to our Event Staff jackets and said “Who’s going to stop us?”

So we did. For a while. The cheerleaders saw us and pointed and giggled. It was awesome.

I bring this up now because I tell this story to every single person I meet and it is maybe 10 percent as good as Jefferson Deblanc’s story. If I were him, I would never shut up about it for a single second. I would not be a good fighter pilot.

AND NOW, THE NEWS

To the Big Apple!

Customs officers at New York’s Kennedy International Airport seized $450,000 worth of cocaine from a traveler who was smuggling the drugs in the wheels of her wheelchair, federal authorities announced.

Two things are important to note here…

The first thing is that this is at least the third time this year a person has been busted smuggling cocaine into an airport inside a wheelchair. It also happened in North Carolina and in Italy. The second note is something I need to be very clear about: None of these people were me. I have never tried to smuggle drugs through an airport inside my wheelchair. As far as any of you know.

The bust happened Nov. 10 when Customs and Border Patrol officers stopped a woman traveling from Punta Cana in the Dominican Republic with a wheelchair whose wheels weren’t turning, agency officials said.

The officers X-rayed the wheelchair and noticed an “anomaly” in all four wheels, CPB officials said in a news release. Officers checked the tires and found a white powder that tested positive for cocaine, they said.

I have this image in my head of these big lopsided tires going CLOMPCLOMPCLOMP through the terminal and leaving a puffy cloud of cocaine dust in their wake. People behind who walk through it getting high as a kite and being jittery and miserable trapped in a huge metal tube on a cross-country flight. This is an episode of 9-1-1 that I would watch tonight.

A total of 28 pounds (12.7 kilos) of cocaine with a street value of $450,000 was removed from the wheels, officials said.

So, a couple notes that I want to cover before we wrap this up:

• This is actually kind of a bummer because a lot of disabled people struggle financially and might be doing stuff like this to make money to pay for like medical supplies or groceries or rent
• I really must stress once again that I have never smuggled cocaine or any other drugs inside my wheelchair, unless you count the times we hid a bottle of bourbon in my lap and snuck it into my dorm building when I went back to school after my injury, which I like to think is more of a “boys will be boys” situation than whatever this is
• I am serious about this being an episode of 9-1-1

Thank you.

For the first time since FIBA rankings began nearly 20 years, ago Team USA is not atop the list for the men. That honor now goes to Spain, who overtook the U.S. when rankings were updated Friday morning. This past summer, Spain defeated France in the EuroBasket final. Spain and Team USA hold a healthy advantage over third-place Australia, at least according to the points system. France, who’s now been the runner-up in consecutive high-profile tournaments, is fifth.

While they did not explicitly say that the following tweet was a response, someone with access to the USA Basketball seems to think that putting anyone else No. 1 is a bit silly.

FIBA rankings are derived from a weighted system based on results in international play over a six-year span. In recent years, Spain has won the 2019 World Cup, lost in the Olympic quarterfinals to Team USA, and notched the aforementioned EuroBasket crown. Comparatively, Team USA finished seventh at the 2019 World Cup, won the 2021 Olympics, and placed third at AmeriCup in September.

The next major tournament comes this summer at the 2023 World Cup. The U.S. will travel to South America in February looking to qualify. A full explanation via The Athletic for the U.S. path to qualification can be found here. For now, though, the reigning World Cup and EuroBasket champions are atop the men’s basketball circuit, with Team USA aiming to usurp them. If that tweet is any indication, it’s clearly a priority.

This week has been a tough one for Ticketmaster. Before, canceling the sale of general tickets for Taylor Swift’s The Eras tour due to high demand — fans of rock legend Bruce Springsteen had a list of grievances to share with the entertainment company.

After discovering the inflated ticket prices for his upcoming Only The Strong Survive tour with the E Street band, they called for the “Born In The U.S.A.” singer to take action. Fans assumed the ticketing outlet had a hand in select cities’ $5,000 price tag. While Springsteen remained silent, the company issued a statement (reported by Variety) to defend its pricing model, “[the most expensive tickets] represent only 11% of the overall tickets sold.”

In an interview with journalist Andy Greene of Rolling Stone, Springsteen finally addressed the backlash. When asked if he had any regret over the tour’s price points, Springsteen replied, “For the past 49 years or however long we’ve been playing, we’ve pretty much been out there under market value. I’ve enjoyed that. It’s been great for the fans,” adding, “but ticket buying has gotten very confusing, not just for the fans, but for the artists also.”

Springsteen doubled down on Ticketmaster’s statement arguing, “The bottom line is that most of our tickets are totally affordable. They’re in that affordable range. We have those tickets that are going to go for that [higher] price somewhere anyway,” continuing, “hey, why shouldn’t that money go to the guys that are going to be up there sweating three hours a night for it?”

The singer understands his fan’s anger but ensures they will receive a show worth every penny, “I know it was unpopular with some fans. But if there’s any complaints on the way out, you can have your money back.”

To view the full tour schedule, click here.

In true MAGA style, Kari Lake is refusing to concede in Arizona’s gubernatorial race and has even taken the extra step of flying to Florida to meet with America’s #1 election denier at his home in Mar-a-Lago. However, in the process, Lake has already folded to one opponent: Tom Petty‘s estate.

According to Mediaite, Lake posted a campaign video on Wednesday featuring Petty’s hit song, “I Won’t Back Down.” The video was a not-so-subtle allusion to the candidate’s upcoming refusal to accept election results that showed her losing to Democratic challenger Katie Hobbs. It was also a completely unauthorized use of the song, which Petty’s estate did not take lightly.

On Thursday evening, a statement was posted on the singer’s official Twitter account warning Lake that her use of the track is illegal.

Via Tom Petty on Twitter:

The Tom Petty estate and our partners were shocked to find out that Tom’s song “I Won’t Back Down” was stolen and used without permission or a license to promote Kari Lake’s failed campaign.

This is illegal. We are exploring all of our legal options to stop this unauthorized use and to prohibit future misappropriations of Tom’s beloved anthem.

Thank you to all of the fans who brought this to our attention and who help us protect his legacy every day.

Despite claiming she “won’t back down,” Lake did exactly that. Mediaite reports that the campaign video was deleted following the statement from Petty’s estate. What hasn’t been deleted though is Lake’s tweets about Todd from Breaking Bad. When it comes to her love for that crazy-eyed psycho, you might say she will… stand her ground.

(Via Mediaite)

It’s been a weird week in the NBA to say the least. Every time I start to think “this team is separating themselves from the pack,” they drop two of the next three games or lose to an unexpected opponent. The Bucks are awesome … except when they play the Hawks (I will note Khris Middleton hasn’t played and Jrue Holiday missed the second game against Atlanta). The Hawks are really good … until they play teams with length at all five positions like Boston and Toronto.

Our mighty Utah Jazz have tumbled losing three straight, which is partially expected, but I was ready to crown this team as the next iteration of the Iguodala Nuggets. The Suns are fantastic, but Deandre Ayton has been a shell of himself. Cam Johnson is out for a few months with a knee injury. Jae Crowder might be on the move, according to multiple outlets. Cam Payne has filled in admirably for Chris Paul and Mikal Bridges is taking a step as a scorer.

I could go on and on, but the point remains that the winds keep shifting, a significant reason I love the early season. The sample size we have at this juncture allows for some truly wild, wacky, and unexpected things to play out. It rocks.

The Boston Celtics stand alone atop the NBA for the time being. I’m not ready to crown them as inevitable champs, but they have been the most complete and dominant team on the season. You’ve heard about the league-leading offense, humming at an absurd 120.1 points per 100 possessions clip, per Cleaning the Glass. On defense, the foretelling of Boston’s demise was ill-fated.

The team is 12th on the season on that end of the floor, paltry and subpar compared to the way they took the NBA by storm last year. Marcus Smart has been good, but not the DPOY version of himself. Al Horford has taken a step back, although I think that’s more to conservation than losing gas. It is worth noting that Derrick White and Jayson Tatum have both been amazing and would warrant All-Defensive consideration. And of course, they’ve missed Robert Williams III.

Still, the switches haven’t hit the same. The communication hasn’t been to the same standard. The scrams aren’t there in a way we’re accustomed to seeing. I’m not worried, nor do I think the fuss has been warranted. The Celtics have the third-best scoring differential in the fourth quarter in the NBA, including the fifth-best defense, allowing only 104.2 points per 100 possessions.

I want to see them play with the tenacity and ferocity they had last season, which is admittedly hard to do for an entire year. They have it in them, and we’ve seen them turn it up when it’s necessary. Boston continues to answer questions to some of the playoff issues they had in the Finals, and that’s the bigger storyline here.

And now, with all of that out of the way, let’s take a look at the league’s Most Intriguing Players this week.

Malik Monk

We have to start by heading out to Sacramento. Shout out to the 8-6 Kings! They’re 6-2 in November! Light the Beam!

Malik Monk cannot take the band-aid off. Ever.

Monk is developing some excellent two-man synergy with Domantas Sabonis. We’ve even gotten some of the electric De’Aaron Fox/Monk transition play like we saw at Kentucky when the two of them starred in the backcourt for John Calipari.

The playmaking has hit to a higher degree in this up-tempo, high motion offense. Monk, to his credit, has helped the team achieve that. He is thriving and it’s awesome to watch.

Usman Garuba

If Garuba could play starter’s minutes, he’d warrant All-Defense honors. He’s that good on that end of the floor. His hand speed and hand-eye coordination are unreal. He’s remarkably strong with a low and sturdy base. I’d go as far as saying that he may have defended Giannis Antetokounmpo the best I’ve ever seen anyone defend him, including the likes of Onyeka Okongwu, Draymond Green, Thad Young for that one season, and Al Horford.

He’s so disciplined and sound. It’s almost like watching a highly technical boxer picking apart opposition. Never off-kilter, but playing with an edge.

But I’m not here to write about his defense. What matters is doing enough and being aggressive to a degree on offense that he can play more and showcase his defense. It’s early, but there are encouraging signs. He’s carving out a role as a screener, hand-off hub, roller, and occasional popper. He’s played double-digit minutes in every game the team has played November, and that’s in due part to starting to look at the rim.

He’s taking fewer than four attempts per game in November. It needs to be more without question, but that he’s starting to even take anything is encouraging. There were moments the opening weeks of the year and in his limited play with the club last season that he didn’t even contemplate taking a shot. He’d get an offensive board and auto-pilot kickouts. Now, he’s starting to find some assertiveness.

His game against the Mavericks, which the Rockets won, showcased what Garuba appreciators and purveyors believe in: scoring easy baskets out of hustle seals. Popping and shooting without thinking. A few rolls. Stellar backline defense and switchability.

There’s a really intriguing player there who could also fit around the top picks of the organization, which can’t be said of all of Houston’s numerous role-player prospects.

Jevon Carter

If you missed it, Carter put up a career high 36 points last week against the Thunder.

Carter should not be expected to score 20+ points a night, but man, it’s been awesome to see him find some aggression, much like Garuba. Mike Budenholzer mentioned earlier this season that Carter needed to take more shots and be less passive within the offense, and that’s played out recently, as he’s taken double-digit shots in five of the last six games.

There has to be a blend, of course. Carter taking 13 shots a game isn’t going to happen when the Bucks are mostly healthy. On the other hand, we’ve seen Carter’s playmaking open up by taking more shots.

He’s more of a combo guard who can continue plays, attack off of secondary actions, or start initial actions due to the gravity and screening of Milwaukee’s bigs. He has the basic pick-and-roll reads down pat. He has pretty fun and budding synergy with Brook Lopez. His pull-up three isn’t going to bend defenses — he’s shooting 31 percent on one pull-up attempt per game — but he’s solid relocating and moving without the ball. He has some juice off the bounce inside the arc.

With how incredible his defense has been, I’m leaning towards the idea that Carter should be part of Milwaukee’s starting lineup, even when the team is fully healthy. It’s probably imperfect, to a degree. And yet, I can’t help but think that Carter remains the answer as a starter this season if that blend can be found. Regardless of how this plays out long-term, it’s been awesome watching Carter put together the best stretch of his career, and help the Bucks win some games.

Taylor Swift fans are distraught. To put it simply, Ticketmaster underestimated how many Swifties would be participating in the Eras Tour presale yesterday. “The site was supposed to be opened up for 1.5 million verified Taylor Swift fans,” said Liberty Media CEO and Live Nation chairman Greg Maffei. “We had 14 million people hit the site, including bots — another story — which are not supposed to be there.”

After a majority of the pop star’s fan base did not acquire tickets after hours of attempting, they called on Swift to speak out. Meanwhile, second-seller sites like Stubhub had tickets up from scalpers at absurd prices like $30,000. This fiasco ended with Ticketmaster canceling the general sale that would’ve been today.

And now, finally, Swift has posted a statement on he Instagram Story claiming that her team “asked them, multiple times, if they could handle this kind of demand and we were assured they could.” She also noted, “It’s truly amazing that 2.4 million people got tickets, but it really pisses me off that a lot of them feel like they went through several bear attacks to get them.”

Read the full statement below.

“Well. It goes without saying that I’m extremely protective of my fans. We’ve been doing this for decades together and over the years, I’ve brought so many elements of my career in house. I’ve done this SPECIFICALLY to improve the quality of my fans’ experience by doing it myself with my team who care as much about my fans as I do. It’s really difficult for me to trust an outside entity with these relationships and loyalties, and excruciating for me to just watch mistakes happen with no recourse.

There are a multitude of reasons why people had such a hard time trying to get tickets and I’m trying to figure out how this situation can be improved moving forward. I’m not going to make excuses for anyone because we asked them, multiple times, if they could handle this kind of demand and we were assured they could. It’s truly amazing that 2.4 million people got tickets, but it really pisses me off that a lot of them feel like they went through several bear attacks to get them.

And to those who didn’t get tickets, all I can say is that my hope is to provide more opportunities for us to all get together and sing these songs. Thank you for wanting to be there. You have no idea how much that means.”