House of the Dragon certainly delivered a satisfying season finale this week, which will hopefully cause even more chaos in season two. While various fan theories came to life, there was one constant complaint throughout the entire debut season of the hit series: it’s just too dang dark.
While HBO generally has higher quality shows, many fans were complaining that they could barely make out the sea of blonde heads this season because of the literal darkness in the show. Showrunner Ryan Condal definitely heard the critique, though he says he thought it initially “looked great.”
In a new interview with The Hollywood Reporter, Condal says that there were a lot of factors to take into account when it came to the (literal) darkness in the show (the figurative darkness will surely be explored in season two). When asked about how he plans to improve the lighting in season two, Condal gave a quick explanation:
The visual continuity of the show is certainly something that we will look at. That stuff is always so tricky because we’re doing [post-production] on millions of dollars worth of high-end equipment, almost as if we’re making a movie. It looked great in post and I looked great on my television. But when you release a Star Wars film, you’re releasing it in theaters. For TV, you’re releasing it onto a million different television screens and different setups and calibrations all over the planet. You’re also releasing it through different distributors who are going to distribute it in 4K or 1080p or 1080i or not that at all. So it’s hard to account for everybody’s everybody’s televisions and their calibrations and sometimes the file can get compressed. So the show can look very different than the thing that we saw and approved and released.
Even though he did approve the darkest episodes of television to ever air, he also insists that he is taking the feedback into account for the upcoming season. “But look: It’s our job to take all that into account,” Condal added. “These are one of the things that you learn in the making of a show – you take that knowledge into account when making season two and say, ‘How can we do better?’ The feedback was certainly heard. I get it. And we want the show to be a great viewing experience for everybody.”
Initially, HBO claimed the darkness was a “creative decision.” This type of critique isn’t new, as many fans felt the same way about Game of Thronesin 2019, though that criticism was overlooked by the disastrous final season.
While there is no news on when the next season will air, with all of the backlash, it wouldn’t be surprising if they buy some fancy new spotlights!
In a surprise drop, Marvel has just released the first official trailer for Ant-Man and the Wasp: Quantumania, which sets the stage for Phase 5 of the MCU and the rise of the next Thanos-level threat: Jonathan Majors’ Kang. Picking up after the events of Avengers: Endgame, Paul Rudd‘s Scott Lang is finally getting a chance to enjoy life as Ant-Man. He’s with his daughter Cassie, and Evangeline Lilly’s Hope is reunited with her mother Janet (Michelle Pfeiffer).
Unfortunately, Cassie goes too far with an experiment and sends a signal to the Quantum Realm where Janet had been trapped for years. The heroes are sucked into the hidden dimension where they come face to face with Kang who appears to be lording over the realm, which Janet may or may not have known. As to what Kang is up to? Who knows? But with Avengers: Kang Dynasty officially announced, it can’t be good.
Also, Bill Murray shows up, which is super awkward considering the allegations that have recently come to light about him. Then again, it’s not like Lilly doesn’t have her share of controversies, so it should be an interesting press tour.
Here’s the official synopsis
In the film, which officially kicks off Phase 5 of the Marvel Cinematic Universe, Super-Hero partners Scott Lang (Paul Rudd) and Hope Van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and the Wasp. Together, with Hope’s parents Hank Pym (Michael Douglas) and Janet Van Dyne (Michelle Pfeiffer), the family finds themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought was possible. Jonathan Majors joins the adventure as Kang. Director Peyton Reed returns to direct the film; Kevin Feige and Stephen Broussard produce.
Ant-Man and the Wasp: Quantumania hits theaters on February 17, 2023.
Sunday’s loss to the Blazers dropped the Lakers to 0-3 on the season, and while the first two losses on the season to the Warriors and Clippers could be explained away by coming against two of the title favorites, this one stung considerably more.
Not only was it a loss to a team the Lakers expect to be battling for a play-in spot in the West, it came after L.A. was up 102-95 with just under two minutes to play. The Lakers should have been able to put the game away, but a series of bad shots and suddenly porous defense allowed Damian Lillard and Jerami Grant to swipe a road win for the Blazers.
There’s plenty of blame to go around for L.A.’s late collapse, from not sending help to Lonnie Walker IV and allowing Dame to walk into the go-ahead three to LeBron getting beat off the dribble by Grant for what became the game-winning bucket, but one play in particular stood out in terms of bizarre decision-making. With 30 seconds to play, Russell Westbrook pushed the ball up the floor with the Lakers lead having just been cut to one, and rather than dribble the clock down, Westbrook went for a 2-for-1 midrange pullup jumper that wasn’t close, slamming off the back iron and setting up the aforementioned Lillard three on the next Portland possession.
In the moment, it was a head-scratching play for a number of reasons, but as ESPN’s Kirk Goldsberry noted, even if you strip away Westbrook’s struggles with his shot this year, it’s not a shot anyone every takes in that situation. Ever.
Russell Westbrook has made 3 of 17 jump shots this season.
Also, he is the only player that has attempted a jump shot with under 30 seconds to go and 15+ seconds left on the shot clock with their team up by 1 possession in the last 4 seasons. pic.twitter.com/DrH8UEs2L9
In the last four years there hasn’t been an early clock jumper from anyone trying to swipe a 2-for-1 while leading by a possession, and for it to be Westbrook of all people, who Goldsberry notes is shooting 17 percent on jump shots this season, to fire it up was egregiously bad. This shot alone didn’t lose the Lakers the game, but it did directly lead to the Blazers not only having enough time to get the go-ahead three for Lillard, but also the game-winning bucket for Grant — while the Lakers were limited to a contested turnaround at the buzzer from James to try and force overtime.
Westbrook is not the only problem with the Lakers, but he is the most notable and is also the player that provides their only path to potentially upgrading the roster in a trade (when coupled with a pair of future first round picks they clearly don’t want to give up). It’s also a very clearly awkward situation that has not gotten better once games started as the Lakers had hoped, and while LeBron refuses to get “set up” to criticize his teammate in postgame for now, it’s very apparent how this group still can’t get on the same page with how to navigate key moments.
For those who don’t know, an imperial IPA is ostensibly the same thing as a double IPA. While there are no specific ingredient-based specifications, these types of IPAs are known for their cranked-up flavor and heightened alcohol content. This IPA style is known to be between 6 and 9% ABV, with a ton of piney, dank, floral, bold hop aromas and flavors, yet usually with less bitterness than classic West Coast IPAs.
When it comes to choices for fall imperial IPAs, they are plentiful. There are myriad bold, hoppy, high-ABV imperial IPAs available almost everywhere. Just check out your favorite grocery store, beer store, or online retailer and we’re sure you’ll find a few. But to help you out, we listed and ranked eight of our favorites below.
If you’re a fan of New Belgium’s beers, you’re probably fairly well-acquainted with the brand’s skeleton-adorned Voodoo Ranger series. One of the best of the bunch (especially for fall drinking) is Voodoo Ranger Imperial IPA. It’s brewed with ale yeast and Pale and Black malts, and gets its bold, hoppy flavor from the addition of Delta, Bravo, Centennial, Cascade, Calypso, and Mosaic hops.
Tasting Notes:
The nose is surprisingly light for an imperial IPA but has some grapefruit, pine needles, and light tropical fruits. The palate is fairly generic with pine, caramel malts, and some citrus. There’s a kick of herbal, floral, slightly bitter hops. Overall, not very exciting, but also not bad either. Just meh.
Bottom Line:
Voodoo Ranger Imperial IPA is not a bad beer. It’s also not a great, flavorful beer either. It’s a bit muted and generic tasting.
Colossal Claude (also known as Marvin the Monster) is a Loch Ness-like sea monster that’s been purported to be found in Oregon’s Columbia river. This beer, brewed with Cascade, Citra, Chinook, and Strata hops takes its name from this mythical creature that hasn’t been seen since the 1960s.
Tasting Notes:
Muted notes of pine needles, citrus rind, bready malts, and herbal, lightly floral hops make up the nose. It’s not overly inviting, and sadly, the palate continues this trend. Once again, there are notes of fresh pine needles, but not enough. There are also flavors of grapefruit, tangerine, and lightly caramel malts. All in all, more diluted and waterier than you’d hope from an imperial IPA.
Bottom Line:
Once again, the flavors are in place. Pine, malts, citrus — it has everything imperial IPA fans enjoy. It’s just a little more subdued than I’d hope.
Named for the original brewery located in a former auto repair shop in Seattle’s Ballard District, Big Ballard IPA is known for its mix of malt and hop presence, being brewed with Pale, Munich, and Carmel 40 malts as well as Alchemy, Chinook, Cascade, HBC-431, Centennial, Mosaic, and Eureka hops.
Tasting Notes:
There’s a ton of pine on the nose, some citrus, but also a lot of caramel malt aroma. The palate is loaded with bready malts, light caramel, tangerine, grapefruit, and herbal, earthy pine. The finish is dry and a mix of sweetness and bitterness. A great beer, just a little too sweet and malty for my liking.
Bottom Line:
I understand the need for more of a malt presence in an imperial IPA. But I prefer my imperial IPAs to be a little more hop-centered and less sweet than Redhook Big Ballard.
You must know that if you name your beer “Hercules,” it better be an aggressive, high-alcohol banger. That’s exactly what Great Divide Hercules is. This award-winning, 9.5% ABV imperial IPA is brewed with Chinook, Centennial, Amarillo, and Cascade hops.
Tasting Notes:
There’s a ton of citrus on this beer’s nose with aromas like lemongrass, tangerine, and grapefruit. There are also bready and caramel malts, and lightly herbal, spicy, floral, and piney hops. Drinking it reveals even more flavor with more caramel malt along with grapefruit, orange peels, fresh grass, and bold, bright, dank pine. Even with the bold hop presence, it’s surprisingly well-balanced.
Bottom Line:
This beer is high in alcohol, but not overly boozy tasting. It’s also a well-balanced IPA featuring bright, floral, piney hops and sweet malts in equal measure.
If you’re a fan of Flying Dog, you’re probably also a fan of the iconic artwork adorning its labels for the last 30-plus years. You can thank British artist and Hunter Thompson contemporary Ralph Steadman for that. Its imperial IPA is called The Truth and has one of the more unique, if not nightmarish images on its bottles and cans. The beer inside lives up to its over-the-top imagery with a bevy of hops including Warrior, Summit, Columbus, Citra, and Amarillo.
Tasting Notes:
A lot is going on with this beer’s nose. Ripe pineapple, mango, grapefruit, wet grass, lemon, and fresh pine make an appearance. Sipping it brings forth notes of caramel malts, grapefruit, pineapple, tangerine, stone, fruit, and lightly bitter, dank pine. The finish is a nice mix of spice and sweetness that leaves you craving more.
Bottom Line:
Flying Dog did a good job of using its imperial IPA to highlight flavors like caramel malts, bright citrus zest, juicy tropical fruits, and bold pine.
There are few imperial IPAs more well-known than Dogfish Head 90-Minute IPA. Before everyone and their uncle had a craft brewery, drinkers used to seek out beers like this one. It gets its herbal, earthy, piney, memorable flavor from the use of industry-changing continual hopping — a process of adding a steady amount of hops through out the cook rather than one big dump in the beginning and end, as other brews had been doing.
Tasting Notes:
When nosing, you’re met with a bouquet of grapefruit zest, tangerine, bready, caramel malts, and a wallop of herbal, piney hops. The palate is a hop enthusiasts’ dream. It’s wave after wave of pine, resin, and dank hops paired with tangerine, lemon, tropical fruits, and lightly sweet malts. Lightly bitter and the finish and surprisingly balanced.
Bottom Line:
The use of continual hopping gives this beer amazing hop aromas and flavors without adding an aggressive amount of bitterness. It’s a classic imperial IPA that needs to be added to your bucket list immediately if you haven’t yet tried it.
If you have a computer, you’re probably familiar with the “Florida Man” phenomenon. This imperial IPA from Cigar City brewing pays homage to that most wild of American archetypes, and is brewed with Citra, Azacca, El Dorado, and Mandarina Bavarian hops.
Tasting Notes:
The nose is filled with aromas like mango, peaches, pineapple, papaya, caramel malts, and herbal, floral, slightly piney hops. There’s more of this flavor action on the palate with more tropical fruits, stone fruits, tangerine, pineapple, honey malts, and dank, resinous pine. It’s a nice mix of juicy fruity flavor, citrus, and slightly bitter, dank pine.
Bottom Line:
When it comes to tropical and citrus-filled imperial IPAs, it’s tough to beat Cigar City Florida Man. As if that weren’t enough, it also has a nice malt backbone and vibrant, resinous pine as well.
Deschutes is the kind of brewery where we can’t ever seem to find a beer that isn’t a winner. Deschutes Royal Fresh is no exception. This year-round, juicy monster of a beer is brewed with 2-row and acidulated malts as well as wheat and oats. It gets its hop presence from the addition of Cascade, Citra, Mosaic, Centennial, Amarillo, El Dorado, and Cashmere.
Tasting Notes:
Complex aromas of candied pineapple, clover honey, mango, papaya, ripe peaches, bready malts, and fragrant pine meet your nostrils before your first sip. Drinking it reveals notes of sweet wheat, caramel malts, tart grapefruit, tangerine, pineapple, and piney, resinous hops. The finish is a nice mix of sweetness and bitterness.
Bottom Line:
This is a big, bold fruity, piney imperial IPA that’s so loaded with aroma and flavor, you’ll need to sample it multiple times (and you’ll be happy to) to find them all.
Conan O’Brien had some pretty epically hilarious “Late Night” guests over the years. But much like gently kneaded dough half an hour into forming, one guest has risen above all others.
That guest is Steven Kaplan, the history professor, author and bread expert, who will tell you exactly how baking and consuming bread is akin to … ahem … a sensual experience.
Kaplan originally appeared on “Late Night with Conan O’Brien” to promote his book “Good Bread Is Back” back in February 2007, but the video still goes viral to this very day.
Just what makes Kaplan’s interview so legendary? For one thing, he’s a master with zingers, dishing out amazing off-the-cuff one liners like “it’s got no theology, so a Catholic shouldn’t be worried about it,” that even caught O’Brien off guard. “This guy is casually funnier than most comedians,” one person remarked in the comments.
Another noted, “If this isn’t one of the most impressive segments I’ve ever seen. The natural comedic talent of the bread guy, Conan’s ability to feed off of the bread guys jokes and energy, the way they compliment each other, and the fact this comes off as unscripted and completely genuine comedy. I wasn’t expecting this.”
But really, it’s Kaplan’s carb-induced passion (in the most literal sense of the word) that makes it all completely next level. “It’s pretty much like a sexual act,” he tells a bug-eyed O’Brien, before—I kid you not—stroking, fondling AND caressing various loaves. The words “inseminate,” “swells” and “mount” may or may not have been used.
Check it out below. Warning: you’ll laugh, sure. But you’ll also never look at a loaf the same way again…
Things really kick off when Kaplan splits the bread open and thrusts his face in to get a “surging of a geyser of aromas.” No words can really do it justice, but suffice it to say … it certainly brings up an evocative image.
O’Brien, who can barely contain himself, quips at the end that “if this segment airs tonight, I’ll be very, very surprised.”
But air it did, and now Kaplan sharing his unbridled love of bread is widely regarded by O’Brien fans as his single greatest interview.
With the holidays right around the corner, people are starting to make their plans. One farm in California is offering a new way to celebrate the Thanksgiving holiday and some people may just take them up on it. The Gentle Barn in Santa Clarita, California, is a nonprofit hosting a turkey cuddling event on Thanksgiving Day.
Sure, most people are probably thinking that you planned to eat turkey for Thanksgiving and then complain about how tight your pants have suddenly gotten. But the people that run The Gentle Barn are saying turkey cuddling should be on list.
Turkey cuddling is exactly what it sounds like, which isn’t what most people think about when the image of a turkey comes to mind. The Gentle Barn rescues a turkey each year that would otherwise be slaughtered and brings it to the farm for some wholesome family-friendly cuddles. The farm describes turkeys as intelligent and compassionate sentient beings. Thanksgiving on the farm is nothing new. Previously they used to have dinner after the event but this year it’s strictly turkey cuddles and a slice of vegan pie.
The Gentle Barn has two other locations, one in Nashville, Tennessee, and another in St. Louis, Missouri. All three of the locations offer Thanksgiving turkey cuddles, though prices vary by location. Once you pay the minimum donation price, you get 90 minutes to hug, chat with and feed the turkey. It’s kind of like how every year the president pardons a turkey and we never hear about it again. Think of this event as a chance to cuddle the pardoned turkey.
If you’re curious what happens to the turkeys after they’ve had their fill of human affection, the answer is nothing. The turkeys don’t get eaten later or anything, they get to just gobble gobble until their little hearts are content. Big birds aren’t the only animals on the farm. It has more than 200 other animals including cows that are used to provide cow hug therapy. I’m noticing a theme here and something tells me that the animals at The Gentle Barn are not lacking cuddles.
In a video posted to the farm’s Facebook page, they explain that they hope the event will change people’s minds, saying “Just because we’ve always done something a certain way, doesn’t mean that we always need to in the future.”
The woman in the video concluded by saying, “We can change our traditions and we can make them kinder and more gentle. So this year we are inviting you to come to a Gentle Barn location near you and celebrate turkeys.”
If going to hang out with an affectionate turkey sounds like a good time to you, then check out one of the three locations on the big day. Bring the kids and go give the bird some well-deserved cuddles before heading back home to eat all of the other fixings, minus the turkey.
Beyoncé is stirring the hive. Renaissance, her hotly anticipated seventh solo studio album, arrived in late July. Since then, speculation has been rampant over a subsequent tour. The Beyhive still doesn’t have any Renaissance videos, outside of a new Tiffany & Co. campaign, but it seems answers are surfacing around a reported 2023 tour.
Beyoncé graced the WACO Theater’s Wearable Art Gala 2022 on Saturday (October 22) and, of course, provided an eye-popping auction item.
“Valued at a total of $20,000, United x WACO offers you a chance to see Beyoncé on her Renaissance tour starting in the summer of 2023 at any of United’s national and international destinations around the world,” the auction description read in a fan-captured photo. “This prize is complete with 2 first-class international United Airlines Polaris tickets to select cities with 3-night hotel accommodations at a Marriott property. And, to one of the most sought-after musical performances of all time, 2 concert tickets to Beyoncé’s Renaissance 2023 tour with a guided backstage tour with Miss Tina!”
“I was there when this auction happened and at the end, Miss Tina [Tina Knowles, Beyoncé’s mother] clarified that the date isn’t confirmed just yet but the tickets will be good whenever Bey goes on tour,” tweeted on-air host and journalist Gia Peppers. “Save, yes. We gotta wait til Beyoncé herself confirms from HER accounts! Hoping summer still. We’ll see!”
I was there when this auction happened and at the end, Miss Tina clarified that the date isn’t confirmed just yet but the tickets will be good whenever Bey goes on tour.
Save, yes. We gotta wait til Beyoncé herself confirms from HER accounts! 😭 Hoping summer still. We’ll see! https://t.co/Bu6e2gOq4v
So, the Beyhive is on high alert for an official announcement from Beyoncé of dates and preparing themselves — and their bank accounts — to snatch up tickets. After all, there is unconfirmed word online that the ticket package went for anywhere between $50,000 to $150,000 at the auction.
“When Beyoncé go on tour, I’m getting them front row tickets even if I have to sell a kidney idgaf,” one Twitter user wrote.
See more reaction below.
The first two tickets for Beyoncé’s upcoming RENAISSANCE tour were sold for $150k. This is about to be a blood bath. This game has been moved to a new level pic.twitter.com/SRJ9Qu4bwe
(House of the Dragon spoilers will be found below.)
A bit of murder is par for the course when it comes to George R.R. Martin’s fantasy world, but House of the Dragon’s season finale managed to shock both book and show fans alike with how a certain character met their demise … and why.
In episode 10’s “The Black Queen,” a newly-crowned Rhaenyra Targaryen sends her two eldest sons to shore up support for her claim to the Iron Throne after her half-brother usurps her title and the Hightowers take control of Kings Landing. While Jacaerys Velaryon rides north to Winterfell seeking aid from the Starks, Lucerys flies to Storm’s End to treat with the Baratheons. Unfortunately, Aemond Targaryen beats him to the punch, betrothing himself to one of Lord Borros Baratheon’s daughters in exchange for the man’s allegiance to Team Green.
But before Lucerys can return home, his uncle issues a challenge, demanding Lucerys carve out an eye in payment for the loss of his own a decade earlier. Borros Baratheon stops Aemond from following through on his threat, letting Luke leave before blood can be shed, but ever the obsessive psychopath, Aemond follows the boy on dragon’s back. The two chase each other through a gnarly storm before Lucerys’ young dragon, Arrax, disobeys his rider’s commands and hits Aemond’s mount, Vhagar, with a quick blast of fire. But before they can safely escape, Vhagar rears up through the clouds, taking a chunk out of the smaller dragon and his rider while Aemond looks on, horrified.
The answer: it’s complicated. In Martin’s book — which itself is unreliable since it has many different narrators, all with their own personal biases — Aemond is still seething from the loss of his eye and is more intentional in his efforts to kill Luke. The two still fight on the dragon’s back but Aemond deliberately kills his nephew, ordering Vhagar to tear Arrax in half before locating the boy’s corpse and cutting out his eyes. In the show, things are a bit more nuanced. The writers’ callback to an earlier episode in season one when King Viserys explains that dragons, unlike pets, are not governable. Targaryens can ride them and bond with them, but they can’t fully control them. We see that warning come to life when Arrax disobeys Lucerys by spewing flames at Vhagar. He’s a young dragon being chased by an older and bigger animal of his kind and he reacts instinctively, despite his rider’s pleas.
Of course, by directly challenging Vhagar, Arrax incites the elder dragon’s own bloodlust, which becomes apparent when she goes against Aemond’s pleas to stop by tearing the young dragon in two. Both beasts behaved exactly as one would expect them to in that situation so, while Aemond didn’t necessarily mean to kill Lucerys in that fashion, he is responsible for putting both dragon riders and their dragons in that position, to begin with.
And all because he still hadn’t figured out how to successfully rock an eyepatch. Yeesh.
Halloween is just a week away and Houston’s favorite hottie is all-in on the spooky season. Megan Thee Stallion has teamed up with Netflix to promote the streamer’s “Horrorscope” readings, giving a few to some characters from Netflix’s most popular shows including Big Mouth, Love Is Blind, Sex Education, and of course, Stranger Things. She cheats a little on one, assigning them “Megan Thee Stallion” as a sign — which, according to a disclaimer, is unfortunately not one of the available assignments when you actually take the quiz, which you can do here.
Following the white-hot success of the HBO Watchmen series, Damon Lindelof hinted that he’d love to take a crack at a Star Wars movie, but maybe a decade down the road after everyone stopped being mad at The Rise of Skywalker. It looks like he got a little excited. According to Variety, Lindelof is reportedly in talks to write a new Star Wars movie with Oscar-winning director Sharmeen Obaid-Chinoy. She recently helmed two episodes of the critically-acclaimed series Ms. Marvel, and presumably, Disney and Lucasfilm liked what they saw.
Of course, it should be noted that Lucasfilm has been struggling in the Star Wars movie department despite hitting it big with streaming series like The Mandalorian and Andor. Patty Jenkins’ Rogue Squadron has already been pulled from Lucasfilm’s schedule, and that’s just the start of the previously reported films that have yet to materialize.
As it stands, an unnamed “Star Wars” movie is slated to open in Dec. 2025, but none of the other “Star Wars” film projects in various stages of development — including from Taika Waititi, Rian Johnson and Kevin Feige — have been officially announced, let alone given a release date. Johnson recently told Variety that his prospective “Star Wars” trilogy is still alive, but he needs to complete his work on his “Knives Out” movies first. In May, screenwriter Michael Waldron (“Doctor Strange in the Multiverse of Madness”) told Variety that he’d started writing a “Star Wars” script that Feige would produce, but Waldron also recently landed the gig of writing “Avengers: Secret Wars,” so his dance card’s about to get very full.
However, working in Lindelof and Obaid-Chinoy’s favor is the fact that they’re not filmmakers with multiple projects known to be in the works. Taika Waititi seems to be signing on to a new project every five seconds, Rian Johnson still has one more Knives Out movie to make for Netflix, and Kevin Feige has ramped up Marvel’s output from three movies a year to three movies and three Disney+ series a year. That guy’s not taking a breather anytime soon.
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