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Scooter Braun Is Pleading With Swifties To ‘Move On’ From His Bad Blood With Taylor Swift

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Scooter Braun has retired from music management, but Swifties aren’t ready to forgive him for acquiring the rights to Taylor Swift‘s first six studio records and later selling the masters. And he’s still hearing about it from them.

During a Bloomberg Screentime event in Los Angeles this week, Braun said, “Look. It’s five years later. I think, everyone, it’s time to move on.”

Braun watched the Taylor Swift Vs. Scooter Braun: Bad Blood documentary and has some issues with it, and with the way he’s presented in the media overall. “There were a lot of things that were misrepresented. I think that it’s important in any kind of conflict that people actually communicate directly with each other,” he said. “I think doing it out on social media and in front of the whole world is not the place. And I think when people actually take the time to stand in front of each other have a conversation, they usually find out the monster’s not real, and that hasn’t happened. And that has not happened.”

The joke he made about not being invited to a party thrown by Swift probably didn’t help things.

Swift previously acknowledged “the Scooter thing” in an interview with Time. “My masters were being sold to someone who actively wanted them for nefarious reasons, in my opinion,” she said. “I was so knocked on my ass by the sale of my music, and to whom it was sold. I was like, oh, they got me beat now. This is it. I don’t know what to do.” The answer: Taylor’s Version.

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GloRilla And Megan Thee Stallion Link Up Once Again On The In-Your-Face ‘How I Look’

GloRilla’s hotly anticipated new album Glorious is out today (October 11), and the project sees her teaming up with buddy Megan Thee Stallion on “How I Look.” The hard-hitting track sees the two continuing to foster the collaborative energy they established on “Wanna Be” earlier this year.

Last month, Glo and Megan expressed interest in making a joint album. In an interview, Meg said, “I think that would be very fire. I ain’t gon’ say too much, but it feels like it’s going to get done.” Glo added, “Megan is a real rapper, and I’m also a real rapper. We actually be talking and coming with bars on some down South gangsta sh*t. [It would be] some down South, real turnt, real rap [sh*t].”

This comes after GloRilla admitting she wasn’t sure about Megan when they first met, saying, “I first met you at your Hottieween party last year, and I ain’t gonna lie, I was kinda shy. You were just acting like you weren’t drinking that night. I was like… in my head, I’m like, ‘This b*tch ain’t acting like she ain’t drinking,’ like, ‘What’s up with this b*tch?’”

Listen to “How I Look” above.

Glorious is out now via CMG/Interscope. Find more information here.

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Indiecast Dips Into The Mailbag

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Steven welcomes Ian back to America after his trip to London. Ian regales us with tales of fish and chips-eating and musicals-watching, and then Steven lurches into a quick Sportscast about annoying NFL teams from New York City. (Sorry, New Jersey!) The guys also discuss their plans to see Foxing (Ian) and MJ Lenderman (Steven) this weekend, and the latest status of Ian’s Fantasy Albums Draft.

In the mailbag, the guys answer questions about the current state of Bandcamp, the best musical guests on The Simpsons, the best decade for music, and the artists the guys can’t believe they haven’t seen live yet.

In Recommendation Corner, Ian stumps for veteran singer-songwriter Fred Thomas and Steven recommends the latest from the shape-shifting LA band Peel Dream Magazine.

New episodes of Indiecast drop every Friday. Listen to Episode 210 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at [email protected], and make sure to follow us on Instagram and X (formerly Twitter) for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.

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Tyla Adds Three New Songs To Her Self-Titled Debut Album, Including The Yearning ‘Push 2 Start’

Seven months from the release of her breakout self-titled debut album, Tyla has delivered on her promise of an expanded deluxe edition with three new songs to extend the Afrobeats party offered on the original.

The one currently drawing the most attention is the yearning “Push 2 Start,” which you can play above. With production from Ari PenSmith, Mocha Bands, Rayo, and Sammy Soso, the songs finds the South African siren imploring the object of her affection to “tell me where we goin’, pick a destination / Gas me up, give me motivation.”

Meanwhile, on “Back To You,” Tyla relaxes into a laid-back R&B vibe, promising a lover, “But every time, I’ll always come back to you / No matter where you go, no matter what you do.” You can check it out below.

Finally, “Shake Ah” returns to the native Amapiano sounds the Johannesburg native grew up on, with appearances from fellow SA performers Ez Maestro, Optimist Music ZA, and Tony Duardo, who join her in reciting the lyrics in Zulu, one of the 12 official languages of South Africa out of the thirty-five languages spoken in the country. Tyla is, of course, of partial Zulu ancestry, along with Indian, Irish, and Mauritian descent.

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Pharrell Recruits His Protege Tyler The Creator For The Hard-Hitting ‘Virginia Boy’ Remix

Ever since Tyler The Creator first showed up on the scene, the influence he took from Pharrell was both obvious and undeniable. It didn’t take long for the two to connect in real life, and ever since, they’ve shared a fruitful creative chemistry, with Pharrell playing mentor and Tyler the eager protégé. They’ve made music together, teamed up on a Louis Vuitton capsule collection, and now, Tyler plays a role in Pharrell’s upcoming Lego animation biopic, Piece By Piece, dropping in to release a verse on the song “Virginia Boy Remix.”

Co-produced by both artists — so you should have a pretty good idea of how it sounds even before pressing “play” — “Virginia Boy Remix” features smooth-flowing, freestyle storytelling, relating the two iconoclasts’ experiences growing up so similarly on opposite coasts. The vibe resembles nothing so much as Golden Era A Tribe Called Quest, and if these two decided they want to do a whole project in this style… I’m in. One hundred percent.

For what it’s worth, Pharrell could use a new musical partner, as he is currently embroiled in a legal dispute with former The Neptunes bandmate Chad Hugo over the production duo’s name. Maybe give us some hope that things will turn out a little better for our heroes.

You can listen to the “Virginia Boy” remix above.

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Charli XCX Declares That ‘Sympathy Is A Knife’ With Some Help From Ariana Grande On Her Remixed ‘Brat’ Album

Charli XCX isn’t impressed by sympathy from supporters who she knows will just as quickly turn on her the second it’s beneficial. That’s the basis of “Sympath Is A Knife,” the standout track from her remixed album, Brat And It’s Completely Different But Also Still Brat. And no one knows what she means more than Ariana Grande, who has seen all the ups and downs that come with being pretty, popular, talented, and rich. The long-awaited collaboration between the two was the most anticipated track from the remix project and it more than lives up to expectations.

Brat And It’s Completely Different But Also Still Brat has been the worst-kept secret in the music industry, as fans figured out the remix album was coming, even despite Charli’s admitted penchant for lying. She began teasing the album with a slew of billboards strategically placed in the hometowns of the artists featured on the project, which included Bon Iver, Tinashe, and more. Now that the remixed album is officially out, fans will have the chance to find out how these reimagined tracks stack up to the originals. You can listen to “Sympathy Is A Knife” with Ariana Grande above, and find more info about Brat And It’s Completely Different But Also Still Brat here.

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GloRilla And Sexyy Red Form One Tough Tag Team In Their Glamorous ‘Whatchu Kno About Me’ Video

Just a year after GloRilla really blew up in 2022, some rap fans were already writing her off. The main impetus for this hasty conclusion was the appearance of Sexyy Red, who blew up in 2023 thanks to “Pound Town.” According to those fans, Sexyy “took Glo’s spot,” as if that’s a thing that has ever happened in the history of rap music.

Well, both of the ratchet rap faves get to have the last laugh, thanks to their new collaboration “Whatchu Kno About Me.” While proving that there’s more solidarity than discord among the current sisterhood of rap, the Memphis and St. Louis natives make one tough tag team on the song, and in its glamorous music video. Donning matching bikinis, fuzzy boots, and fur coats, they rap in their usual, shared, boisterous, unapologetic style, while getting done up at the salon with a full crew of baddies.

“Whatchu Kno About Me” is the focus track from GloRilla’s newly released album, Glorious, out today, a month after lead single, “Hollon.” Both tracks go a long way toward proving that GloRilla ain’t going anywhere anytime soon.

You can watch the video for GloRilla’s “Whatchu Know About Me” featuring Sexyy Red above.

Glorious is out now via CMG/Interscope. Find more information here.

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Cordae Is ‘Mad As F*ck’ About The Responsibilities Of Fame In His New Video

Being famous always seemed like more trouble than it’s worth. Sure, there are upsides, but as many a rap act will point out, they rarely outweigh all the extras that come along with them. Just ask Cordae, whose new single “Mad As F*ck” certainly spends some time counting up the curses alongside the blessings. While he brags about his new Ferrari, new chick, and “black diamonds, straight from Africa,” he also worries about “bills on bills coming in” and dudes he doesn’t mess with trying to dap him up. So, you win some, you lose some, I guess.

It hasn’t all been bad for the DMV area native, though. This summer, he announced his “crossroads era,” following up with the video for “Saturday Mornings” with Lil Wayne, then another video with Anderson .Paak, “Summer Drop.” It certainly seems as though he’s close to releasing his long-awaited follow-up to From A Birds Eye View.

Earlier this year, he also made a cameo in Lyrical Lemonade’s “Doomsday 2” video featuring Eminem, which riffed on his and Juice WRLD’s 2023 track “Doomsday.” If Crossroads is indeed the title for Cordae’s third album, he’s teed up the release nicely.

You can watch the video for “Mad As F*ck” by Cordae above.

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The Lynx Stole Game 1 From The Liberty In An Overtime Thriller

At multiple points during Thursday night’s Game 1 of the 2024 WNBA Finals at Barclays Center in Brooklyn, it looked like the New York Liberty were going to cruise to a blowout win over the Minnesota Lynx. The Liberty ran out to a 30-14 lead, as Jonquel Jones was dominant inside, Sabrina Ionescu was pouring in threes, and the Lynx couldn’t get anything going offensively.

Then, the Lynx would pull back within single digits at halftime and were able to cut the deficit down to two in the third quarter, before New York re-established order and pulled ahead by 15 with 5:20 left in the fourth. At that point, it certainly felt like the game was in hand, but Minnesota, as has been the case all season, refused to lay down and steadily chipped away at the lead. Napheesa Collier and Courtney Williams led the charge, and got the Lynx all the way back to within three at 83-80 with 20 seconds to play, as the offense woke up and the defense held New York to just two points over a five-minute stretch.

Minnesota turned to Williams in an effort to tie the game, but her three-point attempt went begging off the rim. For most of the game, New York dominated the glass, but the Lynx were able to get a timely board from Alanna Smith, who kicked it back out to Williams, where she drilled a three while getting fouled by Ionescu for a 4-point play to give the Lynx their first lead of the game (watch here).

The Liberty advanced the ball on the ensuing possession and after the Lynx fouled intentionally on their foul to give, referees called a jump ball after their second inbound that pretty clearly went off Breanna Stewart’s foot after Collier deflected it. A violation was called on Williams on the jump ball, giving another side out, but Stewart got blocked by Collier going to the rim, leading to another inbound under the basket with one second to play. This time, Stewart got it under the hoop and got fouled with 0.8 seconds left (watch here), giving the former MVP a chance to give the Liberty the lead again. Instead, she split the free throws, sending the game to overtime (watch here).

In overtime, the Lynx’s defensive dominance continued, as they shut down the Liberty offense and pulled ahead by four, with Williams delivering a pair of clutch shots to keep them ahead by two possessions with less than a minute to go (watch here).

However, New York was able to tie the game back up at 93-93 after getting two steals that led to layups, first by Ionescu on a bad pass by Williams in the backcourt, and then when Jones stole the ball on the ensuing inbound and took it all the way to the rim. From there, Williams got blocked by Stewart, but Collier hit a clutch, tough turnaround bucket with 10 seconds left to push Minnesota back in front (watch here).

After Collier fouled Stewart on the floor with a foul to give and 2.6 seconds to play, the Liberty got the inbound to Stewart, who got all the way to the rim but smoked the layup, giving Minnesota the most improbable of wins, stealing homecourt in the Finals.

The Liberty finished with four starters scoring 17 or more, as Jones (24 points), Ionescu (19 points), Stewart (18 points), and Leonie Fiebich (17 points) all had productive nights. The problem was, only Jones had an efficient scoring night (9-of-14), as Ionescu, Stewart, and Fiebich combined to shoot 20-of-61 (32.7 percent) from the field. On the other side, the Lynx has three players hit 20-plus points on better than 50 percent shooting, as Collier (21 points), Kayla McBride (22 points), and Williams (23 points) were all able to have strong nights despite limited possessions for the Lynx given New York’s dominance on the glass for most of the evening.

Down the stretch, New York’s offense just could not get out of the mud, while the Lynx were able to get loose and, as is often the case in Finals games, were simply able to hit more tough shots down the stretch. Collier showed why she was the DPOY, racking up six blocks and three steals, as she was everywhere to anchor a Minnesota defense that, as a whole, was the best in the league this season. Their ability to apply pressure on the ball and their length on the back line with Collier and Smith makes them so difficult to deal, especially when you start trying to take the air out of the ball. The Liberty will need to go back to the drawing board when it comes to closing out a game before Game 2, as they have to maintain their pace and tempo that got them the advantage, because the Lynx are not a team that will tap out, as New York learned the hard way in Game 1.

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Jennie Sets Cars On Fire In Her ‘Rush Hour’-Themed ‘Mantra’ Video

It’s been a big month for K-pop stars going solo after spending most of their careers as part of groups. Blackpink’s Rosé announced her debut album Rosie is coming soon, while her bandmate Lisa released her Sixpence None The Richer-inspired solo single, “Moonlit Floor,” a few days later.

Today, a third bandmate, Jennie, dropped her own video for “Mantra” after teasing it earlier this week. The video pays homage to the 1998 action/comedy classic Rush Hour, opening with a sequence recreating the inciting event of the film. The rest of the video is occupied with displaying Jennie’s fashionable sensibilities, shooting her in couture looks in locations all across Los Angeles (incidentally, the film’s setting). Classic cars are a recurring motif; in each scene, Jennie poses and preens near a color-coordinated auto, whether that’s lounging in a blow-up swimming pool, dancing on the cab of a cherry-red big rig, or snacking on the trunk of a white Ferrari. There’s even a DeLorean for full nostalgia factor. The final shot of the video finds Jennie and her crew doing choreo as the bodies of several cars burn around them.

You can watch the video for Jennie’s new solo single “Mantra” above, and stay tuned for more info on her upcoming solo album.