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Ozuna Releases His Alluring New Album ‘Ozutochi’ With Features From J Balvin And Feid

Today (October 7), Ozuna released his new 18-track album Ozutochi. The Puerto Rican superstar collaborated with many reggaeton heavy-hitters like J Balvin, Chencho Corleone, and Feid.

Ozutochi follows Ozuna’s last album, 2020’s Enoc. Across the 18 new tracks, he gives reggaeton music a sleek electronic update that ups his mystique as the genre’s most alluring artist. Ozuna also released the music video for the magical “Mañana” where he sings about a fling blossoming into a romance.

For the album’s perreo de résistance moment, Ozuna joined forces with reggaeton music’s pioneers and top acts in the sexy “El Cel.” He taps into the genre’s roots with Chencho Corleone, Arcángel, and Randy. Colombian superstar J Balvin rounds out the stellar collaboration. Ozuna supports the reggaeton upstarts as well like Feid who features in “Hey Mor” and Danny Ocean who drops in for “4:22.”

Ozuna also taps into his Dominican roots by embracing many of the country’s genres. He blends reggaeton with dembow alongside Dominican rapper Tokischa in the empowering “Somos Iguales.” Another dembow banger on the album is “Perreo y Dembow” featuring Dominican act El Cherry Scom. In the frenetic “Un Lio,” Ozuna puts a new spin on merengue alongside Dominican icon Omega.

Among the pop acts that feature on Ozutochi are Argentine singer Tini in the dreamy “Un Reel” and Pedro Capó in the tropical “Mar Chiquita.” Ozuna is currently touring the US on the Ozutochi Tour. The tour’s final stop will be in Miami on December 9.

Danny Ocean is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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The Rundown: Honestly, It Is Wonderful To See Jennifer Coolidge Thriving Like This

The Rundown is a weekly column that highlights some of the biggest, weirdest, and most notable events of the week in entertainment. The number of items could vary, as could the subject matter. It will not always make a ton of sense. Some items might not even be about entertainment, to be honest, or from this week. The important thing is that it’s Friday, and we are here to have some fun.

ITEM NUMBER ONE – One of the greats continues to thrive

One of the bigger issues I have with our society at large right now is that we do not spend enough time talking about how awesome Jennifer Coolidge is and has been for a few decades. All the woman does is crank out hits. She’s been running around in the Christopher Guest troop of goofballs forever, she was the character in American Pie who inspired the term MILF, she was perfectly cast in Legally Blonde, all of it. She doesn’t do a ton of things range-wise in most of these projects, but you don’t have to do anything else when you do one thing better than anyone else. Jennifer Coolidge is the best.

Luckily, for society and me, not necessarily in that order, this was a really great week for Jennifer Coolidge, good enough that I had a reasonable excuse to put her name in a headline and her face in a featured image at the top of this page. Which I did. You probably noticed that already. We’re all doing pretty great this week.

The big story was the release of the trailer for season two of The White Lotus, the HBO limited series that earned her a fancy trophy at the Primetime Emmys the first time around. The show is doing a kind of modified Knives Out maneuver, where she is the only part of the first run that is coming back for the second, with the action moving from Hawaii to Italy as her character, Tanya (perfect name for a Jennifer Coolidge character), takes a vacation at another hotel in the White Lotus chain of resorts. It looks great.

It is a little upsetting that it took us until the early 2020s to figure out that “send Jennifer Coolidge to swanky resorts around the globe and let her chill by the pool and do the Jennifer Coolidge thing while everything around her devolves into anarchy” was a viable genre of television, but the good news is that we’re here now. I want to see her character and Aubrey Plaza’s character have a conversation, maybe over brunch, mostly because those two possess very distinct and dissimilar vibes and I want to see what happens when you smush them together on one screen for a while.

There was also this earlier in the week, the trailer for the upcoming comedy Shotgun Wedding, which starts out looking like something straight out of about 2004 — a rom-com about Jennifer Lopez and Josh Duhamel getting married, with Jennifer Coolidge as the mother of the groom — until right around the one-minute mark, where it takes a truly wonderful turn. Please, enjoy.

Just beautiful. I have no clue if the movie itself will be any good. I don’t know if the pairing of Lopez and Duhamel can carry a zany-ass comedy about pirates invading a destination wedding and the collected guests fighting back to stop them. I do appreciate the ambition of everyone involved, though, both for the wild plot and, again, the thing where they cast the thing like exactly the kind of movie it looks like the first half of the trailer is selling and then introduced madness. That’s cool.

Mostly, though, I’m just glad this movie exists because the trailer gave the world this image.

jenn
AMAZON

To recap: Two trailers were released this week for projects that feature Jennifer Coolidge at a luxury resort where everything goes sideways in dramatic fashion. At least one of them features her shouting “No one f*cks with my family” and then spraying a machine gun at a crew of pirates. I say “at least one” only because I am still holding out hope that The White Lotus will work that in somewhere too. Let me have this dream, at least for a few weeks. And put Jennifer Coolidge in a John Wick movie. Have her run one of the Continental assassin hotels in, oh, let’s say Bermuda. Just keep sending her to scenic resorts for various projects that may or may not involve her cussing and drinking champagne and maybe firing a crossbow at her enemies.

Let Jennifer Coolidge thrive. She’s earned it. And so have we.

ITEM NUMBER TWO – This will fascinate me for the rest of my days, I suspect

guy-fieri.jpg
Getty Image

I can be prone to a bit of hyperbole. I know that. I get excited and declare things to be the best or the worst when they’re probably just, like, pretty good or pretty bad. It’s something I’m aware of and something I try to work on. With that said, this interview in Variety with Guy Fieri might be the single greatest piece of journalism I have ever seen.

Yes, fine, I’m having some fun with it all here, but seriously, read it. Read all of it. But especially read this paragraph. Read it twice, if you have the time, then meet me below the blockquote for a discussion about the specifics involved in this beautiful little collection of words.

When asked about the one celebrity he geeked out over, he casually recalls meeting one of his idols at Arnold Schwarzenegger’s home. “I said, ‘If I’m coming over, I’ve gotta cook,’” Fieri shares. “He said, ‘No, no, no, we’ll order sandwiches.’ I said, ‘I’m not not cooking.’ So, I’m there cooking and Sylvester Stallone comes in — and then, in walks Al Pacino.” In telling this story, Fieri’s jaw is on the ground. “It was like the meeting of the titans,” he raves. “I said, ‘Al, can I make you something to eat?’” The “Godfather” actor asked for pasta, but not too spicy. “I’m terrified to ask him. I said, ‘Sir, how is it?’” After Pacino took a bite, he told Fieri he liked the dish; the chef had to step outside to get some fresh air, he was so excited.

Some notes here, in bullet form mostly because if I start typing paragraphs I might never stop:

  • I can’t stop picturing this entire scene in my head
  • Seriously, this is like four of the greatest and most distinctive voice-havers in the world together in one kitchen
  • Think about Arnold saying “we’ll order sandwiches”
  • Think about Al Pacino saying “pasta, not too spicy”
  • Think about Stallone standing behind Guy Fieri maybe asking him if he’s using too much oregano
  • It’s basically an SNL sketch but real

I have been thinking about it all pretty much three or four times every day since it was published last Friday and I don’t see any realistic scenario where that stops happening before the end of the year

There’s this, too:

Have you seen the TikTok fascination of you vibing at concerts?

I have seen that…. yeah, no. [Laughing] There were some TikToks that my kids sent to me when I was at Rage… but are there some?

There are many. People just love watching you vibe.

I’ve been waiting for 20 years to see Rage play live… I said [to my son], “I’m going off.” I was going to go in the pit, but then I got shut down. But that would have made social media.

Okay. Again. Imagine you’re at a Rage Against the Machine concert and you’re in the pit and you get absolutely rocked from your blindside and you look up from the ground to see who just sent you tumbling into a sea of arms and legs and this is what is looking down at you…

You would have to provide video evidence of this or none of your friends would ever believe you. It would be a double whammy that way. I do not think I would like to get trucked by Guy Fieri in a mosh pit.

ITEM NUMBER THREE – A real cosmic gumbo here

This is the trailer for the upcoming Christmas film Violent Night, which I am already planning to slot into my Top 10 Movies of the Year based on its title alone. I am so proud of whoever put that title on top of the script and so proud of the various executives who resisted their urge to meddle with it. That alone is a monumental feat. Then you get to the actual action in there and, I mean… it’s really kind of beautiful. Santa Claus is armed to the teeth now and he’s played by David Harbour. That’s just great work by everyone. Please watch the trailer if you haven’t. Keep watching it through the weekend if you want. Businesses are going to put up Christmas stuff as soon as spooky season winds down. You’re allowed to get excited a little early, too.

I clicked on something like 400 links about this movie throughout the week, but the most straightforward description I saw came from Rotten Tomatoes. This is exactly what I am looking for in a movie.

When a team of mercenaries breaks into a wealthy family compound on Christmas Eve, taking everyone inside hostage, the team isn’t prepared for a surprise combatant: Santa Claus (David Harbour) is on the grounds, and he’s about to show why this Nick is no saint.

My favorite thing about all of this, coming in slightly ahead of Santa saying the line “Time for some season’s beatings” and the part where the whole trailer is set to the objectively great holiday song “Christmas (Baby Please Come Home)” by Darlene Love and the thing where Edi Patterson from The Righteous Gemstones is in the movie according to the cast list, is that it kind of reminded me of the Crashmore sketch from I Think You Should Leave, the one where Santa Claus takes a role in an action movie as a loose cannon cop named Crashmore.

This is where I post the fictional trailer for that movie.

The takeaway here, if I were to narrow everything down to a single point, is that I am definitely going to see this movie. And that we should probably let Tim Robinson write and direct a Christmas movie. And that Sam Richardson should play Santa in that movie. And Edi Patterson should be in it, too. I realize I have now listed four takeaways when I said I was going to list one. If we’re all being honest with ourselves here, that number is still actually on the low end for what I was expecting. They made Die Hard with Santa. I’m only so strong.

ITEM NUMBER FOUR – It is really wild that the Community movie is actually happening

community_nbc.jpg
NBC

I can’t think of many shows that have had a wilder ride than Community over the last decade or so. It started as a semi-straightforward single-camera comedy about a fast-talking lawyer who has to go back to community college when it’s discovered his original college degree is fraudulent. Then it became a genre-bending examination of the sitcom format itself. Then Chevy Chase said some wild stuff and got fired. Then the showrunner, Dan Harmon, clashed with people and got fired. Then they brought him back. Then it got canceled. Then it came back on — and I’m going to blockquote a paragraph from Variety in a second that elaborates on this, just because I’m still not entirely sure it wasn’t all a hallucination I had — a streaming service called Yahoo! Screen. Then it got canceled again. Then Donald Glover went on to become a celebrated television auteur on his own with Atlanta. And Dan Harmon moved on to Rick & Morty and almost broke the worldwide Mcdonald’s supply chain over a joke about the Szechuan sauce. Again, wild.

Anyway, there’s going to be a Community movie now, next year, years after all of that stuff happened, fulfilling the show’s running meta joke about six seasons and a movie. It’s going to be on Peacock, which is another thing I kind of wonder if I’m hallucinating sometimes, too. Here’s the blockquote I was talking about earlier.

Still, after years of dancing around cancellation, NBC finally pulled the plug on “Community” at the end of its fifth season. But that wasn’t the end of the line. Sony pitched a Season 6 to its then-sister ad-supported streamer Crackle, as well as Hulu, which held the show’s streaming rights. But none of those outlets could make it work financially. Then came Yahoo! Screen, which pledged 13 episodes at the show’s previous $2 million an episode price tag.

It was good for “Community” — but not so much for Yahoo!, which realized its investment far exceeded any revenue coming out of the show. By the end of Season 6 (and after a total of 110 episodes), “Community” had wrapped for good — as had Yahoo! Screen.

My position on all of this is that it is fine and good and I will probably watch it out of a mix of curiosity and nostalgia and the thing where the first three seasons of Community were some of the coolest and most creative television I’ve ever seen. That Thursday night lineup on NBC was something else. It went from Community to Parks and Recreation to The Office to 30 Rock. That’s four all-timer comedies operating in their primes in one two-hour block, on network television. That’s… crazy.

Let’s all watch “Modern Warfare” again this weekend. You have 25 minutes. Don’t lie to me.

ITEM NUMBER FIVE – Movies used to be good

The tweet above explains everything pretty well. I’m not sure any words I type here will or even can add any value to it. I’m going to try anyway, but if you watch that and don’t want to risk anything, feel free to skip this section.

Okay, still with me? Cool. This clip is indeed from a movie titled Live Wire that came out three years before Pierce Brosnan landed the role of James Bond. And it does feature a soaking-wet Pierce Brosnan loading a clown into a wheelchair and rushing him out of a crowd of people and pushing him into some sort of carnival stand that then turns to rubble when the clown explodes. Which is kind of awesome. And if you are anything like me, you immediately Googled “live wire pierce brosnan” to find out everything about this movie.

Here is the official description of the 1992 movie Live Wire.

After a politician dies, seemingly of spontaneous combustion, explosives expert Danny O’Neill (Pierce Brosnan) is called in to investigate. O’Neill and his team have to work under Sen. Frank Traveres (Ron Silver), but the two have a troubled history since the government official is sleeping with the agent’s estranged wife. Soon Traveres becomes a target of the mysterious assassins, and O’Neill discovers that they are using an ingested liquid explosive to kill their victims.

I did not know this movie existed as recently as last week and now I am *thisclose* to renting out an entire movie theater and screening it for anyone who wants to come hang out and watch it. I’ll sit by myself in an otherwise empty theater and watch it if none of you show up. That would be fine with me, too. But I really do need to see this movie now. I am not joking. It’s a borderline personality flaw I have. I feel okay about it.

READER MAIL

If you have questions about television, movies, food, local news, weather, or whatever you want, shoot them to me on Twitter or at [email protected] (put “RUNDOWN” in the subject line). I am the first writer to ever answer reader mail in a column. Do not look up this last part.

From Sarah:

What’s a line of dialogue from a TV show that is still stuck in your head today years later? I have a bunch. Most of them are Nick Miller quotes from New Girl. . “I know this isn’t gonna end well, but the middle part is gonna be awesome.” “The sky’s too fickle. It’s a play-place for butterflies.” “You can go to my funeral but you can’t talk. My funeral is my time to shine.” “You treat an outside wound with rubbing alcohol. You treat an inside wound with drinking alcohol.” There are so many. I’ve got to assume you have at least one good one. Maybe even another Nick Miller quote.

Well, this email sent me back down a Nick Miller rabbit hole for about an hour, which was lovely. What a beautiful soul. An unshaven philosophical giant. I would go to a seminar he ran if I thought for one second he could actually organize a seminar.

I’m going to throw a curve here, though, in part because you already took my favorite Nick Miller (the middle part one) and in part because it’s been in my head a lot lately. We go to another rugged philosopher, Kentucky lawman Raylan Givens from Justified, who said, “You run into an asshole in the morning, you ran into an asshole. You run into assholes all day, you’re the asshole.”

I’ve mentioned this quote before, a few times, at least once or twice in this very Friday-based column. There’s a simple reason for that: I really like it. It’s a good way to check yourself after a tough day, or even in the middle of one if you can muster the self-awareness. “Was everyone being a jerk to me or I was just putting out crappy vibes they were responding to?” is a solid thing to ask yourself sometimes. Raylan didn’t always get things right. I would not recommend shooting at people as often as he did, or at all, ever, if possible. But on this one, the man definitely had a point.

AND NOW, THE NEWS

To Ireland!

The prestigious global body that governs Irish dancing has been rocked by allegations of competition fixing and cheating.

Shoot it straight into my veins.

An Coimisiun Le Rinci Gaelacha (CLRG) is dealing with its largest ever alleged cheating scandal, which has seen some of the most successful and well regarded Irish dance teachers and schools accused of fixing competitions for their own students.

For those keeping score, we now have active cheating scandals in:

I’m in heaven. I hope darts is next. Or bowling. Or Ultimate Frisbee. Any of the non-traditional sports, really. Just so this keeps going. Show me a cornhole controversy that goes all the way to city hall. This is, in a nutshell, exactly what I am about.

It is understood that screenshots of text conversations showing 12 Irish dance teachers either asking for, or offering to, fix competitions were handed over to the CLRG in July.

Separately the Irish Independent has seen more screenshots, which have not yet been shared with the CLRG, which appear to implicate at least another six teachers.

EIGHTEEN TEACHERS

THAT’S WHAT TWELVE PLUS SIX IS, RIGHT?

[opens calculator]

IT IS

THAT IS SO MANY IRISH DANCE TEACHERS

I DON’T EVEN KNOW ONE IRISH DANCE TEACHER

EIGHTEEN

The CLRG said that due to the “potential extent” of the allegations, it had hired a former Court of Appeal judge “to oversee and supervise the immediate investigation into these matters. They will have full and open access to the resources and records of CLRG”.

I love that they brought in a real retired judge to handle this. The man went to law school. He probably presided over murder trials. He’s probably had to send people to prison even though he didn’t want to and then try to go to sleep at night. And now he’s being called in because the Irish dance community couldn’t police itself. What a life. Make a television show about this entire thing and let Liam Neeson play the judge. Get the mob involved somehow. Let the Dropkick Murphys do the theme song.

These are good ideas.

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The Game Recalls His Last Conversation With Nipsey Hussle: ‘It’s Dangerous To Be That Accessible’

Despite coming from different parts of Los Angeles County — and, let’s face it, different affiliations within the area’s longstanding gang culture — Compton rapper the Game and Crenshaw rapper Nipsey Hussle shared a close friendship throughout their respective careers until Nipsey’s unfortunate death in March 2019. In the latest episode of Fresh Pair, hosts Just Blaze and Katty Customs ask Game about his favorite memory of the late (segment starts at 27:49), great Hussle. His answer is deeply affecting and sort of heartbreaking, as he recalls the last conversation he had with Nipsey, which incidentally touched on the dangers of sticking too close to their shared roots.

“I was just telling him that…’You don’t have to be on Crenshaw and Slauson all the time,” Game says, referring to the location of Nipsey’s Marathon Clothing store, where the rapper was gunned down while offering some new clothes to an acquaintance who recently got out of jail. “I made this reference to Louis Vuitton,” Game continues, “When you go buy your girl a Louis Vuitton bag, the n**** that owns Louis Vuitton is not behind the register handing you the product. Once you build an empire, you can relax a little bit. It’s cool to check in, but it’s dangerous to be that accessible.”

Unfortunately, Game’s words proved to be prophetic. However, the sad circumstances also underlined Nip’s commitment to giving back to the community. While Game takes care to note that it’s “not about turning your back on the hood,” it’s clear that Hussle wanted to remain available to anyone who needed him.

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Fiona Apple Is Emotionally Heading To Middle Earth For Her New ‘Lord Of The Rings’ Song

Fiona Apple is featured as a surprise singer in the finale of The Rings Of Power — a TV Lord Of The Rings prequel. The episode, which will premiere next week, includes a new song “Where The Shadows Lie” and has Apple as the lead vocalist. The track was written by the show’s composer Bear McCreary and produced by him, Apple, and Andrew Slater. For engineering, Jason LaRocca and David Way worked together.

“Where The Shadows Lie” was teased in the series’ first episode, only just as an instrumental. When Apple’s full version is released, it seems like a full-circle fitting conclusion to this new season. Lyrically, it was a J.R.R. Tolkien poem that “was composed by the Free Peoples of Middle Earth about the origins of the Rings of Power and their relationship under the power of the One Ring,” according to a press release (via BrooklynVegan).

“To embody all these narrative elements into one voice is no small task, and so I am especially grateful to have collaborated with legendary singer Fiona Apple,” McCreary said. “Inarguably one of the definitive musical voices of her generation, Fiona brought new depths and narrative intention to the song’s unique combination of my haunting melody and Tolkien’s ominous text. I have been inspired by her musicality for two decades, and I could not imagine an artist better suited to bring to life the mystery, majesty, and power of this song.”

Listen to Apple’s “Where The Shadows Lie” on Apple Music or Amazon Music.

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Yahritza Y Su Esencia And Ivan Cornejo Team Up For Their Lovelorn ‘Inseperables’ Video

Two of regional Mexican music’s rising acts have joined forces. In the music video for “Inseperables” that was released today (October 7), Mexican-American group Yahritza y Su Esencia teamed up with singer Ivan Cornejo.

Back in April, Yahritza y Su Esencia made history on the Billboard Hot 100 chart when lead the group’s lead singer became the youngest Latin performer to appear on the chart: Yahritza Martínez was 15 years old when the band’s breakthrough single “Soy El Unico” debuted at No. 20. Since then, the song has amassed over 84 million streams.

For “Inseperables,” Yahritza y Su Esencia enlisted fellow Mexican-American singer Cornejo to the feature on the track. Martínez’s brothers and bandmates, Mando and Jairo, back the teen duo with a fiery sierreño sound. Martínez and Cornejo trade heartbreaking verses about missing their lovers. Martínez’s soulful voice sounds beyond her years while Cornejo complements her well with his alternative edge. The video for “Inseperables” was shot in downtown LA. When Martínez is not cruising around the city with her brothers, she’s performing the song with Cornejo on a rooftop that overlooks the area.

Yahritza y Su Esencia is nominated for two Latin Grammy Awards. The band’s nominations include Best New Artist and Best Norteño Album for the Obsessed EP. Last year, Cornejo teamed up with reggaeton star Jhayco for a remix of his hit “Esta Dañada.” That song’s success pushed him ahead of Bad Bunny to No. 1 on the Latin Songwriters chart. Cornejo is now starring in the latest Beats By Dre campaign.

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‘I’d Like To Make It Clear That I Did Lie’: Mila Kunis Confirms A Decades-Old Rumor About ‘That 70s Show’

Mila Kunis just confirmed a massive rumor about That ’70s Show. While promoting her new film, Luckiest Girl Alive, Kunis came clean about how she landed the role of Jackie Burkhart in the classic sitcom. As everyone knows by now, Kunis was the youngest member of the cast by several years, and there’s a reason for that.

“There’s a rumor going around that I may or may not have lied about my age,” Kunis confessed to Vanity Fair. “I’d like to make it very clear now that I did lie. I did.”

According to Kunis, she claimed to be 18 to get her foot in the door. However, once it came time to sign a contract, she had to tell the truth to That ’70s Show creators Bonnie and Terry Turner in order to lock down an on-set teacher because she was still in school. Fortunately, they weren’t too bothered by the revelation because they already loved what Kunis brought to the part. As for the rest of the cast, no one gave her any problems about her real age.

Via Variety:

“It was in the heyday of older kids playing younger kids and I was actually of the age of the character,” Kunis added. “I was never treated as lesser then. If I did by one of the cast members another cast member would stand up for it. The reason I don’t do drugs was because nobody on the set did. And I looked up to them at 14. The trajectory of my career could’ve gone any which way… but the set was cool.”

Kunis is set to reprise her role as Jackie when the spinoff series, That ’90s Show, hits Netflix sometime in late 2022 or early 2023. Although, she’s not too thrilled about Jackie being married to her real life husband, Ashton Kutcher, in the new show. Granted, their characters dated during early episodes of That ’70s Show, but by the end, they had gone in wildly different directions.

“You know what, I called BS,” Kunis told Access Hollywood. “I was like, ‘My character would be with Fez.’ I think that I ended up with Wilmer’s character. And I was like, ‘Why are you and I together?’”

(Via Vanity Fair)

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(For You)r Consideration: The Hottest TikTok Trends In Music This Week

(For You)r Consideration is a weekly column breaking down the rappers and singers doing it RIGHT on TikTok and the viral TikTok music trends and top songs taking over your FYP.

What Did Monaleo Say?

An interesting line from Monaleo‘s “Faneto Freestyle,” is trending on the app. The Houston rapper plainly expressed that she has a no-tolerance policy for non-Black romantic partners reciting racial slurs. See the videos below for the NSFW lyrics. Although potentially controversial, creators are making fun of how popular TikTok dancer, Charli D’Amelio, would choreograph the lyrics and how they think the track’s producer reacted to Monaleo in the booth. The best video to come out of the sound? A Howard University student uses the bar to express their feelings after taking an Afro-American Studies class. Above all, Monaleo delivered on her freestyle over a Chief Keef classic.

@dre4kk

if you aint wanna burn something down after having him you wasn’t doing it right 💯 #hu24 #hu25 #hbcupride

♬ I CANT DATE NO YT MAN – Monaleo

“Ascension”

TikTokers are having a ball with Maxwell’s crooning at the start of his 1996 hit “Ascension.” Fans aren’t only appreciating how the song’s intro instantly turns them into a 48-year-old auntie but are using the neo-soul artist’s seven seconds of harmonizing as background for some relatable skits. According to TikTok user @nonipseysamehussle, he immediately channels Maxwell after taking the first sip of a McDonald’s Sprite. With less than 1000 videos made to the sound, creators should jump on the trend early as it continues to rise in popularity.

“Spread Thin” & Oversharing

A semi-chipmunked version of Mariah The Scientist’s “Spread Thin” is the soundtrack behind hundreds of videos where creators share the struggles they’ve been through this year. From breakups to makeups, fitness journeys, and everything in between, critiques of the trend have popped up, pointing to how much creators are (over)sharing and potentially trauma dumping on the app. One TikToker made fun of the trend, saying that shared content would be good material for Tyler Perry’s next movie. And Mariah the Scientist herself weighed in on the antics, tweeting how her version of the trend would be utterly embarrassing. Catch up below.

Wake Up, No Stylist

ATL’s Destroy Lonely is not only next up in hip-hop but also talking over the FYP. The 21-year-old recently released his debut mixtape, No Stylist, under fellow ATL rapper Playboi Carti’s Opium label. The title track is a favorite for the baddies and fashionistas of TikTok. Creators use the sound to show love to their favorite and full-proof outfit combos (think little shirt and big pants) and under GRWM and OOTD-style videos. “No Stylist” already has just under fifteen thousand videos associated with the track, but it’s a full-proof way to get eyes on fashion-adjacent content.

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Steve-O On Sex Addiction, Stand-Up Comedy, And The Steve-O Super Bowl Commercial That Never Was

Jackass Forever came out earlier this year, just when it felt like we were seeing the light at the end of the pandemic tunnel. Even if it wasn’t necessarily the best of the series, for a lot of us it probably felt like a godsend that it even existed. Enough time has passed that we can acknowledge that Jackass is one of, if not the greatest American cultural products of late 20th and early 21st century.

If Johnny Knoxville is the brains behind Jackass, and Chris Pontius is the penis, Steve-O is the pathos. Arguably the wildest of the Jackass crew, Steve-O was always so up for anything, so eager to please, that it looked like he might legitimately kill himself. Often it made you wonder, “Is this guy okay? Am I hurting this man by enjoying his antics?”

These days, miracle of miracles, it seems like Stephen Glover, aka Steve-O, actually is okay. He looks healthy, he has a fianceé, and a reasonably thriving career as a stand-up performer. How he got from college dropout locally famous for throwing himself off bridges to 48-year-old homeowner with a monogamous relationship and stylish eyeglass frames is largely the story of his new book, A Hard Kick In The Nuts: What I’ve Learned From A Lifetime of Poor Decisions.

In this, his second book, Steve-O takes us on his journey from substance abuse to recovery to veganism and animal rights activism to stand-up comedy to sex addiction and second recovery all the way to today. It’s full of the kind of sage life advice, aphorisms, and introspection one often gleans in recovery, but also some of the stories that got him there. Like the time he woke up in an 18-year-old bartender’s childhood bed, surrounded by her stuffed animals and then had to go meet her parents. Or the time he ruined his relationship with Kat Von D partly by telling such stories, onstage, with her in the audience.

With Steve-O, the wildness is implied. But if we come for the hijinks, we stay for the pathos. Like this sweet little passage about Ryan Dunn:

Ryan’s death, like many deaths, I suppose, was a shock but not entirely a surprise. Before I got sober, the dynamic of our friendship was much like the dynamic of many of my friendships back then: I annoyed the shit out of him, and he barely tolerated me. I kind of respected the fact that he never even bothered to try to hide how much I got on his nerves. But after I sobered up, our relationship deepened, even though Dunn’s drinking never slowed down.

Anyway, I got to pick Steve-O’s brain this week, about the physical toll of being America’s ne’er-do-well little brother, what it actually means when celebrities “write” a memoir, his life on the road, and his future plans for a massive wild animal park styled on Graceland.

So when you’re doing these book events, I don’t know if there are readings involved, but you talk in the book about needing to be the center of attention and needing validation from the crowd. I imagine it’s a lot different when you’re reading and people are sitting there quietly versus a comedy show where you’re getting instant feedback on everything.

I’m not particularly interested in sitting there and reading my book to anybody, I think that would be painful for all involved. Not that it’s a bad book, but I just think that reading passages from books is a little bit lame. What I have been doing is Q&As. I’ve actually been enjoying that a lot. There was a book signing at Barnes & Noble in New York City, which started out as a Q&A discussion and then the book signing, and they have since completely nixed the Q&A part because I’ve proven to be by far the slowest author ever. I just sit there and talk to people and take f*cking forever. They were losing their minds over me. The store was supposed to have been closed at 9:00 PM and I was still going at 10:30. They hated me.

You have a co-writer listed on the book. I always wonder how that works. What’s that writing process like?

Worth mentioning that it’s the same writer who I did my first book with. And the first book we did together was his first book, period. Both of our first books. I remember I picked David Peisner because he had written an article about me for Spin Magazine, and I had a fairly really good experience with him over the few days that we worked on that. And I told him that I’d like to work on a book with him and that it was important to me that I make that decision before his article comes out, which is a silly, dumb thing. But it worked out really well. And what the process looked like was a fairly insane amount of time recorded. Tape recorded interviews, conversations. I believe for the first book we tape recorded 70 hours of conversations. And then the second book was less, I think more like 40 hours. Those tapes got transcribed by a stenographer, and once it was all transcribed, David Peisner effectively pored through it and created drafts of chapters. Then as soon as he finishes a draft of a chapter, he sends it to me and I revise it, send it back to him, and he incorporates my changes, sends it back to me, and I revise it again.

As we approached the delivery date for the original manuscript, I asked David — because since we wrote the first book, he’s done nothing but write books, he’s become quite the prolific co-writer/ghost writer — and so I asked him when we finished this one, in the 12 years since the first book, has there been anybody who’s been more psycho as far as meticulous attention to detail and just tweaking over every little thing? And he said, no, not even close. I’m super proud of that. I really did f*cking agonize over every detail. And I remember describing as the deadline loomed that I felt that I was really at a breaking point, which is rich, considering my job is to revise the fucking work he did. But I took it seriously and it was a lot. And then every stage of the book process just presents a shit ton of work, dude. I don’t remember the first book being like this, but f*ck this one was just a lot of work, man.

So I have to ask this because I just got back from physical therapy myself, and I wasn’t even in Jackass. So how often do you have to do physical therapy, pain management stuff for various injuries, and then how hard is that to do when you’re traveling on the road for a tour?

I’ve been largely super lucky with that. I’m in really pretty good shape overall. With that said, this right shoulder, it just seems to be falling apart on me. And that’s got nothing to do with any specific injury or incident, I think it’s just normal 48-year-old shit. What I do have in my neck, I’ve got degenerative disc disease, which is just, again, it’s mostly just 40-year-old shit, but it’s from throwing my body around a lot. That’s not really reached a point of being painful or debilitating, it’s just looming as an issue. And other than that, f*ck dude, I can tell that I’m doing myself a major disservice by not having a super disciplined stretching regimen. That, I think, is going to replace my lifetime regret, from not diligently flossing, to I think not stretching is going to overtake it.

So when you’re sober and you’re dealing with a disc disease, what is the line in terms of pain management and what you allow yourself to do for painkillers and stuff?

Like I said, the degenerative disc disease in my neck has not presented as a painful or debilitating situation yet. With that said, in my 14 years of sobriety, I’ve been through some f*cking horrific shit. I basically shattered my ankle. I had a plate and 11 screws put into my ankle. And I’ve had all kinds of surgeries since I got sober. And my rule is that when I’m in the hospital going into surgery, of course I’m going to have anesthesia. So whatever a doctor puts through an IV into my arm that I have no control over, that’s okay. But once I leave the hospital, I don’t fill out a prescription for painkillers. I’ve not filled out a single prescription for painkillers since I got sober. Everything’s been Tylenol and Advil and in the most horrific situations, Tylenol and Advil at the same time. It’s amazing how effective both of those f*cking things are.

A lot of teeth gritting, I imagine.

Yeah, I remember my ankle being really gnarly. I remember there was some gum graft surgery, some bone graft surgery. There was third degree burns. I definitely had a lot of crazy pain. And I think part of me just really gets a kick out of my belligerent refusal to take painkillers. When it’s really bad I’m just like “Man, I’m gnarly.”

So in the book, you met your fianceé when you were supposed to do a stunt for a Pepsi commercial that you weren’t thrilled about because you were anti-soda.

Yeah. It’s crazy too because during my lows with my diet, at times when I’ve been able to just sit down and just f*cking murder a entire bag of fun-sized Butterfingers, but even through those times, I’m just like, nope, not soda.

Man’s got to have a code, right?

Right. So between the soda thing and the meat thing — I’m less strict about dairy, but philosophically I’m very angry at dairy too, anything to do with factory farming really upsets me — so promoting Papa John’s pizza and Pepsi Cola… I love that I say in my book that at that time, that’s what it cost to buy my, I forget how we worded it, but my morality, my ethical standards could be bought for around $30,000.

I feel like that is probably true of a lot of people. So you ended up getting paid without them using the stunt, which seems like a perfect scenario. Are there any other endorsements or things like that that have worked out that way where you’ve gotten paid for not using something?

Correct. I can’t think of anything off the top of my head that was such a lucrative false alarm, no.

Are there other endorsements or things like that where you felt like you were…

Selling my soul?

Yeah. Things that you regretted or felt weird about.

For sure. Again, I can’t really think of anything but what’s more at the forefront of my mind is the things that I’ve actually turned down, where I’ve actually exercised some integrity. I don’t necessarily need to throw anybody under the bus, but there was some garbage snack that was all about dairy that actually was a six figure offer, and I turned it down. I was pretty stoked about that.

In the book you write about your relationship with Kat Von D and how that ended partly because she wasn’t super cool with you talking about being a sex addict on stage.

Yeah, she was a private person and I’m categorically not. So that whole dynamic really, I think that was the general basis for things not really being promising for a long term.

Right. So what is it about your current fiancee that makes her cool with you writing about it in a book and being open with that stuff?

I think that the world is full of, maybe not full, but I think that there are a lot of people who have serious issues with acting out sexually in a destructive manner, who don’t acknowledge that they have that issue and they just continue to do it. They cheat, whatever. I would prefer, and I believe I can say this about my fiance, that she would also prefer for me to acknowledge that I had an issue and really, really care about addressing that issue and conducting myself with integrity, accountability, and doing the right thing. I’d rather call myself out for having done the wrong thing and be really careful to do the right thing moving forward than not call myself out and be a f*cking scumbag.

Sure. But do you think that’s part of it, where it’s one thing to talk about it for you, but if there’s a way to make it so she doesn’t have to hear it every time… Do you do some separation there or say, “Hey, don’t read these chapters” or whatever?

That’s precisely what it is. I think that my girl, her name’s Lux (Wright). Lux never read my first book. She knew that it had all kinds of debaucherous shit in there that she didn’t really want to know about. And this book, she’s been fairly careful to avoid certain parts. And with that said, she knows about all the chapters that she hasn’t read. But yeah, I respect that she doesn’t want to read shit that is potentially upsetting to her. And it’s tough when you’re setting about writing a book like this. I think what was important in both in the book and in my life in general is that addressing these subjects is done in a way that doesn’t glorify it.

Is that partly something that you deal with in when you’re doing shares in recovery? Like some people when they’re doing shares, they ride that line between trying to acknowledge what was bad and not just reliving their glory days?

Sure. Yeah. In the whole recovery space, or I should say in the recovery community, we definitely try to avoid war stories that are going to glorify our active addiction. I think I’m pretty good about that. We call it sharing in a general way what we used to be like, what happened and what we’re like now. So you want to qualify as an addict, but you don’t want to overly revel in the “what it was like” part.

I was curious about what your dad’s like. You mentioned him obliquely in the book. I know he was a corporate guy. What is he like?

Dad… I describe my dad as just almost a human calculator. I don’t want to say he’s devoid of emotion, but he’s a pure logic machine and not particularly emotive. I think that’s probably the best way to put it. And with respect to the nature of my art and how much of it goes against his sensibilities, Dad’s really, really good at compartmentalizing. He can. And he is really enthusiastic about the business. Here’s a thing I think that is pretty rad, and I don’t even think it’s in the book, but there’s this saying, which I believe was attributed to Andrew Carnegie. I might be wrong about that. But the saying is, the first third of your life is for making mistakes. The second third of your life is for making money. And the final third of your life is for giving that money away.

And if we were to, for the sake of round numbers, call a lifespan 100 years, I got sober when I was 33 and really, really did a great job of checking the mistakes box. And when I got sober in 2008 with the financial crisis, my life was in such shambles. I had every reason to believe that my earnings potential had either completely evaporated or was about to fall off a f*cking cliff. And my savings were more than half gone from the financial crisis. So I, in early sobriety, I switched into a mindset because I didn’t even think I was going to be f*cking alive. I was pretty sure that I’d be dead. Now all of a sudden I might be alive for many more decades? It was scary. So I got proactive since I got sober about trying to be more savvy in business. And I think that’s brought my dad and I super closer together. Since I got sober I’ve more and more exhibited my dad’s traits and our relationship is just so awesome as a result. Dad’s on my payroll now. It’s crazy.

Well, I could pepper you for a lot longer, but I don’t want to make you late for your next thing, and I appreciate all the time you gave me.

Hey man, it’s all good. I appreciate you as well. And just to finish the thought about the trimesters of life. Absolutely I want to just be as f*cking aggressive as possible at business so that I can realize my vision, Lux and I, our vision of employing hundreds of people to take care of thousands of animals and to figure out a way to do that that affords me my own little Graceland-style f*cking spot. I want to have my own little museum because I’m a super attention whore ego maniac. I’m so jealous, I was just recently in Memphis and visited Graceland, and I was like, oh my God. This f*cking guy Elvis has been dead longer than he was alive, still people are flocking to this f*cking place, I’m just so jealous of that.

That’s your goal?

Well, I just thought it was on our own path we arrived at wanting to get a big property and open up an animal sanctuary. And it makes sense that for that to be a successful, sustainable thing, that it should have its own revenue streams. So incorporating some Graceland-like model, if that’s going to help the place be self-sufficient, then f*ck yeah. It almost seems to just be synergistic with what a ego maniac attention whore I am and our lofty goals of what we want to do. So yeah, man, that’s super where my head’s at and I’m in that second trimester of life and I’m going for it.

A Hard Kick In The Nuts‘ is out now. Vince Mancini is on Twitter. You can access his archive of reviews here.

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A Mario Fan Made An Edit Of ‘The Super Mario Bros. Movie’ Trailer Without Chris Pratt

Even if you haven’t played a Mario game since Hotel Mario, first off, you should check out Super Mario 64. Good game imo. Also, chances are high that you’re still among the tens of millions who watched The Super Mario Bros. Movie trailer yesterday and, by proxy, have a take on Chris Pratt’s Mario voice. He doesn’t say much in the first look at the animated movie (Jack Black’s Bowser is the real star), but it was enough to wonder what the character would sound like with Charles Martinet’s voice from the video games.

Wonder no more. “I edited the Super Mario Bros. Movie trailer to see how it would sound without Chris Pratt,” voice actor Carlos Morillo wrote on Reddit (where he goes by the user name “f*ckmattdamon,” and now I’m imaging Ben Affleck and Matt Damon as Mario and Luigi). The video, which you can watch above, replaces Pratt’s voice with his own, as well as Martinet’s. It’s well done, but here’s my take: two hours of Mario’s video game voice would be too much. There’s a reason he doesn’t talk much in the games.

Or one Redditor wrote, “It’s good… but I don’t know if the overdone nature of Mario’s quips in game would work for a feature film. I think it’d be pretty grating after a while, and I’d probably get annoyed. Kinda like with Jared Leto in House of Gucci…”

It’s shocking that the Jared Leto-as-Mario edit of the trailer hasn’t been made yet. Give the internet, oh, five minutes to fix (?) that.

The Super Mario Bros. Movie, which also stars Anya Taylor-Joy as Princess Peach, Charlie Day as Luigi, Jack Black as Bowser, Keegan-Michael Key as Toad, Seth Rogen as Donkey Kong, Fred Armisen as Cranky Kong, Sebastian Maniscalco as Foreman Spike, and Kevin Michael Richardson as Kamek, opens on April 7, 2023.

(Via Reddit)

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Nicki Minaj Remixes ‘Likkle Miss’ (Again) With A Diasporic All-Star Team Including Dancehall Legends

After over a decade of avoiding a specific kind of collaboration, Nicki Minaj has fully leaned into her role as a burgeoning elder stateswoman of rap, releasing a rapid-fire stream of collaborations with up-and-coming artists like BIA, Coi Leray, and Doja Cat, as well as a recruiting an all-woman posse for the remix of her No. 1 hitSuper Freaky Girl.” She’s also embracing the algorithmic power of the remix; just a couple of weeks after releasing the video for the Skeng-featuring remix of “Likkle Miss,” Nicki doubles down with an all-star diasporic roster for the “Likkle Miss (Fine Nine Remix)”

Nicki, who has been known to throw on both British and Caribbean accents for her alter egos, brings in a bunch of performers who naturally have them, from dancehall artists like Spice(!) and Lisa Mercedez to grime punchline master Lady Leshurr. There’s also soca artist Patricia Roberts(!), rising Bronx drill rapper London Hill, Trinidadian artist Destra Garcia, Pamputtae, and Dovey Magnum. Expect to see at least one of these names to sneak-diss Cardi B and get into a raucous back and forth on Twitter in the coming weeks because it seems like that’s the blood price of doing a Nicki Minaj remix these days. (Just kidding, please don’t send the Barbz after me, Nicki!)

Listen to the “Fine Nine Remix” of “Likkle Miss” above.