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Brendan Fraser Called Out A Warner Bros. Executive By Name Over The ‘Disappointing’ Decision To Shelve ‘Batgirl’

Brendan Fraser is opening up about the “disappointing” decision by Warner Bros. Discovery to shelve Batgirl, and he’s not afraid to name names. While promoting his new film, The Whale, at the Toronto International Film Festival, Fraser was asked for his thoughts on the fate of the DC Comics film that would’ve seen him play the classic Batman villain Firefly. Right out of the gate, Fraser fired a shot at WB Discovery’s chief financial officer.

“Well, stop talking about it ’cause Gunnar Wiedenfels does not want people thinking about this. That’s what I read,” Fraser said. While the remark was said jokingly, it did reflect that the actor is aware of Wiedenfels’ recent remarks where he essentially accused the media of blowing the Batgirl situation out of proportion.

After the thinly veiled shot, Fraser expressed his disappointment that fans would not get to see Leslie Grace in the title role.

“The fans really wanted to see this film made. Leslie Grace is a dynamo,” Fraser told Variety. “The movie was shot and conceived for a smaller screen. In this age that we’ve come out of now between streaming service versus theatrical release, it wound up being the canary in the coal mine. What did we learn from this? Work with trusted filmmakers, like Darren [Aronofsky].”

While DC Comics fans have been denied a chance to see Fraser’s villainous performance in Batgirl, the actor is doing pretty good all things considered. He’s racking up accolades for The Whale and took home his first trophy since elementary school at TIFF. It’s one heck of a comeback, and if two standing ovations are any indication, people are here for it.

(Via Variety)

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Britney Spears Hates Her Old Pepsi Ad And Tells Her Dad To Kiss Her Ass Over His Involvement In It

Britney Spears, who at press time had deactivated her wildly err…popular, Instagram account (it will surely be back in due time), took to the platform before she logged out to air out some more grievances regarding her conservatorship. Spears has been very vocal in venting about the constraints that the conservatorship had on her and especially about the effects it still has on her even now that it’s over.

She sent a pointed message to both of her parents on Sunday night before deactivating her account, saying, “I will say it loud and proud … I pray you both burn in hell.” But she did not stop there, and also added a parting shot on a different post about her Pepsi ad from 2018 that appeared among New York City’s flashing lights.

Apparently, Spears was not fond of how her photo superimposed in front of Radio City Music Hall looked in the Pepsi ad. After airing out some thoughts on the conservatorship and how she’ll probably never play another live show again, she addressed her father, who seems to have masterminded the Pepsi ad: “Psss … and father the beautiful picture you guys put up of me in New York City for Pepsi making me cry looking 80 years old … see this picture right here … kiss my God damn mother f*cking ass you f*cking bastard.”

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Drake, Kendrick Lamar, And Latto Are Nominated For The 2022 BET Hip-Hop Awards Album Of The Year

It’s almost time for the BET Hip-Hop Awards, the only awards show dedicated specifically to the world’s most popular genre. A week after announcing the host of this year’s show, Fat Joe, BET has announced the nominees for the awards on Twitter and Instagram. Drake leads the way with 14 nominations, Kanye West has 10, and Kendrick Lamar has nine. The show will air on October 9 at 9 pm ET.

Album Of The Year

Drake — Certified Lover Boy
Future — I Never Liked You
Kanye West — Donda
Kendrick Lamar — Mr. Morale & The Big Steppers
Latto — 777
Nas — King’s Disease II
Pusha T — It’s Almost Dry

Hip-Hop Artist Of The Year

Cardi B
Doja Cat
Drake
Future
Kanye West
Kendrick Lamar
Megan Thee Stallion

Song Of The Year

Cardi B — “Hot Sh*t” Feat. Kanye West & Lil Durk
Drake — “Way 2 Sexy” Feat. Future & Young Thug
GloRilla & Hitkidd — “F.N.F. (Let’s Go)
Future — “Wait For U” Feat. Drake & Tems
Jack Harlow — “First Class
Kodak Black — “Super Gremlin”
Latto — “Big Energy

Lyricist Of The Year

Baby Keem
Benny The Butcher
Drake
J. Cole
Jack Harlow
Jay-Z
Kendrick Lamar

Best Hip-Hop Video Of The Year

ASAP Rocky — “D.M.B
Baby Keem — “Family Ties” Feat. Kendrick Lamar
BIA — “London” Feat. J. Cole
Cardi B — “Hot Sh*t” Feat. Kanye West & Lil Durk
City Girls — “Good Love” Feat. Usher
Drake — “Way 2 Sexy” Feat. Future & Young Thug
Future — “Wait For U” Feat. Drake & Tems

Best Collaboration

Baby Keem — “Family Ties” Feat. Kendrick Lamar
Benny The Butcher — “Johnny P’s Caddy” Feat. J. Cole
Cardi B — “Hot Shit” Feat. Kanye West & Lil Durk
City Girls — “Good Love” Feat. Usher
Drake — “Jimmy Cooks” Feat. 21 Savage
Drake — “Way 2 Sexy Feat. Future & Young Thug
Future — “Wait For U” Feat. Drake & Tems

Sweet 16: Best Featured Verse

Drake — “Churchill Downs” (Jack Harlow Feat. Drake)
J. Cole -– “Poke It Out” (Wale Feat. J. Cole)
J. Cole –- “London” (Bia & J. Cole)
Lil Baby — “Girls Want Girls” (Drake Feat. Lil Baby)
Kanye West- – “City Of Gods” (Fivio Foreign, Kanye West & Alicia Keys)
Drake –- “Wait For U” (Future Feat. Drake & Tems)
Jadakiss -– “Black Illuminati” (Freddie Gibbs Feat. Jadakiss)

Best Duo Or Group

42 Dugg & Est Gee
Big Sean & Hit-Boy
Birdman & Youngboy Never Broke Again
Blxst & Bino Rideaux
DaBaby & YoungBoy Never Broke Again
Earthgang
Styles P & Havoc

Best Live Performer

Cardi B
Doja Cat
Drake
J. Cole
Kanye West
Kendrick Lamar
Tyler The Creator

Producer Of The Year

ATL Jacob
Baby Keem
Hit-Boy
Hitmaka
Kanye West
Metro Boomin
Pharrell Williams

Best Breakthrough Hip-Hop Artist

Baby Keem
Blxst
Doechii
Fivio Foreign
GloRilla
Nardo Wick
Saucy Santana

Video Director Of The Year

Benny Boom
Burna Boy
Cole Bennett
Colin Tilley
Director X
Kendrick Lamar & Dave Free
Teyana Taylor

DJ Of The Year

D-Nice
DJ Cassidy
DJ Drama
DJ Kay Slay
DJ Premier
Kaytranada
Mustard
Nyla Symone
LA Leakers: DJ Sourmilk And Justin Incredible

Best Hip-Hop Platform

Big Boy’s Neighborhood
Breakfast Club
Caresha Please
Complex
Drink Champs
HipHopDX
Million Dollaz Worth Of Game
NPR Tiny Desk
Verzuz

Hustler Of The Year

50 Cent
Cardi B
DJ Khaled
Drake
Jay-Z
Kanye West
Megan Thee Stallion

Impact Track

Lizzo — “About Damn Time”
Fivio Foreign, Kanye West & Alicia Keys — “City Of Gods”
Baby Keem — “Family Ties” Feat. Kendrick Lamar
Nas — “Nobody” Feat. Ms. Lauryn Hill

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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A Group Of ‘Lovely Canadian Firefighters’ Rescued Anna Kendrick From A Broken Elevator In Toronto

In something that sounds like the plot of a Disney+ romcom starring Anna Kendrick, Anna Kendrick got stuck in an elevator over the weekend while attending TIFF. Chaos ensued! Kendrick was promoting her new film Alice, Darling and it seems like having the word “darling” in a title at a film festival this year is just the unlucky thing to do, for some reason!

The actress ended up being stuck in a very crowded elevator alongside some of her team. She uploaded a video to her Instagram, making jokes about having to ration food (sticks of gum) and “just vibing.” Eventually, Kendrick and her crew then had to use a ladder to get off the elevator, when she made a joke about not wearing pants: “the Lord said to me, choose the long skirt.” So talking with a higher power is also a talent we can add to Kendrick’s resume.

Kendrick later told EW that the whole thing was just bad luck, and not some mean elevator controller getting revenge for having to sit through Pitch Perfect 3. “I got in the wrong elevator at the wrong time. I got out. Some lovely Canadian firefighters had me crawl out the top of the hatch. But, yeah, it was, like, seven of us in an elevator just waiting to be rescued by firefighters. It was so absurd that it would happen on a film press tour that it just seemed so immediately comical.” Indeed, being stuck in a box is funny for some. Not for others, though.

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Kid Cudi’s Expanded Trailer For His ‘Entergalactic’ Netflix Animated Series Looks Fantastic

At the end of the month, Kid Cudi will be dropping both his long-waited Entergalactic animated series, as well as an eponymous album of the music that accompanies the show. The Netflix series features Cudi (billed by his legal name, Scott Mescudi), along with Jessica Williams, Timothée Chalemet, Vanessa Hudgens, Ty Dolla Sign, and Laura Harrier. Created by Cudi, the “Man On The Moon” rapper has called it, “The greatest piece of art Ive ever made,” and now the newly-released expanded trailer gives us a closer look at exactly why he believes this.

Cudi voices the main character, Jabari, a BMX-riding, city dwelling dreamer and romantic who meets a gal in the city (Meadow, voiced by Williams) and they navigate the wavelengths of newfound love together surrounded by colorful supporting characters. The series is directed by Blackish creator Kenya Barris and is coming to Netflix on September 30th — the same day that the album drops. Other artists involved in the project in some way, shape or form include 070 Shake, Jaden Smith, Teyana Taylor, and more.

Watch the new expanded trailer for Entergalactic above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Reggie Bush Gives His Unfiltered Feelings On The NCAA And His ‘Full Circle’ Return To College Football

Reggie Bush is one of the greatest college football players of all time, but the 2005 Heisman Trophy winner doesn’t show up in official record books or in the official list of Heisman winners after being stripped of that title following an NCAA investigation into impermissible benefits during his time at USC.

Bush was made to return his Heisman Trophy by the Heisman Trust and was issued a 10-year ban from associating with his alma mater by the NCAA, effectively being shunned from the sport that he was such an integral part of in the mid-2000s. In 2019, after a 12-year NFL career and a brief tenure with NFL Network, Bush joined Fox’s Big Noon Kickoff show and made his return to the college football world, fittingly making his first road show appearance at the Coliseum for a USC game.

Now, three years later, Bush is still healing from the wounds of old brought by the NCAA, but is loving being back in college football and watching games from the sidelines as part of Fox’s road show — most recently being on hand for Alabama’s escape against Texas. On Monday, we got a chance to sit down with Bush over Zoom on behalf of Wendy’s, who he’s partnered with once again for their ad campaign for college football season, and talk about his return to the college football world. Bush was extremely candid about his mixed emotions returning to the college game initially, his feelings towards the NCAA, and his excitement seeing kids getting the opportunities he never did to profit off their name, image, and likeness.

I want to start with this Wendy’s spot, because it seems like you had a lot of fun with it and the entire premise. What did you think when they came to you with this idea and then how was it executing it with the team?

I thought it was great, man. I thought it was awesome. You know, when they came to me with the idea of just doing a comedy skit around the Heisman Trophy, but with the pretzel pub, you know, that was genius. And then when we got a chance to get on set, do the spots and the scenes, they were a lot of fun, man. Honestly, I had so much fun with it. You know, I got a chance to, I think, work on some comedy that I wasn’t sure I had in me [laughs].

But just pushing myself to different limits, and now stepping into this kind of this comedy role through commercials while promoting a brand like Wendy’s, it’s awesome. It’s an awesome opportunity. And the director was great. Really made it easy. A lot of it was improv too, honestly. So that’s the other part as well, like the commercials that we that we shot, most of them were improv. I didn’t get a script a week before or even a day before. I actually called when we had a conference call — I was a little worried cause I hadn’t seen the script yet and I was like, ‘Hey, you know, we gotta do a commercial, obviously, I know it’s a big deal and I want to really do a great job.’ And I’m a perfectionist. I like to work hard. And I was just thinking, ‘Hey, I probably need a couple of days with the script so I can just like get into the right mindset and just think about some of the things.’ But I just showed up on set and just go you know, and so I thought that was awesome. It definitely tested my comedy acting skills and my abilities because, you know, there’s something that just I wasn’t sure I had in me as well. But I was able to, I think just push the envelope with my abilities on the acting side and the comedy side and it was a lot of fun.

I gotta say, I knew you had you because going back through preparing for this I found an old ESPYs ad where you did a Reggae Bush bit that still kills me. So I don’t know if you remember that but I knew you had the chops because the delivery on that was perfect.

[Laughing] Yeah, I forgot about that, man. Yeah, that was definitely a fun opportunity as well. But you know, to me, it’s kind of scary sometimes doing improv. You know what I mean? Because it’s like, you got to [snaps fingers], you got to just come up with it, whatever it is. But Wendy’s was great, they allowed me to also add things that I just wanted to do within a scene. It was like, here’s kind of the script, but if there’s things that you want to change or add, go ahead. And I just thought that freedom really allowed me to, you know, be my best.

You play on it with the ad, but what has it been like being able to be back in the college football world and being on sidelines for these big games after you were effectively shunned for a decade from the sport?

Yeah, it’s umm…man, it’s definitely been full circle. Full Circle, unique opportunity. Because I have to be honest, when Fox first came to recruit me for this show I had a lot of reservations about it. I wasn’t sure I wanted to do it because I was doing Thursday Night Football for NFL Network. And I was just retired from the NFL. So it’s like, I didn’t know college, wasn’t really studying it as much, you know, and the players always changing, coaches as well. So I just wasn’t sure.

And then also at the same time, there were reservations about everything that I had been through in the college space, and you know, how tough that was on me, spiritually. And just how tough that was on me and my family. It was it was something that definitely scarred me on the inside, but also at the same time, I’ve always felt like, at the end of the day, the facts and the truth were gonna come out. And most recently, the facts and the truth have come out with my former running back coach, Todd McNair, who filed a lawsuit against the NCAA for defamation of character for them basically trying to pin the case on him and making him kind of the link between USC and me and being able to penalize our school. And most recently, he won that lawsuit [Ed Note: McNair’s case was settled with the NCAA in July 2021 in mediation]. I think the kicker is, at the time when when T-Mac filed the lawsuit, I wasn’t sure how long it was gonna take but I don’t think it’s gonna take 10-plus years for him to finally win that lawsuit and win that case.

And I think it just speaks to the NCAA and who they are and they did everything they could to get the case thrown out of court. They tried to get the judge taken off the case. They delayed and delayed and motioned and motioned for as long as they could. But the inevitable happened and T-Mac won that lawsuit. They had to pay him $8 million. And I think that money that they had to pay and I think the case is proof that my story is, one it’s crazy, but the NCAA lied about a lot of things that happened. And you know, so that case, T-Mac winning that, I think speaks volumes. Did the NCAA come out and release a statement and say, hey, we just had to pay T-Mac this and that or, you know, we were wrong for this and that? No, they didn’t. They got a nondisclosure agreement with him and tried to sweep it behind closed doors. But we’re not gonna let it get swept under the rug, because it’s too big of a story.

And that’s what’s unique about my story is that nobody knows all the facts. Nobody knows the truth, because I’ve never spoken about it. I haven’t done any interviews on it. Because I knew there’s gonna come a time and a place where the facts and the truth are gonna come out. And, you know, now with the NCAA, the ruling from the Supreme Court, 9-0, I think that’s that piece of it also shows you that they were basically violating kids’ human rights, basic rights, you know what I mean to go make money off their name, image, and likeness. And so here we are. They didn’t want to be in this position. They were forced in this position. And so now the bridge beneath them is crumbling, as we’ve seen. And I’m so happy, so happy, for these kids to be able to now go make money for themselves, for their families. I’m hearing great stories about kids donating money to foundations and donating their time and that’s what it’s about. I’m so happy that these kids get a chance to go and make money off their name, image, and likeness now, because they deserve it.

You know, in our country we’ve been told a lie, that your scholarship is a fair trade. And that’s not true. That’s the narrative that the NCAA wanted to push, but now, here we are, you know, and it’s proof that these kids deserve more. They’re working their butts off. They’re grinding for these universities. They’re bringing in millions for these universities and billions for the NCAA. And so, they were put in a position where — we were put in a position where we were broke, hungry, starving, literally, I don’t mean that metaphorically. I mean, that literally. Literally broke, hungry, and starving in college, while making millions and billions for universities. Somebody’s benefiting? And it’s just now the times have change. So, with my case, NCAA, again, they swept T-Mac’s win under the rug, but we’re not gonna let that stay quiet. There are legal things happening right now behind closed doors with my legal team and the Heisman Trust, and NCAA, as we speak. And I feel confident that some things are gonna happen, some things gonna change, for me with the Heisman Trust and Heisman Trophy.

And, you know, that’s why I say, it’s full circle for me. You asked me the question earlier, what it was like for me to go back in the college space, honestly, I can’t explain it. I feel like this is all part of a bigger plan, bigger purpose, made by God to put me in this position to have me here back in this college space, when I never in a million years imagined I would come back after some of the things that I had to go through and dealt with. So, for me again, now that I’m here and now looking at it, I’m so glad I made that decision. Because out college football show, Big Noon Kickof, I can’t imagine a better job. To be able to go to work and have 10-20,000 people behind you screaming their heads off. You know, the energy is amazing. The reception by the fans everywhere we go, we’re now treated like ambassadors of the sport. And I appreciate the fans for that. Appreciate all of it.

And, again, this, I promise you, this was not my plan. You know, my plan was not to go through what I went through in college, and then into the NFL. You know, getting drafted to New Orleans, that was crazy in itself. I went there five months after Hurricane Katrina. When New Orleans looked like a third world country, you wouldn’t even recognize it. You know what I mean? Water lines on every house, spray painted with numbers of bodies found in those houses. No restaurants, no businesses open. It was crazy. And I think just, again, the plan, the journey that I’ve been on, that God has taken me on has been so amazing, and just something I could never have have imagined. But I think going to New Orleans, and the time period I went to it, I felt like I went there in a time period where they needed me and I needed them. I needed to go to a place that needed me, because I really felt kind of outcast by the things I was dealing with with college football. And so I think going to New Orleans was such an amazing time. And just something I could have never imagined but it was like once I felt that purpose of okay, I’m here for a much larger purpose, much bigger than football you know, playing for people who lost businesses, homes, family members, all kinds of stuff. It really just, right away I had to change my focus. I had to shift my focus and New Orleans became this perfect marriage at the perfect time and we were able to go win a Super Bowl for them. And that was…that was the best experience of my life. Doing that four years after Katrina for a city that really desperately needed some good, some hope, you know, and now look at this, the organization and team man. It’s just, I’m glad I was a part of that change.

Yeah, I was gonna ask about just what the transition is like going from being a college football legend and a guy who when you walked on the field, you were absolutely the best player on the field. And you go to the NFL when you’re a top pick, what was it like going into a league where there’s guys at your level and how do you mentally adapt to that and deal with that change? Because obviously there’s a big difference there.

It was. When you’re a top pick and you come in the league with a lot of notoriety, everybody taking shots at you. At you. And I mean that on the football field. Everybody wants a piece of you. Everybody wants to measure, I think, themselves against you. And I felt that my rookie year. I felt like guys was trying to kill me on the football field. I felt like I survived maybe one of the hardest hits in NFL history in the NFC divisional game against the Eagles where I just got absolutely destroyed, you know.

But I felt that energy all season long. And I liked it, you know, because it reminded me that I was a problem on a football field to a lot of defenses and for a lot of defensive players. And all I ever wanted to do was just go make plays, you know, go make highlight reel style plays, go do the unthinkable. I said in high school I was gonna win the Heisman Trophy, before I even really understood what that even meant. I was just like, oh, that goes to the best player? I want to win. But I didn’t even really understand like the magnitude of what that meant, what that was gonna take. You know, I said I wanted to win the Super Bowl. I didn’t understand the magnitude of what that was going to take now looking back on it. You know, I said I wanted to play in the NFL for a long time. I played 11 years as a running back. That’s a long time, that’s double digit years, you know, which you don’t see a lot of that anymore. I’ve been blessed and now I work for some great networks work the NFL Network on Thursday Night Football and now with Fox so I’ve been blessed man. The journey and a ride has been amazing. And you know, again, this definitely, the way is gone, is I could have never imagined that or planned it.

You were at Alabama-Texas, which was a crazy game. You’ve been in that spot that Alabama was in where you are the team that everybody’s hunting and you’re gonna get everybody’s best shot. When you go into an environment like that, and you don’t have your best game and you suddenly find yourself in a dogfight, what does it tell you about this Alabama team that they were able to still go out and get that win despite not playing what we think is their best?

It’s a unique position to be in, because you see everybody’s A-game. You are the measuring stick for everything you’re gonna play. My last year in college we dealt with that every single week. It felt like we were down at halftime, every single week. And we had to fight, claw, scratch our way back into a W. I remember playing Oregon on the road, we were down at halftime and then we came back. Oregon State in the Fog Bowl, where it was literally so foggy on TV you couldn’t see anything and I couldn’t even see the ball, you know, when it was being punted and kicked in the air. We played Arizona State that year, we were down at halftime. They were just taking it to us and it just felt like everybody is giving us their championship effort. You know what I mean?

And that’s what Alabama has to look forward to. Every single week they’re gonna be tested and everybody’s gonna want to knock them off. Especially when they go to other stadiums, you know, like at Texas, hostile environment, the fans were loud the entire game so the fans they effected — I think the fans effected this game a lot. You know, they had some offsides, false start penalties. You definitely saw Alabama out of character, and I think out of their element in that game. But you know, Bryce Young was great when they needed him to be great. And that’s what great players do. They’re great when your team needs them most. And that’s something that won’t show up on the stat sheet. It won’t show up in a contract. But, you know, I think that just the heart of Bryce Young in those moments, and that final minute and a half spoke volumes. And so being in that position — again, like I said, we were in that position my last year, we had to face Virginia Tech Week 1 on the road, and that was a dogfight. But this is the way it is for Alabama. For those teams. Georgia, same way, they’re gonna see everybody’s A-game too, they won the national championship last year. But they look good. They look really good [laughs].

Kirby [Smart] got them turned around real fast. He got them on track.

He got them on track quick. But yeah, you know, that brings out the best in the best athletes. I love every second of it. You know, Iappreciated the time that we blew teams out, but I really loved those games where we had to fight, claw, and scratch our way back into a W. Just because that really tests your spirit. It tests your willpower. And, you know, anytime you can win those games, it’s just like, one more step. You know what I’m saying? It’s like one more step, one more chapter you feel like you’ve you’ve closed and just gives you that much more confidence on a football field.

Lastly, I got to ask about SC. Obviously a good start to the Lincoln Riley era there with what you’re seeing with Caleb Williams and Jordan Addison. As an alum, as somebody who cares about that program. Does it does it feel different this time? Does it feel like it’s really got a chance to get back to where everybody at USC wants it to get to?

I think it does. It feels like the direction of the program is going up. And with Lincoln Riley’s history, we know him to be a great coach. And I mean, I think this is one of his biggest accomplishments. You know, obviously having Heisman Trophy winners is amazing. You know, I think just what he’s been able to do in a short period of time, in a landscape that’s very different, you know, full of transfer portals, transfers and this landscape is so different, to be able to go and I think shift the roster in one year. And to completely change the offense, the look, just everything about it. That’s awesome. It just leaves me wanting more and wanting to see what they’re going to do next. They already look like they’re in postseason form. And I know, Stanford, we’ll see how good or or not good they are throughout the rest of the season, but man, I think this was just a great showing of what they can do. And Caleb Williams looks awesome. He looks really good. And just the offense looks good. They’re playing in space. I’m such a fan of Lincoln Riley and his just offensive brilliance. It’s just a breath of fresh air. When you see, it’s like, this is how football supposed to be played. I love that they’re running the football again. You know, we haven’t had a good run game at USC in a while. And now the run game is taken off, you know what I’m saying? So now that’s going to attract more recruits. So it’s just, it’s awesome to see, you know, man, what a difference a coach makes in a program and a university.

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The 1962 riot over a Black man attending Ole Miss is an overlooked but vital piece of history

In our history classes, pretty much every American learns about segregation in the American South and the civil rights movement it spawned, but much of that education is lacking in detail. When we teach the history of racial segregation broadly and dispassionately, as if it were merely a thing that existed and then ended, we underplay the unbridled, unapologetic white supremacy that lay at the heart of that history. It’s uncomfortable to look our nation’s ongoing relationship with racism square in the face, but we can’t repair wounds we don’t acknowledge.

To understand the absolutely bonkers levels of racism that enabled and perpetuated racial segregation, it’s helpful to look at the details of specific historical events. If we dive into individual stories, such as the experiences of Ruby Bridges, Claudette Colvin, Elizabeth Eckford, Medgar Evers and many others, the truth of how racism has repeatedly cut America to its core becomes clear.

On September 30, 1962, a Black Air Force veteran named James Meredith did something seemingly unremarkable—he showed up to register for classes and move into his dorm at the University of Mississippi, where he had been admitted three weeks prior.


It actually was remarkable, though. No Black person had ever attended “Ole Miss” before and Meredith’s admission was viewed as a travesty by the white supremacists in power. State officials, including Mississippi Gov. Ross Barnett, who declared “I’m a Mississippi segregationist and I am proud of it,” did everything they could to prevent it. The court battle began in 1961 and went all the way to the U.S. Supreme Court before Meredith’s admission to the school was finalized on September 10, 1962.

Meredith showed up on campus on September 30 escorted by federal marshals for his own safety. Sadly, that wasn’t enough to quell the racist rage that necessitated the escort in the first place. Hundreds of angry white students and locals marched toward the building where Meredith was to register.

Federal marshals deployed tear gas as the mob erupted into violence, throwing rocks and bottles before bringing out the guns as night fell. As the mob grew in size, so did the chaos. Reporters covering the riot were beaten and their equipment was burned. A French journalist was shot and killed, and a bystander who had come to campus to see what was happening was murdered as well.

The federal government sent thousands of army soldiers to campus in the middle of the night to quash the rioting, which went on until the early hours of the morning. Ultimately, 30,000 troops were called upon to quell the violence that left two dead and at least 300 wounded.

United Press International reported the day after the riot: “More violence was unleashed in less than four hours than in the six-month period when U.S. paratroopers forced integration of Central High School in Little Rock five years ago.”

To make matters worse, the racist mob immediately tried to blame Meredith for the violence. As three deputy marshals and a representative from the U.S. Department of Education walked Meredith to his first history class the following day, white protesters shouted the N-word at him repeatedly and asked him, “Was it worth two deaths?”

Imagine the rage and frustration Meredith must have felt at such a series of injustices. One of the most striking things about these kinds of stories is the contrast between the rage being acted out by white supremacists (who had no legitimate reason to be violently angry) and the rage Black people were 100% justified in feeling but weren’t allowed to express.

The fact that these people were willing to burn down the school that they supposedly cared so much about, simply because one Black person dared to set foot on campus as an admitted student, is a testament to how deeply white supremacy can be ingrained. We’ve seen such insanely illogical events play out over and over again in our history. While we’ve made many forward strides in the past 60 years, the racist beliefs that led to those events are still around and far too easy to fuel and inflame.

Yet, 1962 simply wasn’t that long ago. James Meredith is still alive, and chances are good that some of the students who lost their minds over his admission to their university are still kicking, too. Have they changed? Have they done the hard work of rooting out that racism from their minds and hearts? Did they teach their own children differently? Do their grandchildren know the part they played in our collective history?

The more acquainted we are with our past, the more equipped we are to create a better future. As hard as it is to read these stories, they are vital for us to learn about so that we don’t repeat the same heinous history over and over again.

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Kanye West Plans To Leave Adidas And Gap Once Their Contracts Expire: ‘No More Companies Standing In Between’

Kanye West’s grievances with Adidas and Gap have been made readily apparent on social media by Kanye himself, and now he wants to “go it alone,” according to a new interview with Bloomberg. After accusing both companies of falling short in their obligations and stealing designs while making odd demands and stonewalling on product approvals, Kanye now apparently believes that he can fund his Yeezy apparel and footwear design, manufacture, and marketing himself.

Among his demands to his business partners are opening brick-and-mortar Yeezy stores (at a time when retail is moving more and more online), a 20% royalty from all the shoes bearing his name from Adidas (he already receives around $200 million in annual royalties and does not front the cost of research, development, or manufacture of the shoes), and chairs on both companies’ boards of directors.

While he acknowledges that both deals have been quite lucrative for him — his “billionaire” status is based largely on the long-term health of those deals and the royalties he receives from them — he is adamant that he can do just as well on his own. He also recognizes that these contracts both have long remaining terms; his Adidas deal expires in 2026, while his Gap one will remain in effect until 2030.

“It’s time for me to go it alone,” he told Bloomberg. “It’s fine. I made the companies money. The companies made me money. We created ideas that will change apparel forever. Like the round jacket, the foam runner, the slides that have changed the shoe industry. Now it’s time for Ye to make the new industry. No more companies standing in between me and the audience… They my new baby mamas. I guess we’re just going to have to co-parent those 350s.”

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Cardi B Shows Off Her New Face Tattoo For The First Time

For a good chunk of 2022, it has been Cardi B’s mission to get a face tattoo. Back in January, she tweeted, “Random but ….I’m 1% close too tatting my sons name on my face….I really really wanna do it!” She then added, “I want mine on my jaw.” That wasn’t just a fleeting thought that quickly faded away: Last month, photos and video surfaced of the new ink, which sure enough was on her jaw and appeared to be text of her son’s name, Wave. Now, Cardi herself has shown it off for the first time.

In an Instagram Live broadcast on Saturday (September 10), she pulls the hair on the side of her face aside and shows off the red ink on her jaw, which does indeed say “Wave.” Cardi said, “I tatted my son’s name because I love him. And I tatted my daughter’s name.” As for that second tattoo, Cardi showed it off on her arm.

Also over the weekend, Cardi took the time to empathize with people struggling as inflation continues to increase, saying, “The way that the prices soared up… how are people surviving? I wanna know!”

Cardi B is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Queen Elizabeth II Turned Down A Performance From Paul McCartney To Stay Home And Watch ‘Twin Peaks’

Paul McCartney met Queen Elizabeth II multiple times before her death at 96 years old last week, including in 1997 when he was knighted for his services to music. “It was one of the best days ever,” the Beatles legend wrote on Facebook as a tribute to the British monarch. “I felt very honored to be offered a Knighthood and of course, it would have been rude to turn it down!” Unlike the time when the corgi-loving queen turned down Macca because she needed to know what happened to Laura Palmer.

As noted by Indiewire, an amusing story from a 2011 NME interview with Twin Peaks composer Angelo Badalamenti has resurfaced following Paddington Bear getting sad.

“Back when Twin Peaks was kicking off around the world, I flew by Concorde to London, to work with Paul McCartney at Abbey Road. He said, ‘Let me tell you a story’. Not long before we met, he’d been asked to perform for the Queen for her birthday celebrations. And when he met her, he started to say, ‘I’m honored to be here tonight your Majesty, and I’m going to play some music for you.’ And the Queen says, ‘I’m sorry, I can’t stay, it’s five to eight and I have to go and watch Twin Peaks!’”

Getting out of a work obligation to stay home and watch TV? The queen was never more relatable.

(Via Indiewire)