Imagine James Madison sitting in the White House during his second term as president. An enslaved Black servant delivers the president his dinner, which he eats by oil lamp as electricity wouldn’t be installed until 19 presidents later. The War of 1812 rages. Most newspapers are still weekly, so news spreads slowly. There is no such thing as the internet, television or even radio.
Now imagine someone plops a laptop onto President Madison’s desk and presses a button. On the screen—which is like nothing he has ever seen before—he watches a Black woman perform on a stage in front of thousands of people. Lights—which he’s never seen—illuminate and reflect off her sequined bodysuit. She steps up to a microphone—which he’s also never seen—and speaks to the 20,000 people in the audience.
Then she lifts up something Madison has seen and instantly recognizes—a crystal flute specially made for him for his second inauguration. The woman lifts the flute to her lips and plays. Madison is told this is happening approximately a mile away from where he sits, more than 200 years into the future.
Imagine him trying to process any single part of what he’s witnessing.
On September 27, 2022, pop star Lizzo played President Madison’s crystal flute during her concert at Capitol One arena in Washington, D.C. It was a moment filled with historic symbolism—a Black woman wielding the instrument of the president who proposed the three-fifths compromise, who was served by enslaved Black people in the White House 50 years before the Emancipation Proclamation and who was elected to that office more than 100 years before women gained the right to vote.
Like some other powerful men of his time, Madison claimed to oppose slavery on paper but nonetheless engaged in it himself. He owned and sold enslaved Black people throughout his lifetime, before, during and after his presidency, despite saying that the slave trade was “dishonorable to the National character” and referring to slavery as “evil.”
It’s hard to imagine how he’d truly feel about Lizzo playing his flute before a virtual audience of millions, but there’s no doubt it would utterly blow Madison’s mind to see this:
u201cLizzo, a Black female superstar, collaborating with Carla Hayden, the first African American and first woman Librarian of Congress, to use a flute from James Madison, the Founding Father who originated the 3/5 Compromise and also the Library of Congress itself? The symbolism!!!u201d
In the big picture of history, those time periods are tiny. Fifty years isn’t even one average person’s lifetime. One hundred years is just a few generations, who could all be living at the same time. Two hundred years just isn’t that long ago, and look at how much has changed since then.
Here’s how it happened: Carla Hayden, the first woman and the first Black person to serve as Librarian of Congress, invited Lizzo to come check out the Library of Congress’ collection of more than 1,800 flutes just a few days before the concert. Lizzo enthusiastically took her up on the invitation.
u201cIM COMING CARLA! AND IM PLAYIN THAT CRYSTAL FLUTE!!!!!u201d
Handlers brought the flute out on stage for Lizzo during her concert, and she gingerly took it and played a few notes before handing it back.
Lizzo shared two videos of the experience on Instagram, writing, “IM THE FIRST & ONLY PERSON TO PLAY THIS PRESIDENTIAL CRYSTAL FLUTE ITS LITERALLY AN HEIRLOOM— LIKE… AS A FLUTE PLAYER THIS IS ICONIC AND I WILL NEVER BE OVER IT🎶”
Lizzo continues to break barriers without apology and to show the world what gumption in action looks like.
Progress may come in fits and starts, and it may take enormous effort and it may meet fierce resistance, but look at where we are compared to where we were.
These days, we could all use something to smile about, and few things do a better job at it than watching actor Christopher Walken dance.
A few years back, some genius at HuffPo Entertainment put together a clip featuring Walken dancing in 50 of his films, and it was taken down. But it re-emerged in 2014 and the world has been a better place for it.
Walken became famous as a serious actor after his breakout roles in “Annie Hall” (1977) and “The Deer Hunter” (1978) so people were pretty shocked in 1981 when he tap-danced in Steve Martin’s “Pennies from Heaven.”
But Walken actually started his career in entertainment as a dancer. He took his first dance lessons at the age of three. “It was very typical for people—and I mean working-class people—to send their kids to dancing school,” he told Interview Magazine. “You’d learn ballet, tap, acrobatics, usually you’d even learn to sing a song,” he later explained to Interview magazine.
As a child, he also studied tap dance and toured in musicals. He even danced with a young Liza Minelli. “I’d been around dancers my whole life, having watched my parents make musicals at MGM, and Chris reminded me of so many of the dancers I knew growing up,” Minelli said according to Entertainment Weekly. “He’s talented in every way.”
Craig Zadan, Executive Producer of “Peter Pan Live!,” agrees with Minelli. “I think that if he had been around in the heyday of MGM, he would have been a big star of musicals on film,” he told Entertainment Weekly.
His dance moves were put center stage in 2001 in Spike Jonze’s video for Fatboy Slim’s song “Weapon of Choice.” Walken says he did it because one day he’ll be too old to cut a rug. “You think, ‘Well, do it now!’ You know, you get too decrepit to dance,” he told Entertainment Weekly.
Sadly, a lot of men go out of their way to avoid learning anything about a woman’s period.
(That could be why throughout most of the United States — where the majority of lawmakers are men — feminine hygiene products are subject to sales tax.)
So we should give some love to the guys who make an effort to learn a bit about the menstrual cycle so they can help their family members when they’re in desperate need of feminine hygiene products.
Personally, as a guy, the feminine hygiene aisle can be a little intimidating. There are multiple brands, styles of products, scents, absorbency levels, and they are all color-coded.
What do the colors mean?
Knowing there’s a lot I don’t know, I take a picture on my phone of the box I’m about to purchase and send it to my wife, asking, “Is this the right one?”
A dad in the U.K. is getting some love on social media for the hilarious way he navigated the world of feminine hygiene products while showing how much he loved his daughter in the process.
It all began when Tia Savva sent her dad to Tesco, a popular U.K. drug store, to pick up some tampons.
For all the guys out there that need a solid primer on what goes on in the feminine hygiene product aisle, this quick tutorial from Mel magazine does a pretty great job.
Doug Mastriano‘s campaign to become Pennsylvania’s next governor isn’t going so well. Like his Republican colleague, Dr. Oz, Mastriano is getting smoked in the polls by his Democratic challenger, Attorney General Josh Shapiro. (Funnily enough, Mastriano also hails from New Jersey.)
Mastriano’s prospects took an embarrassing hit this week when a campaign rally on the Capitol steps in Harrisburg only drew 60 people from the surrounding, deeply conservative area. With his back against the fall and funds dwindling, Mastriano is trying out a new campaign strategy: divine intervention. As reported by The Philadelphia Inquirer, Mastriano is urging his supporters to join him for “40 days of fasting and prayer” leading into the midterm elections in November.
“Starting in a few days, it’ll be my honor to fast with you.” Mastriano wrote in a Facebook post.
Mastriano’s failing campaign isn’t exactly surprising to PA Republicans. His candidacy was deemed too radical, even in these MAGA times, and GOP leaders in the state are not being shy about their frustration. Via Inquirer:
“We were opposed to Doug’s candidacy in the primary because we feared that he would not be able to connect with the independent and moderate Democrat voters that are necessary for Republicans to win in Pennsylvania,” said Matt Brouillette, the head of Commonwealth Partners, a pro-business group whose PAC is running the ads criticizing Shapiro.
“Unfortunately, six weeks from the election,” Brouillette said Tuesday, “I haven’t seen anything to suggest we were inaccurate in our assessment.”
Mastriano has also taken a hard line approach against abortion, which has proven to be a losing issue in midterm elections across the country. Dr. Oz recently adopted a similar stance that his Democratic opponent, John Fetterman, immediately capitalized on. No amount of fasting is going to fix voters worrying about reproductive rights in the aftermath of Roe v. Wade being overturned.
Of course, that got me wondering: what are the most vulgar rap songs in existence? After all, there are still degrees to the filth that can make us bob our heads and shake our butts. Not to mention, I thought it’d be fun to sort of track the evolution of raunchy raps from the naughty nineties to the current wave of potty-mouthed hits. Since it was more or less J’na’s idea, it was even more fun to get some of her perspective on it, as well.
As always, this is by no means the most comprehensive list ever — you’re likely to find a wealth of tracks every bit as nasty as these if you look hard enough. Needless to say, it’s pretty NSFW too — headphones are definitely recommended.
Too Short is well-known for his raunchy rhymes and songs like “Freaky Tales” are part of the reason why. Considered the Oakland legend’s breakout in 1987, “Freaky Tales” wouldn’t end up being his biggest hit, but it is something like his signature song. While he insists that the song is meant to be satirical, that didn’t stop it from acquiring the dubious distinction of being the first “dirty’ rap song to gain mainstream exposure in the United States, making him an early target of prudish campaigns targeting the nascent genre. — Aaron Williams
Ice Cube — “Givin’ Up The Nappy Dug Out”
A relic of a time when rappers rebelliously pushed boundaries for sheer shock value as a contrarian response to the conservative backlash against them, “Givin’ Up The Nappy Dug Out” is also kind of an embarrassing example of just how, well, gross that impulse can get. Compare it to any of the more modern examples and the bawdy boasts sound more spiteful than sexy — another artifact of the wild west mentality that was spawned by the early ’90s fascination with dark, misogynistic humor that pervaded hip-hop in 1991. — AW
Introducing his 213 and DPG homies on his 1993 debut Doggystyle, Snoop somehow dodged the criticisms suffered by his peers despite having one of the more profane mainstays of Golden Era raunch rap. Perhaps it’s because of Snoop’s charm, or may it’s the beat, but “Ain’t No Fun” has stood the test of time to become one of the West Coast’s most beloved hits. Whenever it comes on the radio, it’s practically all instrumental, yet seemingly everyone from Los Angeles can recite nearly every word by heart — and does, pretty much any time it comes on. — AW
Akinyele — “Put It In Your Mouth”
Akinyele’s best-known hit, “Put It In Your Mouth,” was something of a surprise success when it dropped in 1996, and remains a favorite among underground rap fans to this day. Maybe it’s because it’s more lighthearted than many of the more rugged sex raps that surrounded it, with a country-fried guitar riff and a catchy chorus sung by Kia Jefferies, whose feminine presence softens Akinyele’s aggressive delivery. There’s a reason that many of the biggest hits of recent years have come from female voices. While men’s raps often objectify them, women make themselves active participants when they chime in — which marks a welcome change and a more entertaining dynamic. — AW
Slick Rick — “Adults Only”
A Dame Grease-produced album cut from 1999’s The Art Of Storytelling, Rick the Ruler’s most ribald rhymes to date are an unfortunate byproduct of the decade’s ever-growing excesses. The verses veer even more porn-y than horny, with a mean-spiritedness that makes it a lot less fun to listen to than the playful products of the decades to come. Sometimes, to figure out what works, you’ve got to try something that doesn’t. — AW
Khia — “My Neck, My Back (Lick It)”
Ah, the song that launched a thousand ships. Well, maybe not, but nothing stoked fear into the hearts of conservatives quite like Tampa emcee Khia’s 2002 hit, which has since been sampled by Saweetie and covered by both Miley Cyrus and Elle King. Found on her Thug Misses LP, the dirty South club anthem doesn’t offer any “can you”s or “pretty please”s. Instead, Khia demands sexual pleasure “til the crack of dawn,” instructing her partner just how she wants to do it…do it, do it, do it, do it. When asked about the then-burgeoning track, Khia offered insight into its popularity: “I guess the world is just nasty and freaky like that.” Good answer. — J’na Jefferson
Lil Kim — “Magic Stick” Feat. 50 Cent
In this spirited cut from Lil Kim’s La Bella Mafia, the Queen Bee and 50 Cent trade bars about their incomprehensibly special privates. Kim’s exceptional parts will have men ready to pay her bills and ask her to marry them, while Fiddy’s will have his partner calling their mother, letting them know they’ve met “the one.” All in all, their superior skills in the bedroom are beyond their partners’ wildest dreams. With the string of mid-2000s raunch tracks hitting the Billboard charts, it’s no wonder that “Magic Stick” peaked at No. 2, making it Kim’s highest-charting solo hit, and one of 50 Cent’s biggest top 10 hits (they’ve since fallen out, though). Magical, indeed. — JJ
Ludacris — “Splash Waterfalls”
Let’s face it; there are 20 songs on this list and over half of them could have been Ludacris entries (before he became rap dad extraordinaire). There’s his breakout hit “What’s Your Fantasy” featuring Trina, his strip-club anthem “P-Poppin’” featuring Shawnna, and any number of featured verses alongside the likes of Fergie, John Legend, Missy Elliott, Usher, and more. But where usually, Luda’s lascivious lyrics are usually marked by clever double entendres, here, he’s refreshingly blunt, and while the remix adds a smooth chorus courtesy of soul legend Raphael Saadiq, the original makes his debauched desires deliciously plain. — AW
Petey Pablo — “Freek-A-Leek” Feat. Lil Jon
Now, this is a song that must be heard to be believed, as the heavily-edited version doesn’t do much to satiate the listener’s vivid imagination. In what reads like a thorough to-do list, the Crunk music superstar raps about not only the sexual acts he plans on doing, but also the women he plans on doing these things with (Shamika, Kiesha, Tara, hell, Sabrina, Crystal, and DaRhonda are there, too), and the accouterments for these rendezvous (alcohol and plenty of drugs). Like most Crunk songs during this era, the beat — consisting of a catchy synth and a cleverly-placed flute — will have you moving all night long, which is about the duration of time Petey will be doing what he plans to do. — JJ
Ying Yang Twins — “Wait (The Whisper Song)”
The Ying Yang Twins’ 2005 hit “Wait (The Whisper Song)” came together rather organically. According to the producer Mr. Collipark (are we seeing a trend?), he convinced the ATLiens to do an entire ASMR-style, dirty-talking track while dining at Harlem’s soul food staple Sylvia’s. The rest was (unintentional) history. While some have called the song’s explicit cut “predatory” in recent years, many others opt to celebrate the song for not only its filthy glory — “Wait ’til you see my d*ck…” is the chorus’ kicker — but also for showing that the then-growing style of crunk music had a sensual, rather seductive side to it. (We think you’re bluffing if you say you don’t bounce a little when that beat hits.) — JJ
David Banner — “Play”
Undeniably the most successful (and salacious) song of David Banner’s career, 2005’s “Play” takes the noted producer and puts him into the spotlight like never before. The dirty version of the Mr. Collipark-produced song is a far cry from the body-centric, nearly Kidz Bop-level version, featuring lyrics less about exercising and more about a…different form of physical euphoria. Every sexual act you could count is referenced in the track, making this one for the books. (And almost too dirty to write here.) Banner never really reached the same heights after this, so think of “Play” as his grand opening and glorious closing. — JJ
Trina — “Look Back At Me”
“I gotta ass so big like the sun…” Within the first few illuminating bars of Trina’s “Look Back At Me,” listeners should already know the ride that they’re about to be on. From straightforward admissions of knowing how to “spin around and keep the d**k still inside,” to making it rain (and not with golden coins), nothing is left to the imagination on the Killer Mike-assisted track from Trina’s 2008 album Still Da Baddest. But what’s even better is the song’s end, where the Miami-bred icon essentially proclaims that she’s still not satisfied and will be moving on to the next conquest—autonomy at its finest. — JJ
Lady — “Yankin”
Although this one wasn’t the biggest hit in its day when it dropped in 2011, it’s notable for basically predicting the whole “p*ssy rap” movement that was to come before the decade was out. At the time, it was considered something of a novelty, a viral joke rap in the vein of Awkafina’s “My Vag” or Yung Humma and Flynt Flossy’s “Smang It.” But had Lady not been so very ahead of her time, who knows whether there’d be so many women currently running rap? — AW
Nicki Minaj — “Anaconda”
Nicki’s got a mini-collection of impressive smash raps that could have filled this slot… [cough]… but 2014’s “Anaconda” easily takes the cake… [cough cough]… as her most raunchy song to date. Sure, “Barbie Dreams” (and its predecessor “Dreams”) saw Nicki figuratively bang half the rap game, but on “Anaconda,” she fills her verses with lines like “P*ssy put his ass to sleep, now he calling me NyQuil” — and it’s hard to argue that any of her songs focus so heavily on her own posterior. Plus, it’s one of her most fun songs and biggest hits, even if it isn’t one of her favorites — and her willingness to return to the formula for “Super Freaky Girl” shows she knows it’s a recipe for success. — AW
Cupcakke — “Deepthroat”
Newsflash: women enjoy sex. Cupcakke, the Chicago musician well-known for her bold, brazen, and libidinous rhymes, amplifies this “breaking news” in her sophomore single, 2016’s “Deepthroat” — which she credits for inspiring modern-day rappers. Encouraged by the vulgarity found in ‘90s- and early-aughts rap verses from Trina, Lil Kim, and Foxy Brown, the no-holds-barred track features erotic pleading and moaning from start to finish. Even more powerful, though, is the imagery Cupcakke evokes through her words on the over three-minute track. “My p*ssy pink just like salami,” she spits, before adding on the chorus, “don’t wanna f*ck up my nails, so I pick [that d*ck] up with chopsticks.” In an interview about the song, Cupcakke notes that when she’s writing, explicitness is the very least of her concerns. “People feel afraid to say, ‘Oh I suck d*ck…’ When I write, I’m free and I don’t care.” — JJ
Saweetie — “My Type (Remix)” Feat. City Girls & Jhené Aiko’s
Expectant mother Jhené Aiko is known for her duality. Not only can she sing about peace and good vibes, but she’s also no stranger to whipping out some positively filthy language. (But what do you expect from “a b*tch from Slauson”?) Case in point: her standout albeit much too short verse on Saweetie’s “My Type (Remix).” Jhené lets listeners know that she’s a fan of a partner who can not only “eat the p*ssy ’til [she] levitates”— this down-and-dirty lover must also be willing to meditate with her afterward, crystals and all. Never has there been a guest verse that defines the artist spitting it so succinctly. — JJ
Hitmaka — “Thot Box (Remix)” Feat. Young MA, Dreezy, DreamDoll, Mulatto, Chinese Kitty
One of the more recent additions to the sex rap canon, Hitmaka‘s 2019 hit offers the best example that the ladies just do it better. While the original, which featured 2 Chainz, A Boogie Wit Da Hoodie, Meek Mill, Tyga, and YBN Nahmir, was a competent party jam, they girls-only remix flipped the concept and the power dynamic, holding up a mesmerizing mirror image that saw the women taking charge and coming way more clever with it. Dreezy’s verse remains a personal favorite. — AW
Cardi B — “WAP” Feat. Megan Thee Stallion
Pretty much THEE sex anthem of the 2020s so far, Cardi’s 2020 Jersey club-sampling hit came out of nowhere and put pop culture in a chokehold. Debuting at No. 1 and freaking out the entire contributing cast of Fox News, “WAP” introduced mainstream America to the concept of the kind of swimming pool sex where the participants bring the H2O themselves. Dominating radio and playlists despite its head-turning theme, Cardi B had us coming up with choruses of creative acronyms to throw our elders off the scent, lest they realize they’d been turning up to an ode to squirting. — AW
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
While interviewing Quinta Brunson on an episode of Jimmy Kimmel Live! last week, the late-night host personally apologized for laying on the floor for an awkward bit during her Emmys speech. Unlike most comedians, Kimmel owned up to the joke failing and made things right with the Abbott Elementary creator.
“I’m sorry I did do that, actually,” Kimmel told her. “And also, the last thing I would ever want to do was upset you because I think so much of you.”
With the controversy knocked out of the headlines, Kimmel could’ve let the whole thing blow over. Instead, he recently opened up to Howard Stern about why the bit backfired, and how he totally gets that it distracted from what should have been Brunson’s big moment. Via The Hollywood Reporter:
“How I visualized this happening is [Will Arnett] drags me out, we read the winner, and then I’m just basically just out of the shot, and it’s not really a factor,” Kimmel told Stern. “But the stage was very different. The stage was like a catwalk. So, I was kind of in the way, in a way I didn’t imagine.”
According to Kimmel, he didn’t realize the bit had caused a backlash until after the Emmys had ended, and he understands why people were upset. “It did take away — especially afterward — because then she had to answer questions about that instead of just celebrating her Emmy,” Kimmel said.
The late-night host also addressed people who “read racial stuff into this” by saying the failed bit was going to bomb in exactly the same way regardless of the winner. “This was a plan I had no matter who [won],” Kimmel said.
New episodes of Abbott Elementary air Wednesdays on ABC.
Earlier this month, Lucy Dacus kicked off her 2022 Home Video Tour, that sees Dacus supporting her latest album throughout North America. Now to add a little extra spice into the tour possibilities, Dacus has officially released covers of Carole King’s 1972 classics “It’s Too Late” and “Home Again.”
The two songs originally appeared on an additional 7-inch record as part of Third Man Records’ Carole King Vault Package which came out earlier this year. One of the most commercially successful albums of all time, Carole King’s Tapestry won the 1972 Grammy Album of The Year and has sold over 30 million albums worldwide. On “It’s Too Late,” Dacus matches King’s elegance in a decidedly modern way. The drum beat breathes new life into the timeless tune and Dacus’ vocals are crisp, bold, and always humble.
“When I listened to Tapestry from my mom’s CD collection, I was young enough that it didn’t register as good or bad – it just defined what music sounded like to me, and it’s still a foundation of how I understand songwriting,” Dacus, who also recently covered Cher’s “Believe,” told The Guardian last year. “She’s clever in the good way – queen of internal rhyme – and I love how her melodies reinforce the tone of the lyrics. She keeps it simple, but that’s what makes it universal. “When I was asked to cover a couple of her songs, it was a no brainer. Her work feels like a part of my DNA and I’m grateful for it.”
Listen to Lucy Dacus’ cover of “It’s Too Late” by Carole King above and “Home Again” below.
If you have been to a park or participated in a gym class recently, there is a good chance you are aware of pickleball. While it has been around for far longer than the last few years, the sport has become increasingly popular recently, to the point there is now a professional league, Major League Pickleball.
The league is expanding from 12 to 16 teams, which has opened up the possibility for new investors to come on board. On Wednesday morning, it was announced that a star-studded ownership group is coming to the league comprised of LeBron James, Draymond Green, Kevin Love, Maverick Carter, SpringHill Company CMO Paul Rivera, and Relevent Sports Group co-owner and CEO Daniel Sillman.
“Having SC Holdings, LRMR Ventures, and their incredible group as owners and investors in Major League Pickleball is not just great for MLP, it’s a watershed moment for pickleball in general,” Steve Kuhn, the founder of Major League Pickleball, said in a statement. “Pickleball is the fastest-growing sport in the country, building communities in cities and towns all over the world. This investment and the platform that this group provides will significantly help us with our goal to reach 40 million pickleball players by 2030.”
It is unclear if any of James, Green, or Love are as good at pickleball as Kevin Durant is.
Paramore announced their sixth studio album This Is Why today, marking the band’s first new music since 2017. According to a press release, the album was recorded in LA alongside their frequent collaborator Carlos de la Garza. It will also feature ten new songs, with the first title track dropping today. This Is Why will drop on February 10, 2023.
“It summarizes the plethora of ridiculous emotions, the roller coaster of being alive in 2022, having survived even just the last 3 or 4 years,” lead singer Hayley Williams said of the song, with themes that likely apply to the rest of the album. “You’d think after a global pandemic of f*cking biblical proportions and the impending doom of a dying planet, that humans would have found it deep within themselves to be kinder or more empathetic or something.”
Following the announcement, fans on social media spotted a new update to Paramore’s website. It appears to be an Easter egg that teases two additional song titles — and their scheduled release date. If proven true, as “This Is Why” dropped today (September 28), then “Leave The House” would be a song out on October 2 and “Tonight” for November 3. Paramore are scheduled to tour North America starting next month, so there is a chance these new songs and album teasers could also appear at their shows.
O Paramore abriu um novo canal no servidor oficial do Discord e também temos NOVAS PISTAS no site oficial! 9.28 – This Is Why 10.2 – leave the house (“saia de casa”) 11.3 – tonight (esta noite) pic.twitter.com/5UXfsqBx4q
Rumors have been swirling lately that a certain multiverse actress is being considered to join another franchise, though this one has a lot less magic and a lot more dragons. Fans have been speculating that Elizabeth Olsen is in talks to join the ever-growing Targaryen family tree in HBO’s House of the Dragon, and though she doesn’t generally wear that exact shade of blonde, she could definitely pull it off!
There have been unconfirmed reports that the Doctor Strange in the Multiverse of Madness actress is being considered to join the show for its second season, as well as DC veteran Henry Cavill. Cavill is known for playing the man of steel himself Superman and has recently been starring in The Witcher with similarly blonde hair. Maybe being good at wearing wigs is the main factor in casting House of the Dragon?
Obviously, HBO Max has not commented on the rumor, which to be clear, is still a rumor. But, handfuls of fan sites and Twitter accounts have been hoping that this rumor actually sticks. There is even some well-made fan art inspired by the report!
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