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This Harvard Grad Is Using Virgil Abloh’s Architectural Advice To Chart The Future Of Design

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“We’re inserting ourselves in the larger history of architecture.”

That idea, a quote from the legendary late designer Virgil Abloh about how he used his master’s degree in architecture in unconventional ways with his design practice, laid the foundation for his successful brands from PYREX VISION to Off-White. That same advice inspired a young black Harvard graduate, Justin McElderry, to create the research and design studio, WorkStudy, and apply his own architectural studies to build a better future.

McElderry had aspirations of being an architect since he was a child, sketching buildings while other kids were more concerned with LEGOs. Once he graduated high school, however, he began his collegiate career at Morehouse University, despite the fact that they don’t have an architectural program. He planned to use this unconventional path to enter architectural studies through networking in Atlanta. In the meantime, he studied economics because, he reasoned, that field could be boiled down to how one chooses to distribute scarce resources. That approach of transferring abundant resources to places where resources are scarce became the foundational knowledge he needed to start thinking about building the world in an atypical fashion.

Justin McElderry

After graduating from Morehouse in 2015, he began delving more seriously into creative ventures and design work. He gained experience working with clients to build websites, develop graphic campaigns and design album covers. He also launched publikschool.com, a creative accessibility initiative, and built a successful podcast platform, Educated Guess, where he drew upon his pool of interview subjects to expand his creative network. But in his mind, those projects were all a means to an end. The ultimate goal was to show the world that he could execute ideas at any scale. His big break came in 2019 when Adidas hired him to build a pop-up sneaker design school in Atlanta in collaboration with A Ma Maniere for the Atlanta Design Festival. The activation validated his hard work, showing that he could effectively manage projects with globally recognized brands and develop ideas outside of the box that would satisfy client demands and consumer desires.

At the same time, however, that pivotal opportunity served as a wake-up call. Following that massive personal success, he looked in the mirror and realized that he was slowly following a road toward creating a typical ad agency — the sort of rigid, outdated career path he had hoped to avoid from the start. At that moment, he founded WorkStudy, intending to use strategy, art, and design to ask better questions and offer better answers about our collective long-term future.

While sowing the seeds for the research and design studio, Justin also knew it was time to take his aspirations in architecture seriously. So, in the fall of 2020, he enrolled at Harvard, taking classes remotely while continuing to build his network in Atlanta before moving to Boston in the summer of 2021. In his words, Justin noted, “Harvard does a fantastic job of framing architects to be architects, which seems obvious, right? But many people come into the architectural field with aspirations beyond building buildings, myself included. But the onus is really on the individual, in this case on me, to turn the curriculum they put forth into something useful (for alternative means).”

Justin McElderry

To achieve that goal, he partnered with the Yale-educated architects at Outpost Office, which helped establish a model for his practice, WorkStudy. Their first project was a 5,000-square-foot installation that robots would install for the 2021 Chicago Architecture Biennial. By utilizing his budding architectural education for such a large-scale initiative, Justin was slowly approaching the final stages of realizing his vision.

“I wanted WorkStudy to be a platform for me to tell stories through unique art objects, images, and spatial interventions. The stories that I’m interested in telling are uniquely American and black. I’m not interested in being a ‘black studio’ or the ‘African American expert’ with collaborators, but I recognize that I inherently share and represent a black perspective, which has value.” Justin continued by saying, “I was raised in the Deep South. Harvard might as well be on Mars compared to Birmingham, Alabama. Still, those contradictions inspired me to use this practice to help companies determine the best vehicle to distribute resources creatively.”

His words echo a quote from someone he considers his most influential “distant mentor,” Virgil Abloh, who Justin had a chance meeting with at Miami’s Art Basel in 2019 and once said, “I’m not really into style. I’m more into confidence or having something to say.”

Justin McElderry

One of the conversations Justin was most interested in having with the world revolves around the way we as a society build and maintain food systems. To that end, he collaborated with the Food Systems Action Lab at the Illinois Institute of Technology to improve what food systems in Chicago look like. To do so, they began by establishing what the local food systems look like in their current form, documenting the problems with research via site visits to gain a better understanding of who would be most affected by the current food systems’ shortcomings, and making radical proposals to shape the agricultural economics of the future positively.

“That’s the political way of saying it,” but Justin simplified it like this, “For years, the food system has been optimized to make a honey bun that you eat in middle school classrooms as cheaply as possible. I want us to think about how we can stop making honey buns, for one (laughs) and two, because honey buns have become way cheaper to make than salads and whole foods, how do we incentivize keeping the costs low so that we can make healthier food more accessible?”

After identifying the levers of finance, policy, technology, and relationships as the keys to creating change, he soon began to recognize himself as someone with the unique background to formulate structured proposals to implement those changes. For Justin, it all goes back to the convergence of his studies in economics and architecture. By exploring and defining the blank space between architecture and atypical solutions, the young entrepreneur is now using WorkStudy to bridge the gap by addressing the practical needs of businesses building a better future more so than physical structures.

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Doechii’s ‘Alligator Bites Never Heal’ Excels With Fresh Take On ‘Boom Bap’ Rap

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Doechii may have mocked the concept of “Boom Bap” rap, but she sure is good at it. The Florida-bred Top Dawg Entertainment product made a meal out of poking fun at the idea of being a “rappity rap” rapper ahead of releasing her debut mixtape for the label, Alligator Bites Never Heal, but on the project itself, she proves adept at not only embracing and utilizing classic sounds, but also updating them to make them sound fresh.

In fact, the warm reception to the new project from fickle fans who’ve long derided or outright ignored similarly themed albums suggests that dropping the aforementioned, tongue-in-cheek “Boom Bap” as a single before the mixtape might just have been exactly the right move to get those fans on Doechii’s side. There is a sense among some fans that the “real hip-hop” purveyed by blog era holdovers and Doechii’s labelmates has calcified into self-serious stodginess; by priming her release by undercutting this perception, Doechii presented herself as a serious artist who isn’t too serious to be in on the joke.

Meanwhile, with songs like “Boiled Peanuts” and “GTFO” evoking the slinky basslines, jazzy samples, and hard-hitting kick-snare drums of the mid-90s’ best, Doechii also sets herself apart from some of her Southern contemporaries — think City Girls or Latto — while also aligning herself more closely with the backpacker-lite ethos her label has cultivated over the past decade. It’s a delicate balancing act to pull off; too far into trap and other modern production styles, and she plays into the hands of sexist critics of so-called “female rap” (or, more perjoratively, “pussy rap”). However, going too far in the other direction risked blending in with the murky sounds of fellow TDE artists like Isaiah Rashad and Ab-Soul and getting washed out amid samey production.

Instead, she embraces a little of everything that has made TDE stand out over the years: some of Isaiah’s introspection, some of SZA’s soulful heartbreak, some of Ab-Soul’s playful fascination with flipping the meanings of metaphors, and a bit of Schoolboy Q’s fearless experimentation. The result is a project that’s drawn exuberant acclamation from Megan Thee Stallion lovers and Rapsody evangelists alike. In an increasingly fractured listening landscape, that’s become difficult to do, but like Doja Cat before her, Doechii seems to have found the sweet spot between hip-hop and pop that looks very much like the route to future superstardom.

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Where Can You Stream ‘Kinds Of Kindness’ With Emma Stone And Margaret Qualley?

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Yorgos Lanthimos is continuing his quest for Emma (Emily) Stone world domination, and it’s definitely working. After winning an Oscar for her work in Lanthimos’ Poor Things, Stone teamed up with the same director to star in this year’s Kinds of Kindness alongside an impressive cast of your favorite weirdos. She also decided that she wants to go by her given name, Emily, so if you ever see her out and about, keep that in mind.

Stone stars in the anthology that consists of three stories: One about a man who wants to take “control of his life,” another about a police officer and his relationship with his wife, and a third about a woman in search of “something powerful.”

The movie was praised for its delightful absurdity, and Stone is joined by Jesse Plemons, Willem Dafoe, Margaret Qualley, Hong Chau, Joe Alwyn, Mamoudou Athie, and Hunter Schafer.

Kinds of Kindness is now streaming on Hulu and Disney+, along with Poor Things. Both Stone and Lanthmos plus Plemmons will team up again for Bugonia, a remake of the 2003 South Korean sci-fi film Save the Green Planet! Ari Aster will produce, so we can continue to expect some signature Lanthimos strangeness.

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‘Reacher’ Season 3: Everything To Know So Far About The Big Guy’s ‘Undercover’ Return By Alan Ritchson (Update For August 2024)

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Amazon

The long wait for more brilliantly simple Reacher (which has viewers revisiting those Tom Cruise movies during this hiatus) began in January 2024, although Amazon has made no secret about Alan Ritchson punching through plenty more windows and/or people in future. The Prime Video streaming service even renewed the third season before the second season debuted.

That next season has already wrapped with Ritchson moving on to an attempted “unrecognizable” role, so the time is growing closer for post-production to finish, too. Let’s piece together the clues on who and what we will see when the vagabond and his muscles return to smash more baddies.

Cast

Alan Ritchson is the only Big Guy as known by that nickname, no doubt. However, a bigger-guy character named Paul “Paulie” Masserella will be portrayed by Oliver Ritchers, who is known as “The Dutch Giant” and is the world’s tallest bodybuilder. He is 7’2″ and has trouble fitting into cars, so it should be quite a sight to see him up against the 6’3″ Ritchson. As previewed on Instagram, “Paulie” is looking forward to beating the hell out Reacher and also committing slight vandalism in the process.

Beyond that toe-to-toe highlight (because we’re assuming that Paulie cannot go head-to-head with Reacher), Maria Sten will appear as series regular Neagley. Don’t otherwise count on an appearance from Reacher’s old crew from the second season, or from Willa Fitzgerald (unless she is pretending not to know anything) as Roscoe.

New third season regulars will include Anthony Michael Hall as antagonist Zachary Beck, who Deadline describes as “a formidable and successful businessman” and “a widower and single father of a 20-year-old son, Richard. He is the owner of a rug import company that Reacher and his cohorts suspect is a cover for a more nefarious operation.” Additionally, Sonya Cassidy will portray possible love interest Susan Duffy, a Boston-based DEA agent.

Plot

Reacher draws upon Lee Child’s plentiful supply of books with the show already taking on The Killing Floor and Bad Luck and Trouble. For the next bone-crunching tricks, the series will not take on Tripwire as hoped by fans, but there’s plenty of time to put Reacher in Key West (for pie) in the future.

Instead, Child’s seventh Jack Reacher novel, Persuader, will provide the story for this season that mainly takes place in Maine, where Reacher will go “undercover” as though that’s believable or something (like a hat-free Raylan Givens pretending to be a gardener in Justified) for the DEA.

This season’s logline doesn’t reveal too much: “Reacher must go undercover to rescue an informant held by a haunting foe from his past.” However, we can guess that Neagley’s presence will provide for book-to-screen changes. And where does Paulie fit in? Well, Persuader is written in first person from Reacher’s POV, and here’s how he described this “cartoon”-esque figure:

“He was a very big guy. I stand six feet five inches tall and I have to center myself quite carefully to walk through a standard thirty-inch doorway. This guy was at least six inches taller than me and probably ten inches wider across the shoulders. He probably outweighed me by two hundred pounds. Maybe by more. I got that core shudder I get when I’m next to a guy big enough to make me feel small. The world seems to tilt a little.

“His voice was light and high-pitched. He must have been gobbling steroids like candy for years. His eyes were dull and his skin was bad. He was somewhere in his middle thirties, greasy blond, dressed in a muscle shirt and sweatpants. His arms were bigger than my legs. He looked like a cartoon.”

Reacher sounds unusually, albeit slightly, nervous in this excerpt, but will we see this emotion surface on Ritchson’s face? So far, we haven’t seen Reacher loose his cool, so we will have to wait and see whether that changes.

Additionally, the leading man has already previewed some on-set food for those who are curious about what he might be stuffing in his face to fuel the upcoming fights.

Release Date

Reacher will stream in 2025 again. This could mean we’re a few months away or a full year, but surely, they won’t make people wait that long.

Trailer

C’mon, Amazon, we need a trailer. While we wait, would you like to guess what the most-searched scenes of Reacher‘s first season might be? Fights and junk food, baby.

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Report: ESPN Has Grant Hill And Jay Bilas On Its List To Join Its Top NBA Booth

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ESPN has seen its top NBA booth go through some turmoil over the last year. After letting go of both Mark Jackson and Jeff Van Gundy, the network promoted Doris Burke and hired Doc Rivers to provide analysis alongside Mike Breen. But after Rivers left ESPN to take over the Milwaukee Bucks mid-season, the Worldwide Leader had to scramble and promote JJ Redick to keep a three-person booth.

Redick, of course, also left the network to take a head coaching job this offseason, as he joined the Los Angeles Lakers. This has put ESPN in a spot where it has to figure out next steps, and while Andrew Marchand of The Athletic reported that just rolling with Breen and Burke is an option, there are apparently four names — three internally, one externally — that are on the list of candidates to join the booth.

Via The Athletic:

Grant Hill, Richard Jefferson, Tim Legler and Jay Bilas are atop ABC/ESPN’s list to join Mike Breen and Doris Burke as part of its top broadcast crew for the NBA Finals, sources briefed on the network’s plans said Friday.

Jefferson and Legler have experience calling NBA games for ESPN, with Jefferson frequently joining the booth in recent years and Legler, a standby for their studio coverage, doing more of that lately. Bilas is the network’s top college basketball analyst, while Hill is an analyst for Turner.

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Megan Thee Stallion And BTS Are Set To Reunite On A New Collaboration, But It’s Not Clear Exactly Who’s Involved

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Megan Thee Stallion and BTS linked up back in 2021 on a remix of BTS’ massive hit “Butter.” Now, Megan and the group (or at least some of the group) are getting ready to reunite, although there’s currently some mystery involved.

Yesterday (August 29), Megan tweeted, “[horse emoji]X[purple heart emoji] [eyes emoji].” Today, the official BTS account quote-tweeted Meg’s post and added, “[horse emoji]X[porcupine emoji]([koala emoji]) Coming Soon! [purple heart emoji][eyes emoji].”

The horse is of course a stand-in for Megan, and according to BTS fans, the panda represents RM. Furthermore, Megan just added RM’s song “Lost!” to her Instagram profile. But, there appears to be uncertainty about the meaning of the hedgehog. Given the formatting of BTS’s tweet, the song may be a collaboration between Megan and another performer, with RM as a featured artist.

Megan, meanwhile, has kept busy lately. She released her video for “Mamushi” earlier this month, she was named the host of the 2024 MTV Video Music Awards, and it looks like she’s now in a relationship with NBA veteran Torrey Craig. As for BTS, they’ve been on a hiatus for the past couple years, but it hasn’t been much of a break, as the group’s members have remained industrious.

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Desert Daze 2024 Has Been Cancelled, But Organizers Promised To Keep The Festival ‘Going For Many Years To Come’

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Desert Daze 2024 was set to feature Jack White, De La Soul, Cigarettes After Sex, Alex G, Thundercat, and more. Perhaps most notably, the music festival was host Death From Above 1979’s 20th-anniversary performance of the album, You’re A Woman, I’m A Machine. Sadly, if you planned on heading out to Moreno Valley, California’s Lake Perris between October 10 and 13, you are going to want to make new plans.

Today (August 30), Desert Daze announced that its 2024 installment has been officially cancelled due to “rising production costs and the current volatile festival market.” In a statement, the festival’s co-founder, Phil Pirrone, expressed sadness over the tough decision. However, Pirrone went on to ensure supporters that the team is working to ensure that this isn’t the end of Desert Daze.

“Desert Daze is more than a festival or business venture to us,” he said. “The community that we’ve cultivated together means so much to us and is the reason we will work to find a way to keep this beautiful thing going for many years to come. With each year, we do our best to serve the Desert Daze community.”

This isn’t the first festival to experience an unexpected hiccup, but Pirrone has taken this unfortunate situation into a moment to reflect on how to sustain the event in the long term.

“We are always learning and working diligently to improve the experience,” he said. “We tried everything to find a way forward this year. While we hit pause for now, we will be working in the background to deliver another special experience for all of us to share in the future. We thank you for your support.”

Although the festival was nixed, according to the press statement, each of the smaller shows hosted by Desert Daze Presents will “move forward as planned.” Refunds for Desert Daze 2024 will be returned at the point of purchase. Find more information here.

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Watch Out, George R.R. Martin Is Preparing To Blog About ‘Everything That’s Gone Wrong’ On HBO’s ‘House Of The Dragon’

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The second season of House of the Dragon was a bit anticlimactic. Sure, season three will bring all-out war and the bloody battles fans have been waiting for, but that’s kind of a long time from now.

And while George R. R. Martin rarely talks in-depth about the TV adaptions of his novels, he would much rather talk about anything other than him finishing Winds of Winter, which he has been working on for over a decade. He has to get his priorities in line, so he decided not to address that at all. He does, however, have some words for House of the Dragon, we just don’t know what they are yet.

Martin took to his diary/blog, Not A Blog, to celebrate The Burning of Zozobra, an annual festival in New Mexico. He mentioned that he had a difficult year and recently got over Covid, so all he wanted to do was talk about his fun tradition. But he knew that everyone would be badgering him about other stuff. So he decided to address the elephant in the room. Well, one of them, anyway.

He wrote: “I do not look forward to other posts I need to write, about everything that’s gone wrong with HOUSE OF THE DRAGON… but I need to do that too, and I will. Not today, though. TODAY is Zozobra’s day, when we turn away from gloom.” Note how he is shifting our attention away from Winds of Winter, probably hoping we will all one day forget about it.

It’s unclear how Martin feels overall about House of the Dragon. He has expressed admiration for the show in the past, and even raved about the beginning of season two earlier this year, so who knows that he thinks now. Whatever it is, it doesn’t seem great. At least he has something to distract him from writing, though!

As for Winds of Winter, in 2022, Martin claimed that the book was “three-quarters of the way done”, and stated, “It’s a challenging book. It’s probably going to be a larger book than any of the previous volumes in the series.” We can expect an update on that in the next five to ten years.

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TJ McConnell Agreed To A $45 Million Extension With The Pacers

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T.J. McConnell has found a home in Indiana. After starting his career as a member of the Philadelphia 76ers, McConnell has brought his uniquely annoying brand of basketball to the Pacers, and is coming off of the finest season of his career during the 2023-24 campaign. As a result, Adrian Wojnarowski of ESPN brought word that McConnell put pen to paper on a contract extension that will keep him in Indy for the foreseeable future.

According to Wojnarowski, McConnell inked a 4-year contract extension that will pay him $45 million — he is currently on the final year of his existing deal, and as a result, the Pacers now owe him $54M over the next five years.

While McConnell has long been one of the NBA’s best backup guards and a someone who could be relied on to give a team good minutes off the bench, he was a crucial piece for the Pacers as they made a run to the Eastern Conference Semifinals last year. He came off of the bench in all 17 games the team played, and averaged 11.8 points, 5.1 assists, 3.1 rebounds, and 0.9 steals in 20.5 minutes per game. Now, the team will hope that he can continue to ride that wave into the upcoming regular season, where he should slot in as a bench option behind Tyrese Haliburton and Andrew Nembhard in Rick Carlisle’s rotation.

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A New ‘Jeopardy!’ Spin Off Will Reportedly Have A Narrower Focus, But Who Will Host?

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Being good at general trivia is one thing, but being well-versed in hyper-specific sports data is something that not everyone is capable of. Jeopardy! had been so popular for years for a reason, and now they want to zero in with even more obscure trivia, though this time, without Ken Jennings.

Earlier this summer, it was announced that Colin Jost would step in to host Pop Culture Jeopardy, a new iteration of the game show, and there might even be more spinoffs on the way. A new job listing for Supervising Producer, Contestant Recruitment & Development was posted to the official Jeopardy social media pages, and in the job description it seemed to reveal that a Sports iteration of the series is in the works.

The job description states: “We are looking for someone who has passion and love for Jeopardy!. Maybe you’re a former contestant, or actively involved in the Jeopardy! community or have always dreamt of working at Jeopardy! Whatever the motivation, we’re looking for someone who can enhance Jeopardy!‘s culture and bring a different perspective to the contestant selection process.”

This is where it gets interesting: under the “Responsibilities” section of the job description, Sports Jeopardy is mentioned. “Spearhead Jeopardy!’s efforts to recruit the best players possible to take the Anytime Test and any future specific test (i.e. Pop Culture and Sports Jeopardy!).” We know Jost is locked in for the former, but no word yet on who will host the latter.

This isn’t the first time Jeopardy has ventured into sports territory. Sports Jeopardy was a short-lived spinoff hosted by Dan Patrick from 2014-2016 which never seemed to take off. If only there was a mega-popular athlete who recently began a hosting gig in the off season who could apply for that job….!

Meanwhile, Ken Jennings has no plans to leave the flagship show, according to an insider who says he is “He’s desperate” to make it work and has “no intention of leaving of his own accord.” Jennings has been frequently criticized by fans over the years, though it’s hard to fill Trebek’s shoes.

The source continued, “Privately he would acknowledge these are tough times — especially with Colin Jost coming on to host Pop Culture Jeopardy! and fans calling him awkward, which is hard to take.” Jennings might not want to leave of his own accord, but there is always a chance he will get a foot infection and be forced to leave the gig. It does happen!

(Via TVInsider)