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Bones Hyland And Will Barton’s Relationship Goes Far Beyond Basketball

Will Barton didn’t have to, Bones Hyland certainly didn’t expect him to. They were close at the time, but not to this degree of obligation, at least as far as Hyland knew. In the aftermath of a 2018 house fire, which took the lives of Hyland’s grandmother and cousin, and forced him to jump out of a second-story window and tear his patellar tendon, Barton FaceTimed the then-17-year-old to offer condolences.

Four years prior, in the summer of 2014, the two met when Hyland dazzled against Barton’s AAU program, Team Thrill, on the Under Armour Circuit. With vast, elegant shooting range, twirling handles, and indistinguishable flair, Barton saw similarities between himself and the precocious guard. Hyland was someone with whom he wanted to forge a lasting connection.

“He reminded me of myself, so it was like an instant bond,” Barton says.

Over the ensuing three and a half years preceding that house fire, they developed a close-knit relationship, yet never to the point Hyland anticipated a phone call from Barton.

“That phone call … it made (us) even closer. Ever since then, I always smile when somebody asks me, ‘How’s Will Barton to you?’” Hyland says. “First thing, before I answer any question, I always smile because it meant the world to me, for him to reach out to me. That’s something that I’ll take with me for life. He’s like a big brother to me. … That’s something you don’t find in another human being.”

Another pivotal moment occurred last summer, when the Denver Nuggets selected Hyland 26th overall in the 2021 NBA Draft. Barton was entering his fourth season as a starter in Denver, while Hyland hoped to crack the rotation during his first year in the league.

Initially, Hyland hardly saw the floor to open the year. The inactivity chipped away at him. He believed — rather, knew — he could play. He knew he could help a shorthanded Denver team and yearned for the opportunity. The problem: Hyland didn’t know when or if it would arise.

“I’m the type of kid like, I’m ready for anything,” Hyland says. “I want to get out there and perform every time.”

Despite their contrasting situations, Barton related to the youngster. As a gangly, energetic, and ambitious rookie nearly a decade earlier with the Portland Trail Blazers, Barton, for the first time in his basketball career, scarcely saw rotation minutes.

“That first year,” Barton says, “it was so hard for me, man.”

Veterans like Jared Jeffries, Earl Watson, J.J. Hickson, and LaMarcus Aldridge ensured DNPs would not extinguish Barton’s confidence. They preached patience and stressed that when it was his turn, is moment would come. Everyone spotted his talent in practice, even if playing time didn’t immediately reflect it.

“These guys not going to say I got game for no reason because I’m not even playing. So, they don’t have to just say that,” Barton says. “When those guys, my vets, be like, ‘Nah, for real, you can hoop, it’s gonna happen for you,’ it made me lock in.”

Barton applied the stories woven into his formative NBA years to calm Hyland. He recognized there was a tense anxiousness and excitement pervading the rookie’s demeanor. They sat down for an hour-long talk early in the year. Barton put his own spin on the lessons bestowed upon him when he broke into the league.

He underlined the vitality of mental toughness amid the rigors of a six-month regular season. Sometimes, five games might pass and Hyland would be glued to the pine; other times, he’d be the first sub or even thrust into a starting gig. Readying for the NBA’s mercurial nature was a necessity.

Everything Barton shared resonated. Hyland remembered the veteran swingman had navigated, almost to a tee, a similar scenario when he was trying to find his way with the Blazers. Anything imparted was not an empty platitude designed to half-heartedly appease him, these were genuine lessons born from personal experience.

“He was telling me, ‘Stay patient. Everything might not be working in your favor right now, but trust me, you’re gonna be out there,’” Hyland says. “I always listen to Will. So, to hear from him, it made me settle down a little bit.”

By December, Barton’s belief in Hyland started to pay off in a big way. In late January, Hyland solidified himself as Denver’s premier creator off the bench and invigorated its guard rotation. Over the final 20 games of the regular season, he averaged 14 points, 4.6 assists, and 2.9 rebounds on 65.6 percent true shooting (.478/.412/.839 split).

“He got it towards the middle of the season, towards the end and that’s when you really seen his game really pick up and you saw him be consistent,” Barton says. “That’s what I was looking for from him, just being consistent, because we all knew he could play.”

A trade this summer meant their run as teammates was short-lived. Barton and Monte Morris were sent to the Washington Wizards in exchange for Kentavious Caldwell-Pope and Ish Smith. The two did get a chance to work together again, however, as coaches at Under Armour’s Elite 24 high school tournament in Chicago.

Both are quick to spot their shared, discernible on-court zeal. So, their advice to these athletes harkens back to that overlap. Barton encouraged them to play with passion and understand that actualizing NBA aspirations requires more than mere talent — they have to nail the mental aspect and preparation required in the league.

Growing up, Hyland didn’t get the chance to showcase himself in front of NBA players and scouts like these folks do. He wants them to maximize this platform, take to the floor and let their game do the talking. They’re among a select number of high school athletes afforded this stage, so seize it.

“There’s nothing more refreshing for guys like us to see you playing hard, even with that elite talent,” Barton says.

Across a brief 15-minute conversation with a stranger, the unmistakable warmth and depth of Barton and Hyland’s friendship is illuminated. It features little head nods, side-eyes, and smirks between each other, harbingers of a profound, joyful kinship. Their words can only convey so much, and those nuances are subtle means to further emphasize their rarified rapport.

Domineering chuckles from one repeatedly drown out and interrupt the anecdote the other shares. They grow giddy discussing the commonalities of their games. Hyland bursts out in laughter almost every time the paralleling play-styles are mentioned, as if they’ve cracked up countless times about it together. Their words are purposeful and effervescent.

Barton speaks with reverence, clarity, and conviction about Hyland’s future, one he believes might include All-Star appearances.

“Bones, he could just be really special, man. Everybody sees it, and he sees it,” Barton says. “The sky’s the limit.”

Hyland speaks with admiration and gratitude about Barton’s importance in his life.

“Will had that humbleness to him, the same swag, everything. That was a connection. It wasn’t forced,” Hyland says. “It was just, ‘Well, we got that brother connection’ early on.

“I’m just thankful for our relationship. … I see myself in Will.”

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Taylor Swift Really Wanted To Be In ‘Twilight: New Moon,’ And The Director Explained Why It Was A No-Go

In 2009, the world was enamored with two major pop culture moments. One was the continued reign that the Twilight movies had over every high schooler who had their parents bring them to Hot Topic to buy a “Team Edward” or “Team Jacob” shirt (they still sell those, by the way). The next major gossip was the fact that Jacob himself, Taylor Lautner, was dating rising country-pop star Taylor Swift while filming the second movie. If those two significant pop culture milestones had overlapped even more, the world would have been a different place. It almost happened!

Chris Weitz, the director of New Moon, recently stopped by The Twilight Effect podcast, hosted by Twilight star Ashley Greene and Melanie Howe, where he dropped a major behind-the-scenes secret about the movie: Taylor Swift wanted to be in it. And she was denied!

Weitz and Swift had the same agent, who asked if he could get the then 19-year-old to be in the popular franchise as an extra. He ultimately decided that it would be too distracting.

Chris Weitz: Taylor Swift and I had the same agent at the time, and he said ‘Taylor would like to be in this movie, not because of you. She will be someone at the cafeteria, or at the diner, or whatever, but she just wants to be in this movie.’ And the hardest thing for me was to be like ‘the moment that Taylor Swift walks onto the screen, for like five minutes nobody is going to be able to process anything.’

Ashley Greene: I didn’t know that.

Melanie Howe: I didn’t know that.

Chris Weitz: I kicked myself for it too, because I was like ‘I won’t be able to hang out with Taylor Swift.’ And I sort of felt like I cost myself a chance to-

Ashley Greene: -to hang out with T. Swift.

Chris Weitz: But sometimes you made decisions for what’s best for the film

At the time, Swift had just released her second album Fearless, and was becoming closer to Lautner. The director thought that having Swift in the movie would take viewers out of the movie. We all know what happens when a pop star enters a universally popular franchise, and it was not surprising that Weitz decided she shouldn’t make a cameo.

The two dated for a few months and broke up shortly after the movie hit theaters. Luckily, Swift parodied the vampire flick on SNL, so we got a taste of what she would be like in the universe alongside Bill Hader. Reboot it, now!

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Jenna Ortega’s Wednesday Is Creepy And Kooky (And Drops Piranhas Into A Pool) In Netflix’s ‘Wednesday’ Teaser Trailer

Wednesday isn’t an Addams Family reboot, it’s an “eight-hour Tim Burton movie,” but don’t hold that against it. For one thing, the Netflix series has a fantastic cast, led by Scream and X breakout Jenna Ortega as Wednesday, Catherine Zeta-Jones as Morticia, and the statuesque Luis Guzmán as Gomez. Also, based on the piranha scene in the trailer above, it has the same wicked sense of humor as the wonderful Addams Family movies.

Described as a “sleuthing, supernaturally infused mystery charting Wednesday Addams’ years as a student at Nevermore Academy,” Wednesday is “something that lives within the Venn diagram of what happened before, but it’s its own thing,” co-showrunner Miles Millar told Vanity Fair. “It’s not trying to be the movies or the ’60s TV show. That was very important to us and very important to Tim.”

That would be Tim Burton, who directed multiple episodes of the series. “He was interested in where it was going, the mystery of the show,” co-showrunner Alfred Gough said about the director’s participation (he’s also an executive producer). “He had a lot of questions about the previous television work we’d done, like how we were able to achieve it. He really loved that you had time to be with Wednesday and explore the character and you didn’t have to, you know, wrap things up in an hour and 45 minutes.”

Wednesday premieres on Netflix later this year.

(Via Vanity Fair)

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Migos Finally Explain Why Takeoff Wasn’t On ‘Bad And Boujee’

The hosts of the Rap Radar podcast are still plugging their upcoming episode with Quavo and Takeoff of Migos. While discussing topics like the duo’s recording processes, it seems that they also got to the bottom of a longstanding Migos mystery that has plagued fans since 2017: Why Takeoff doesn’t appear on the group’s No. 1 hit “Bad And Boujee.” While the question has been asked before, Elliott Wilson and Brian “B. Dot” Miller are just higher caliber journalists than Joe Budden and Akademiks, so they were able to get a much more positive response.

In fact, in sharing the clip on Twitter, Wilson seemed to reference the past incident, writing, “Did it look I was too shook to ask the question? Ha.” In the clip, he asks (respectfully), “Was it something about ‘Bad And Boujee’ why you didn’t wanna rap on that beat? Why wasn’t you on that song when it came out?”

This time, rather than popping up to intimidate the questioner, Takeoff left much of the talking to his uncle. “I just think it was just timing,” Quavo replies. “We was just trying to get something out. We was actually pissed off because we ain’t have no music out. I think like a couple months before the whole little wave and we was going through the litigation with 300 [Entertainment, their former label], so we ended up leaking ‘Bad N Boujee’ on SoundCloud first. Sh*t, I wasn’t even gonna be on it. I had to do my verse on some quick fast in a rush sh*t. So it was just like everybody running to the song and trying to get it done.”

So, there you have it. It seems it was all a matter of bad timing and rushing to get the song to market. Sometimes, things just work out, though… “Bad And Boujee” was Migos’ first No. 1 single, making them a household name outside of hip-hop and setting off their pop culture dominance for the next three years. As for whether or not their current duo configuration is temporary or permanent, I suppose we’ll have to wait for the full episode, which drops on August 18.

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When And Where Can I Watch ‘She-Hulk’ Season One?

Arriving on the heels of the critically acclaimed Ms. Marvel, which ended its six-episode run in July, She-Hulk: Attorney at Law is the next big Marvel series smashing onto TVs in August. Orphan Black star Tatiana Maslany steps into the titular role of Jennifer Walters, a high-powered attorney who finds herself becoming a high-powered superhero after being in a life-changing car accident with her cousin, Bruce Banner a.k.a. The Incredible Hulk. (Mark Ruffalo is on hand to reprise his role as the green Avenger.)

Just like all of the MCU series starting with WandaVision, She-Hulk will exclusively stream on Disney+. However, that’s where the similarities end. Unlike previous Marvel series, She-Hulk will be a fourth wall-breaking sitcom that will run for nine episodes as opposed to the typical six for the MCU shows. The show also moved its release date, and will now premiere on August 18. Episodes of She-Hulk will become available on Thursday instead of Wednesday, which marks a new release strategy for the Marvel series on Disney+.

You can see the full She-Hulk: Attorney at Law release schedule below:

She-Hulk: Attorney at Law Episode 1 – August 18
She-Hulk: Attorney at Law Episode 2 – August 25
She-Hulk: Attorney at Law Episode 3 – September 1
She-Hulk: Attorney at Law Episode 4 – September 8
She-Hulk: Attorney at Law Episode 5 – September 15
She-Hulk: Attorney at Law Episode 6 – September 22
She-Hulk: Attorney at Law Episode 7 – September 29
She-Hulk: Attorney at Law Episode 8 – October 6
She-Hulk: Attorney at Law Episode 9 – October 13

Here’s the official synopsis:

She-Hulk, a new comedy series coming to Disney+, stars Tatiana Maslany as She-Hulk/Jennifer Walters, a lawyer who specializes in superhuman-oriented legal cases. She-Hulk will welcome a host of Marvel characters to the series, including the Hulk, played by Mark Ruffalo, and the Abomination, played by Tim Roth.

She-Hulk: Attorney at Law premieres August 18 on Disney+.

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The ‘Madden NFL 23’ Soundtrack Will Feature New Songs From Killer Mike, Cordae, And Others

The latest installment of EA Sports’ mega-popular football video game franchise, Madden NFL 23, is just a couple days away from its August 19 release. The game has also turned into a music event in recent years, as the soundtrack has become a venue for premiering new music. Indeed, that’s the case again this year, as EA has announced this year’s soundtrack features a good handful of songs making their debut in the game.

The 39-song tracklist features 14 previously unreleased songs, including “Run It Up” by Bas, “Extra Credit” by Big K.R.I.T., “The Best (TUA Remix)” by Erica Banks, and “Get Some Money’ by Killer Mike. A couple of the new songs — Money Man, Babyface Ray, and Key Glock’s “No Limit” featuring Bleu, and Cordae and Hit-Boy’s “Checkmate” — will only be made available after the game’s launch.

On top of the soundtrack, Hit-Boy also created “33 exclusive beats for the game’s cinematics.” Beyond the new material, the Madden 23 soundtrack will also include familiar favorites from Kendrick Lamar, Snoop Dogg, Nas, Tyler The Creator, and plenty of others.

Check out the full list of songs on the Madden 23 soundtrack below.

Aha Gazelle — “Tear It Down”
Bas — “Run It Up” *
Benny The Butcher — “Remember Me”
Big K.R.I.T. — “Extra Credit” *
Blackway, Aeph, Koko — “Impossible”
Boslen — “Levels”
Cam Wallace — “Energy!”
Charmaine — “Logic (Lucky Charm Freestyle)”
Coast Contra — “505”
Cordae — “Sinister” Feat. Lil Wayne
Cypress Hill — “Hit Em’”
Doechii — “Crazy”
Dreamville with Bas — “Lifestyle” Feat. A$AP Ferg
Earthgang — “Ghetto “Gods
Erica Banks — “The Best (TUA Remix)” *
Gizzle — “One Shot” Feat. BRE-Z *
IMRSQD — “Run It Up”
Joey Badass — “The Rev3nge”
Kendrick Lamar — “N95”
Killer Mike — “Get Some Money” *
King Green — “Cold” *
Kwesi Arthur — “Winning” Feat. Vic Mensa
Lord Afrixana — “Touchdown” *
Malachiii — “Hold Me”
Malachiii — “How To Be A Star” *
Marqus Clae — “Are You Ready” *
Nas — “Meet Joe Black”
Nigo — “Come On, Let’s Go” Feat. Tyler The Creator
OnCue — “Any Given Sunday”
Pap Chanel — “No Biggie” *
Pusha T — “Scrape It Off” Feat. Lil Uzi Vert and Don Toliver
Risqkae — “The Intro” Feat. Rti$ *
Robert Glasper — “Black Superhero” Feat. Killer Mike, BJ The Chicago Kid, and Big K.R.I.T.
Simon Said. and Jazzfeezy — “You Gotta Choose” Feat. Steve Samson *
Snoop Dogg — “Conflicted” Feat. Nas
Symba — “Go Get It” *
Symba — “Put Me In The Game” *
Trev Rich and Wallis Lane — “Whole Team” *
Ty Dolla Sign — “Champions” Feat. Wiz Khalifa
Money Man, Babyface Ray, and Key Glock — “No Limit” Feat. Bleu *^
Cordae and Hit-Boy — “Checkmate” *^

* exclusives and debuts
^ additional tracks with the start of the NFL season

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Kid Cudi Doesn’t Plan To Repair His Friendship With Kanye West: ‘With All Due Respect, I’m Not Drake’

Since Kanye West discovered Kid Cudi through the latter’s 2008 breakthrough mixtape, A Kid Named Cudi, the two have been frequent collaborators, though their friendship has proven tumultuous. Despite the fact that they have been able to resolve past conflicts, Cudi revealed in a tweet this past April that despite recording a track with Ye for the Pusha T album It’s Almost Dry, he chose to end their friendship.

“I am not cool w that man,” Cudi said. “He’s not my friend and I only cleared the song for Pusha cuz thats my guy. This is the last song u will hear me on w Kanye.”

Now, in an interview with Esquire ahead of the premiere of his upcoming animated series Entergalactic, Cudi revealed fans shouldn’t hold their breath for him and Ye to bury any hatchets.

“With all due respect, I’m not Drake, who’s about to take a picture with him next week and be friends again, and their beef is squashed,” Cudi said. “That’s not me. What I say, I mean. I will be done with you. It’s gonna take a motherf*cking miracle for me and that man to be friends again. I don’t see it happening. He gon’ have to become a monk.”

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Young Thug Is Being Sued For $150K Over Canceling A Concert While Incarcerated

Young Thug is being sued for canceling a concert at State Farm Arena. A-1 Concert Entertainment wants $150,000 after paying a deposit for a 45-minute performance on June 18. Unfortunately, Thug was unable to perform that night because he was incarcerated after being arrested on racketeering charges in May and being denied bond by a judge. A-1 says that after reaching out to Thug’s tour management, YSL Touring, they were promised a refund, but have not received one.

“To date, A-1 Concert has not received any reimbursement of the $150,000 owed to it,” the lawsuit, which was filed last week, states. Suing YSL Touring for the funds owed, the complaint also demands damages and attorneys’ fees.

In May, 28 people including Young Thug, Gunna, and Yak Gotti were charged with 56 counts of conspiring to violate Georgia’s criminal racketeering law, murder, armed robbery, drug possession, and more. Prosecutors allege that they are members of a street gang, Young Slime Life, with ties to the Bloods. Meanwhile, Young Stoner Life, or YSL, is also the name of Thug’s label, and instances of the rappers shouting out YSL in their songs were included as evidence against them, prompting a fierce debate.

Meanwhile, a trial has been set for January 2023.

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Elon Musk’s Jokes About Buying Manchester United Can’t Be Going Over Well With Fans

Elon Musk‘s trolling is not going over well with Manchester United fans. Earlier in the week, the Tesla CEO tweeted that he’s buying the football club, which immediately raised hopes that a new owner might be able to lift Manchester out of its stance at the bottom of the league. The club is currently owned by the Glazer family, who also own the Tampa Bay Buccaneers, and there’s been constant criticism that the American-based family have been reticent to properly invest in Manchester.

However, everyone should know by now that when Musk announces he’s going to buy something, you should take it with a huge grain of salt. In fact, that was the joke he was trying to make, but he clearly biffed the landing.

“No, this is a long-running joke on Twitter. I’m not buying any sports teams,” Musk responded to a Twitter user who asked if he’s serious about the purchase. “Although, if it were any team, it would be Man U. They were my fav team as a kid.”

According to Reuters, Manchester United fans are not thrilled with Musk toying with their emotions. If you know anything about football clubs, they take their love of their teams very seriously:

“It’s just a tweet from somebody who not always thinking twice before write something (sic),” The Manchester United Fanatics Club Hungary said.

The Kolkata fans club added: “It again reinstated the fact that Elon and his tweets are just gimmicks. Although it would have been great if he really invested 1/10th of what he paid for Twitter to own this legendary club … the entire fan base is sick and tired of the Glazers.”

While Musk cares more about trolling than helping his supposedly favorite team, Ryan Reynolds and Rob McElhenney are practically the anti-Elons now. The two actors not only followed through on their purchase of Wrexham A.F.C., but they actually filmed the experience for a new reality series on FX.

(Via Reuters)

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Some People (Republican Politicians) Aren’t Too Thrilled About The New ‘Breaking Bad’ Statues In Albuquerque

At the unveiling of bronze statues depicting Breaking Bad characters Walter White and Jesse Pinkman at the Albuquerque Convention Center last month, Vince Gilligan acknowledged the meth-making elephant in the room. The pride of the New Mexico city is “two fictional, infamous meth dealers,” he said, and “no doubt some folks are going to say, ‘Wow, just what our city needed.’ And I get that.”

Gilligan was right: some folks (Republicans) are saying that.

Variety reports that “Albuquerque-based conservative talk radio host Eddy Aragon and Republican state representative Rod Montoya are two public figures condemning the 500-pound statues.” While appearing on Fox News, Montoya said, “It’s not the type of recognition we want for the city of Albuquerque, or for our state.” He added that “what you saw on Breaking Bad should be a documentary, honestly. I think, really, that is the reality in New Mexico. We try to say it’s fictional, but that is the reality… We’ve joked that [Breaking Bad] should be on PBS. That is, unfortunately, the reality.” He also said the statutes are New Mexico “going down the road of literally glorifying meth makers.”

Aragon blasted the state for erecting Breaking Bad statues after it decided to take down a statue of Spanish conquistador Juan de Oñate, who was the first Spanish governor of New Mexico. “Now we have brand-new statues,” Aragon said. “Now we’re putting fictional characters out in front. We have Jesse Pinkman and, of course, Heisenberg, and we have now erected statues and our progressive mayor from the city of Albuquerque has stood behind them. We’re funding those, so it’s OK to go get rid of real historical figures and now, somehow it’s even better, to [have] fictional, drug-dealing figures.”

Gilligan believes the statues are appropriate because he sees “two of the finest actors America has ever produced,” while Albuquerque mayor Tim Keller has preached the positive economic impact that Breaking Bad has had on the city. Maybe Montoya and Aragon would stop griping if a Kim Wexler statue was erected, too. That’s something everyone, no matter your political beliefs, can enjoy.

(Via Variety)