Eminem is tough as nail when it comes to any rap foe that takes aim at him. However, when it comes to the “Tobey” rapper’s relationship with his daughter Hailie Jade, he is a big ole softy.
On Eminem’s latest album, The Death of Slim Shady (Coup de Grâce), he displayed his vulnerable side as a father on tracks like “Somebody Save Me” featuring Jelly Roll and “Temporary.” Yesterday (August 23), Hailie Jade confessed that each track brought her to tears.
On the latest episode of her podcast, Just A Little Shady, Hailie shared her emotional response after she listened to the records.
Although she admitted that she could only watch the official music video for “Somebody Save Me,” which features home footage, due to the overwhelming feeling it brought forth, the songs are another story.
“I definitely cry every time I hear it at all,” she said. “Between [Somebody Save Me] and ‘Temporary,’… I audibly sobbed I think for both songs but especially ‘Temporary.’”
While Eminem is proudly sober now, things weren’t always that way. One “Somebody Save Me,” Eminem things back on those times. However, Hailie Jade praised her parents for protecting her from truly seeing how difficult their battle with addiction was.
“I feel like my parents did such a good job growing up where I didn’t realize how bad things were,” she said. “But, now as like, an adult in hindsight, it’s so scary to think about. And I think that’s why I get emotional so much, like just thinking that could have happened.”
Watch the full episode of the Just A Little Shady podcast hosted by Hailie Jade with co-host Brittany Ednie above.
There is a growing trend of playing fast and loose with others intellectual property rights. For recording artists it can certainly be annoying when done by a peer (i.e. Kanye West/Ye). But, when politicians enter the ring, the frustration seems to reach new heights.
Yesterday (August 23), Foo Fighters song, “My Hero” was played during Donald Trump’s rally (viewable here) to introduce Robert F. Kennedy Jr. Although the Glendale, Arizona crowd enjoyed the classic 1997 tune, Foo Fighters surely didn’t appreciate its unauthorized use.
On X (formerly Twitter), in an exchange with a user the band stressed that. However, should its use result in a spike in streaming revenue, the band does have a clever plan for that—donate it to Trump’s opponent.
X (Twitter)
In a statement provided by a spokesperson to Billboard, the band doubled down on their disapproval and outlined their plan to combat its use. “Foo Fighters were not asked permission, and if they were, they would not have granted it,” read the statement. “Appropriate actions are being taken against the [campaign]… Any royalties received as a result of this usage will be donated to the Harris/Walz campaign.”
This isn’t the first time Trump has been slammed for similar actions. The late Isaac Hayes’ estate reportedly filed of copyright infringement notice for his use of “Hold on, I’m Coming.” Beyoncé allegedly sent a cease and desist for his use of “Freedom,” which was previously approved For Vice President Kamala Harris’ presidential campaign video. Even, Celine Dion penned a letter of disdain after her breakout hit “My Heart Will Go On” was used by the Trump/Vance campaign.
Well, hey maybe Kid Rock or Swae Lee can cook up something for Trump. Fivio Foreign and Kodak Black already has.
Yesterday (August 23), Justin Bieber along with his wife and model Hailey Bieber announced the birth of their son with an adorable post on Instagram.
In the image, shared to Justin’s account, displayed their newborn son’s foot being caressed by Hailey’s doting hand. The caption went on to disclose the bundle of joy’s name: “Welcome home, Jack Blues Bieber .”
Instagram
The addition of Jack to the Bieber family, marks the couple’s first child both together or apart. Back in May, Justin and Hailey revealed their exciting pregnancy news with a cinematic visual and accompanying photos.
Since that upload, both have kept their respective fans abreast with the pregnancy’s progress. Last month, Hailey and her bump graced the cover of W Magazine.
Inside the publication’s feature she opened up about her pregnancy fears which played a part in delaying the public announcement until after the six-month mark. “The Internet is a scary place for a pregnant woman,” she said. “You see so many stories—traumatic birth stories, traumatic experiences—and I know that that’s very real. But I don’t want to scare myself.”
The summer is coming to a close, but Drake still has heat to deliver. Yesterday (August 23), the “Too Good” rapper seemingly woke up and chose violence.
Apparently, Drake’s 100 Gigs release was just a warm-up. When everyone least expected it, Drake dropped another previously unreleased collaboration, “No Face” featuring Playboi Carti.
Although Playboi Carti’s guest verses have proven to be a hit song’s secret sauce, he only appears across the track’s chorus. The verses are reserved for Drake, as he seemingly took aim at Kendrick Lamar once again. Back in May, Drake supposedly waved that white flag in heated battle. But, some rap beefs never die.
Drake subtly addressed his longtime foe, Metro Boomin, and possibly Mustard in the opening lines, as he rapped: “This is the sh*t that my daddy had raised me on / N****s got lit off the features I skated on / I gotta know, I gotta know / How you get lit off the n**** you hatin’ on? / Numbers untouchable, they got the data wrong.”
In the next verse, Drake turned his attention to musicians who jumped in to shade him during the height of his beef with Kendrick Lamar.
“Cause I keep on talkin’ ’bout beefin’ and business and money and women / It’s no diagnosis, they emptied the clip / Quick, swap that sh*t out, and I came back reloaded / I’m just so happy that n****s who envied and held that shit in got to finally show it / I’m over the / Moon, yeah, we’ll see you boys soon / I’m spreadin’ my wings, I hop out cocoon,” he rapped.
Listen to Drake’s song “No Face” featuring Playboi Carti above.
The Netflix-inspired Suits and Dexter spin offs prove that streaming successes work wonders for fans who want more of their favorite characters. Procedural and legal-leaning series tend to impressively cross that threshold, and it’s no wonder why White Collar devotees want to see the former USA Network series be the next to graduate into reboot territory.
The Matt Bomer-starring series ended in 2014, and a decade later, talk initially began heating up in June with series creator Jeff Eastin and three of the police procedural’s stars coming forward to express their mutual willingness to get the team back together. A few months later, the campaign from within the show is reaching a new level, so let’s talk about what this Suits predecessor is doing to follow in that show’s footsteps.
Plot
White Collar ran for six seasons and followed charmingly handsome thief Neal Caffrey (Bomer) as he became a criminal informant for FBI Special Agent in Charge Peter Burke (Tim DeKay). And if you imagined that Bomer’s ability to slide right into a dual identity and wear the hell out of those suits was natural, think again. A few months ago, the Magic Mike actor sat down for a Netflix promotional video to drum up interest in the show’s post-network streaming life. This move was obviously successful, given the continue push for a reboot, but also, Bomer was sharing how his character’s art of suit wearing and suave-criminal demeanor were not simple matters, as you can hear below:
In addition to Bomer and DeKay, the cast was rounded out by Tiffani Thiessen as Peter’s wife, Elizabeth Burke, and Hilarie Burton as Neal’s love interest and an insurance agent. On the law enforcement side of the equation, the show included Natalie Morales as Agent Lauren Cruz, Marasha Thomason as Agent Diana Berrigan, and Sharif Atkins as Clinton Jones. The late Willie Garson portrayed Neal’s shady friend, Mozzie, who came onboard as an informer, too.
As for the plot of the reboot, a reboot-pilot has been written by co-creator Jeff Eastin, and details are being kept hush hush other than DeKay and Thiessen revealing how the script “honors Willie… in a profound way,” and the latter admitted that she was excited about the prospect of getting back on set with her career-favorite cast members.
Back during a June 2024 Variety-hosted panel, Bomer, DeKay, and Theissen each declared that they were willing and waiting to get suited and heeled up for more episodes after reading a pilot script. Specifically, Bomer declared, “I’m in!” Co-creator Jeff Eastin declared that “we’re gonna reboot.”
Fast forward to late August, and Bomer is still keeping hope alive. He told PEOPLE about the script, and even though he didn’t reveal plot points, something important is happening here:
“It’s a really intelligent, fun, organic way to bring all the characters back together to pay tribute to Willie Garson, Diahann Carroll and folks we’ve lost since the show ended, which was really important to me. It’s something that if you enjoyed the show, you really will have a good time watching it.”
Bomer then added, “We worked long hours on that show, and it never felt like work. It was just such a fun, free, open environment and a great place to just create and explore the characters.” That’s living the dream. And Tiffani Thiessen recently sat down with Popculture and issued a seemingly universal sentiment among the cast: “[O]ut of over 40 years in this business, it is one of the top cast and crew and shows that I’ve done that I would absolutely, if they asked me to come back and do again, that I would say yes in a heartbeat.”
Cast
Matt Bomer, Tiffani Theissen, and Tim DeKay expressed interest months ago, and now, Bomer and Theissen have kept the campaign going. Those are the only confirmed names in the mix, but surely, others won’t be too far behind..
Release Date
Considering how quickly Suits Summer prompted NBCUniversal to run with a Suits: LA spin off, which will arrive within a year of greenlighting, White Collar appears to be even better positioned for a streamlined timeline. The pilot script already exists, and much of the original cast is ready to climb onboard, so if the green light switch gets flipped soon, watch out, 2025.
Trailer
No trailer, man. However, a 13-year-old Paley Center For Media panel discussion included Willie Garson and Co. gushing over how much everybody in the cast cares beyond belief about making quality programming.
This week’s Uproxx Music 20 column takes things to the West Coast, where we shine a light on rapper Teyter Tot. With a project and a slew of singles under her belt, the Oakland native caught my attention thanks to a couple of freestyles that live on her Instagram page. The first is one from a few months ago with the platform In The Kitchen With H-Dot and the other is with another called Hotel Freestyles. In both, Teyter Tot displayed fierce attitude as she fired off brash, tough-talking bars over bass-rattling production.
Teyter Tot’s music reminds me a bit of Rico Nasty’s, only with an emphasis on The Bay rather than the DMV. Teyter’s most recent project came back in 2022 with Different Breed, and though she’s yet to release a record in 2024, she’s spent the last week teasing what we can assume is her next single of many to come. The sky is the limit for the Oakland-bred rapper, so if you want to dive into her releases, you can start with Different Breed highlights like “Act Right” and “Wait” or check out some of her 2023 singles like “Angel” and “Choose Up.”
With more to come from Teyter Tot, scroll down to learn more about her artistry and discover her inspiration, aspiration, and influences.
Music has been a part of my life as long as I can remember, so I’m not sure. What I do remember is my mom telling me when I was a few months old, she would purposefully put on Mary J. Blige and I would sit up and bounce on beat.
Who inspired you to take music seriously?
My mother. She always told me if I do it, do it fully and always encouraged me to finish what I started. She also exposed me to a lot of art as a child so I’ve always been developing a taste for culture.
Do you know how to play an instrument? If so, which one? If not, which instrument do you want to learn how to play?
Yes, I can play piano and drums. I kinda forgot how to read music, but if I studied for like a month, I’d probably have it down again. I still would also love to learn how to play bass.
What was your first job?
Chipotle. I hated it.
What is your most prized possession?
My mind.
What is your biggest fear?
Not trying or being too enthralled in shame based fear that I don’t have the space to grow.
You get 24 hours to yourself to do anything you want, with unlimited resources: What are you doing? And spare no details!
I don’t know, probably walking around butt ass naked with mad jewelry on eating berries and sh*t through a tea garden in Japan. Then I’d swim in a stream or something & smoke a blunt in a country you probably aren’t supposed to.
What are your three most used emojis?
, , and .
What’s a feature you need to secure before you die?
Which celebrity do you admire or respect for their personality and why?
Rihanna, all girls love Rihanna. She’s a boss, she’s that girl.
Share your opinion on something no one could ever change your mind about.
Too many people associate their own value to what they are able to provide monetarily and that gives you low self-esteem which actually makes it harder to live anyway.
What is the best song you’ve ever heard in your life and what do you love about it?
Maybe Sade’s “Smooth Operator” because it’s smooth and player. It feels like an immersive experience each time I hear it.
What’s your favorite city in the world to perform, and what’s a city you’re excited to perform in for the first time?
Favorite city is probably Los Angeles, they show me hella love. I’m looking forward to some day performing in London or Tokyo.
You are throwing a music festival. Give us the dream lineup of 5 artists that will perform with you and the location where it would be held.
But, the show must go on (apparently), and since no one stateside seems willing to put up with his antics anymore, he performed his latest Vultures Listening Experience in South Korea, where the impact of his actions has undoubtedly been muted by cultural differences. While performing at the Goyang Stadium in Goyang-si, South Korea, he played not only songs from his new album, but also from across his discography, including fan favorites like “All Falls Down,” “Gold Digger,” “Stronger,” “Heartless,” “Power,” “Black Skinhead,” and many, many more, all while shouting out former labelmates and rivals. You can see the full setlist below, courtesy of setlist.fm.
Vultures 1
01. Stars
02. Paid
03. Talking
04. Everybody
05. Back to Me
06. Do It
07. Burn
08. Fuk Sumn
09. Carnival
Vultures 2
01. Slide
02. Field Trip
03. Fried
04. Promotion
05. 530
06. Dead
07 Forever Rolling
08. Bomb
09. River
10. Lifestyle
11. Sky City
Encore
01. All Falls Down
02. Jesus Walks
03. Through the Wire
04. Hey Mama
05. Heard ‘Em Say
06. Touch the Sky
07. Gold Digger
08. Diamonds From Sierra Leone
09. Late
10. Good Morning
11. Stronger
12. I Wonder
13. Good Life
14. Can’t Tell Me Nothing
15. Flashing Lights
16. Homecoming
17. Heartless
18. Run This Town
19. Power
20. All Of The Lights
21. Monster
22. Devil In A New Dress
23. Runaway
24. Hell of a Life
25. Mercy
26. Clique
27. On Sight
28. Black Skinhead
29. New Slaves
30. Blood on the Leaves
31. Bound 2
32. No Church in the Wild
33. Niggas in Paris
34. Otis
35. All Day
36. Only One
37. FourFiveSeconds
38. Ultralight Beam
39. Father Stretch My Hands, Pt. 1
40. Famous
41. Wolves
42. Fade
43. Yikes
44. All Mine
45. Ghost Town
46. Violent Crimes
47. Feel The Love
48. Hurricane
49. Moon
50. Off the Grid
51. Jail
52. Praise God
53. Come to Life
54. 24
Netflix bet big on the Neil Gaiman business with The Sandman as the mothership for the Dead Boy Detectives spin off, and a Death standalone mini season sits on fan wish lists. That character ignited what turned out to be the most beautiful episode in this universe as of yet by combining lugubrious vibes from The Sandman with the cheeky tone witnessed on Lucifer. Death is also tied to Dead Boy Detectives as a nice bond between series.
The second season of The Sandman is currently filming, and that leaves a lingering question mark on an unresolved inquiry.
Is Dead Boy Detectives Renewed Or Cancelled For Season 2?
The fantasy drama offshoot gathered up a devoted legion of fans despite — and this is only my suspicion — some viewers remaining out of the loop by not knowing that a The Sandman spin off surfaced. The marketing wasn’t entirely clear about the connection even while including a Death cameo that shocked Kirby Howell-Baptiste’s onscreen sibling, Tom Sturridge (Morpheus/Dream).
Since Netflix hasn’t provided a definitive answer about a second season with more Charles Rowland (Jayden Revri) and Edwin Payne (George Rexstrew), it’s time to grasp at a clue: George Rexstrew is either having too much fun, or he knows something. In a cryptic Instagram reel that has now been noted by fans on Twitter/X, Rexstrew posted a quote from Rudyard Kipling’s “The Sack of the Gods” poem. That line reads, “as long as the red Earth rolls”
Those words match up to Death’s recitation toward a ghost during her Dead Boy Detectives cameo. What does this mean? It could pertain to everything or nothing relating to more episodes of the ghosts who pick up the paranormal mysteries that stump human detectives.
Co-showrunners Steve Yockey and Beth Schwartz have already told Variety that they are ready and waiting to greet another Endless member (Mason Alexander Park’s Desire) beyond Death and Despair. And now we wait.
The first Dead Boy Detectives season is streaming in full on Netflix.
Cash Cobain is unstoppable in 2024. In recent years, few artists have created a lane for themselves and not only thrived in it, but had the music world jumping at opportunities to take part the way he has. Since the start of the year, Cobain has made an excellent case that sexy drill could stick around for good in hip-hop. His 2024 singles — “Dunk Contest,” “Fisherr,” “Rump Punch,” and “Problem” — have all been standout moments that stamped and elevated his position in the rap game. Now, he takes it a step further with the release of his debut album, Play Cash Cobain.
The Bronx rapper and producer’s debut album is a 19-track promotion of daytime fun and nighttime debauchery. In short, it’s fun! Play Cash Cobain is a display of growth from Cobain, who rose to prominence by sampling R&B songs for his sexy drill record and earning a reputation as one of music’s horniest artist. While his sexy drill production thrives with or without a sample, Play Cash Cobain provides plenty of great sample moments.
Here are the five best sample moments on Cash Cobain’s debut album Play Cash Cobain.
“Act Like”
Sample: Tyrese’s “How You Gonna Act Like That” & Pop Smoke’s “For The Night”
“Act Like” was one of the most anticipated songs from Cash Cobain’s album. The track was previously teased by Slizzy member Marni and other associates during a livestream, and fans like myself quickly latched themselves to the record. “Act Like” begins with a sample of the first verse from Tyrese’s 2002 track “How You Gonna Act Like That” before Cash’s sexy drill production arrives. Echoes of Tyrese singing “it seems like” play throughout the track before the chorus arrives and in comes an interpolation of Pop Smoke’s “For The Night.” Cash thrives at using just enough of the sample for the song he creates, and this is a great example of that.
“All I Wanna Hear”
Sample: Elephant Man’s “Pon de River, Pon de Bank”
Jamaican dancehall singer Elephant Man’s most recognizable song is at the center of the third track on Cash Cobain’s debut album. “Pon de River, Pon de Bank,” an uptempo, high energy record, is slowed down for a more chill experience. On it, Cobain proves why he’s rap’s horniest artist with lines like “She said all I rap about is sex / I said, ‘That’s all I wanna hear,’” and “The other nickname for my d*ck is Jeff / It be Hardy.” This is what you get with the Cash Cobain experience and it’s a fun one to say the least. As for the sample, slowing down the keys on “Pon de River, Pon de Bank” is a simple yet very effective decision.
“CantSleep/DrunkInLuv”
Sample: H-Town’s “Knockin’ Da Boots”
Cash Cobain takes it back to 1993 with a sample of H-Town’s “Knockin’ Da Boots” for this song’s first half, “CantSleep.” Cash Cobain and H-Town both have the same energy, pursuing a foray into the bedroom. Once there, sleep is the last thing on the agenda as Cash suggests, but to H-Town’s point, “Knockin’ Da Boots” seems to be the priority. After introducing his song with a couple of lines from the hook of “Knockin’ Da Boots,” Cobain lets H-Town’s “good love” croons repeat in the background for the remainder of the song.
“Dunk”
Sample: Soulja Boy’s “Donk”
In a rare upbeat moment from Cobain, the Bronx native takes on Soulja Boy’s “Donk” for “Dunk.” While the focus of Soulja Boy’s “Donk” is to praise a woman’s assets, Cobain’s “Dunk” incorporates the same bluntless to achieve his goal of ending the night with a woman. He gets the job done with the same drum pattern as Soulja Boy’s original track, and in the end, we get a new sample of how expansive Cobain’s artistry can be.
“Problem”
Sample: Laila!’s “Not My Problem”
The singles Cash Cobain put out ahead of his album all did their job in grabbing the world’s attention. “Dunk Contest” was a great appetizer for the summer hit songs that “Fisherrr” and “Rump Punch” turned out to be. Next came “Problem” which samples Laila!’s “Not My Problem” and turned her record into a massive posse cut. For seven minutes, Cobain, Fabolous, Kenzo B, Big Sean, Lay Bankz, Luh Tyler, Anycia, Chow Lee, Kaliii, 6LACK, Flo Milli, YN Jay, Flee, Don Q, and Rob49 laid quick verses as Laila!’s “problem” and “not my problem” chants play at the end of each line. “Problem” is a great and fun moment on the album, and proof that everyone wants a part of Cobain’s sexy drill sound.
Play Cash Cobain is out now via Giant Music. Find out more information here.
Travis Scott’s breakthrough mixtape Days Before Rodeo has arrived to DSPs ten years after its release, and fans have been delighted to traipse down Memory Lane with the star making project — or delve into it in full for the first time after projects like Astroworld and Utopia have made Scott into a household name.
So, how does this collection of songs stack up to each other after ten years? Let’s take a swing at ranking the 12 songs from Days Before Rodeo to find out which one is the best.
12. “Zombies”
Let’s get this out of the way up front: Travis Scott has always been a case of style over substance, and he’s never exactly been the greatest rapper. While usually, his production is enough to mask the relative lack of punch provided by his more clichéd lines, “Zombies” is the weakest track on Days Before… because it skimps on the strongest aspect of Scott’s whole thing, pairing uninspired boasts with an absolutely plodding beat that makes it a total slog.
11. “Basement Freestyle”
Like “Zombies,” “Basement Freestyle” makes the misstep of drawing focus to Scott’s raps (calling it a “freestyle” is the largest factor in this), only this time, it wastes (or makes use of, depending on where you stand) a compelling — if a bit repetitive — beat from Metro Boomin and Lex Luger.
10. “BACC”
Travis is at his least convincing when he’s trying to convince us he’s a tough guy. This disconnect between the posturing of the hook (“Cuzzo back on the block, he back servin’ birdies”) and the empty boasts of the only verse causes the bonus track to fall a bit flat.
9. “Days Before Rodeo: The Prayer”
Days Before Rodeo starts out pretty strong, all things considered, but its mostly inspired intro, which has a fun Wondagurl beat built around a slick breakbeat sample, quickly disintegrates toward the end. Meanwhile, some of its motifs get repeated throughout the album, to diminishing returns.
8. “Don’t Play” Feat. The 1975 & Big Sean
The only feature-heavy song in the bottom half of the ranking, there’s something discordant about the pairings here; perhaps the high-art indie-rock nod provided by The 1975 doesn’t live up to similar cross-genre collaborations of the time period, while Big Sean’s energized performance overshadows Travis’ efforts to match his fellow Kanye co-writer.
7. “Quintana Pt. 2”
An uncredited appearance from Travis’ early benefactor T.I. once again exposes the flaws in Scott’s fundamentals, proving more effective with a well-worn old-man game than the Houston rapper’s more contemporary melodic approach. The fact that it sounds like the Scarface theme can be a plus or a minus, depending on how you feel about that particular gangster epic. The fact that T.I.’s verse was removed from the streaming version somehow ends up hurting more than helps, leaving behind a void that makes the latter half of the song drag.
6. “Sloppy Toppy” Feat. Migos & Peeway Longway
The first 20 seconds of this song promise a departure that the rest of it never really pays off, but nods to the soulful intro sample throughout the beat offered by producers Southside, AudioKlique, and C Gutta provide enough interesting things in the background to keep this one from ever eating its tail, while Migos delivers one of the signature performances that made them such an in-demand feature artist at the time — especially Takeoff (RIP!).
5. “Grey”
You can hear the seeds of Travis’ future hit “Pick Up The Phone” in this one, while his pen game takes a step up — not a massive one, mind you, but enough to make the imagery feel a bit more vivid, believable, and compelling. The second verse offers the sort of autobiographical detailing that Travis’ music could stand to use a lot more of.
4. “Mamacita” Feat. Rich Homie Quan & Young Thug
Long live Rich Gang. Quan and Thug were on one hell of a run in 2013-14, and their presence brings out something in Travis — perhaps not his “best,” but certainly a bit of energy that the rest of his catalog could stand to include. Thugger’s verse stings especially hard when you consider how long and hard he worked to get to the point of So Much Fun and Punk, only for the state to justify his “I don’t f*ck with America” statement, albeit for a different reason than he meant back then.
3. “Backyard”
One of the few songs on Days Before Rodeo that tries something different, its placement toward the end of the tracklist provides a burst of optimism in an apocalyptic sonic wasteland. Lyrically, it finds Travis being vulnerable again (“Every summer felt so cold, my daddy ain’t comin’ home ’til fall / That’s why my pimp game’s so moist, had that du-rag and all”), which is the best version of him. He’s got an interesting story, it’d be nice if he told it more.
2. “Skyfall” Feat. Young Thug
Ignore the first 10 seconds, which sound like we’re about to set sail on the high seas with a hold full of rum and an eye on the horizon. In fact, skip the entire first minute. That’s how good the rest of this one actually is: it’s the second-best track on the project, despite the first fifth being entirely skippable. Scott’s cautionary warning to aging artists, who even then were decrying the changing sound of hip-hop, still resonates, and his chemistry with Young Thug begins to solidify here.
1. “Drugs You Should Try It”
The undisputed fan favorite from the project, “Drugs…” features Travis Scott at the height of his powers — higher, even. The fact that this exists makes one wonder why he doesn’t push himself like this all the time. “Drugs as a metaphor for romantic feelings” is a concept as old as songs, drugs, and romance, but Travis Scott’s hazy approach to songwriting lends itself especially well to the trope, which buoys the substance of his songwriting to actually match the style. He’s flashed great moments like this since, but this one certainly left the most outsized impact.
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