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Draymond Green’s Mom Jokingly Wonders If He’s Been Replaced By A ‘Clone’ During The Finals

Draymond Green has not been playing his best during the 2022 NBA Finals. It hasn’t been a critical blow for the Golden State Warriors up to this point — they won in Boston on Friday behind a monster game from Steph Curry night to even up the series at two games each — but it’s safe to say that Green is struggling against the Celtics through four games.

Green’s performance on Friday was not up to his standards, as he had two points on 1-for-7 shooting and had lengthy stretches where he did not look comfortable on either end of the floor. The good news for him was he found other ways to impact the game, as evidenced by his nine rebounds, eight assists, and four steals.

The bad news? Well, Green’s mom, Mary Babers-Green, is known for being active on social media during Warriors games, and at one point in the fourth quarter, she tweeted that she both has no idea what’s going on with her son and that Steve Kerr might be playing a clone in his place.

All of us at Dime are extremely excited to see how Green responds to these allegations that were lovingly made by his mom on the latest episode of his pod.

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Paris Hilton Skipped DJing For The President To Go To Britney Spears’ Wedding: ‘This Was More Important’

Britney Spears’ wedding this past Thursday had an impressive guest list. In attendance to celebrate her nuptials with Sam Asghari were Drew Barrymore, Madonna, Selena Gomez, and Paris Hilton.

Shortly after the wedding, Hilton took to her This Is Paris podcast to talk about the ceremony. In this particular episode, she revealed she was invited to DJ at President Joe Biden’s Summit Of Americas at the Getty Villa in Los Angeles, but skipped the event to attend her longtime friend’s wedding.

“I was asked to DJ for the president and all of the other presidents from around the world for the dinner,” Hilton said, “but this was more important to me.”

Also in this episode, she revealed that she remained mum to everyone in her life about attending Spears’ wedding.

“[I] was keeping it top secret all week,” she said. “Literally, I did not tell anyone, not even the people I asked [for] dresses that were sent, my whole team, my glam, my driver, everyone. I’m not gonna go into any details because it was the princess bride’s night and that’s her story to tell, but all I can say is that I am just so incredibly happy for her.”

Check out the full episode of This Is Paris here.

Paris Hilton is a Warner Music Artist. Uproxx is an independent subsidiary of Warner Music Group.

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Steph Curry Carried The Warriors To A Game 4 Win In Boston

A best-of-3 series will determine the 2022 NBA champion. Thanks to one of the best postseason performances in Steph Curry’s career, the Golden State Warriors walked into Boston for Game 4 of the NBA Final on Friday night and picked up a 107-97 win over the Celtics to tie the series up at two games each.

Steve Kerr rolled the dice to start the game by inserting Otto Porter into the starting lineup for Kevon Looney. It didn’t work out like he hoped, as Looney came in for Porter less than five minutes into the first with the Warriors trailing by six. Things did, however, start looking easier for Golden State once they went with a more natural lineup.

This included an 11-2 run when Porter returned to the game in place of Draymond Green, which helped the Warriors take their first three of the night on a triple by Curry.

Despite that, Boston was able to compose itself in the face of Golden State getting hot, and after Grant Williams hit a triple right before the buzzer sounded, the team found itself up, 28-27, after one.

The two teams threw haymaker after haymaker at one another in the second quarter. Every mini-run had a response, while Curry and Jayson Tatum both rose to the occasion — the former had a game-high 19 points at the break, while the latter had 16 with seven rebounds.

The Celtics were ultimately able to give themselves a bit of a cushion heading into the locker room, as the team took a 54-49 lead into the break. Jaylen Brown had 12 points while Derrick White scored 10 off the bench, and Robert Williams in particular seemed to give Golden State major problems, as he had five points with 10 rebounds and a pair of blocks.

For the Warriors, Andrew Wiggins had 11 with five rebounds and Jordan Poole scored nine off the bench, but save for one spell in the first, shots from deep just did not fall. The team went 7-for-24 from downtown in the first half, and even Curry struggled to hit threes, as he went 2-for-8.

While Golden State won the third quarter, it was not nearly as emphatic as we’ve seen earlier in the series. Outside of Curry, the team did not have too many consistent ways to attack the Celtic defense.

Having said that: Holy sh*t Curry was good in the third. The Warriors star scored 14 points in the quarter and hit four of his five tries from behind the three-point line, and the way he relentlessly attacked helped his team take a 79-78 lead into the fourth.

Boston was able to wrest the lead back early on in the fourth, thanks in large part to Brown attacking the Warriors over and over.

That last bucket led to Kerr making a major decision, as he opted to sit Green and inserted Looney for Nemanja Bjelica. The response was an 11-4 run for Golden State that led to them retaking the lead.

Green returned as part of what was essentially an offense/defense substitution pattern with Poole down the stretch whenever one could come into the game for the other. The plan worked out beautifully — Boston’s offense just could not get anything going down the stretch, and with just over 100 seconds left in the game, Curry pulled up from deep to make the outcome feel inevitable.

Curry’s 43 points on 14-for-26 shooting and 7-for-14 shooting from deep with 10 rebounds and four assists got Golden State across the finish line. Wiggins deputized admirably with 17 points and 16 rebounds, Klay Thompson went for 18 points, and Poole provided 14 off the bench. For Boston, Tatum’s 23 points, 11 rebounds, six assists, three blocks, and one steal stuffed the stat sheet, although he struggled down the stretch, with his final made shot coming with 10:46 remaining in the fourth quarter. Brown scored 21; Marcus Smart had 18 points with five assists, four steals, and four rebounds; and White scored 16.

Game 5 of the 2022 NBA Finals will take place in San Francisco on Monday night. It is scheduled to tip off at 9 p.m. ET on ABC.

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Melissa McCarthy Recalls Hearing Halle Bailey’s ‘Little Mermaid’ Music: ‘I Couldn’t Get It Together’

Melissa McCarthy stopped by Watch What Happens Live this past Thursday. During the fan question portion of the show, a fan dialed in and asked McCarthy about Disney’s upcoming live-action version of The Little Mermaid.

The fan asked, “How’s Halle Bailey’s version of Ariel in The Little Mermaid and are there any new songs in this live-action version?”

McCarthy, who plays Ursula in The Little Mermaid, said of the first time she heard Bailey’s Little Mermaid songs on set, “I had a truly, really — not weird reaction, just overwhelming. It’s so beautiful and it’s just different. That girl has got roots down and she sings from her heart. When I heard it, there were like seven of us that just burst out crying because we had not heard it.”

McCarthy didn’t specify which songs she heard, however, she continued to praise Bailey and her musical stylings.

“She is a remarkable young woman in every moment, how she is on set, how she is as a person, and I burst out crying. And now I realize, now she’s thinking, ‘There’s a really old woman in front of me crying and this is weird.’ But I couldn’t get it together.”

Bailey saw the clip on Twitter, and responded to McCarthy’s praise saying, “this was so kind,” followed by a series of emojis. “miss you.”

The Little Mermaid premieres in theaters May 26, 2023.

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Jennifer Lopez Was Almost Forced To Cut The Cage Portion From Her 2020 Super Bowl Halftime Performance

A new Netflix documentary called Halftime takes an inside look at Jennifer Lopez’s 2020 Super Bowl, in which she and Shakira took the stage to perform some of their biggest hits. Fans may remember that near the end of the show, kids appeared in cages, as a statement condemning detaining children in ICE detention centers.

The documentary revealed that this portion of the show nearly got cut.

When conceptualizing the show, Lopez said to her choreographer, “This girl from the Bronx, this girl that’s a Latina landed on this stage somehow and is here to represent our culture, our music and women everywhere. I’m thinking a great moment would be to have these fantastic little girl dancers I just met along with hundreds of other girls in light cages. A choir of little girls singing. We want a feeling of Latinos in cages…and you can’t keep us there. We won’t have that. The concept is, this next generation is not going to be suppressed in the way that we were.”

Later on in the documentary, she is seen in a meeting talking to higher-ups from the NFL. During the meeting, which took place a day before the actual Super Bowl, Lopez recalls feeling a “weird vibe” after running through the concept. Her manager later explained that the NFL had concerns about the cage portion and wanted her to pull it.

Lopez doubled down and refused to give in.

“For me, this isn’t about politics; this is about human rights,” Lopez said. “I’m facing the biggest crossroads of my life — being able to perform on the biggest stage of my life, but to take out the cages and sacrifice everything I believe in would be like never being here at all.”

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Let’s take a moment to appreciate the absolute magic of this iconic ‘Jurassic Park’ scene

Reviews are flooding in for “Jurassic World: Dominion,” the latest-slash-alleged last installment in the dino theme park franchise. And, well, they are not kind. Disappointment seems to be the main sentiment for both critics and the public alike.

Despite bringing back the original film’s well-loved characters and even creating some paleontologist-approved dinosaur designs (feathers and all), most people are left asking—where is the wonder?

Perhaps that’s why an iconic scene from the very first “Jurassic Park” has resurfaced and is winning hearts online once again. It just goes to show that a) modern tech is great, but it doesn’t inherently make everything better, and b) when a story hits at an emotional level, it withstands the test of time.


In the scene, scientists Alan Grant (Sam Neill) and Ellie Sattler (Laura Dern) receive the ultimate welcome tour of Jurassic Park, where they behold giant, magnificent brontosauruses for the first time.

The video sent several into pure nostalgia overdrive. Here are some of the heartwarming comments:

“One of the best scenes in movies ever, perfect in every detail.”

“A wonderful scene,,, the moment you see them all at the lake. I cried.”

“The T Rex scene may be iconic, but this was always my favorite part of the movie…You can see the true beauty of Jurassic Park, not just the dangers of these ‘genetic monstrosities’. This was our first view of a truly realistic looking dinosaur, and Spielberg made it magical.”

“In the history of cinema the impact of CGI has never struck harder than in this scene. I remember the night of the opening, you could hear every soul in the theater saying ‘woooooo’ at the first appearance of the dinosaur. Is like we were giving new eyes. It was such a new experience, that that night I dreamed about dinosaurs, but they were stop motion, meaning my brain still couldn’t process CGI.”

Sure, the conversation about how modern CGI is ruining movies is an old one. But the original “Jurassic Park” was able to successfully balance innovative animation with compelling storytelling. Perhaps this is because it didn’t give up on practical effects entirely. That famous rippled water scene that signaled the incoming dreaded T. rex, for example, took painstaking effort to capture in real life. According to Cinemablend, it involved a special rig using a guitar string to reach the perfect note to get the water to move the correct way. Totally paid off though. Who doesn’t still get chills when watching that?

jurassic world dominion

Truly, what the first “Jurassic Park” had, which its sequels sadly lack, really has nothing to do with special effects or even how many times we get to see a dinosaur (fun fact: the dinos in the original movie only had a total of about 15 minutes of screentime). As with every great movie, no matter the genre, it had a distinctly human element to it.

Just take a look again at the brontosaurus scene. It’s the full commitment from the actors that help make the moment so magical. Dern’s complete 180-degree shift from all business to jaw-dropped awe alone sells it. Plus, that music score hits in the perfect way, every time. God bless you John Williams.

Action is cool. And hey, it definitely sells. Despite its abysmal reviews, “Jurassic World: Dominion” still broke $18 million at the box office on its Thursday previews. But if the enduring love that people have for “Jurassic Park” is any indicator, it’s clear that what people really want are stories that move them.

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Man discovers his grandfather had a beautiful relationship with a famed Broadway composer

You never forget your first love. Even if it doesn’t last, it leaves an indelible mark on you. Sama’an Ashrawi, a writer, artist and host of the podcast The Nostalgia Mixtape, discovered just how true that statement is. In a Twitter thread, Ashrawi details a discovery he made about his grandpa’s past romantic life. It goes to show that while we may know a lot about our elders, there’s always something new to learn.

“My Grandpa Dave told me he was sure he was gay when he was moving into his dorm room freshman year of college and there was a boy ‘with the prettiest eyes;’ after Grandpa passed, I learned from my mother who that boy was,” the first tweet of the thread reads.


Ashrawi reveals that the boy was named John Kander. If the name isn’t familiar to you, I assure you, you know who he is. Kander, along with his creative partner Fred Ebb, wrote the music to some well-known musicals, including “Cabaret,” and “Chicago.” They also wrote the song “New York, New York,” which became a staple song for Frank Sinatra after originally being sung by Liza Minnelli.

In a special episode of The Nostalgia Mixtape, Ashrawi explains that his grandpa Dave and Kander were boyfriends during their time studying at Oberlin Conservatory of Music. And when he was little, he remembered his grandpa sitting down at the piano to play songs from “Cabaret.” While at the time he didn’t know the emotional significance and deep connection his grandpa had to the music, he says that knowing what he knows now adds a certain “romantic” element to the piano playing.

“It’s kind of like when you’re in love, and you’re far away from the one you love and you look up at the moon and you imagine that maybe they’re looking at it at the same time as me,” he said.

He then fast-forwards to the pandemic and how it led him to make an interesting revelation about his grandpa Dave’s relationship with Kander.

“I had been stuck in the house for about a year,” he begins. “There was this one bookcase that I walked by almost every single day, and this particular time I was walking by, I noticed something that for some reason, I had never seen before.”

He found a 7″ vinyl record, and “everything on the label was written in pencil.” The title “Our Boy” was on the label, as well as the year the record was pressed—1951. The composer? None other than John Kander, his grandpa’s old boyfriend.

“My mom told me it was a song John had written for Grandpa. I put the record on and listened … some very moody piano solos, it sounded theatrical. I needed to know more. I went online, was John even still alive? To my amazement, the answer was yes! 94 years old,” he tweeted in the thread.

Ashrawi felt that Kander’s email address wouldn’t just be floating around the internet, but after some good ol’ internet sleuthing, he discovered that Kander’s great-nephew, Jason Kander, is a politician in Missouri. So he slid into the younger Kander’s DMs, telling him about his discovery of “Our Boy” and hoping for some more insight and stories about John Kander’s relationship with his grandpa Dave.

“Two days later, I had an email from John Kander,” he said on the podcast.

He revealed that “Our Boy” wasn’t just a song; it was a full one-act musical that Kander had written with the intention of it being a star vehicle for Grandpa Dave. “It was a play about a boxer grappling with the existential feelings of defeat,” he tweeted, including a photo of a newspaper clipping featuring the show. Kander also shared some photos from the show that Ashrawi and his family had never seen. He described seeing the images as “beautiful.”

On the podcast, he explains that Kander extended an invitation for a meeting if he ever found himself in New York City. “So I went to New York,” he says, the theme Kander had written playing in the background. Ashrawi, his mom and one of his sisters had lunch with Kander. His mom hadn’t seen Kander since she was a little girl!

After talking to Kander, Ashrawi gained a newfound understanding of his grandpa and the time they had been living in. It was an era when being openly gay could literally ruin your life, and it was clear that being an actor must have gaven him a sense of freedom he couldn’t have in real life. Playing another character allowed him to put his own troubles aside for a little while and be free. Kander revealed that the theater was the most special place for he and Dave.

Even though they went in very different life directions (Ashrawi revealed his grandpa became a doctor), it’s clear that their time together left a deeply beautiful mark on both of their lives.

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Pennsylvania House unites in vote to erase ‘homosexuality’ from the state’s criminal code

Despite major strides in the fight for LGBTQIA+ rights, there is always something else to fight for. Sometimes, it’s creating new changes to make things a little bit safer for people. But sometimes, it’s about looking back in the past and seeing how existing laws and beliefs could still harm people. Changing the way we talk about members of the community is one of the easiest ways to reduce harm, and it looks like politicians in Pennsylvania have realized that.

Recently, the Pennsylvania House of Representatives voted to erase the word “homosexuality” from the definition of prohibited acts in the state’s Crimes Code. The Associated Press reported a unanimous 198-0 vote was on a bill to clean up outdated language, because, as the supporters of the change rightfully pointed out, it’s not a crime to be gay.

“This bill provides a long overdue update to our crimes code to ensure nobody is prosecuted because of who they love,” said the sponsor of the bill, Rep. Todd Stephens (R-Montgomery), as reported by the Associated Press.


Stephens introduced the bill in November 2021 intending to “remove references to the term “homosexuality” within definitions of prohibited sexual acts within state law,” according to an article from Patch.

“The usage of this term in the definitions of ‘sexual activity’ and ‘sexual conduct’ in Sections 5902 (relating to prostitution) and 5903 (relating to child pornography), respectively, serves no purpose as homosexual acts, in and of themselves, do not constitute a criminal offense,” Stephens wrote in a co-sponsorship memo.

It is important to point out the significance of sodomy laws in the United States. Though they existed for basically as long as the country has, for much of the 19th and 20th centuries they were used specifically to target members of the LGBTQIA+ community. This is especially true regarding cisgender gay men and trans women. The use of sodomy laws against the LGBTQIA+ community became prominent (to the point where several states rewrote their laws to specifically target the community) in the late 1960s/early 1970s as the gay rights movement began to grow and take shape.

In a place like Pennsylvania, while the laws weren’t rewritten to explicitly target gay people, those in charge targeted only gay people. Many of these laws don’t exist anymore, but remnants of them still remain. That’s why this language change in Pennsylvania is so important. It legitimizes the LGBTQ+ community lawfully, even though they will still face discrimination and unfair treatment via the law. But changing that language gives people a stronger case when they have to fight back.

Rep. Dan Frankel, a Democrat from Allegheny County, has been fighting for a long time to expand nondiscrimination protections to the LGBTQ+ community. According to the Associated Press, he said the language of the current law is “cruel and absurd” and urged his fellow lawmakers to make moves regarding anti-discrimination legislation.

“In this General Assembly, sadly, it’s a huge lift to merely agree that being gay shouldn’t be illegal,” said Frankel.

The current bill cuts “homosexuality” from a section on “obscene and other sexual materials and performances” by removing it from the definition of sexual conduct, per AP.

Frankel isn’t the only one who thinks these laws are not only archaic, but also unfair. Rep. Malcolm Kenyatta (D-Philadelphia) points out that these current laws openly discriminate and keep people from holding down jobs, owning homes or having families “simply because of who they are and who they love.”

“I hope that we have these same votes for enshrining nondiscrimination protections, which we sorely need to do,” Kenyatta said.

Hopefully, this leads to more positive change, not just in Pennsylvania, but in other places where such language still likely exists.

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‘Baby Holly’ found alive and reunited with her family 40 years after parents’ murder

Upworthy strives to bring you the most uplifting stories out there, so when we saw KHOU broke the story about this unique reunion, we had to share. There’s no way to prepare for tragedy to strike and there is no rule book on how to prepare a child to grow up without their parents. It’s a situation that no one wants to live through but a baby girl’s life was forever changed before she made it to her second birthday. Missing for 40 years, “Baby Holly,” the daughter of a couple found murdered in 1981, has been reunited with her family. The untimely deaths of the couple led to a multidecade search for the suspect and the couple’s missing daughter. A new Cold Case and Missing Persons Unit with the Texas Attorney General’s Office worked across state lines to locate the missing child, now a mother of five.


This story is one born of tragedy but ends in the most hope filling way possible. Dean and Tina Linn Clouse were just like many young couples—out on their own raising their young daughter. But on January 12, 1981, their little family would be met with tragedy and Holly disappeared. The couple was found in a remote part of Houston and remained unidentified until October 2021 using advanced DNA techniques underwritten by audiochuck. Amazingly enough, with the help of three states and combing missing persons records, the Clouses’s daughter was located in Oklahoma.

A connection to family is important for a lot of people and finally after nearly a half century, the missing baby was able to be reunited with her biological family. According to KHOU OAG Senior Counsel Mindy Montford and Det. Craig Holloman with the Lewisville Police Department visited Holly’s workplace Tuesday June 7, which would’ve been her father’s 63rd birthday to inform her that she was missing “Baby Holly.” Hours after the police informed her of her identity, she was reunited with both sides of her family online.

Missing children in the early ’80s and ’90s didn’t have the technology that is available today to aid in the search for them, which likely hindered the search for Holly. Before she was located, FHD Forensics started the Hope for Holly DNA Project to hold the genetic profiles of some of Holly’s family members. This project helped connect the missing pieces to locate the missing child of the Clouses. Holly’s aunt, Cheryl Clouse told Xavier Walton of KHOU who first reported on the story, “The whole family slept well last night. The Hope For Holly Project was a success thanks to the Texas Cold Case Unit.”

The relief the family has felt since finding Holly is clear. Sherry Green, Holly’s maternal aunt, told KHOU “I believe Tina is finally resting in peace knowing Holly is reuniting with her family.” While the family is still preoccupied with this joyous development and surely awaiting the chance to meet Holly in person with the help of The Center for Missing and Exploited Children, the agencies involved are also celebrating the culmination of months of hard work. Founder of FHD Forensics and genealogist Allison Peacock explained to KHOU, “They’ve spent the past six months with me digging through records, gathering photos for the National Center for Missing and Exploited Children’s age progression portrait, and documenting memories of Holly and her parents in an effort to help law enforcement,” when praising the family for never giving up.

This story is truly one of determination, technology and hope meeting to help bring a missing child back to her family. While the mystery of who murdered Holly’s parents still remains unsolved, the intense and effective work of this newly formed cold case unit likely not only gives continued hope to the relatives of the Clouses, but hope to other families who may still be waiting on answers.

Anyone with information about the disappearance and murder of Dean “Junior” Clouse and his wife, Tina Linn Clouse should contact Sgt. Rachel Kading at the Texas Office of the Attorney General’s Cold Case and Missing Persons Unit at [email protected] or 512-936-0742.

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Dramatic video shows Chicago man risking his life rescuing a man electrocuted on train tracks

What makes somebody a hero these days? The term gets thrown around a lot. But usually it refers to someone who puts themselves at risk to selflessly assist another person, help a vulnerable animal or speak out when others stay silent. Heroes aren’t born, they are made. And in a story first reported by a Bay Area ABC News affiliate, we get to see some incredible heroism caught on camera.

Things started when a fight broke out between two men at the 69th Street Red Line station in Chicago on Sunday and it spilled over to the tracks as a train came through, narrowly missing them, according to ABC. One man was electrocuted by the third rail that powers the train and was unconscious and convulsing on the tracks when the other scampered away. While a group of onlookers on the platform watched the unconscious man as he writhed on the tracks, 20-year-old Anthony Perry jumped down and lifted his body off the third rail to safety.

Perry then administered CPR with the help of a bystander. “It was definitely surreal,” witness Tavi Ghee said according to ABC. “That was an out-of-body experience.”

“There was a lady, I guess she had medical experience. She was talking me through on what to do. I feel like that was an angel from God. I ended up doing chest compressions and turning him on his side until the fire department got there,” Perry said according to FOX 32.

Ghee took video of the amazing rescue.

Warning: The following video is graphic.


Perry’s heroics were incredible because he risked his life by approaching the third rail. “Customers who enter CTA tracks, known as the rail right of way, face not only the danger of oncoming trains, but also that of the third rail, which carries 600 volts of electricity used to propel trains—a level of electricity that is almost always lethal,” the Chicago Transportation Authority‘s website warns.

The man who was electrocuted suffered a burn to his left leg and an abrasion to the mouth but was transported to the hospital in good condition. The man who he fought with has yet to be caught, but the Chicago police are looking for him.

Perry briefly touched the rail and had minor burns.

“I was hoping I could just grab him and not feel nothing, but I felt a little shock,” Perry said. “I felt it all through my body actually. I didn’t let that stop me,” Perry said according to ABC.

“When I looked back on the video and I listen, it sounded like everyone was in fear … no one actually did anything, they just wanted to record,” Perry said according to the Chicago Sun-Times.

Perry was honored for his bravery on Tuesday with a ceremony with Chicago philanthropist Early Walker. Walker gave Perry a gas card for his bravery, knowing that he didn’t have a car.

But then a tow truck pulled up with a larger gift, an Audi A6.

The gift must have been a godsend for Perry, who has a 90-minute commute to work each day that requires him to take two buses and a train.

“We just wanted to honor you. We wanted to literally show our appreciation because we need more people like you. We need more Anthonys in the world. Everybody is about the views, about going viral but no one helps,” Walker said. “We just wanted to honor you, we want more Anthonys in the world.”

“Good does win,” Perry said. “Good always wins!”