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Hunxho Channels The Black Panthers In His New ‘Fight’ Video

Still hot off the release of his Street Poetry project, which dropped this past March, Atlanta rapper Hunxho has dropped a new video for “Fight.” In the video, directed by Hunxho embodies the power-fighting spirit of the Black Panthers, knocking out his opps as he fights them in a warehouse.

Over the past year, Hunxho (not to be confused with fellow ATL rapper Quavo, who also has adopted the Huncho nickname) has proven to be a promising act, garnering a huge amount of streams following his viral single, “Let’s Get It,” featuring fellow ATL rapper 21 Savage. Although Street Poetry was just released this past March, he is already gearing up to drop a new EP called Xhosen later this month.

In a recent interview with AllHipHop, Hunxho says that all though he’s achieved a considerable fan base, he plans to continue working as if he hasn’t blown up.

“Man, if I can sleep in the studio I will,” Hunxho said. “As long as I’m doing something that’s got to do with music, I feel good. I like moving a lot, I like doing a lot. I want to every day, wake up and do something that has to do with music. I like working. I don’t ever want to feel like I made it. I don’t care if I made it yet, I’ll always want to keep working.”

Check out “Fight” above.

Hunxho is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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‘Hacks’ star Megan Stalter is back with her hilarious ‘Hi Gay’ videos poking fun at corporate Pride campaigns

If you watch the comedy series “Hacks” on HBO, you probably know Megan Stalter as Kayla, the scene stealing, wackadoodle agent assistant with more fashion sense than common sense. But Stalter was making people laugh long before her television debut.

kayla hacks, meg stalter hacks

GIF created by Ollivia Cooke on Tumblr 64.media.tumblr.com

The comedian is a well-known internet treasure for her hilarious “Hi Gay” video series, where she pokes fun at the sometimes tone-deaf attempts certain corporations make to appear more accepting or supportive of the LGBTQIA+ community … without practicing true allyship.

In June 2021, Stalter became a bona fide meme by playing a stiff-smiled employee of the (fake) Butter Shop “sashaying away with deals” for Pride Month for those that can “prove they’re queer.” The delightfully cringey video, which amassed 1.4 million views, is below:

The Butter Shop is back again for Pride Month 2022 and so too are the southern saleswoman’s failed attempts at courting “the gays.”


“Hi Gay! Happy Pride Month! We’re back at the Butter Shop, queens, and we go goo-goo, ga-ga for gay,” Stalter poorly reads from a script offscreen. She also assures audiences that “we’re more lesbian than ever. We love lesbian, you queer thang.”

Ceremoniously holding butter like a Statue of Liberty knockoff is a brilliant touch, I must say.

Stalter announces that the Butter Shop has brand new flavors to “slay the house down.” Personally, I’d go for the “sassy cinnamon.” But “hickory hickey from a guy,” and “eat me out, amber, cheddar” are also options.

She then spews out “Hunky dory more like honky whore-y mama werk shake your thang sissy twerk doctor girl yassify that hoe,” before donning some rainbow-colored sunglasses.

This is a perfect example of how brands suddenly use rainbow colors or imagery to advertise rather than advocate, otherwise known as rainbow-washing. One of the more damaging aspects of rainbow-washing is that it often misleads people into thinking that they are helping to empower a marginalized community, when in actuality they are only helping corporations profit.

The underlying motto, as Stalter puts it, is “we think that gay people are okay. At least for the next 30 days.”

Of course, there are plenty of companies that authentically participate in allyship. The Urban List recommends checking to see if a company’s support is both measurable (having outcomes) and year-round, as well as if it addresses community issues, speaks up to impact anti-LGBTQI+ policy and legislation, and offers paid opportunities to the company’s queer employees. That’s a great place to start.

Stalter has stumbled on her own brand of advocacy through her funny videos. The actress—who has been open about expressing her own bisexual identity as a previously avid churchgoer from the Midwest—understands the importance of normalizing and celebrating queer joy.

In an interview with The Advocate, she shared, “I light up when I see a gay character or a queer character. We’re so starved for it. Even though [representation] is evolving, and there is a lot more now than when I was growing up, there are some nights when I’m googling gay movies, just dying to see something where I feel represented. ”

Stalter added, “One of my favorite things about ‘Hacks’ is that there are all these queer characters and it’s just who they are. It’s not so focused on them coming out. It’s important for us to have those stories of coming out, and sad stories or triumphant stories. But it’s so important to have that representation of just, ‘oh, yeah, that’s one thing about me, but it’s not everything about me.’”

It doesn’t look like Stalter will be short of gay comedy anytime soon. The newly dubbed “Mariah Carey of Pride Month” is on Instagram, Twitter and TikTok. It’s great viewing … whether you’re a “lipstick lesbian or a butch.”

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Original Wonder Woman Lynda Carter becomes a superhero for the LGBTQ+ community

For many, Lynda Carter is the definitive live action Wonder Woman. The actress first brought the comic book heroine to life in the ’70s, and even makes an iconic cameo appearance in the modern-day films starring Gal Gadot. She’s got Wonder Woman action figures made in her likeness, for crying out loud.

All that to say, I think we can feel confident in dubbing Carter a Wonder Woman expert. She’s certainly poured a lot of heart and passion into the role over the years, and fans love her for it.

To kick off Pride Month for 2022, Carter tweeted a variant Wonder Woman comic book cover created by artist Paulina Ganucheau, which was released the previous year. The cover depicts the Amazon warrior smiling while brandishing her signature golden Lasso of Truth in front of a vibrant rainbow backdrop.

The sweet moment was cut rather short after someone commented, in all caps no less, that “Wonder Woman IS NOT A SUPER HERO FOR GAYS.”

In true Wonder Woman fashion, Carter was quick with a defensive comeback.


Carter replied, “You’re right. She’s a superhero for bisexuals!”

She attached a 2016 Polygon article where Greg Rucka, a major writer for the contemporary Wonder Woman comics, confirmed that Diana is, without a doubt, canonically queer. He added that considering the entire island of Themyscira where Diana lives was filled with only other Amazons for centuries upon centuries, “it makes no logical sense otherwise.”

Objectively, even the original conception of Wonder Woman had LGBTQ+ roots. When William Moulton Marston created her in 1941, she was inspired by both his wife Elizabeth and their polyamorous partner Olivia Byrne. Their story was depicted in the 2017 film “Professor Marston and the Wonder Women,” starring Luke Evans, Rebecca Hall and Bella Heathcote.

Carter later posted: ‘I didn’t write Wonder Woman, but if you want to argue that she is somehow not a queer or trans icon, then you’re not paying attention.”

She also shared the the importance of keeping the character a queer icon so that others can be empowered to express themselves authentically. “Every time someone comes up to me and says that WW helped them while they were closeted, it reminds me how special the role is,” she wrote.

She then posted a photo from her Wonder Woman TV show days along with the caption: “Love seeing all the love from LGBTQ+ fans today! Now here’s one I’d like to call the ‘ready to fight your homophobic relatives’ pose. Just kidding. (Or am I)?”

This was followed by encouraging others to support LGBTQ organizations such as Trans Lifeline, the Sylvia Rivera Law Project and PFLAG, which is geared specifically toward parents and families.

You know what they say … not all heroes wear capes. But they do all fight for humanity in their own way. Carter might have retired her magical tiara, but she’s still a queen.

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The Swedish resistance to feeding guests may not actually be as rude as it seems

Growing up, I was taught that it was rude to slurp food at the dinner table. In most American households, if you ate a bowl of soup and audibly slurped the noodles out of your bowl, people would assume you never learned proper table manners.

As an adult, though, I lived in Japan for a year, where it is not only acceptable to slurp your noodles loudly around others, but it’s actually considered good manners. Noodle slurping is an integral part of Japanese food culture, a norm that feels strange or even wrong to people from most other cultures.

This difference was the first thing that came to mind when I saw a flurry of debate recently about a Swedish cultural food norm that some people find downright appalling.

It all started with a viral Reddit post asking about the weirdest thing people have had to do in someone’s home due to their culture or religion. One responder described being made to wait in a Swedish friend’s bedroom while the friend had dinner with their family.


“While we were playing in his room, his mom yelled that dinner was ready. And check this. He told me to WAIT in his room while they ate,” the person wrote.

Another comment followed describing a similar instance: “I slept over at a friend’s house. When we woke up, he said he’s going downstairs for a few minutes. After about 15 minutes I go on the stairs to see wtf is happening and they’re eating breakfast. They see me and tell me he’s almost done and will be up there soon.”

Fast and furious responses followed, screenshots of the posts went viral on various social media platforms and the entire nation of Sweden took a beating as people berated their rude habits and lack of basic hospitality. The hashtag #Swedengate trended on Twitter for days as people shared all manner of negative impressions of (and in some cases, direct experiences from) Swedish culture.

I’m not here to defend Sweden wholesale, as I’m sure there are plenty of legitimate criticisms, as there are for every culture. However, when it comes to something like not feeding guests in your own home, it seems likely that there’s some kind of explanation beyond “these people are just rude.” Much like noodle slurping in Japan, one culture’s rude can be another culture’s polite.

As it turns out, there are a few explanations for it.

Part of Sweden’s food culture is a combo of its long winters and culture of independence.

Professor Hakan Jonsson, a food studies professor at Lund University in Sweden, told The New York Times that some of the resistance to feeding guests stems from the days when food harvests had to be stored for many months during the long Nordic winter. Spontaneous dinners were traditionally not part of the culture, as families had to carefully plan and ration their food stores.

Independence is also a strong cultural value in Sweden, and rather than seen as generosity, feeding another person’s child could be seen as a criticism of that family’s ability to provide for their children.

“There has been a very strong urge of independence, to not rely on others’ good will for having a good and independent life,” Professor Jonsson told The Times.

(Hmm, now the entire IKEA model makes sense. Careful precision in design, but then, “Here, you’re on your own to actually build it. Good luck.”)

Others have shared similar explanations, saying that feeding someone else’s child is in some ways considered rude, either because it’s viewed as a judgment on the parents’ ability to feed their children or as interfering with a family’s own dinner.

“Swedes cook for the people they expect (family). Precise portions. We don’t mind guests, just tell us in advance and we’ll add one more. And in Sweden, it’s understood, you don’t eat at a friend’s house unannounced. No big deal here,” wrote one Twitter user.

Those explanations didn’t stop people from cultures that place a high value on hospitality from criticizing the practice, of course. Not feeding a guest in your home is the peak of rudeness in certain cultures, so how could this practice be seen as OK in any way?

Part of Sweden’s not-feeding-guests culture may be rooted in a history of shame for ‘owing’ people.

Another explanation shared on Twitter from an “amateur historian and sociologist” provides more historical context for the practice. It’s a bit lengthy, but the gist is that this not-feeding norm isn’t unique to Sweden, but common to Norse cultures in general and even somewhat common in Norman England and France. According to this explanation, it has to do with the historical “honor/shame economy” of Viking culture being a source of violent conflict.

“In Norse culture, hospitality (providing food, drink, lodging) was a duty of higher status individuals towards people of lower status, but the act of receiving hospitality created an obligation or debt on the part of the recipient,” @WallySierk wrote. “So, hospitality not only brought honor to the giver, it had the potential to bring shame to the recipient. Norse culture, and as it progressed through the Middle Ages, was incredibly personally violent. People fought duels, violently extracted debts and squeezed renters.”

“One of the challenges of the Protestant church in Scandinavia post-30 years war was to create a culture that tamped down on personal violence and civic unrest,” they continued. “Since the root of a lot of the interpersonal violence was competition for status and extraction of payment, the Church, with the framing of early Protestant Humanists, began to promote the ideal of the free member of society, owing no one and owed nothing. If the culture could get rid of the interactions that caused friction, people could live more peaceful lives.”

The thread explains that inequality and industrialization in the 1700s and early 1800s pushed Scandinavians to emigrate to America and other colonies, leading some people in power to manipulate debts, which created a lot of pain.

“When people were able to escape debt, they felt a lot better. So, for the sake of egalitarianism and reduction of conflict, they created a society that minimized the creation of debt and obligation, and maximized the ability of the individual/family to be self-sufficient. This ‘not feeding the neighbor kids’ weirdness Is about maintaining peace in the community.”

From reading replies from Swedes, it appears this practice is common, but not necessarily universal. It also appears to be primarily about guests who are not planned for in advance, not a blanket “we don’t do hospitality” norm. Still, it is a stark contrast to cultures in which offering food to any guest in your home is simply par for the course. The idea that you would not only not offer, but actively not serve a guest food is a complete anathema in many countries and cultures around the world.

But when you dig into the roots of why those norms exist, it’s not quite as blatantly rude as it seems. Cultural norms rooted in historical struggle take a long time to change, even when those struggles are no longer front and center.

All I’m saying is let’s give the Swedes a teensy bit of grace on the food front. They may come across as stingy to many of us, but in the context of their own history, it makes some sense. Plus those IKEA Swedish meatballs are hard to beat.

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Here’s How The Very Odd-Sounding Country Crock Rye Whiskey Actually Stacks Up

Even if you’ve never tried it, we’re sure you’ve seen a few Country Crock commercials over the years. You know, the ones where all you see is a pair of hands discussing random things while spreading plant-based butter substitute on a piece of toast, muffin, pancake, or even French toast. The brand has been around since 1945 and besides imitation butter, they sell myriad other products including mashed potatoes, pasta, and other side dishes. And now, they sell whiskey.

Yes, you read that right: whiskey. Specifically, rye whiskey.

That’s because Country Crock just launched Cover Crop Rye Whiskey. But this isn’t just a gimmick to sell whiskey. That’s obvious since, even though it’s made by Country Crock, the name isn’t even listed on the bottle. So why?

It’s all in the name. The whiskey began with the brand’s Cover Crop Project.

Country Crock, that butter-like stuff you spread on your toast in the morning, is actually made from soybeans grown in the Kansas City area. In 2020, Country Crock created The Cover Crops Project in partnership with No-Till on the Plains to provide financial resources, training, and to help with the planting of cover crops. For those unaware, cover crops are planted to help to replenish the soil, stop erosion, and various other important pieces of the permaculture process. As part of the project, farmers in Kansas and Missouri who plant cover crops on soybean fields that hadn’t previously had cover crops get a $10 per acre reimbursement.

Cover crops are extremely vital to maintaining healthy soil and guaranteeing fresh fruits, vegetables, and grains. That’s why Country Crock collaborated with Kansas City’s J. Rieger & Co. to produce a one-time, limited-edition rye whiskey that’s not only well-balanced and delicious but will help get the word out about the importance of cover crops. This ultra-small batch is only made up of 500 bottles.

Now the real question is, is it any good? You can be as invested in an important ideal as you want and make a whiskey to get it noticed. But your whiskey also has to be good, right? Otherwise, what’s the point?

Keep reading to see if we liked it.

Cover Crop Rye
Christopher Osburn

ABV: 46.5%

Price: $40 and only available at mashedandgrape.com

The Whiskey:

You’ve already heard about the use of cover crops to help in soil health, stop erosion, and improve the quality of the produce grown. Growing the same thing over and over is bad for the soil. This is why farmers rotate cover crops. This includes cereal rye. J. Rieger & Co. crafted a whiskey that’s blended with a whiskey featuring this cover crop.

The result is a sweet, spicy, surprisingly sippable spirit.

Tasting Notes:

They aren’t kidding with references to butter. The first aroma noticeable on the nose is straight Werther’s Original candy. I’m talking grandma’s house, buttery caramel mixed with dried apricots, vanilla beans, candied orange peel, and a bit of oak. No rye spice is noticeable on the nose, but that’s not necessarily a bad thing as this whiskey is being touted as “buttery” — which isn’t normally how a rye whiskey would be labeled.

The peppery rye is very evident on the first sip, but it’s followed by a very buttery caramel flavor that reminds me of a fat-washed old-fashioned. It’s spicy, warming, and ends with a nice mix of cracked black pepper and buttery toffee candy. There’s a little more heat than I anticipated, but it’s not overwhelming.

Cover Crop Rye 2
Christopher Osburn

The Bottle:

The bottle is simple and classic and gets the point across. It’s adorned with an image of vast farmland with a farmhouse at the top center. It’s assumed that the field is filled with cover crops and the farm, whose family is benefiting from the crops lives in the house. It really tells a story about the generations of farmers who have made it their living to grow the fruits, vegetables, and grains we sometimes take for granted.

A great representation of exactly what you’re going to get when you crack open a bottle. And a solid convo starter.

Bottom Line:

The tagline that this is a “buttery” whiskey is definitely not incorrect. There is a great deal of butterscotch on the aroma and the palate. It also has some fire-y heat and spice from the addition of peppery rye. All in all, a decent bottle worth trying.

Ranking:

70/100 – While this bottle is being touted as a whiskey from Country Crock, it’s made by J. Rieger & Co., a brand that knows quite a bit about the art of distilling. While not the greatest rye whiskey we’ve ever had. It’s a nice mix of buttery sweet caramel and spicy rye — though it might have a little too much heat for some whiskey fans.

Still, it’s definitely worth trying for the price.

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Draymond Green On Derrick White’s Big Game 1: ‘You Have To Live With That’

Derrick White gave the Boston Celtics a gigantic boost off the bench during their Game 1 win over the Golden State Warriors on Thursday night. Known more for his defense than his shooting, White scored 21 points and connected on five of his eight attempts from behind the three-point line, with two of those makes coming during the relentless fourth quarter that the Celtics rode to their 120-108 win.

In the aftermath of the game, Draymond Green stressed the the assembled media that he thinks Golden State will be fine. He laid out part of why he thinks that, and he specifically pointed out White’s outlier of a shooting performance.

“Derrick White hadn’t shot the ball from three … extremely well throughout the playoffs, nor historically over his career,” Green said. “What we do know is that he’s capable, and obviously, the world knows he’s capable since watching the game last night. We been knew he was capable, but some of the threes he hit last night, like, the rim just had him. I think three of the five threes that he made was like right over people right in his face. When things like that happen, you have to live with that. At the end of the day, something has to beat you, and you’re going to pick, in an NBA game, what is more likely to not beat you.”

While it can seem like a knock against White, it’s hardly uncommon for NBA teams to hyper focus on slowing down the best players and accepting that other guys might just beat them — a great example of this is Game 7 of the Eastern Conference Semifinals when the Milwaukee Bucks let Grant Williams take wide open three after wide open three, and he responded by going 7-for-18 for a career high 27 points. Despite the fact that White is 11-for-18 (a ridiculous 61.1 percent) from three over his last three playoff games, he’s a career 34 percent shooter from deep and has gone through lulls in his NBA tenure.

All of this is to say we can probably assume that Golden State will make a similar bet that White won’t hit shots at that rate again in Game 2. If they’re wrong, the Celtics taking a 2-0 series lead to Boston seems likely.

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Anthony Edwards Gave His All-Time Starting 5, Which Obviously Includes Himself

America’s favorite Minnesota Timberwolf has once again graced us with a wonderful soundbite. Anthony Edwards was approached at the premiere for the new Adam Sandler movie Hustle and got asked who he would place in his all-time starting 5.

The Ant Man selected a formidable four-man group in Allen Iverson, LeBron James, Kevin Durant, and Shaq. But the group needed one last supernatural player to bring the group together, so of course, Edwards chose himself.

The genius to Edwards’ answer does not lie in the collection of talent he chose. No, Edwards understands the key to an all-time starting 5 is vibes. A team with Anthony Edwards and Shaq will never have down day. Sure, they are two of the most gifted athletes to ever walk the earth, but when you carry the pressure of being an all-time starting 5, you need a little live, laugh, love. Ant Man could have picked Michael Jordan over himself, but MJ would have ruined the vibe. An all-time starting 5 is no place for a competitive maniac who will want to push everyone to the edge. You don’t want Kevin Durant tweeting about MJ’s practice behavior or LeBron inventing new emojis to describe it.

As always, Edwards understood the assignment and his unfettered confidence produced a bit of wisdom.

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Sydney Sweeney Loves That ‘Euphoria’ Fans Can’t Make Themselves Hate Cassie

Sydney Sweeney is not slowing down anytime soon. The actress has two hit shows under her belt, Euphoria and White Lotus, along with a number of upcoming projects, and of course, her cool car that she happened to build herself.

In an interview with The Hollywood Reporter, the actress went in-depth about her character Cassie, and the fan response. When asked about the impact her Euphoria character has, she said she connected to how emotionally-charged Cassie can be. Sweeney said:

I see it in the way people talk about Cassie. They often want to hate her [laughs] because of the kind of person she is, but they find themselves unable to. It’s amazing to me that I’m able to take a character who has made so many terrible decisions and make people feel for her and understand those decisions. When I first started playing her, I connected to how she makes decisions very drastically and from the heart.

Despite Cassie’s poor choices and overall dramatics, she is still a character that fans can sympathize with, probably because everybody makes mistakes! Even high schoolers dressed like they are auditioning for Oklahoma.

Even though Cassie gets a lot of sympathy from fans and Sweeney, the actress is able to separate her character from herself. “I have found a very healthy separation, so the moment Sam [Levinson] calls ‘cut,’ I can go home and be happy and hang with my dog.” You must have to be good at compartmentalizing when your family is seeing you naked on screen all the time.

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Logic And Wiz Khalifa Announce Their Vinyl Verse Summer Tour

With Logic gearing up to release his album Vinyl Days this month, it’s only right that he’s also launching a tour to go with it. Dubbed the Vinyl Verse Summer Tour, the tour is a joint excursion alongside Wiz Khalifa launching Wednesday, July 27 at FivePoint Amphitheatre in Irvine, California, and running through to the beginning of September, ending on September 2 at the Hollywood Casino Amphitheatre in St. Louis, Missouri. Logic and Wiz will be joined by 24kGoldn, DJ Drama, Fedd The God, and C Dot Castro, with select dates featuring Berner and Rubi Rose.

Vinyl Days will be Logic’s seventh and final album under Def Jam. Fueled by the singles “Therapy Music” with Russ, “Orville” with Blu & Exile and Like of Pac Div, and “Bleed It,” the album is due on June 17. You can pre-save it here and see the full tour dates below.

7/27– Irvine, CA @ FivePoint Amphitheatre^
7/28 – Inglewood, CA @ YouTube Theater^
7/30 – Phoenix, AZ @ Ak-Chin Pavilion^
8/02 – Albuquerque, NM @ Isleta Amphitheater^
8/03 – El Paso, TX @ UTEP Don Haskins Center^
8/05 – Austin, TX @ Germania Insurance Amphitheater^
8/06 – Houston, TX @ Cynthia Woods Mitchell Pavilion^
8/07 – Dallas, TX @ Dos Equis Pavilion^
8/08 – Rogers, AR @ Walmart AMP^
8/10 – Nashville, TN @ Bridgestone Arena^
8/11 – Charlotte, NC @ PNC Music Pavilion^
8/12 – Atlanta, GA @ Lakewood Amphitheatre^
8/13 – Virginia Beach, VA @ Veterans United Home Loans Amphitheater at Virginia Beach^
8/14 – Camden, NJ @ Waterfront Music Pavilion^
8/16 – Brooklyn, NY @ Barclay’s Center^
8/17 – Holmdel, NJ @ PNC Bank Arts Center!
8/19 – Bristow, VA @ Jiffy Lube Live!
8/20 – Hartford, CT @ XFINITY Theatre!
8/21 – Gilford, NH @ Bank of New Hampshire Pavilion!
8/22 – Mansfield, MA @ Xfinity Center^
8/23 – Saratoga Springs, NY @ Saratoga Performing Arts Center^
8/25 – Darien Center, NY @ Darien Lake Amphitheatre^
8/26 – Noblesville, IN @ Ruoff Music Center^
8/27 – Cincinnati, OH @ Riverbend Music Center^
8/28 – Burgettstown, PA @ The Pavilion at Star Lake^
8/30 – Cuyahoga Falls, OH @ Blossom Music Center^
9/01 – Clarkston, MI @ Pine Knob Music Theatre^
9/02 – St. Louis, MO @ Hollywood Casino Amphitheatre!

^ = With Rubi Rose
! = With Berner
* = No 24KGoldn

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Kendrick Perkins Wore A Costume On ‘First Take’ To Say The Celtics Had The Warriors In ‘Handcuffs’

Kendrick Perkins had a good time celebrating the Boston Celtics’ comeback in Game 1 of the NBA Finals to knock off the Golden State Warriors. In the immediate aftermath of the game, Perkins went on television in Boston and called Draymond Green a liar for saying he believes the Warriors will be fine despite the circumstances of their 120-108 home defeat in which they were run off the court in the fourth quarter.

Then, Perkins presumably went to bed and woke up on Friday morning with the idea to really lean into a bit on First Take. Perkins went onto the show while dressed in a costume and holding a set of handcuffs to get a point across about how hard thing were for Golden State over the game’s final 12 minutes.

“I’m telling you: Look, they reopened Alcatraz because they had to buy room to put the Golden State Warriors in a place where they wouldn’t be bothered,” Perkins said. “Because you know what happened last night? BAM. They got the handcuffs put on ‘em in the fourth quarter. Sixteen points in the fourth quarter. Molly, you don’t even have to tee me up, I’m ready already. Listen, this is what happened: People got to talking about the Golden State Warriors and how much experience they had and all this, and I said, ‘Listen, the Celtics are going to win Game 1.’”

Perkins went on to use the “offense wins games, defense wins championships” line that always pops up this time of year. Stephen A. Smith, meanwhile, said that having to look at this costume at 10 a.m. “threw me off.”