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As the war rages on between the struggling streaming sites, Hulu is offering a unique deal for new and returning users: the basic ad-supported tier is just $1 a month for the first three months. In other words, they really want you to come crawling back with a couple single dollar bills to see the new season of Only Murders In The Building.

According to Deadline, the deal is tied to National Streaming Day which is apparently a thing that is today, May 20th. Disney celebrated late last night by showing off their army of drones as they danced through the sky in the creepiest way possible.

The offer will run through Friday, May 27th. After the three-month deal, the service is $6.99 with ads and $12.99 for the ad-free version, which is still, on average, less than Netflix’s subscription. Netflix has notoriously been hemorrhaging money and subscribers as of late, so maybe this is Hulu’s way of getting back at them. That’s Hollywood for you!

Hulu has been churning out a lot of original content lately, and since they are owned by Disney, they already have a leg up on Netflix, their main competitor. At the end of Q1, Hulu had made up 45.5 million of Disney+’s 138 million subscribers. That number only continues growing as Disney+ began offering ad-supported models. So basically, we have reverted back to cable TV. Welcome to the 60s!

In the fourth episode of HBO Max’s The Staircase, which brilliantly condenses the Michael Petersen trial into one episode, defense attorney David Rudolf (played by a steamy salt and pepper bearded Michael Stuhlbarg) is trying to prepare the Petersen family for seeing disturbing images of Kathleen Petersen’s autopsy. Michael Petersen’s daughter Martha (Odessa Young) is uneasy. She doesn’t want to go. But her absence is a bad look for her adopted father, who is on trial for murdering his wife Kathleen, who was found dead at the bottom of the titular staircase in their Durham, North Carolina home. Michael, played by Colin Firth, is sitting next to Martha on a couch in their home, the same home where Kathleen tragically died of either a fatal accident or murder. Michael is as laid back as I am after a couple of glasses of wine watching a Robert Redford movie. He’s sunk into the couch, viewing the conversation more than he’s participating in it. He almost looks bored. “Maybe Martha could take one of Kathleen’s valium,” he says, still one with the couch, his hand on his head. Michael is hard to read. This scene is demonstrative of Firth’s performance, which is unlike any other from the bubbly Brit, who is typically a romantic lead or King George VI.

When news of a scripted version of this story first came out, I scoffed and decided I would not be watching. Over the years, true crime has spiked in popularity and as a result, has become exploitative and tired. Also, what more could I possibly learn about a true crime case after watching a many-hour documentary that spanned decades? I did, however, reluctantly start HBO Max’s The Staircase and was immediately proven wrong. From his very first moments on screen as Michael Petersen, Firth weaves between menacing and guilty, charming and innocent. His American accent is rhythmic. He speaks with purpose when he’s feeling confident and comfortable. But in the moments when Michael is more vulnerable – like after he is found guilty by the jury and hugs documentarian Jean-Xavier (Vincent Vermignon) and says he’s scared – his voice softens and slows down. While Michael Petersen (and Firth’s performance) is the centerpiece of The Staircase, it is the sprawling, unexpected perspectives that make the series so powerful and necessary.

The most vital perspective is Kathleen Petersen’s (Toni Collette), which The Staircase presents in a way that does not feel exploitative despite being slightly speculative. Leading up to her death – the show offers a harrowing, believable death scene applying to every theory – Kathleen has problems at work, with the kids, with her husband, and she is accident-prone (she injured her neck after diving into her pool during a party). The series also focuses on all of the children in the family, which gives both Michael and Kathleen more dimension by seeing their parenting. We also get to see how Kathleen’s death, the trial, and Michael’s time in prison and fighting the verdict affected every child. As you can probably imagine, it f*cked them up.

The Staircase turns the cameras around and shows what was going on between the filmmakers behind the documentary. It follows the filmmakers as they decide to pursue the Petersen case, the tensions as the producer believes Michael is guilty and the director believes in his innocence, and it reveals that the documentary’s editor Sophie is Michael Petersen’s current girlfriend, who is the woman in white, played by Juliette Binoche who has been present but kept a mystery throughout the series. “The only way to objectivity is by recognizing how subjective we are,” Sophie says in episode four. As Sophie is editing the footage, her empathy for Michael becomes a problem and causes even more tension in an already hectic post-production process, exemplified in a thrilling scene in episode five during a session while composing the doc’s rousing, now signature classical music-inspired score.

The Staircase also depicts a culture disturbed by anything unconventional in its portrayal of the prosecution’s flawed case against Michael, which not only makes up a weapon based on nothing but weaponizes his bisexuality. Quite like the documentary series, the series points out glaring flaws in the United States justice system. But its varying perspectives, from Kathleen to the prosecution, the kids to the documentarians, provide a human element while playing with your mind that the groundbreaking but narrowly focused documentary could not achieve. Just when you think you know exactly what happened on the night of December 9, 2001 after Michael and Kathleen Petersen watched America’s Sweethearts, you’re presented with something – or someone – that convinces you otherwise, and yet the show never feels manipulative, but deeply human.

Netflix hopes that it knows where its bread is buttered, so to speak. They’re betting on extra-long Stranger Things episodes amid news that, for the first time, the streaming giant is experiencing a subscriber slump while HBO Max and Disney+ are hitting their stride. To that end, Netflix appears to be doubling down on mega popular shows, which is probably good timing now that Ozark and the like are heading toward the sunset, all while The Pentaverate didn’t make waves.

For sure, the timing of the slump hasn’t been great, given reports that a password crackdown is coming, and Netflix has canceled several projects (including animated shows from Ava DuVernay), but one series is riding extremely high and has scored a renewal for more seasons. That’d be Heartstopper, based upon the New York Times bestselling series. In a press release, Netflix cited how the show’s first season’s topped their Top 10 Lists in 54 countries, and so, they’re doubling (or rather, tripling) down on the beloved coming-of-age series. Expect two more seasons to follow. From the first season synopsis, in case you’ve missed it:

Boy meets boy. Boys become friends. Boys fall in love. When gentle Charlie and rugby-loving Nick meet at secondary school, they quickly discover that their unlikely friendship is blossoming into an unexpected romance. Charlie, Nick and their circle of friends must navigate the ever-relatable journey of self discovery and acceptance, supporting each other as they learn to find their most authentic selves.

Heartstopper‘s first season is currently streaming on Netflix.

Madonna is a hit on Instagram, as her 18 million followers prove. She recently tried to treat them by going live on the platform but the singer was surprised to learn Instagram had banned her from doing so. Instead of going live, Madonna shared a video of her finding out her live broadcast privileges had been revoked.

In the clip, Madonna and a couple of associates sit in front of a phone and ring light as they prepare to start the broadcast. When they hit the button to go live, they’re met with a pop-up message that reads, “Blocked from sharing live video.” The message further explains, “Posts from your account have recently been removed for going against our Community Guidelines, so live video sharing has been temporarily blocked.”

“What the f*ck,” a puzzled Madonna wondered out loud. She added, “I’ve never worn so many clothes in my life.” The clip ends with Madonna saying, “I’m speechless.” She captioned the post, “Not Us!!!! violation of community guidelines………. [eyes emoji] [siren emoji].”

This happened last night, when Madonna was supposed to go live with Sickick to promote “Frozen On Fire,” a new take on Madonna’s 1998 song “Frozen,” which has gained newfound attention on TikTok in recent months. In a video shared on her Instagram Story, Madonna explains the situation to Sickick and notes, “I haven’t done anything lately. I haven’t done anything crazy… not this week, anyway.”

She also speculated that her ban could be a “delayed reaction” to her recent NFT collection, which features renderings of her vagina giving birth to various things.

Madonna is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

When Tom Cruise set out to make Top Gun: Maverick, a daunting task considering the original Top Gun is a beloved ’80s classic, he “railed hard” for one very specific element to return: Val Kilmer. The prolific actor famously played Tom “Iceman” Kazanzky in the first film, and Cruise was adamant that his character Pete “Maverick” Mitchell reunite with his rival-turned-friend Iceman.

Cruise has already revealed that Iceman is the one who gets Maverick back in action in the heavily-anticipated sequel, and during the London premiere, he gushed about working with Kilmer again.

“It was lovely. The whole experience, you know, 36 years to make this film. There were so many moments in making it that were very special, incredibly unique,” Cruise told Metro. “He’s an actor that I greatly admire, so it was wonderful.”

Reuniting Cruise and Kilmer was also a moving experience for producer David Ellison, who couldn’t believe the cameo was actually happening:

‘The first movie made me want to become a pilot. This was the first movie when we originally started working with Paramount 12 years ago we said we wanted to make,’ he said. ‘So to see the two of them on set, the emotion that people hopefully get from that scene, was how it felt to be on set. It was a surreal experience.’

Due to lingering health problems from a grueling battle with throat cancer, Kilmer was not present for the film’s London premiere. However, Iceman was there in spirit as he praised Cruise and the film’s royal reception on Twitter:

“Congratulations old pal. Well deserved reception,” Kilmer tweeted. “Here’s looking forward to another 36 years of fun!”

Top Gun: Maverick barrel rolls into theaters on May 27, and God, we can’t wait to see this one. It’s supposed to be pretty good! Sorry, gushing over.

(Via Metro)

With new breweries sprouting up everywhere seemingly every week, it’s easy to forget that it wasn’t always like this. The US is tipping the scales at more than 9,000 breweries and counting in 2022, but as recently as 2010, there were less than 2,000. And all the way back in 2000, there were fewer than 400. Even with the beer boom of the last two decades, there are a few beers that have been around since the beginning that are still popular today. These are the old-school, OG beers. We’re talking about beers from the 80s, 90s, and well before.

Jeff Smith, co-founder at LUKI Brewery in Arvada, Colorado has fond memories of drinking beer in a time when craft beer was something special. He knows how important it is to hold onto classic beers because they aren’t guaranteed to be brewed forever. His go-to beer was Raspberry Wheat from the now-defunct Heavenly Daze Brewery in Colorado.

“For me in mid-90s Boulder, there were only a few places around town that had this on tap. It certainly wasn’t available in bottles, so if not on tap you were heading to the source in Steamboat Springs before they opened a brewery in Denver in the late 90s. It was the first time I had a fruited wheat craft beer – and it was a fabulous balance of wheat body and tart fruit without it being a mouthful of yeast. It had a very clean finish that allowed multiple pints. In an age of fruited sours and ready-to-explode cans of ‘slushy’ beers, I long for the delicacy of this beer.”

While beers like Smith’s favorite fruit beer are long gone, there are myriad beers that were launched way before the craft beer boom that are still available today. In a world of endless options, can any of the old boys still compete? To find out, we sought out experts who would know, asking handful of notable craft beer experts, brewers, and brewing professionals to tell us which “old school” beers are still worth drinking today.

Odell 90 Shilling (Brewed since 1989)

Derek Gold, director of brewing operations at WeldWerks Brewing Co. in Greeley, Colorado

ABV: 5.3%
Average Price: $15.99 for a six-pack

Why This Beer?

My pick is 90 Shilling from Odell Brewing Company. Thirty-plus years later, this amber-hued Scottish ale has stood the test of time, thanks to its balance and approachability. Smooth, bright, and medium-bodied, its rich biscuit, toffee, and caramel malt sweetness combines perfectly with a light herbal and citrus bitterness on the back end, creating a beer that can be enjoyed anytime and anywhere. 90 Shilling was one of the first craft beers I ever tasted, and I’ll be drinking it for years to come.

Samuel Adams Boston Lager (Brewed since 1985)

Kevin Smolar, production and quality lab manager at Sun King Brewery in Indianapolis

ABV: 5%

Average Price: $9.99 for a six-pack

Why This Beer?

Sam Adam’s Boston Lager. Boston Lager is one of those beers that’s never let me down. It’s full of sweet malt and toasted biscuit flavors that are complemented by a bright, spicy hop finish. It’s a great beer year-round, but there’s something special to me about a Boston Lager and a hot dog outside at a baseball game.

Allagash White (Brewed since 1995)

Jeremy Anders, quality control and safety manager at New Holland Brewing in Holland, Michigan

ABV: 5%

Average Price: $12.50 for a six-pack

Why This Beer?

Allagash White was first brewed in 1995 when most American beer drinkers had no interest in drinking a hazy, citrus-forward, spiced wheat beer. Since then, it has come to define the witbier style. Its approachability to the casual beer drinker has likely been a factor in its success. It has introduced many to the world of fruity, expressive Belgian beer styles, including myself. The citrus notes, from both the orange peel and the coriander, are complemented by just the right amount of spice. The effervescent body and creamy white head really make the aromas burst out of the glass. The incredible consistency from batch to batch is an indicator of a world-class quality assurance program as well. We can’t get it here in Michigan (yet), but it is definitely worth the three-hour drive to Chicago to bring back a keg.

Sierra Nevada Pale Ale (Brewed since 1980)

Dennis O’Harrow, head brewer at Lone Tree Brewing Company in Lone Tree, Colorado

ABV: 5.6%
Average Price: $10.99 for a six-pack

Why This Beer?

Sierra Nevada Pale Ale is the king of old school. Pale Ales have fallen out of the spotlight and given way to trendier styles that are hazy. This one remains a forever classic. Plus, it’s the beer that paved the way for the hoppy, crisp pale ales and IPAs of today.

North Coast Old Rasputin (Brewed since 1995)

Chris Elliott, chief brewing officer at Wild Leap Brew Co. in LaGrange, Georgia

ABV: 9%

Average Price: $9.99 for a six-pack

Why This Beer?

My favorite old-school beer is Old Rasputin by North Coast Brewing Company. This was one of the only imperial stouts that was regularly available around Georgia in my early beer-drinking days, and I always loved that style. It’s fairly dry and bitter for a stout by today’s standards, but it’s nice to have a true Russian Imperial Stout every once in a while.

Anchor Steam Beer (Brewed since 1971)

Douglas Hasker, head brewer at Puesto Cerveceria in San Diego

ABV: 4.9%

Average Price: $9.99 for a six-pack

Why This Beer?

Steam Beer, Anchor Brewing Co. It’s not only a world-class beer, but Anchor Steam is the originator of a whole beer category known as California Common. What makes Anchor Steam unique are the ingredients and brewing techniques once used by necessity in the cool maritime climate of late 1800s San Francisco Bay. Light and refreshing like a traditional German lager but with the added character of a special yeast fermented at higher temperatures and distinctive aromas from Pacific Northwest grown Northern Brewer hops. A unique beer that helped kick off the craft beer revolution.

Miller High Life (Brewed since 1903)

Chris Wittemann, area sales at Sprecher Brewing Company in Glendale, Wisconsin

ABV: 4.6%

Average Price: $6.50 for a six-pack

Why This Beer?

Miller High Life is my pick. While this has been around for a lot longer than the 80s or 90s, it’s another easy-drinking light lager that has stood the test of time. Smoother than Pabst but with a little more flavor. My dad worked in the beer industry for over 35 years, so you could say I “grew up” on High Life.

Sierra Nevada Celebration (Brewed since 1981)

Kyle Park, director of marketing at Neshaminy Creek Brewing Co. in Croydon, Pennsylvania

ABV: 6.8%

Average Price: $11.50 for a six-pack

Why This Beer?

Sierra Nevada Celebration is a beer that I’ll always buy a case of when it comes out annually and it’s a rarity for me to buy a full case of anything these days. Somehow, every sip is always a revelation even though I’ve had it countless times. I feel the same way about that beer that people feel about their grandma’s Christmas cookies.

Writer’s Pick:

Deschutes Mirror Pond (Brewed since 1988)

ABV: 5%

Average Price: $7.99 for a six-pack

Why This Beer?

You might not realize it, but Deschutes Mirror Pond has been around since the 80s (1988 to be exact). This classic pale ale is known for its complex, well-balanced flavor with notes of grassy, resinous pine, floral hops, sweet grains, and a subtle biscuit-like malt backbone that holds everything together nicely. There’s a reason this classic, crisp beer has stood the test of time.

If Lalo Salamanca from Better Call Saul is the most fascinating character on television, NoHo Hank from Barry might be a close second. He’s a Chechen mobster, an LGBTQIA icon, a good friend, and a surprisingly nimble dancer — he’s something for everyone. But the world was nearly deprived of Anthony Carrigan’s terrific performance after some schmucks said he wasn’t handsome enough to be an actor.

Carrigan was diagnosed with alopecia areata, which causes hair loss, when he was three years old. “There was a moment [in my early 20s] where my alopecia had progressed so much so that I had lost pretty much half [of] my scalp, both my eyebrows, [and] all my eyelashes,” he explained to People. “It really threw everyone that I was working with, and no one knew what to do with me.”

Carrigan was told by a number of people that “you’re not going to be able to do this. You’re not attractive anymore. You will fail if you try to do this.” Luckily, the 39-year-old is “one of those people that if you told me that I can’t do something, I will.”

And he did, giving us this indelible moment in TV history.

Thank you, Anthony Carrigan. Thank you, NoHo Hank. Thank you, Barry.

(Via People)

070 Shake has a little more to say before she drops her upcoming album. Her new single “Body” is a whirlwind of sonic experiences, opening with a sultry nature before everything heightens and becomes frantic. Eventually, the song becomes simultaneously haunting yet beautiful but through the jarring transitions, the New Jersey artist and guest star Christine And The Queens vocally command the space with ease. David Andrew Sitek and Mike Dean contributed on the production side, the latter of whom also mixed and mastered the track.

“Body” is the third single from the 24-year-old’s upcoming sophomore album You Can’t Kill Me, following “Web” and “Skin & Bones.” You Can’t Kill Me, set to release on June 3, comes almost two and a half years after Shake’s critically-acclaimed debut album Modus Vivendi. The Def Jam artist burst onto the scene after signing with G.O.O.D Music back in 2016 before appearing on Pusha T’s Daytona and Kanye West’s Ye in 2018. 070 Shake earned her first chart entry in 2019, peaking at No. 12 on the Billboard Bubbling Under Hot 100 Singles chart as part of DJ Khaled’s “Holy Mountain,” also featuring Mavado, Buju Banton, and Sizzla.

Check out “Body” above.

Christine And The Queens is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

James Cromwell is really mad at Starbucks! The actor made waves earlier this month for literally super-gluing his hand to a Starbucks counter during the morning rush at a midtown Manhattan location, which is notoriously the scariest place to be on any given weekday. Now, the Succession actor is explaining his motives. Though, they were pretty clear at the time.

Cromwell wrote an essay for The Washington Post explaining that the “greedy” Starbucks execs are over-charging for vegan milk, which allegedly only costs them “pennies” but costs consumers up to 80 cents per drink. Starbucks cranks out 4 million drinks a day.

“Former CEO Kevin Johnson acknowledged that dairy products are Starbucks’s largest source of carbon dioxide emissions and that switching to plant milk is ‘a big part of the solution.’” The actor wrote. “Yet despite knowing that cow’s milk is responsible for three times the emissions of plant milks, the corporation still slaps an undue fee of up to 80 cents on eco-friendly choices.”

Cromwell added a slew of stats and facts to back up his claims, finishing off the essay with a vague threat: “So Starbucks, put your money where your mouth is. Otherwise, I might have to put my hand where your counter is — again. End the vegan upcharge.”

Two things can be true: you can be right, and also you can be wrong for super-gluing your hands to the counter of a place where people are just trying to work and get through the day. See how much easier it is to just use your words?

Dominique Wilkins is a Hall of Fame inductee and still holds the mantle of the best player in Atlanta Hawks franchise history, but for 25 years, he felt like something was missing. Wilkins was left off of the NBA at 50 team in 1997, and is considered one of the biggest snubs from that list.

This year’s NBA 75th Anniversary Team righted that wrong as he earned one of the 76 spots on the league’s updated list of the greatest players to grace the NBA hardwood. It’s an honor Wilkins doesn’t take lightly, as he soaked in the full experience of being in that room at All-Star in Cleveland with the league’s all-time greats.

Last week, we got a chance to speak with Wilkins about that experience, the MVP race, celebrating regular season accomplishments, and the Hawks falling short of expectations as he was promoting an auction benefitting KultureCity, a non-profit focused on accessibility for autism and other invisible disabilities, where they partnered with Ballerz and NFT Genius to auction off a piece of digital art as well as some signed Wilkins memorabilia.

It was a big year for you getting named to the 75th anniversary team and I know you’ve spoken on that at the time, but getting to go to Cleveland and being at All-Star with those guys, what did that mean to you? And what was that experience like for you?

I can tell you it was surreal emotions and feelings. I still haven’t been able to grasp it yet because of the importance of that honor. And I can tell you everybody in that room felt the same way even though you know, you’re great players and all that, but when you’re in a room where you anointed as royalty, the greatest to ever do this, man. It was an emotional thing. I had the chance to know myself, LeBron, Carmelo, Dr. J., and guys like Magic, all of us sitting in this room that’s talking about man, this is unbelievable. And you would think guys are like, “Yeah, yeah, I know I’m supposed to be here,” but it wasn’t like that. It was like, nobody could believe that we were all in this room together, being anointed as the greatest players to ever play. So I’m still emotional about it, even to this very day, but man that was an honor worth waiting for.

How cool was it that those guys, the current players that were able to be in that room, and it seems like there’s that respect that you get across generations when you’re at that level? And what is it like to see that and to be able to see guys that you looked up to who were in that room and guys that were looking up to you?

You know, the respect we gave to guys before us, we’ve always given those guys respect, but the respect was even at a different level that night. And I gotta tell you, the young guys, the current players in this league today who got selected, they were the same. They gave utmost respect to us and appreciation, and we all realized at that moment that we are one of the smallest, big families in the world. And it was a level of respect, I cannot tell you how good it felt, you know, coming from everybody. And so that’s something that you can share with your kids for a lifetime. And no one can ever take that from you.

Right now a big discussion point is Nikola Jokic winning the MVP and a lot of people were talking about, oh, should we tie MVP to what people were doing in the postseason because he got knocked down in the first round, that sort of thing. And I want your perspective on this because I think we’ve shifted away a little bit — maybe too far — to everything has to be about the playoffs. How do you think we should talk about regular season greatness because it’s such a grind, and when we, I think, we need to celebrate that as well?

Well, you know, the MVP was very hard to, in my opinion, to pick this year. I think the three top guys all deserving of being an MVP — Joel Embiid definitely deserving of being an MVP and Giannis. Their body of work of what they did during the regular season, you know, that’s what really dictated where you ultimately end up. I mean, the playoffs, I don’t think what you did in the playoffs should really diminish what you did in the regular season. Because you look at what Jokic and Embiid have done in the playoffs, they’ve been incredible. So it I don’t think it really was predicated on what you do in the playoffs and never has been, right?

So that’s the way it is and a lot of times it’s hard for people to accept, but it was a very hard honor to pick this year. It really was, and I know it was hard for [voters]. But you know, are all those guys deserving of that? Absolutely. Now, I probably would have picked Embiid as well, because of what he did in a regular season when he was unconscious and the way he played, but all three of those big guys man I mean, like you flip a coin. That was a tough one this year.

I do want to talk about your work with with KultureCity. First off how did that come about? And how did you come to this idea for this NFT auction?

Well, you know what, Julian Maha and I, who was the founder of KultureCity, he and his wife Michelle, I met him on Twitter and we had conversations and we kind of hit it off and we talked about special needs in his family and my family, and we thought it was a great fit that we team up together. And the last five years it’s been great, man. I can tell you the relationship has been absolutely wonderful because I’ve learned more, myself, even though I’ve been involved with special needs with my daughter for quite some time. I learned so much by being attached to KultureCity, and that’s why I’m the chairman of board now and helping us continue to build awareness and a lot of participation in helping to do what we do.

What do you want people to know about accessibility and the things that we can do to make life easier on on everybody and the things that it takes to do that?

Well, first of all, you want people not to ignore the issues and the problems that people are dealing with with special needs. It’s been around since the beginning of time. It’s been around, but people have ignored it. They have looked at people dealing with special needs or autism and hidden disabilities and invisible disabilities as like it’s a second thought. It’s like nothing that really important until something happens that is out of that person’s control because no one has given attention to that person to help them deal with their issues. So we want to make sure that no one gets left behind, that special needs get a serious, long, healthy look and how we can come together to raise money to continue to raise the awareness, to put facilities in place to help people help themselves.

Absolutely. I do want to talk a little Hawks with you. What did you see from the team this year that was maybe a little different than than last year that didn’t come all together?

Well, I think we underachieved for sure, no question about that. But a lot of things came into play with that. First of all, not enough consistency in the rotation as far as our line up because so many people without due to COVID or injury or those things but I thought we got a little comfortable at times. And then at the end the year we started to pick it up and turn it on where we say hey, if we’re gonna make the playoffs, man, it starts now. And so even though we struggled for the most part throughout the season, we still got in the playoffs and played against a tough Miami team. And you know, and you look at Philly, they’re seeing that as well. It’s not like Miami is a fluke, they’re good team. So, again, you know, they did what they were supposed to do as the No. 1 seed, you know, but at the same time, I do think we underachieved.

From Trae’s perspective — the attention that he got in that Miami series from them defensively and obviously what they were able to do to slow him down, what do you hope to see from him coming in next year? And what do you think he can learn and take away from that experience? Because it’s the first time that some team has done that and really taken him away.

Well, you know what, I tell people all the time, how do you beat the double team? You go before it gets there. And what I mean by that is you either make a quick move and get to the basketball or you pass it to the next guy to set them up. Because when you set those other guys out to be successful, and they start making shots, for example, your game becomes easy because now the defense got to make a decision on how you guard the other guys. So you can’t let that guy continue to sit over and knock down shots, you got to make an adjustment. So now later in the game, it becomes Trae’s time. And so that’s things he’s learning, but you know, if you look at it from a defensive standpoint, Miami threw a lot of different looks and they’re one of the better, if not the best defensive team in the league. So they got guys that just for every position who can guide out front enough to get help, and that’s what happened.