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Dave Chappelle experienced a stage invasion on Monday night at the Hollywood Bowl in front of a live audience. While the controversial comedian stood onstage during his set at the Netflix Is A Joke comedy special, a man rushed the stage and tackled Chappelle. Deadline relays word from the local ABC affiliate, which revealed that law enforcement confirmed that a man, who was “reportedly armed with a gun and a knife,” was taken into custody after the incident. As Deadline points out, audience members’ phones had been confiscated during the set, although as the below series of clips shows, some people still managed to record footage of the incident.

As The Hollywood Reporter confirmed, the stage invader was swiftly detained after the tackle. Variety reports that Jamie Foxx assisted in apprehending the man with Chappelle later declaring, “Whenever you’re in trouble, Jamie Foxx will show up in a sheriff’s hat.” Immediately after the tackle, Chappelle continued his set onstage and then joked (while invoking his string of previous trans jokes in specials including Sticks and Stones and The Closer, the latter of which arrived in October 2021), “It was a trans man.” This first brief Twitter video shows the tackle as it happened.

Here’s Chappelle’s immediate onstage reaction, which included that joke:

And here’s the end of the set, in which Chappelle remarked to audience, “I’ll nail anyone who comes down for the curtain call.”

Chappelle, who has filmed several Netflix comedy specials, recently reupped his deal with the streamer. That deal includes this festival, all while fallout over The Closer (including employee walkouts) may have contributed to Netflix’s recent subscriber woes. In the months following that most recent (incendiary) special, Chappelle went on tour, and in New Orleans, he declared that he’d endured the roughest three weeks of his life.

(Via Hollywood Reporter, Deadline, ABC 7 & Variety)

The Golden State Warriors emerged victorious in Game 1 against the Memphis Grizzlies, stealing home-court advantage in the process. On Tuesday evening, Memphis entered Game 2 in a desperate position, badly needing to avoid an 0-2 deficit as the series shifts to San Francisco. While it wasn’t a breeze for the Grizzlies, Ja Morant keyed a furious close for Memphis, and the end result was a 106-101 victory to even the series at 1-1.

Memphis started the night with a statement in the form of an 8-0 run. Golden State missed its first four shots and committed three turnovers, with the Grizzlies seizing immediate control.

Then, fireworks began when Grizzlies starting wing Dillon Brooks was ejected. Brooks effectively clotheslined Gary Payton II, earning a Flagrant-2 foul and a very quick exit. Unfortunately, Payton II was also sidelined as a result of an elbow injury.

Golden State awakened from there, using a 10-2 run to tie the game. While the Warriors never held the lead in the opening period, Stephen Curry was dynamic with 11 points and his usual gravity.

Memphis held an eight-point lead at the end of the first quarter, with Morant (14 points) and Jaren Jackson Jr. (10 points) producing at a high level. In fact, that dynamic pairing came together for a buzzer-beating triple that sent the FedExForum crowd into a frenzy.

Early in the second quarter, the Warriors trimmed the margin, but the attention was largely on a poster-worthy play from Andrew Wiggins. The 2021 All-Star essentially annihilated Grizzlies big man Brandon Clarke and, while it was worth only two points, many will relive the dunk on repeat in the coming days.

Histrionics aside, the majority of the first half was bumpy in nature for both offenses. Neither team approached its usual level of efficiency, with the Grizzlies falling short of their usual impact on the offensive glass and the Warriors committing 11 turnovers to go along with 4-for-19 shooting from three-point range. With that said, Morant was brilliant with 23 points and five assists for the Grizzlies, leading Memphis to a five-point halftime lead.

Memphis began the second half with energy reminiscent of the first half. The Grizzlies scored the first six points, opening their largest lead of the evening at 62-51, and the Warriors were forced into a corner.

In typical fashion, Golden State came out swinging, almost immediately cutting the margin back to four. That included transition work from Jordan Poole, as the Warriors turned defense into offense.

The overall tenor of the third quarter was similar to the first half, though, as neither team scored at an efficient level. Memphis shot 30 percent from the floor, with Golden State missing eight of its nine three-point attempts. Still, a 13-3 run from the Warriors tied the game at the end of the third quarter, setting the stage for real drama in the closing period.

To open the fourth quarter, Golden State took its first lead of the game, holding Memphis to only six points in more than eight minutes dating back to the third quarter. Rookie forward Jonathan Kuminga gave the Warriors quality minutes off the bench, teaming up with Otto Porter Jr. to buoy Golden State’s frontcourt.

Not to be outdone by his rookie counterpart, Grizzlies first-year forward Ziaire Williams came up with a huge sequence. He converted back-to-back triples to stop the Grizzlies’ offensive drought and give Memphis the lead again with less than eight minutes remaining.

The two teams continued to trade punches from there, including a pair of three-pointers from Curry. The first of the pair was banked-in, and the end result was a four-point lead for the Warriors.

Morant kept coming, scoring 15 consecutive points for Memphis. That stretch included two different buckets to flip the lead back in Memphis’ direction.

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Up by one point with 40 seconds remaining, Morant continued his ridiculous stretch, scoring amid chaos to give the Grizzlies more breathing room. After a traveling violation by Klay Thompson on the other end, Morant converted a pair of free throws to extend the lead to five points with 13 seconds left. When Curry missed on the other end, the result was academic, and Morant was the story of the night.

The 2021-22 NBA Most Improved Player finished with a playoff career-high 47 points on 15-for-31 shooting, with 5-for-12 from three-point range and 12-for-13 at the free throw line. Morant also added eight rebounds and eight assists, joining elite company in reaching the 45-point mark for the second time in his young playoff career.

Though Memphis did not shoot exceedingly well as a team, the Grizzlies won the turnover and free throw battles, in addition to Morant’s individual brilliance. The Grizzlies did have the edge from three-point range, however, as the Warriors scuffled to 7-for-38 from long distance. Golden State held an 18-point edge in the paint, but the Warriors couldn’t overcome Morant, poor shooting, and poor ball security.

Memphis picking up a Game 2 win adds considerable drama to the series, especially with the Warriors set to host the next two games at Chase Center. Game 3 arrives in prime time on Saturday, with all eyes on Morant and whether he’ll be able to lead Memphis to a road win that would steal home-court advantage back from Golden State.

Lil Durk’s 2022 year just keeps getting better and better. The Chicago native dropped his seventh album 7220 earlier this year and it was a project that arrived with 17 songs and guest features from Future, Gunna, and Summer Walker. 7220 later went on to debut at No. 1 on the Billboard albums chart, and after falling a few spots some weeks later, it reclaimed the top spot for a second time this year. Lil Durk has propelled the album forward thanks to strong music videos and support from LeBron James. Despite all that’s going on in his world, Durk has still found time to give back to his community.

In partnership with his Neighborhood Heroes Foundation, Durk launched an HBCU college program for teenagers in his Chicago hometown. The exact details of the program are unknown at the moment, but in a post on the foundation’s page, they said that they’ll “be taking them to HBCU Colleges & exposing them to different careers.”

Together with the announcement, Durk also invited 20 students from the South Side of Chicago to join him in a luxury suite for a Chicago White Sox game where he also threw the ceremonial first pitch. For what it’s worth, the White Sox picked up a much-needed 3-0 win against the Los Angeles Angeles, so it’s safe to say that Durk and the Chicago teens gave the team the necessary boost they needed.

You can view the announcement in the post above.

Gunna is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Kehlani has never been one to make her fans wait too long for a new project from her. That’s evident through her latest project Blue Water Road, which arrives just two years after her sophomore effort It Was Good Until Wasn’t was released. Blue Water Road dropped with 13 songs and features from Blxst, Syd, Justin Bieber, Jessie Reyez, Ambre, and Thundercat. So far, Kehlani has shared videos for “Altar” and “Everything” from the project, with the latter coming when the project was released. Now, she adds a third one to the mix with a visual for “Up At Night.”

The new video kicks off with Kehlani asking her Google-powered speaker to play her sleep playlist. “Up At Night” soon roars in the background and Kehlani hops into bed to fall asleep. With that, we enter the singer’s mind which is filled with vibrant colors, elegant dance moves, sparkly diamonds, and more, which are all brought forth by her feelings towards a newfound romance.

During a recent Apple Music interview, Kehlani revealed that many of the songs on Blue Water Road were initially records for a deluxe version of It Was Good Until Wasn’t. However, she says she mentally “wasn’t in the deluxe of my last album” due to a unique experience at the location of where the music was recorded, and thus, Blue Water Road was born.

You can check out the visual for “Up At Night” in the video above.

Blue Water Road is out now via TSNMI/Atlantic Records. You can stream it here.

Kehlani is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

The first quarter of Game 2 between the Golden State Warriors and the Memphis Grizzlies featured some fireworks. In addition to high-quality play from both teams, the night began with a Flagrant-2 foul and an ejection for Dillon Brooks within the first handful of minutes. From there, Draymond Green was bleeding from his face in short order, forcing an eventful trip to the locker room, and Gary Payton II was quickly ruled out after injuring his elbow on the clothesline from Brooks.

In an otherwise typical interview between the first and second quarter, Warriors head coach Steve Kerr made waves by not exactly holding back his thoughts on how things went in the early going. Prompted by TNT’s Jared Greenberg on Kerr’s previous expectations of a highly physical environment, Kerr pushed back and insisted that what the Grizzlies did in the first quarter “wasn’t physical, that was dirty.”

This is the kind of thing that will not be well-received in Memphis, but it was also in the heat of battle, which could give Kerr some additional latitude. Brooks’ play certainly appeared to be dirty, as evidenced by the ejection, and the Warriors likely did not enjoy the fact that Green had to head to the locker room before emerging with swelling on his face.

Still, this isn’t an accusation that is thrown around lightly. It will be interesting to see the response on all sides after the game, particularly if the Grizzlies are able to even the series with a home win.

A chippy first quarter during Game 2 between the Golden State Warriors and the Memphis Grizzlies saw the Warriors lose multiple starters as the result of plays that Steve Kerr classified as “dirty.” One such moment came when Draymond Green went for a loose ball and caught an elbow to the face by Grizzlies big man Xavier Tillman.

Green was down on the ground in pain after, and once he got up, he started making his way into the locker room. The TNT Overtime feed caught Green making his way into the back, and while it is unclear exactly what happened, a visibly frustrated Green flipped off the fans in attendance at FedExForum.

Green left with just under nine minutes remaining in the first, and shortly after he made his way back onto the floor for the start of the second, the Warriors announced that he would be good to go for the remainder of the game after receiving some stitches. Additionally, Green appears to be playing with some swelling over his right eye.

Right before Green left the game, Warriors guard Gary Payton II was clotheslined while going up for a layup by Grizzlies wing Dillon Brooks. After a review, Brooks was tossed from the game for a flagrant 2, while Payton was eventually ruled out with a left elbow injury.

Actress Geffen Kaminer is making history for Israeli television: being the first autistic performer to play a character with autism.

The Times of Israel reported that the eighteen year old will appear in the upcoming series “East Side,” starring alongside Israeli actor and model Yehuda Levi as his beloved daughter Maya.

Other Israeli shows have featured autistic characters, such as the acclaimed comedy series “On The Spectrum,” which centers around three roommates on the spectrum (hence the title) trying to navigate life and love. However, until Kaminer, these characters have always been portrayed by neurotypical actors.

For Kaminer, winning the role was a fairly standard actor story. She saw an online casting call, signed up, and went through several auditions before getting the offer. The role was simply a perfect fit.

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Even though she was diagnosed with autism at age 6, Kaminar’s parents were advised not to tell her until the age of 9. She noted how this made childhood particularly difficult. “It’s really frustrating to be autistic, especially during adolescence,” she told The Times of Israel. “Basically, I don’t feel like everyone else. I don’t know what’s different for me because I don’t know what’s happening with them.”

Despite having a passion for acting, Kaminar felt that “nothing on television represented [her.]” So to play a character who was also on the spectrum seems to be a dream come true.

More authentic representation of neurodivergence in television is a growing trend worldwide. Amazon Prime’s “As We See It” follows a very similar storyline to “On The Spectrum”: three twenty somethings who are on the autism spectrum live together as roommates. Only this time, the three characters are actually portrayed by actors who are autistic.

Show creator Jason Katims told Forbes that the mindful casting choice was “important…because I wanted to get it as right as we could” adding that the attention to detail didn’t stop with the casting. “It was also really important, for the same reason, to have people on both sides of the camera who identify as on the spectrum.”

Similarly, in 2020 Disney came out with an animated short film titled, “Loop,” which not only featured a non verbal character as the lead, but is also played by non-speaking actress named Madison Bandy.

These efforts do much more than add a layer of accuracy. When most of our understanding of autism comes from fictional stereotypes, we run the risk of forgetting the nuance and complexities that come with individuals. Authentic representation can be a power educator to help us understand the real life experiences of those on the spectrum, on an empathetic level. Which can, in turn, help aid against discrimination, abelsim, and oversimplification of the disorder. As Altogether Autism contributor Rachel Wiltshire writes, “a better understanding of autism means it is safer for autistic people to come out. And when autistic people can live authentically autistic lives, they can flourish.”

Whether casting neurodivergent actors like Kaminar to play autistic roles, or placing more storytelling authority in the hands of neurodivergent individuals, the result is more likely than not to result in better representation. And that makes for not only more engaging entertainment, but entertainment that inspires us to value different points of view.

College is expensive. Parents work multiple jobs, put pressure on their children to perform at the top of their class in order to earn merit scholarships, all in the hopes for college to be mostly paid in full. Inevitably many students and parents have to take out student loans in an effort to fill in the gaps left by financial aid.

In the case of one Twitter user, Michelle Miller, her mother agreed to pay back half of Michelle’s student loans to ease the burden on the new graduate. After graduation the daughter owed approximately $30,000 and, split between the two of them, it meant they would each need to pay back $15,000.

Michelle lamented on Twitter about how her mother insisted on paying back her agreed-upon portion of the student loans though the daughter offered to take over payments. When Michelle’s mother informed her that the original $15,000 turned into $40,000 after interest, Michelle decided to save money in preparation to take over payments. However, her mother refused to allow it. Miller’s mother was expected to pay $400 a month on the student loans, but this would cut into her retirement, leaving her below the poverty level. To her mother, it was worth it to hold up her end of the bargain. Unfortunately her mother became unexpectedly ill and passed away before she was able to retire or pay back the loans. When going through her mother’s paperwork after her death, Michelle was met with a shock.

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The loan amount had doubled. Michelle’s mother hid that the interest rate on the loans had brought the grand total to $80k that she could never afford to pay back. But this story is not unique. Many borrowers go into debt thinking the benefit of the degree will outweigh the burden of student loan debt but the cost of an education continues to skyrocket and the interest rate on loans makes paying it back nearly impossible. When you go to school and take out loans, you expect to be able to afford monthly payments and hope to pay it back in a timely manner, eventually freeing up income, but that’s not always the case. A lot of people find themselves in a similar situation as Michelle’s mother. They take out a dollar amount that is repayable, only to look up and see they’ve repaid the original balance but they still owe more than they originally agreed to borrow.

If stories like Michelle’s are the norm, why aren’t we doing more to regulate student loan companies? Presidential candidates like to talk about student loan forgiveness, and some have come up with actionable plans, but it doesn’t solve the long term issue of student loan practices. The truth of the matter is that children who three months prior had to ask permission to use the bathroom are now expected to understand the long term implications of borrowing money from a company that doesn’t care that the average person can’t pay it back plus interest.

Seventeen- and 18-year olds with a dream of attending college and questionable loan practices is a perfect storm for continued crisis in the student loan arena. Until we can figure out how to better regulate the lending companies in charge of student loans, the next generation will repeat the cycle. People shouldn’t have to choose between pursuing their dreams and taking debt to the grave.

The Memphis Grizzlies entered Game 2 of their series against the Golden State Warriors in an 0-1 hole after dropping Game 1 on their home court. Things went pretty well early on during Tuesday night’s tilt, as they opened up the game on an 8-0 run, before one of their starters got ejected for a Flagrant 2 foul.

Gary Payton II ran out ahead of Draymond Green in transition, and was able to receive a pass from Golden State’s veteran point-forward that let him run into a pretty clear lane. Dillon Brooks tried to chase him down, but when Payton rose up for a layup, Brooks was still on the ground.

Regardless, Brooks tried to keep him from scoring. Instead of getting the ball, though, Brooks clotheslined Payton, which led to him hitting the ground hard.

The foul drew quite the response out of Golden State’s bench, with both Steve Kerr and Klay Thompson expressing their anger at Brooks.

The officials ended up going to the monitor to take a look at this and assessed Brooks a flagrant 2 foul, which led to his automatic ejection. It marks the second game in a row during this series where a key player got tossed, as Green was assessed a flagrant 2 for a foul on Brandon Clarke in Game 1. At the time of his ejection, Brooks had no points on 0-for-3 shooting.

After an ugly offensive performance in a Game 1 loss over the weekend, the Boston Celtics entered Tuesday’s Game 2 against the Milwaukee Bucks with a sense of urgency. If nothing else, the Celtics could not afford to drop the first two games at home and, with 2021-22 Defensive Player of the Year Marcus Smart ruled out of action with a thigh contusion before tip-off, Boston had little margin for error. The Celtics responded in kind, however, building a 25-point halftime lead and holding the advantage wire-to-wire in a 109-86 win.

Boston’s offense was the culprit of its issues in the series opener, but that was not in the case at the outset in Game 2. The Celtics zoomed to an 18-3 run at the outset and dominated on both ends of the floor. Milwaukee opened by missing ten of its first eleven shots, including six straight misses from Giannis Antetokounmpo, and Boston held Milwaukee to only three points in more than six minutes.

The Celtics connected on six of their first seven attempts from three-point range and, after an uneven performance in Game 1, Jaylen Brown wasted no time asserting himself. Brown scored 17 points in the first quarter, setting a new playoff career high in the process, and he connected on six of his first seven shots.

Milwaukee’s offense finally came to life in the latter portion of the first quarter, but Boston still held an 11-point lead after 12 minutes, largely as a result of 75 percent three-point shooting. The Celtics then produced a 10-4 run to begin the second quarter, taking a 17-point lead. In addition to stellar defense, Brown remained hot with yet another three-pointer, and Boston was rolling downhill.

Ultimately, the Celtics led by 25 points at the break, with Milwaukee kicking the ball around with seven turnovers in the second quarter. Boston took advantage of that carelessness, with Brown continuing to lead a prolific offense. He finished with 25 points in the first half, making nine of ten shots and all five of his three-pointers, and Boston shot 13-for-20 from three-point range with 17 assists.

The Bucks did bring additional intensity to begin the third quarter in an attempt to narrow the margin. After a nightmare first half, Antetokounmpo scored 12 points in the first seven minutes of the second half, fueling the Bucks on offense. In addition, Milwaukee held Boston to only seven points in the first seven and a half minutes, and a 10-0 run brought the Bucks within 16 points.

Boston managed to dodge the haymaker from Milwaukee, however, keeping a 17-point lead at the end of the third quarter. While Milwaukee shot 60 percent in the period and Antetokounmpo scored 18 points on his own, the Bucks committed seven turnovers, and the Celtics rescued things offensively down the stretch of the quarter, headlined by Jayson Tatum.

Most of the fourth quarter was a slog, with seemingly unending official reviews and a general lack of flow. Boston kept control amid the drudgery, though the Bucks slowly climbed within 12 at 94-82 with 4:30 to go. However, the closing kick was around the corner for the Celtics, with Boston using an 8-0 run and back-to-back three-pointers from Tatum and Grant Williams to end any threat from Milwaukee.

Though much of the damage was done in the opening minutes from the Celtics, it was an impressive bounce-back effort on the whole, and Boston never trailed in the game. Brown and Tatum combined for 59 points on efficient shooting, and Grant Williams added six three-pointers, 21 points, and high-end defense. As a team, the Celtics shot 20-for-43 from three-point range, and with Milwaukee shooting only 3-for-18 from beyond the arc, the math swung toward Boston.

For the Bucks, there is solace to be taken in the unsustainable nature of the three-point margin in this game. However, Antetokounmpo hasn’t been able to find efficiency in the series, and Milwaukee generated only 16 assists compared to 17 turnovers. The series will now shift back to Milwaukee, though, and both teams will be well-rested after an unusual three-day break in advance of Saturday’s Game 3. That game could be pivotal in deciding the series, but the Celtics needed a win on Tuesday and they were able to secure one.