Actress/singer/cooking show host/former Barney cast member Selena Gomez has been tapped to host Saturday Night Live next week, May 14th, with musical guest Post Malone.
Gomez has performed on the show before, but this will be her first time hosting. The actress has been busy over the last year, launching a new mental health site and filming the second season of the surprisingly good Hulu series Only Murders In The Building alongside former SNL castmember Steve Martin and Martin Short. Perhaps Martin will show up for a cameo?
The second season of Only Murders will air this summer, featuring new cast members Cara Delevingne, Michael Rapaport, and Amy Schumer. The show follows a group of armchair detectives whose love of true crime podcasts lead them to solve various mysteries around their swanky New York City apartment building.
Post Malone is also slated to make his SNL debut ahead of his upcoming album, Twelve Carat Toothache, which drops June 3rd. He is gearing up to play a handful of festivals later this summer. The rapper also announced he is expecting his first child earlier this week.
It’s unclear if SNL favorite, and Post Malone’s pal, Pete Davidson will be back for this episode, as he is famously absent from a lot of the show. He’s been busy!
It’s been quite a week for Dave Chappelle, who was attacked onstage at Los Angeles’ Hollywood Bowl, and although Jamie Foxx did a spot-on impression of the comedian describing the incident, Dave has also given his more accurate take. Granted, this wasn’t a totally serious take because Chappelle kept the jokes flowing in a secret comedy show, where he called his attacker “a homeless guy with leaves in his hair.”
Still, Chappelle did appear to step back a bit, according to The Hollywood Reporter, when he described how he persuaded the venue’s security team to let him speak with Isaiah Lee, who suffered arm injuries in a post-stage invasion scuffle. Chappelle asked Lee to explain his actions, and here’s how he described the discussion:
“I needed to talk to him,” Chappelle said. He asked Lee what possibly could have prompted his attack, to which Lee — who Chappelle said appeared to him to be mentally ill — offered a story about his grandmother from Brooklyn, who had been forced out of her neighborhood by gentrification. The attack was meant to draw attention to her plight, Chappelle recounted.
The Orange County District Attorney’s Office declined to press felony charges against Lee. Deadline reports that, instead, Lee has been charged (by the LA City Attorney’s Office) with four misdemeanors involving weapons possession, unauthorized stage access, and battery. You can watch that video announcement from LA City Attorney Mike Feuer below.
BREAKING: City Attorney Mike Feuer announces charges against Dave Chappelle’s alleged attacker. pic.twitter.com/OiMh8ZWftX
— The Office of Mike Feuer, L.A. City Attorney (@CityAttorneyLA) May 5, 2022
The theory involves Ray Epps, who the Cruzs and Carlsons (and Trumps and Taylor Greenes) of the world believe was a federal informant who helped instigate the riot. “The claims, made in congressional hearing rooms, on Fox News, and at Mr. Trump’s political rallies, have largely been based on a video taken just before violence erupted at the Capitol, showing Mr. Epps at the barricades outside the building whispering into the ear of a man named Ryan Samsel,” the New York Timesreports. But two days after January 6, Epps phoned an FBI tip-line and told them what actually happened:
[Epps] called an F.B.I. tip line and told investigators that he had tried to calm Mr. Samsel down when they spoke, according to three people who have heard a recording of the call. Mr. Epps went on to say that he explained to Mr. Samsel that the police outside the building were merely doing their jobs… Then in late January of last year, in an interview with the F.B.I., Mr. Samsel said much the same thing, telling investigators that a man he did not know came up to him at the barricades and suggested he relax, according to a recording of the interview obtained by the New York Times.
Samsel testified that all Epps said was “dude” and “relax, the cops are just doing their job.” As the Washington Postnotes, “It’s important to stress that Republicans and right-wing media have constructed a whole superstructure of other wild allegations on top of this Epps tale,” including that the House committee investigating January 6th is “covering up important evidence” about Epps. But nope, it appears that he’s just a MAGA-loving wedding venue owner from Arizona, not a criminal mastermind.
Carlson can move on to another obsessions, like testicle tanning.
— Rage Against The Machine (@RATMofficial) May 6, 2022
“Rage Against The Machine stands in support of reproductive justice and will continue to fight against any attempts to restrict or control reproductive freedoms,” the band’s statement reads. “Criminalizing access to abortion will only add to the suffering disproportionately felt by poor, BIPOC and undocumented communities. The constant rightward shift of both major parties should alarm us all — a wake up call that we desperately need to organize radical people power against a warfare state that continues its assault on people’s lives.”
The “Killing In The Name” performers have never hesitated to dive into politics, despite many clueless fans asking them to “stick to music.” Frontman Tom Morello has to deal with all sorts of constant bullsh*t; last year, he had to clarify on Twitter that he wasn’t white when someone accused him of white privilege for being friends with Ted Nugent who defended the Capitol insurrection.
Things got heated during Friday morning’s episode of The View as Sunny Hostin shared her true opinion on Black Republicans during an exchange with conservative guest host Lindsey Grainger. Oddly enough, the conservation started while discussing the announcement that Karine Jean-Pierre will be taking over for Jen Psaki as the White House press secretary. When she assumes the role, Jean-Pierre will be the first openly LGBTQ and Black press secretary, which prompted Hostin to ask if Grainger, who is also Black, is a Republican. When Grainger said yes, that’s when the panel went sideways.
“I feel like that’s an oxymoron, a Black Republican,” Hostin said prompting a tense back and forth with Grainger that ultimately ensnared co-host Ana Navarro, who is a Latina Republican.
“You don’t understand yourself, though,” shot back Granger.
“I understand myself,” replied Hostin. “I don’t understand either of you.”
“I don’t understand Latino Republicans,” she added.
Eventually, Navarro got the panel back on track by saying the focus should be about “celebrating Karine Jean-Pierre.” However, this wasn’t the first time Navarro and Hostin have sparred over this exact topic. In early April, Hostin went on the offensive and pressed Navarro on why she’s still a Republican, which led to a similarly heated exchange like the one with Grainger.
“The party that you loved doesn’t exist anymore,” Hostin asked Navarro via Decider. “It’s the party of insurrectionists, it’s the party of traitors, white supremacists, it’s not the party that you loved. It’s just not.” Instead of answering the question, Navarro shot back, “What you don’t understand is that no matter how much you want it to happen, the Republican party is not going to disappear.” The two eventually moved on thanks to the help of guest host Chelsea Clinton.
Jack Harlow isn’t afraid to speak up on behalf of his friends. In an interview with The Guardian, the “First Class” rapper defended his “Industry Baby” collaborator Lil Nas X from the homophobic backlash against him.
He said, “The totally inappropriate reaction to him lets you know that we still have some progress to be made. And you hear it in passing; there’s still some homophobia going on. But he’s taking the hit that artists won’t have to take in the future. That’s what makes him a hero.”
For what it’s worth, those detractors couldn’t hold the pair back. “Industry Baby” quickly rose to No. 1 on the Hot 100, marking Lil Nas’ third single to reach that height and Jack’s first. It also helped launch Jack to superstardom along with the No. 2 showing of his breakout single “What’s Poppin.” Jack’s most recent single, “First Class,” was able to go No. 1 ahead of the release of his second studio album, Come Home The Kids Miss You, out now via Atlantic Recordings.
Jack had previously addressed some of the criticism of the “Industry Baby” video, tweeting that he “followed [Nas’] lead every step of the way.” He also insisted that “if he had asked me to be in that shower scene I woulda been in that shower scene. I just let the mastermind cook.”
Obviously, spoilers for Ozark are contained within.
Netflix’s Ozark has come to a savage and shattering conclusion, and somehow, Marty Byrde (presumably) made it out alive with his family intact as well. Granted, we don’t really know what happened after the screen went black, but the suggestion was that Jonah killed Mel the Private Investigator as he clutched the goat-shaped cookie jar full of Ben’s ashes. (What a sentence.) Yep, unless Jonah went rogue again (doesn’t seem likely), the general consensus is that Marty, Wendy, Charlotte, and Jonah made it back to Chicago without being in coffins. And they even survived that rollover vehicle crash, which make zero sense, but alright. Let’s get onto the real point here, though.
What about Ruth Langmore? She lost the game, all because Javi’s mother, Camila, took revenge on everyone’s favorite spitfire over Javi’s death, which was (in and of itself) also an act of vengeance. So circular! And Marty ended up living in Ruth’s world, but since Wendy saved his ass, and someone major needed to be sacrificed before this show ended, Julia Garner threw herself on that grenade. And I’m not too mad about it, even though part of me wanted Ruth to surface in some Ozark movie one day, similar to Jesse Pinkman in El Camino within the Breaking Bad universe. We won’t get a Zombie Ruth, either, so let’s make the best of things while celebrating the season’s best scene.
I’m not talking about Ruth’s death scene, although that was a fitting end for her, given that she died as she lived: ferocious and stubborn as hell and shouting, “Well, are you gonna f*cking do this sh*t or what?” At this point, I’m convinced that she kind-of wanted to die, given that she’d lost Ben and Wyatt, and she was actually haunted (in a pleasant way) by Wyatt, to the point where it probably made her sad to be alive and beginning to live out their rich-people dreams without him. She’d cleaned up her record and could have built up her legit business, and so on. But that wasn’t in the cards for Ruth, and there’s a major hint that this would be the case in Season 4, Part 2’s premiere episode.
The scene in question is a poetic one in which Run The Jewels’ Killer Mike surfaces (as himself). It’s an understated yet powerful scene, and I love it so very much.
NetflixNetflix
We got to see Ruth step out of Missouri when she headed to Chicago after confronting the Byrdes and learning who killed Wyatt. While she mulled over whether she could kill Javi, Ruth (who has been mainlining Nas’ “N.Y. State Of Mind” while driving and so on) stumbled upon one of her heroes at a diner. And of course, one would expect Ruth to acknowledge this with an “I really love your sh*t.” They then entered into a telling discussion about what Ruth’s listening to at that very moment. She’s thinking about Wyatt and life, and she mentions how Nas’ song is bittersweet and rife with equal parts of nostalgia and hatred.
Killer Mike considered this, admitting, “You know, when I listen to that record, his projects are in Queens, and you can kinda see Manhattan, and I’ve always thought it was so hopeful and f*cking cruel at the same time.” To which Ruth asked, “You ever wonder if he’d trade that record if it meant not having to go through all that sh*t?” And Killer Mike shruggingly responds, “I mean, you gotta ask the question…” From there, Ruth admits that she doesn’t sleep while explaining this omission with a “you know.” She receives an understanding nod from Killer Mike, and Ms. Langmore goes her way.
Although Ruth goes gangster during Ozark‘s final episodes, it’s fair to say that this scene gives us a look inside of her honest-to-god emotions, much more than she’s let anyone ever view before now (other than fury and contempt). It feels right that this episode is titled, “The Cousin Of Death,” which comes from a particular turn in Nas’ lyrics:
It drops deep as it does in my breath
I never sleep, ’cause sleep is the cousin of death
Beyond the walls of intelligence, life is defined
I think of crime when I’m in a New York state of mind
The scene’s a gift. Ruth is holding her own with one of her idols while they acknowledge a shared experience: Nas living in the projects while Ruth grew up in a trailer, observing privileged families visit her community as “vacation,” and although she’s fought her way out of the situation, what she’s experiencing now is, as Killer Mike declared, both “cruel” and “hopeful.” In the end, Ruth chooses chaos, and that chaos finds her amid interspersed scenes of kicking back on top of the trailer with Wyatt while they dream about being rich enough to build a swimming pool next to a lake.
Ever so briefly while Ruth clutched a coffee cup during a celebrity encounter, we got to see her act more alive we’ve seen her be during most of the show. She then essentially engineered her own ending by taking out Javi, but one can’t blame her; he embodied all of the cruelty that stole her hope away. Ruth persisted in beginning to build a dream home that Wyatt would love, but she never would have enjoyed any hopefulness without him. Also, Killer Mike exists in the Ozark universe. Oh, and those cookie jar ashes! Ozark is such a great show.
You can watch the full Killer Mike scene below:
Netflix’s ‘Ozark’ is currently streaming in its entirety.
Elon Musk may have spent $44 billion on Twitter, but he didn’t do so while listening to Donald Trump.
The Tesla CEO and ex-boyfriend of Grimes shot down Devin Nunes’ claim that the twice-impeached former president was behind his Twitter acquisition. Nunes, who runs Trump’s social media rival company Truth Social, told the press earlier this week that it was his boss’s idea for Musk to take control of Twitter saying, “we encouraged Elon Musk to buy” because “someone has to take on these tech tyrants. Donald Trump wanted to make sure that the American people got their voice back and that the internet was open and that’s what we are doing.”
Musk who, one could argue, is also a “tech tyrant” clapped back against Trump taking credit for his truly terrible investment in the company tweeting, “I’ve had no communication, directly or indirectly, with Trump, who has publicly stated that he will be exclusively on Truth Social.”
Whether Musk is actually pals with Trump or not is another question. The tech mogul has criticized Trump’s social media platform in the past and his far-right supporters. He also seems happy to let Trump play in his own sandbox while brainstorming ways Twitter might start making money. So far his best idea seems to be to charge companies and businesses (though likely not his own) to use the platform.
Still, seeing as Trump’s Truth Social has experienced some embarrassing setbacks recently, it makes sense that Musk wants to distance himself from another businessman whose grand “free speech” crusade has basically turned out to be a 4-chan knockoff.
Teen sensations The Linda Lindas have been relentlessly gaining momentum ever since their viral moment with their fiery anthem “Racist, Sexist Boy.” They’ve since released an unabashed album called Growing Up on Epitaph Records, as well as announced that they’ll be opening for the New York City rock legends the Yeah Yeah Yeahs later this year. Today, they’re back with more cool stuff: a music video for their track “Why” which features an appearance from the one and only punk feminist icon Kathleen Hanna from Bikini Kill and Le Tigre.
“The ‘Why’ music video is a tribute to The Decline of Western Civilization, the legendary 1981 documentary about L.A. punk by Penelope Spheeris, and Spirited Away, one of our favorite Miyazaki movies,” the band said in a statement. “It is set in an imaginary Save Music in Chinatown show, part of the series of all-ages matinee fund raisers for music education at Eloise’s school, where we played some of our earliest gigs with some of the musicians from Decline––Alice Bag, Phranc, Keith Morris, Chuck Dukowski––who are now our friends. The art was drawn by Eloise, the flyers are real, and no dessert was wasted!”
Despite being related by blood, the Queen does not consider her grandson, Prince Harry, to be a part of the family anymore. Probably because he did leave the royal family, but still! She is sticking to her morals and has decided to not invite Harry and Meghan Markle to stand with her at her Jubilee, which is a party, not a fancy food dish or album. The Queen’s Jubilee happens during a landmark year, with the last one being in 2017 for the Queen’s 65th year of reign.
It should be noted they are still invited, they are just not granted permission to stand with her on the balcony, which is apparently a very important photo op. CNN confirmed the family would be there so that Queen Elizabeth would be able to meet her great-granddaughter for the first time. A spokesperson told the outlet: “Prince Harry and Meghan, The Duke and Duchess of Sussex are excited and honored to attend The Queen’s Platinum Jubilee celebrations this June with their children.”
BREAKING The Queen has taken decisive action amid continuing family fall-out and ruled that only working royals will join her on the balcony at Buckingham Palace to mark her Platinum Jubilee. That means Harry and Meghan will not get an invitation, nor will the shamed Duke of York
Though they will be in attendance, only “working royals” are allowed to stand by the Queen on the balcony for the iconic photo op, which begs the question: what is their “work” exactly? This means Prince Harry, Meghan, and Prince Andrew will not be standing by the Queen on her day. It’s unclear if Andrew was invited at all at this time, but let’s hope not!
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