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Robyn, Neneh Cherry, And Mapei Reimagine ‘Buffalo Stance’ To Honor Trans Awareness

In a new video for “Buffalo Stance” by Robyn, Mapei, and Neneh Cherry, a reimagination of the lattermost’s 1988 single, actor Indya Moore is joined by a group of dancers as they move freely throughout every corner of the house. By way of make-up, fashion, and hairstyling, these dancers define gender norms, expressing themselves unabashedly.

Though Robyn, Cherry, and Maipei themselves don’t appear in the video for the Dev Hynes-produced update, a poster of Cherry’s Raw Like Sushi album cover art can be seen on one of the walls.

“Now that this beautiful video is out, I have a cluster of different emotions but mostly an overwhelming sense of gratitude is leading the way,” said Cherry on Twitter. “‘Buffalo Stance,’ born in a council flat in Edith Road, West London; a collaborative journey between myself, Cam & Jamie Morgan – a happy accident waiting to happen? Somehow that day we managed to capture something, a life force; the essence of what we’ve needed to keep us going. A key to inner strength, perseverance, unapologetic existence crammed together to create this song. The result has brought many surprises over the years…. and now again it’s happening. I am profoundly moved by [director] India Sleem, Indya Moore & all these beautiful creatures that felt motivated to take part in the rebirth of Buffalo Stance… come again. I’m so honoured. We are here to stay! Move over, give us room, give us space! One love.”

Check out “Buffalo Stance” above.

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All The Best New Pop Music From This Week

As we collectively return to reality after the chaotic week of the Grammys, the pop world still continues to flourish with release after release. Camila Cabello’s long-awaited Familia is out, and it features an unhinged, compelling song with Willow called “Psychofreak” with an even more provocative music video; meanwhile Maggie Rogers, after announcing her highly anticipated sophomore album Surrender in March, unveiled the lead single “That’s Where I Am.”

Each week, Uproxx rounds up the best new pop releases. Listen up.

Charlie Puth — “That’s Hilarious”

After releasing the upbeat “Light Switch,” Charlie Puth is back with this much more downtrodden song, “That’s Hilarious,” which expresses that he’s tired of playing games. He, at the very least, recognizes that this is a lesson learned: “Don’t give your heart to a girl who still got a broken one,” he sings. The video remains lighthearted, though; it’s a compilation of phone videos that feel like an intimate glimpse into his life.

Vance Joy — “Clarity”

Australian singer Vance Joy is having an epiphany on his new anthem “Clarity.” The song is buoyed by excited instrumentation and his beaming vocals, conveying appreciation for someone who means a lot to him. However, this realization comes too late: “The prеcious moments that we shared / You slowed time down inside my head / I wish I’d found this clarity / While I still had you close to me.” Yet this doesn’t make the song sad; it’s still full of hope and gratitude.

Lauv — “All For Nothing”

The “I Like Me Better” singer Lauv has a knack for songs that just won’t leave your head. “All For Nothing” is sure to be another hit with its warm, infectious hook: “I’m so in love, I’m so in love / I don’t ever wanna stop this ride that we’re on.” The synths are glimmering and the rhythm is exuberant; the song itself encapsulates the passion and exhilaration of being in love.

Noah Cyrus — “I Burned LA Down”

Noah Cyrus is trying to move on from heartbreak on this powerful, country-tinged ballad. She reckons with the mistakes she made in thinking the relationship would’ve worked in the first place: “You can’t make a god / of somebody who’s not / even half of a half-decent man.” Her vulnerability on this song, though, is proof of her strength and her progress toward becoming independent again.

Camila Cabello, Willow — “Psychofreak”

If you haven’t heard about this new track yet, you may be living under a rock. The salacious anthem, which has already been taken to SNL, watches Camila Cabello and Willow not holding back at all, and the kinky music video takes their fierceness up on a notch. The pair’s voices also blend well together; it’s an unexpected yet beautiful collaboration.

Omar Apollo — “Petrified”

The honesty and hurt are palpable in Omar Apollo’s new acoustic song “Petrified.” When he lulls, “Thinking of you more each day / I’m thinking ’bout all the words you say to me,” the conflict is obvious in his voice. The ballad seems like a way to grapple with this situation, and in the bridge, he reaches something that resembles a solution: “Lately I’ve been able to see more clear,” he sings.

Maggie Rogers — “That’s Where I Am”

Maggie Rogers’ new single “That’s Where I Am” kicks off with a relatable start: “I found a reason to wake up / Coffee in my cup,” she sings. From there, the lyrics recount a friendship that had the potential to be something more but was never able to reach it. But the sound is high-spirited and her vocals are confident, so it’s no surprise when she comes to a satisfying conclusion in the chorus: “It all works out in the end / Wherever you go / That’s where I am.”

Gracie Abrams — “Block Me Out”

22-year-old Gracie Abrams has unforgettable vocals; they’re soft and bursting with emotion in a similar way to Lorde’s or Phoebe Bridgers’. Along with those iconic singers, Abrams’ lyrics are also a masterful mix of poignant and clever: “And I thought of leavin’ tonight, but I couldn’t drive this tired / Plus, after all this time, I should be a pretty crier,” she sings on this beautiful new song “Block Me Out.”

Alicia Keys — “City Of Gods (Part II)”

If Alicia Keys is known for one thing, it’s her mesmerizing voice, especially in piano-driven songs. So she decided to revisit “City Of Gods,” which features both Kanye West and Fivio Foreign, and conquer the track on her own. This stripped-down version is gorgeous in its tenderness.

Chlöe — “Treat Me”

Chlöe knows her worth on “Treat Me.” Off the bat, she’s upfront about her demands: “‘Cause you’re dealing with a lotta competition / You’re gonna have to do a lotta ass-kissing.” The song is only two and a half minutes, but every second is confident and fierce. She has no time to waste, after all.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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‘Fantastic Beasts: The Secrets Of Dumbledore’ Has Had All Gay Dialogue Censored In China

Fantastic Beasts: The Secrets of Dumbledore won the Chinese box office over the weekend, which is surprising given the film alludes to a past relationship between Jude Law‘s Dumbledore and Mad Mikkelesen‘s Grindelwald. Or at least it will when it arrives in U.S. theaters on April 15. Chinese audiences, on the other hand, saw a version of the film where all of the gay dialogue was edited out.

Warner Bros. has confirmed that it removed the dialogue at the request of China. However, the studio argues that the “spirit of the film” still remains despite removing exactly two lines where Dumbledore and Grindelwald say they were in love with each other. In a statement to Variety, Warner Bros. defended making the “nuanced cuts” so that the film can be seen by all audiences. The studio also said that “small edits in local markets” happen all the time, which is one way to describe erasing LGBTQ representation:

“In the case of ‘Fantastic Beasts: The Secrets of Dumbledore,’ a six-second cut was requested and Warner Bros. accepted those changes to comply with local requirements but the spirit of the film remains intact,” the statement added. “We want audiences everywhere in the world to see and enjoy this film, and it’s important to us that Chinese audiences have the opportunity to experience it as well, even with these minor edits.”

The revelation that The Secrets of Dumbledore only contains two lines referencing a relationship between Dumbledore and Grindelwald will only add to the criticism that the Fantastic Beasts films are severely lacking in LGBTQ representation (despite one of its main characters being canonically gay). It also doesn’t help that J.K. Rowling has been a consistent lightning rod for controversy in recent years due to her outspoken views on the trans community. In short, Warner Bros. has a messy path ahead as it attempts to maintain the vitality of the Harry Potter franchise.

(Via Variety)

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Chance The Rapper Returns To ‘Colbert’ With An Artful Performance Of ‘Child Of God’

Back in 2017, Chance The Rapper debuted his song “First World Problems” on The Late Show With Stephen Colbert, marking one of the Chicago MC’s most renowned live performances. To this day, he still hasn’t given the song an official release, but that hasn’t stopped fans from ripping and reuploading it due to its popularity in his catalog. Fortunately, they won’t have to do as much work now that he’s returned to Colbert, which he did last night with an artful rendition of his newly released single “Child Of God.”

Chance performs the song with an orchestra, blowing out the stripped-down, mellow production to include a passionate crescendo as he delivers the uplifting lyrics. Speaking of those lyrics, in true Chance The Rapper fashion, the song’s heartfelt text appears on the screen as it has in many of his recent music videos such as “The Heart And The Tongue.” It’s actually been a pretty flourishing trend among other independent rappers like Kota The Friend and Tobe Nwigwe, and it’s pretty cool that they’ve found a way to combine the best of both worlds, mashing up the lyrics videos that often accompany new single releases with their creative visuals. In addition, he highlighted Naila Opiangah, the emerging artist who created the painting in the background of the performance, by bringing her onstage with him at the end.

The Rapper has yet to announce a new album but it has been nearly three years since his last one, so it wouldn’t be a surprise if he did sometime this year. In the meantime, watch his performance on The Late Show above.

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Extreme pogo sticking is a thing and it’s terrifyingly impressive

The first pogo stick was patented in 1919, and every couple of generations, it makes a comeback. My early-’80s childhood was rife with pogo sticks (followed up by the much-easier-to-use Pogo Bal) and to this day I’m thankful I never broke an ankle trying to use them.

Some of us are built for pogo sticks and some of us are not, friends. I definitely was not, which is why the extreme pogo stick movement absolutely blows my mind.

Not only do people bounce around on pogo sticks without falling on their faces, but they also do flips and tricks and slide down rails and other things that would make every mother’s heart jump into her throat.


I mean, just watch this:

Aside from wanting to yell, “Why aren’t you wearing a helmet?!?” at some of these guys, I’m mesmerized by these feats. Again, I couldn’t even get the pogo stick to bounce around normally when I was a kid. How do they do this? How?

One of the now best-known professional (yes, professional) pogo stick riders, Tone Staubs, got started as a teen, when he saw someone doing pogo tricks. He was inspired to dust off the pogo stick he’d gotten for his 8th birthday and give extreme pogoing a go.

Now, 15 years later, he holds the Guinness World Record for pogo stick jumps in one minute (266 jumps) and still does tricks no one else has ever done. And he loves it.

“It allowed me to express myself and become the person I wanted to be,” Staubs told The Gazette. “I easily could’ve been stuck at some job I don’t want.”

(And yes, he has twisted, rolled, dislocated, hyperextended and broken various body parts in those 15 years. Be careful, kids.)

Extreme pogo stick is a niche extreme sport, but it’s growing. Xpogo, a company dedicated to the sport, puts on Pogopalooza: The World Championships of Pogo each year.

Watch the winners of the Best Trick from Pogopalooza 2021. Utterly bonkers.

All I see here is terror and bumps and bruises, and yet I can’t stop watching.

They even do a high jump competition. On pogo sticks. Humans are incredible.

I mean, come on…

Seriously, terrifyingly impressive.

Follow Xpogo on Instagram and YouTube for more extreme pogoing fun.

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Stephen Curry’s ‘UNDERRATED’ Tour Shines A Light On Inspiring Athletes

There are always reasons not to do something. Not ready, not enough time, not knowing where to begin — the rationale to stop before you start, especially something new or daunting, can be the most convincing.

For Jacobi Sebock, a huge fan of sports growing up in the Midwest City suburb of Oklahoma City, running track and playing baseball, football and basketball in a short, still chubby body was challenging enough. On top of the regular tests a changing body brings, Sebock was born with asthma, a first-degree heart block, and without sweat glands, a symptom of a condition called hypohidrotic ectodermal dysplasia (HED). For an athlete like Sebock who couldn’t stay away from sports if he tried, the biggest impact of his condition was the inability to naturally cool his body down by sweating.

He and his parents learned to adapt. Lugging coolers filled with ice and ice water to games and practices, and managing his condition with cooling vests he’d swap out every 20-minutes during play, plus wristbands and neck coolers.

“It was really hard,” Sebock recalls over the phone, “I would get subbed out, have to switch out my cooling vest, put on a different wristband, wet down my whole body just so I could stay cool.”

HED makes any kind of sustained physical exertion not only uncomfortable, but dangerous. Overheating can be fatal. Still, the hardest thing for Sebock was having to be taken out of the game, to stop playing.

Between his sophomore and junior year of high school he shot up nine inches to 6′ 5″, he also shed 50 pounds, but some of the weight loss was tied to yet another diagnosis: Crohn’s disease. His mother, Franki Sebock, recalls thinking to herself, Can’t he catch a break?

For most of Sebock’s life coaches had been wary of playing him too much, and trainers the family approached to help turned them away. His dad, Anthony Gilliam, stepped in. The two used Sebock’s new height and frame to their advantage, as well as the added time early COVID lockdowns brought, and trained intensely. Sebock had already learned to manage his breathing and body temperature as he got older to make sure he didn’t overheat but the training helped. He wasn’t using his cooling gear and found he could “control my body temperate with breathing while I play the game.”

Whether it was the universe listening or the more likely work of Sebock continuing to push, the break his mom wanted for him finally came in his junior year. That season, Midwest City Bombers coach, Corky McMullen, started giving Sebock more minutes — time that he devoured.

“Getting that green light in my junior year, it boosted my confidence a lot,” Sebock says.

Knowing that he had to make up for lost time lit a fire under Sebock, and he’d join AAU team Oklahoma City Elite in the summer after his junior year wrapped. It was there, getting more encouragement and minutes from coach Deangelo Anderson, that he heard about another opportunity involving the Warriors’ Stephen Curry and a tournament called UNDERRATED.

“In a 5-star world, I was a 3-star player to the decision makers on all different levels,” Curry says of the impetus behind the initiative. “The UNDERRATED Championships Tournament provides a platform for high school basketball athletes who are often overlooked in the sport, to show their true potential and to be seen by key figures in the industry.”

Curry launched UNDERRATED in 2019 as a basketball camp, tournament and showcase for high school players who felt they’d been overlooked in the tough, occasionally demoralizing recruiting rankings process.

“It’s my way of encouraging any young player with big dreams to keep believing in themselves even when it seems like the odds are stacked against them,” Curry adds. “I’ve been in those shoes, but being the underdog is also what got me where I am today.”

Sebock wrote an entry essay and applied to the camp, which was making regional stops in summer 2021 through D.C., Dallas, Chicago and L.A.. Each city would see the field narrowed from 75 to just 16 — eight boys and eight girls — in two days, with the final 64 participants being flown to Oakland for the Championships in March 2022. Sebock soon heard that he’d made it into the Dallas camp.

It was a whirlwind.

“It was like, this might be a once-in-a-lifetime chance to go prove myself and show the people what I can do on the court,” Sebock recalls.

At the end of the first day he was selected in the top 30 and asked to return the following day, and at the end of the second day he found out he was going to Oakland to compete, and to meet Curry. All he had to do was wait six months.

Back with the Bombers, Sebock focused on his team’s state title run and developing his game. Asked to describe his playing style and Sebock’s voice instantly shifts from shy to assured.

“I’m a role-player,” he says firmly. “I get rebounds, I yell out on defense what they need to do, or I need to do, I help them out by moving the ball quicker. When they get up a shot I try to box out for them and get a rebound and go back up. I try to do all the little things to help my team as much as I can.”

Because of the control Sebock’s learned to best manage his condition, his game is precise by default. There are no extra steps or unplanned movements, his timing is tied to his breathing and the ball becomes an extension of his body. He calls Kyrie Irving his favorite player because of his ability to distract defenders with his handles and get his teammates involved, and Sebock is similarly watchful in his role on the wing. He has a knack for explosive dunks that feel fated, and having to pick up the movements of every other player on the floor has leant to an early-honed I.Q.

When March finally rolled around Sebock admitted he was nervous, half to be on the stage that the UNDERRATED Championship represented to him, and half because he would be going up against players whose games he didn’t know.

“After the first game I calmed down a lot,” Sebock says, noting the same thing all of the pros do, that the act of playing and putting muscle memory to work has a way of snapping nerves to focus. “Then I started playing my game that I know how to play. I started being a team player, getting everybody involved. And we just took off from there.”

Sebock’s South division team blazed through the tournament, beating out East and West within the first two days thanks in part to Sebock’s rebounding, decisive second-chance points, and springy finishes. While his team would fall in a close game to the North division team in the finals, Sebock says it was “one of the biggest times” in his life.

“Meeting my teammates, becoming friends with them over the whole weekend. We’re going to stay friends, hopefully, throughout the rest of our lives,” he says happily, recounting the weekend’s highlights, adding a little dreamily, “meeting Steph Curry the first day that we get there. He talks to us, and he even practices with us on that first day.”

For Sebock, who had a later start in the fast-paced, closely competitive world of amateur athletes working to turn pro, the UNDERRATED weekend gave him a spotlight to showcase his skills, and a chance to make meaningful connections with other athletes and their families. He’s also getting comfortable as a role model for younger athletes with health conditions that have kept them out of competition, or had them developing on a less linear timeline.

“I definitely want to go to the NBA, but most importantly I want to go through college first,” Sebock, who has already committed to Northern Oklahoma College and was just named MVP in the Big 8 Conference, says.

From there, he wants to improve with the aim of being picked up by a Division 1 school. “Work hard there, try to improve even more, get better every day, then hopefully get drafted into the NBA,” he adds, steps clear as a checklist.

His matter-of-factness has a lot in common with his game: studying the best way forward and getting there directly as he can. All there is to do now is what he’s already familiar with, to keep pushing. Excuses, or reasons not to, just make for extra steps.

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Interpol Build A Cinematic Universe With Their New ‘Something Changed’ Video

Last week, Interpol announced a new album, The Other Side Of Make-Believe, and dropped the single “Toni.” Now they’re back with another advance look at the album via the new song “Something Changed.”

The video is a continuation of the band’s recent video for “Toni,” featuring the same characters and same setting as before. This time, the man and woman, now naked, are on the run from Paul Banks’ character as he pursues them in his car.

Banks previously said of working with director Van Alpert, “We bonded over shared film inspiration as well as a passion for classic music videos by the likes of Glazer, Cunningham, and Jonze. Van, in my opinion, is in the club with these legends; and it’s exciting to watch him build his own enduring body of work.”

He also noted of starting work on the new album remotely in 2020, “We usually write live, but for the first time I’m not shouting over a drum kit. Daniel [Kessler] and I have a strong enough chemistry that I could picture how my voice would complement the scratch demos he emailed over. Then I could turn the guys down on my laptop, locate these colorful melodies and generally get the message across in an understated fashion.”

Watch the “Something Changed” video above.

The Other Side Of Make-Believe is out 7/15 via Matador. Pre-order it here.

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‘The Northman’ Director Robert Eggers Has Revealed Which Of His Early Movies He ‘Can’t Stand Watching’

The Northman starring Alexander Skarsgard as a super ripped Viking is already racking up rave reviews ahead of its theatrical release, and director Robert Eggers couldn’t be more thrilled to deliver his first blockbuster film after an intense production. Known for his exacting detail, the action-filled Viking epic is a bit of departure from his earlier work, which included the more cerebral indie hits The Witch and The Lighthouse. In fact, Eggers recently revealed that, after The Northman, he now knows “how to make a movie” and admits he has trouble watching his breakout film, The Witch, because of how unsure he was as a director.

Via The Guardian:

“Honestly, I can’t stand watching The Witch now,” he sighs. “It’s not that it’s bad, and the performances are great, but I was not skilled enough as a film-maker to get what was in my brain on to the screen. In The Lighthouse, I was able to do that. And The Northman, I’m proud of the movie, but not everything is quite what I hoped it would be. So I would like to do something with the scope and scale that I can actually get what’s in my imagination on to the screen.”

Armed with his experience on The Northman, and his first time navigating the studio system, Eggers hopes to go back to making smaller films like The Lighthouse and The Witch, but more finely tuned. Considering both of those movies are great, and The Northman is thrilling critics, we’ll definitely be keeping an eye on Eggers’ next project.

The Northman opens in theaters on April 22.

(Via The Guardian)

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100 Gecs Are Eating Burritos With Danny DeVito On ‘Doritos & Fritos’

In November, hyperpop troublemakers 100 Gecs released “Mememe” and announced that they’d be releasing their sophomore album 10000 Gecs this year. The track moved between pop-punk, ska, industrial, and electronic sounds, and this new song, “Doritos & Fritos,” out today, does the same.

In typical 100 Gecs fashion, “Doritos & Fritos” is glitchy and frantic, made weirder by a heavy bassline and autotuned vocals singing in a disorienting deadpan. “Cheetos, Doritos and Fritos, mosquitos / I’m eating burritos with Danny DeVito,” drawls Dylan Brady. It is somewhat more melodic than their old material, but still as sensory and chaotic.

The album title and release date are still yet to be announced, but the duo will probably just drop it whenever they feel like it.

100 Gecs’ debut album 1000 Gecs is known for blending eccentric music styles from the past couple decades: crunkcore group brokeNCYDE, the cheerleader noise-pop of Sleigh Bells, the pitch-shifted euphoria of nightcore remixes. As if the bombast of their first record wasn’t enough, they took it to the next level by inviting big names onto a remix of it: Emo heroes Fall Out Boy joined them on a newer version of “Hand Crushed By A Mallet” with Craig Owns and Nicole Dollganger.

Listen to “Doritos & Fritos” above.

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The Ascent Of Baby Keem From Underground Rapper To Grammy-Winning Artist

Once obscure from the bright lights of mainstream rap, the name and profile of Baby Keem has risen the past year with the release of his debut album, The Melodic Blue, elevating him from an underground treasure to one of the genre’s most promising young stars.

Off the heels of sleeper-hit “Orange Soda” in 2019, the 21-year-old artist has scaled the Billboard charts with songs like “Range Brothers” and “Family Ties,” both assisted by his Pullitzer Prize-winning cousin Kendrick Lamar. His freshman album drew critical praise and some hardware to show for his musical ascension.

The Vegas-raised artist, born Hykeem Jamaal Carter Jr., was named Billboard’s first 2021 R&B/Hip-Hop Rookie of the Year and received three nods for the 64th Grammy Awards, including Best New Artist. He didn’t take home that coveted award — bested by Olivia Rodrigo — but was still able to take the Grammys stage for a win in the Best Rap Performance category.

Keem, the once faceless artist who hid behind palette-styled cover arts early in his career, has stepped firmly into his place as a transcendent musical talent, expanding from his enigmatic underground status to a known product of today’s sound. But even before his freshman debut and his signing to Kendrick Lamar’s pgLang media company, Keem started rapping at age 13, eventually honing his skittish flow and charismatic delivery over a cheap microphone.

“When I really started, I was 13 and I had Apple studio sh*t on my computer,” Keem said in an interview with Lamar for the 40th Anniversary Issue of i-D Magazine. “I had borrowed $300 from my grandma and I got my stuff on Craigslist. I was probably 15. I got a mic for $50. It was sh*t but it worked. So, I just started learning on that. I made it work.”

From the point his music developed, he landed a few production credits on Kendrick Lamar’s Black Panther soundtrack and the albums of Top Dawg Entertainment associates Jay Rock and ScHoolBoy Q. Keem gained some traction from his first mixtape The Sound Of Bad Habit in 2018, which set the stage for his stop-and-go flow to shine, rapping “Dare I say it / B*tch, I’m Baby Keem, I don’t have time for trends” on the opener “Wolves.”

His name flashed to the masses with Die For My B*tch a vivacious and stylishly moodish project, with the standout track “Orange Soda” becoming a platinum-certified hit because of the song’s pulsating beat, hilariously cheeky lyrics, and outward brashness. Despite the buzz from Keem’s first two mixtapes, much about him was still a mystery.

Back then, an image or interview with the California-born artist could barely be found. But things changed once rumors about Keem’s affiliation with Lamar began to swirl, and soon, the cloak of invisibility surrounding him would shed as their kinship was revealed. As an artist, Keem didn’t lean on their relationship at first. Instead, he revealed in an interview with The Rap Pack that he worked on his music without the “Alright” artist knowing. That way, he could come into form on his own and leave any thoughts of nepotism to the wayside. “He didn’t even know I made music for a while,” Keem said. “He was on some, ‘What do you want to do?’ And I was like, ‘Man, I just want to go to college, bro. I’m going to figure it out.’ I wasn’t even 100 percent sure I was even good at music.”

Keem later added: “If I wasn’t ready to like do what I’m doing now, then it wouldn’t be happening, you know what I’m saying? Even in the process […] I wouldn’t even ask for anything. I didn’t send him my music until later, later. I just wanted to make sure it was from me personally; I wanted to make sure it was owned.”

That was then, but now, Keem has doubled down on his relationship with Lamar and squared his focus on refining his creative process and broadening his sound. As Keem highlighted in an interview with Ebro Darden in October, everything he does is in service of the music. No matter the occasion, he’s always searching for things that spark inspiration and lead to his evolution as an artist, songwriter, and record producer:

“I don’t really leave that mold. I feel like when I go home, everything I do is for the sake of the music. If I watch a movie, or if a play a video game, I’m studying something. There’s something in there I can use, especially a movie for sure. If I watch Netflix right now, I’m watching the way it’s shot because I want to shoot a music video, or I’m looking at the actors and studying them in their gestures because I might want to mimic or take inspiration from it.

I try to have my moment, but I be bored. Like, people go on vacations and things like that and I’m not there yet. I don’t know how to go on vacation yet.”

From his first project to this year’s Grammy, Keem has carved out a lane all his own, using his frenetic and experimental sound to pierce through the guards of hip-hop circles. Once overlooked, he’s now recognized as one of the industry’s young musical supernovas. On “Trademark USA,” he declares his placement in rap, “I took the torch / I quit being nice.”

His Grammy win only serves as affirmation for his current spot, and the one he’ll be in the future. But for now, he’ll enjoy the ride, and in time, learn to take the proper vacation he deserves.