Nicolas Cage is currently promoting The Unbearable Weight Of Massive Talent, in which he plays a not-version of himself named Nick Cage, and his interviews have been particularly entertaining of late. He’s revealed that he regrets nothing about his VOD roles (and in fact, they helped him a whole lot), and we’ve learned plenty about his pet crow. In addition, Cage stepped up to do a Reddit AMA.
Yup, these things can often take a “for better or for worse” turn, but the event yielded some gems, including how he and Charlie Sheen both went bonkers about some square-tube pasta about 25 years ago in San Francisco. Multiple Reddit commenters joked about John Travolta actually running the thread, and the subject repeatedly turned to sequels. There was one Cage project that did receive an unconditional “yes” from him, and no, it wasn’t Con Air (I really only wanted to use a Con Air photo, so that’s what happened above). Rather, Nic feels great about doing a Face/Off followup:
You can read the rest of Nic Cage’s Reddit AMA here while everyone waits for Mandy director Pano Cosmatos to reconsider shutting down an idea for a sequel there. Just put a dozen of them in production, alright? Get it done, Hollywood.
But over the weekend, no less an authority than LeBron James, the face of the NBA for nearly two whole decades, crowned rap’s best hooper during his most recent episode of The Shop on HBO. “Lil Durk can hoop,” he said of the Chicago star whose No. 1 album7220 helped secure him a $40 million contract. “He can hoop for real. Man, he [at] Lifetime hooping. He got a f*cking cannon, too. He got a peel, and he look like a muthaf*cka that can [ball].” Durk was happy to repost the clip of the discussion, which also mentions 2 Chainz, J. Cole, Sheck Wes (who also recently played overseas), and Quavo. “I don’t want to hear sh*t nomo from nobody,” Durk crowed in the caption. Check out the clip below.
Eddie Vedder‘s sixth annual Ohana Festival has been announced today, taking place from September 30 to October 2 at Doheny State Beach in Dana Point, California. The headliners include Vedder himself, as well as Jack White, Stevie Nicks, and Pink.
The rest of the lineup is an eclectic range of great artists: Khruangbin, St. Vincent, Brittany Howard, Billy Strings, Dermot Kennedy, Manchester Orchestra, Grouplove, The Revivalists, Broken Social Scene, Bomba Estéreo, Inhaler, Gang Of Youths, St. Paul & The Broken Bones, Cautious Clay, Joy Oladokun, Dope Lemon, Briston Maroney, Kevin Morby, Kolohe Kai, Noga Erez, Madison Cunningham, Beach Goons, Devon Gilfillian, Mike Campbell & The Dirty Knobs, S.G. Goodman, Y La Bamba, CMAT, and Habi.
An exclusive pre-sale starts April 13 at 10 a.m. PT. if you sign up for early access here. The sale for the general public is on April 14 at 10 a.m. PT.
This announcement follows the release of the All Things Go lineup earlier this morning, which is a festival just outside of Washington, DC. Lorde, Mitski, and Bleachers are the headliners, with indie artists like Lucy Dacus, Bartees Strange, and Julien Baker. This fall looks like a good season for music festivals after the troubling past couple of years during the pandemic.
Keeping up with new music can be exhausting, even impossible. From the weekly album releases to standalone singles dropping on a daily basis, the amount of music is so vast it’s easy for something to slip through the cracks. Even following along with the Uproxx recommendations on a daily basis can be a lot to ask, so every Monday we’re offering up this rundown of the best new music this week.
This week saw Jack Harlow revive a 2000s classic and Pusha T spearhead a big-name collaboration. Yeah, it was a great week for new music. Check out the highlights below.
Harlow first made his presence known in a major way in 2020 thanks to singles like “Whats Poppin” and “Tyler Herro.” While he’s one of rap’s newest rising stars, he decided to draw inspiration from an older tune on his latest single, “First Class.” Fergie fans should immediately recognize the sample that pops up on the track, as Harlow uses “Glamorous” in a fun new way.
Pusha T — “Neck And Wrist” Feat. Jay-Z and Pharrell
Pusha T has made plenty of friends in his years in the industry and he got two of them on his latest single: Jay-Z joins on the Pharell-produced song “Neck And Wrist.” He later noted of his working relationship with Jay, “I know I can count on him to say things I just can’t say. He lives… Bro, [it’s] a different level.”
Maggie Rogers — “That’s Where I Am”
Last month, Rogers unveiled her long-awaited second album, Surrender, is on the way. The news didn’t immediately arrive alongside a single but Rogers finally offered the first taste of the album with “That’s Where I Am.” The tune broadens Rogers’ sonic palette as it delightfully incorporates psych-rock influences.
Bia and J. Cole — “London”
J. Cole famously has an up-and-down relationship with collaborations but he went ahead and hopped on one last week, teaming with Bia for “London.” This one was a big deal for Cole since he really loves the song, so much so he said he was actually nervous after being asked to add his talents to the track.
Lil Baby — “Right On”
Lil Baby is fresh off a pair of No. 1 albums and while it remains to be seen when his next LP is coming, the rapper did share some new material last week via a pair of new songs, “Right On” and “In A Minute.” The songs are different in that the former is the livelier of the two, but similar in that they both see Baby reminding his listeners just how great he is.
Syd — “Out Loud” Feat. Kehlani
Syd recently told Uproxx about linking up with Kehlani on her new album Broken Hearts Club, “I picked Kehlani just because we had been meaning to work together for so long and we just needed the right couple of songs. That’s one of my friends like in real life, we’re like finsta friends, so we always know what each other is doing and it was just like why haven’t we gotten in the studio for real? That was her saying that, she was like, ‘Can we make a project together or something?’ I was like, ‘Sh*t, I got a couple of songs we could start with.’”
Chlöe — “Treat Me”
Chlöe Bailey has had a successful launch of her solo career outside of Chloe x Halle as the R&B singer has managed to generate a lot of attention to her music and herself, which she continued last week with “Treat Me.” Uproxx’s Wongo Okon notes the song “is carried by production that sports quite a bounce, which gives Chloe more than enough room to show off her dance moves and once again impress viewers.”
Father John Misty — “Kiss Me (I Loved You)”
Uproxx’s Steven Hyden notes of Father John Misty’s new album Chloë And The Next 20th Century, “The lustrous folk rock he is known for has been leavened with cocktail lounge jazz and dreamy bossa nova, giving the album a somewhat distant, ghostly vibe that evokes the chilliness of The Shining-era Stanley Kubrick. […] It takes a while for these songs to reveal their dazzling charms, but Chloë ultimately is another breakthrough for Tillman — as a lyricist, as a melodicist, as a singer, as a builder of worlds.”
Coi Leray — “Mountains” With Fivio Foreign and Young MA
Leray is in the midst of one of hip-hop’s biggest ascents of the moment, punctuated by her debut album last week, Trendsetter. She already has some noteworthy folks in her corner, like Fivio Foreign and Young MA, who come through to contribute to “Mountains.”
Wet Leg — “Ur Mum”
If Dave Grohl tells you to check a new band out, you listen. He spoke about his obsession with Wet Leg in a recent interview and he’s not the only one drawn to the group, as they’ve become perhaps the buzziest indie-rock band of the year. Their self-titled debut album came out a few days ago and one of the many highlights is “Ur Mum,” of which Wet Leg told Apple Music, “It’s about giving up on a relationship that isn’t serving you anymore, either of you, and being able to put that down and walk away from it.”
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
My favorite thing about 2022’s The Batman wasn’t Robert Pattinson and Zoe Kravitz bringing sexy back to superhero movies, or Paul Dano’s Zodiac Riddler, or Colin Farrell’s slimebag crime lord Penguin. It was this tweet from @jbillinson: “The new Batman movie suggests that Thomas and Martha Wayne were killed in 2001, which means it’s very likely that they died taking their beloved son Bruce to the theater to see Shrek.”
I thought this would be the biggest Shrek news (#ShrekNews) of 2022, but I was wrong.
Al’s headphones continue to be iconic, but I need a full investigation on whatever the fuck is supposed to be on his iPhone case pic.twitter.com/fssuEtWkEZ
Over the weekend, Marie Bardi, the social media manager for David Sims and Griffin Newman’s wonderful Blank Check podcast, took a closer look at a photo Jason Momoa shared on his Instagram, buried in the eighth slot below:
Momoa showed a recent dinner he had with, among others, Al Pacino. “Al’s headphones continue to be iconic, but I need a full investigation on whatever the f*ck is supposed to be on his iPhone case,” she tweeted. Then came the realization:
Now, a reasonable person could argue that the phone isn’t Pacino’s; it could belong to someone else and it’s only closest to him because everyone was squeezing in tight to take a photo. First off, this reasonable person is a bummer. Also, check out this photo of Pacino, who has frequently been spotted with a similar-looking iPhone and headphones combination, with Taika Waititi and Rita Ora at the 2022 Vanity Fair Oscar Party.
Getty Image
There’s the case. Pacino’s daughter, Olivia, also confirmed that her dad is a fan of green ogres:
please stop arguing in my mentions over the credibility of a SHREK phone case anyways here’s his daughter confirming it is in fact a shrek case https://t.co/y5fVYj7GHY
We’ve spent the last two years largely indoors and damn was that tough. Now it’s time to get out there, hit the poolside, beach, backyard, park, patch of grass, whatever you’ve got access to, with some friends and make up for those lost years. But who has the time to roll out the bar cart, bust out all the tools, and mix fancy cocktails? We did enough of that shit during the lockdown.
That’s why right now we’re all about canned cocktails. No, they’ll never taste quite like the real thing, but they’re cheap, convenient, portable, and require absolutely no mixing skills, tools, mixers, or glassware. They’re perfect for cracking open at the end of the hike while you take in the view and they certainly get the job done when it comes to the whole issue of… you know… having alcohol in them.
So we’re shouting out the best new canned cocktails that you need stocked in your cooler this spring party season. Cheers!
Cutwater’s new Tiki Rum Punch features a mix of the brand’s Bali Hai rum and sparkling orange-passion fruit punch. Like the Bali Hai rum, it’s very sugary, with a single can packing 13.5 grams of sugar and 190 calories. That isn’t a lot for a cocktail but is on the higher end for canned beverages.
Those calories are well spent on flavor though, it blows White Claw, Truly, and the like out of the water in terms of flavor and punch.
Tasting Notes:
A medley of berries, sweet melon, and zesty citrus top notes with a subtle brown sugar and pepper bite.
The Bottom Line:
Tropical, sweet, and strong enough to give you a good buzz in a single can.
A combination of Matcha green tea, juicy pineapple, and chamomile, this is truly one of the weirder canned cocktails out there, and at 4.8% ABV it hardly even provides a head change but I love this stuff. It’s refreshing, and truly one of the most unique combinations of flavors on the RTD beverage market.
Tasting Notes:
Very vegetal and fresh, with a subtle twist of sour notes and a nice floral aftertaste.
The Bottom Line:
For the novelty of this flavor combination alone, it’s worth the pickup. You’re going to need to drink a couple of these to feel anything resembling a buzz, but on a warm day in the sun, few spiked drinks are as refreshing.
Part of Sauza’s new three-flavor canned Agave Cocktails line — which ironically enough aren’t technically cocktails according to the packaging but “cocktail-inspired drinks,” — the Tropical Twist is the best of the line’s three flavors, which also include Strawberry Breeze and the truly awful Lime Crush. Be warned, do not order the Lime Crush unless you want to drink something that tastes like batteries.
When it comes to tequila brands, I’m not the biggest fan of Sauza, but this canned cocktail which combines a malt alcohol base with pineapple, passion fruit, and citrus flavors does a pretty good job at mimicking a fast and easy tequila cocktail.
Tasting Notes:
Pineapple and passion fruit top notes with a sweet agave finish on the backend. A bit vegetal and earthy on the aftertaste.
The Bottom Line:
It’s not quite as good as a margarita in a can, but Sauza’s Tropical Twist dunks on White Claw and other sparkling malt beverages, packing more flavor and a stronger kick.
The Paloma is my all-time favorite cocktail, so I’m pretty specific and picky when it comes to canned versions. Luckily for Paloma fans, the magic of this simple cocktail is easily captured in canned form thanks to its reliance on sparkling Grapefruit soda. It’s practically already a canned cocktail! Cantina Especial is a Texas brand that uses blanco tequila sourced from Jalisco mixed with ruby red grapefruit soda and sweetened with agave syrup.
Tasting Notes:
Bitter, then sweet, then herbal, then floral, and bitter again, if you’re already a fan of Palomas you’re going to find a lot to love here. It leans a bit more on the sweet side, think a Grapefruit Jarritos assisted Paloma rather than one made mixing fresh juice and sparkling water.
The Bottom Line:
A solid canned Paloma, our only gripe is that at 5.6% ABV it’s a bit on the mild end.
Does an Old Fashioned count as a tropical cocktail? It’s got a zesty finish so… f*ck it, we’re counting it! In the intro to this piece, I made a comment about canned old-fashioneds never living up to the real thing, and that is true, but Golden Rule’s Old Fashioned comes pretty damn close. Batch made with rye bourbon, angostura bitters, cane sugar, and orange zest, this canned cocktail has everything that a true old-fashioned should have and delivers a surprisingly complex flavor.
Tasting Notes:
It has that grassy quality that rye whiskey provides with a balanced sweet and bitter body and a bright zesty finish. It’s more mellow and not as sweet and peppery as the fresh stuff.
The Bottom Line:
The best Old Fashioned in a can you will ever drink.
Seriously someone needs to give Golden Rule an award or something because this brand knows how to deliver a good canned cocktail. This tastes exactly like a traditional margarita, it’s tart, bright, refreshing, and leaps and bounds better than any canned sparkling agave or dive bar margarita you’ll ever drink.
I appreciate Golden Rule for not cutting any corners by adding sweet and sour or margarita mix, instead, Golden Rule uses 100% agave tequila, real lime juice, and a proprietary triple sec.
Tasting Notes:
Exactly what you want a basic margarita to taste like, it balances tart lime and sweet orange liqueur flavors and even manages to provide a slightly salty aftertaste that perfectly captures what a salted rim gives you.
The Bottom Line:
Like the Old Fashioned, this is the best canned Margarita we’ve had to date. If you’re not completely sold on canned cocktails or don’t think they come even close to a freshly mixed drink, try Golden Rule and get back to us.
If you’re looking for a canned cocktail that tastes tailor-made for the pool-side ragers of Palm Spring’s Splash House, look no further than Spa Girl. The brand, which actually originates in Palm Springs California, offers low-calories vodka-based cocktails paired with fresh ingredients that won’t weigh you down but pack a powerful enough punch to provide a steady and sustained buzz.
Tasting Notes:
Heavy on the juicy mango notes with a slightly bitter initial taste that mellows out into something more pleasingly tropical and fruity. You can’t so much as taste the vodka here as feel it. It’s a bit wince-inducing and clearly not the highest quality vodka, but hey, at least you can taste it working!
The Bottom Line:
Fizzy, fruity, and strong. Spa Girl comes in a small package, both calorically and literally, but it offers a sustained buzz and a great sparkling vodka-based cocktail that tastes even better over ice.
Editor’s Pick — Good Feels Cannabis Infused Seltzer
Good Feels
ABV: 0%
Average Price: $5
The Cocktail:
Okay, a little bit of a cheat here. This isn’t a cocktail, per se, but I definitely recommend keeping it on hand for barbecues and the like. Everyone on our team has different things they want out of weed beverages, but for me, this was the first weed drink I could imagine having more than one of at a time. It came on mellow and… stayed mellow.
And yet, you definitely felt it. But the sensation was cruisy/ boozy — not weed-head-trippy.
For my personal palate, this is the fast-acting social weed drink of my dreams. The fact that it has no sugar sort of boggles the mind. Smart move by Good Feels to take the best three White Claw flavors and focus on those (plus and Apple-Rasberry flavor I haven’t tried), rather than getting bogged down with other flavors that don’t do sugar-free as well (lime, strawberry, etc.).
Tasting Notes:
Black cherry tastes of… black cherries. There’s a teensie bit of piney darkness from the weed but it’s almost pure black cherry. It’s light, like a Claw, but the alcohol-metallic taste of those seltzers always distracts me. I like this better.
The Bottom Line:
The brand is called Good Feels and it leaves you feeling good. Not “f*cked up” by any means, but certainly ever so slightly tilted and deeply relaxed. This is one I’ll be seeking out often.
After sitting comfortably in theaters for over a month, The Batman finally streams via HBO Max on April 18th. Matt Reeves’ movie has been everywhere lately (besides actually available online), raking in massive amounts of money and sparking the Nirvana revival. The movie will also have an HBO premiere on Saturday, April 23rd at 8 pm.
The movie stars Robert Pattinson as the caped crusader alongside Zoe Kravtiz as Selina Kyle aka Catwoman, Paul Dano as The Riddler and Colin Farrell as the creepy Penguin. For those of you who have been waiting until it is online to see it, here is a brief overview that you probably already know:
When a killer targets Gotham City’s elite with a series of sadistic machinations, a trail of cryptic clues sends the World’s Greatest Detective on an investigation into the underworld, where he encounters such characters as Selina Kyle, The Penguin, Carmine Falcone and The Riddler. As the evidence begins to lead closer to home and the scale of the perpetrator’s plans becomes clear, The Batman must forge new relationships, unmask the culprit, and bring justice to the abuse of power and corruption that has long plagued Gotham City.
While there hasn’t been an official confirmation of a sequel, both Reeves and Pattinson have expressed interest in continuing the series, and there are multiple Batman spinoffs in the works at HBO Max. So, it’s safe to say Pattinson’s Batman is here to stay.
Though he has been accused of a number of instances of sexual assault, Trey Songz now has one less case to worry about. Las Vegas police closed their investigation into accusations against the singer, determining that “no criminal charges will be filed.” According to TMZ, a representative of the Las Vegas Metropolitan Police Department advised, “If any new evidence comes to light, the case will be reopened for further investigation.”
The R&B star was investigated for an alleged incident at The Cosmopolitan hotel in 2021. He was in Vegas to perform at Drai’s Nightclub and celebrate his 37th birthday this past November. Songz invited a group of women back to his rooms at The Cosmopolitan where the incident allegedly occurred. It’s unclear whether this was the same incident that prompted former UNLV basketball player and model Dylan Gonzalez to call Trey Songz a rapist in a statement earlier this year. Gonzalez did tweet the day of the announcement the case was closed, writing, “No White Flag From Dylan Gonzalez. The War Continues. #BeStrongNotSilent.”
In her statement, she wrote, “With what seems like endlessly recurring news of the alleged sexual assaults committed by Trey Songz, I am forced to repeatedly relive in my mind, and suffer anew, the long-suppressed horror and unbearable PTSD of my rape by his very hands at a well known Las Vegas hotel.” Earlier this year, he was sued by another woman who alleged he also raped her in 2016.
What a year in hip-hop 2022 has already been. This year started with a bang thanks to new album releases from Gunna (DS4EVER), Cordae (From A Bird’s Eye View), and Earl Sweatshirt (Sick!). As the year continued, the big-name releases picked up momentum, with new albums from Saba (Few Good Things), 2 Chainz (Dope Don’t Sell Itself), $not (Ethereal), Big KRIT (Digital Roses Don’t Die), Earthgang (Ghetto Gods), and Conway The Machine (God Don’t Make Mistakes). That momentum has carried over into the beginning of spring, with King Von (What It Means To Be King), BabyTron (Megatron), Lil Durk (7220), Fly Anakin (Frank), Phife Dawg (Forever), Denzel Curry (Melt My Eyez, See Your Future), Buddy (Superghetto), and Latto (777) all contributing to the absolute mayhem that marked the first quarter of rap releases.
All that, and we still haven’t heard from heavy-hitters like JID, Kendrick Lamar, or Nicki Minaj, although increased activity from two of the three suggests that new albums may very well be dropping soon. For now, we’ll just focus on the albums we know are dropping (or have dropped — April 8 turned out to be a monster release day as well). And look, there’s no accounting for taste or surprise releases; your underground fave may not appear here but that doesn’t mean we aren’t always looking out to be pleasantly shocked by a relative newcomer or dark horse viral popup. Here are the most anticipated hip-hop albums of spring 2020.
Coi Leray — Trendsetter
The 2021 XXL Freshman had a stellar year in the wake of her breakout track, “No More Parties.” Following up with strong viral faves like “Twinnem” and “Blick Blick,” Coi proved she’s no one-hit-wonder. Trendsetter looks to bring some color and life to the rap game, bending the genre’s established tropes and throwing expectations for female rappers completely out the window.
Dreezy & Hit-Boy — Hit Girl
As the Chicago veteran — yes, she’s a vet, as she first emerged during the drill rap explosion of 2012 — aims to make her resurgence, she’s picked the perfect partner. Hit-Boy managed to jumpstart the career of rap icon Nas; if anyone can help Dreezy with her relaunch, it’s him. They’ve already made significant headway to that effect with the slick comeback singles “COVID Flow Freestyle” and “They Not Ready,” and honestly, no one could be happier about this than me.
Fivio Foreign — B.I.B.L.E.
When Pop Smoke was killed in 2020, the torch of the oncoming New York drill wave, seemingly passed to Fivio — Pop’s closest collaborator — by default. At times, it seemed uncertain whether he was ready for it, or whether he even wanted it. Yet, in the year and change since, we’ve seen Fivio take some laudable leaps as an artist. His notoriety has certainly increased as well, resulting in collaborations with big names like Kanye West and Nicki Minaj. If nothing else, it’ll be interesting to see what he does with it and whether he can blow some fresh wind into the movement’s flagging sails on B.I.B.L.E.
Jack Harlow — Come Home The Kids Miss You
Harlow’s new album’s title may be a mouthful, but the cocky Louisvillain has certainly earned some latitude to take a few left turns. Just check out “Nail Tech” and “First Class,” which have been stark departures from the upbeat, syllable-a-second breakout single “What’s Poppin’.” Jack promises more introspective material on his latest, but as it turns out, he’s not above relishing in his newfound success either.
The California supergroup consisting of E-40, Ice Cube, Snoop Dogg, and Too Short couldn’t have come together at a better time. All four rappers are independent and all four have been around the block a few times since they all emerged in the late-80s/early-90s. They’ve got the experience and wisdom of age, but also share a youthful enthusiasm for hip-hop and rap, and from the two singles they’ve released so far, they clearly enjoy working together and inspire each other in a way that has them all sounding more engaged than ever.
Pusha T — It’s Almost Dry
Once again, it’s time to see how many ways Pusha can make the same material sound brand new all over again. If anyone’s up to the challenge, it’s the guy who managed to sneak a cocaine reference into a fast-food jingle and unearthed a near-decade-old beat from 88 Keys’ stores. He even got Jay-Z to rap like he means it again. Push’s last effort, 2018’s Daytona, was universally acclaimed; could it be he has another consensus critical favorite up his sleeve?
Vince Staples — Ramona Park Broke My Heart
In all his years in the rap game, the Long Beach rapper has been a contrarian, an iconoclast, and someone who was singularly disinterested in the trappings of fame, let alone being a working musician aspiring to it. For the first time, it seems like he’s letting his guard down, demystifying his biography, and actually making music for the masses to enjoy. When Earl Sweatshirt did it, we got Sick! When Vince does it, we just might get another masterpiece.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Over a month after stirring up controversy, Sam Elliott has officially apologized for calling The Power of the Dog a “piece of sh*t” because of its “allusions of homosexuality.” The actor made the comments on the WTF with Marc Maron podcast, and he made it a point to specifically apologize to Jane Campion and Benedict Cumberbatch in his first public appearance since the remarks.
“I told the WTF podcaster that I thought Jane Campion was a brilliant director, and I want to apologize to the cast of The Power of the Dog, brilliant actors all,” Elliott said at Deadline’s Contender TV event on Sunday. “And in particular Benedict Cumberbatch. I can only say that I’m sorry and I am. I am.”
Elliott also made it a point to express his support to the gay community and sincerely apologize for poorly expressing his criticism of the film. “I wasn’t very articulate about it. I didn’t articulate it very well,” Elliott said:
“And I said some things that hurt people and I feel terrible about that. The gay community has been incredible to me my entire career. And I mean my entire career, from before I got started in this town. Friends on every level and every job description up until today. I’m sorry I hurt any of those friends and someone that I loved. And anyone else by the words that I used.”
As for one thing Elliott learned, “don’t do a podcast with the call letters WTF,” the actor quipped before, again, apologizing for his poor choice of words.
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