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What To Watch: Our Picks For The TV Shows And Movies We Think You Should Stream This Week

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Each week our staff of film and television experts surveys the entertainment landscape to select the ten best new/newish shows available for you to stream at home. We put a lot of thought into our selections, and our debates on what to include and what not to include can sometimes get a little heated and feelings may get hurt, but so be it, this is an important service for you, our readers. With that said, here are our selections for this week.

15. Futurama (Hulu)

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Last season on Futurama, Fry, Leela, Bender, & Co. took on an Amazon-like company formed by Mom; caught a rage virus; and got turned into toys (that was a weird one). In season 12 (which is technically the second half of season eight if you go by production order, but let’s stick with Hulu’s season designations for the sake of ease), the gang “embarks on mind-bending adventures involving birthday party games to the death, the secrets of Bender’s ancestral robot village, A.I. friends (and enemies), impossibly cute beanbags, and the true 5 million-year-old story behind the consciousness-altering substance known as coffee.” Guest stars include Danny Trejo, Cara Delevingne, and Kyle Maclachlan. (Read more about the new season here.)

Watch it on hulu

14. Industry (Max)

HBO

This third season of Industry, overall, convinces me that there will be a future moment when this series will move beyond scoring critical acclaim and maintaining a loyal but relatively modest audience. Years into the future, this show could catch on with a whole new audience and be streamed into oblivion in a Suits-like way. That USA Network show maintained a dedicated enough audience to last a decade, but years later, the show’s exploding popularity on Netflix led NBC to double back and find new life in the franchise. It’s very easy to imagine Industry someday harnessing broad streaming appeal in the same way. (You can read our review here.)

Watch it on Max

13. Bad Monkey (Apple TV Plus)

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Scrubs, Ted Lasso, and Shrinking creator Bill Lawrence’s comedy empire expands with Bad Monkey, a good show with a fun premise: Vince Vaughn plays a former cop who is now a health inspector in the Florida Keys. “But after stumbling upon a case that begins with a human arm fished up by tourists, he realizes that if he can prove murder, he’ll be back in. He just needs to get past a trove of Floridian oddballs and one bad monkey,” according to the plot synopsis. The show is based on author Carl Hiaasen’s novel of the same name, and has fun summer binge written all over it.

Watch it on Apple TV Plus

12. Only Murders In The Building (Hulu)

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There’s been two big changes to Only Murders in the Building: the season is largely set in Los Angeles instead of New York City, and Selena Gomez is now Emmy nominee Selena Gomez. But what hasn’t changed is that the Martins, Steve and Short, are as funny as ever. Outside of that trio, the season 4 cast also includes Melissa McCarthy, Eugene Levy, Eva Longoria, Zach Galifianakis, Molly Shannon, Kumail Nanjiani, Richard Kind (!!!), Meryl Streep, Jane Lynch, Michael Cyril Creighton, and recent Oscar winner Da’Vine Joy Randolph.

Watch it on Hulu

11. Fight Night: The Million Dollar Heist (Peacock)

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On October 26, 1970, Muhammad Ali made his return to boxing following a multi-year suspension. That same night, a hustler named Gordon “Chicken Man” Williams (played by Kevin Hart) hosted a party in Atlanta that ended with a $1 million heist. The Peacock eight-episode limited series is based on this event, as the Chicken Man tries to clear his name by attempting to convince one of the first Black detectives (Don Cheadle) in the city’s police force to bring those responsible to justice. The stacked ensemble also includes Taraji P. Henson, Terrence Howard, Chloe Bailey, Lori Harvey, and Samuel L. Jackson

Watch it on Peacock

10. Rebel Ridge (Netflix)

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Here’s a promise: if you make a movie as good as Green Room, I will watch whatever you make for the rest of your career. Rebel Ridge is the latest film from director and writer Jeremy Saulnier, and it stars Aaron Pierre as a former Marine who “grapples his way through a web of small-town corruption when an attempt to post bail for his cousin escalates into a violent standoff with the local police chief. He didn’t start this fight, but he will finish it.” And hey, if he wants to take out some neo-Nazis along the way, that would be cool, too.

Watch it on Netflix

9. English Teacher (Hulu)

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You might know Brian Jordan Alvarez from his videos on TikTok and Instagram as TJ Mack, the singer of earworm “Sitting.” He’s also the star and creator of English Teacher, about a teacher who “often finds himself at the intersection of the personal, professional, and political aspects of working at a high school. Evan wants to be a principled person but often runs into trouble because of it.” His first lesson to his students: sitting is the opposite of standing.

Watch it on Hulu

8. Slow Horses (Apple TV Plus)

Slow Horses
Apple TV+

There’s a few things you should know about Slow Horses:

1. As we previously wrote: “Each season is six episodes long and focuses on a distinct mystery or conspiracy and is full of little twists and turns and double-crosses. Sometimes there are stolen diamonds. Sometimes the slow horses will reveal themselves to be drug addicts or gambling addicts and it’ll muck everything up for a little. Sometimes you’ll be watching someone do something and assume they’re taking a brave and bold stance for righteousness and then realize they’ve been manipulated into accidentally doing the bidding of someone smarter and more conniving than they are.”

2. There is so much farting. Like, even more than you think.

3. You should watch this really good show.

Watch it on Apple TV Plus

7. The Old Man (Hulu)

The Old Man Season 2
Via FX on YouTube

The old man is back, and now he’s even older! In season 2 of the John Wick-like FX series, former CIA agent Dan Chase (played by Jeff “The Dude” Bridges) and ex-FBI assistant director Harold Harper (John Lithgow) are tasked with finding Emily Chase (Alia Shawkat) after she is kidnapped. But “as the stakes rise and secrets are uncovered, Emily finds herself in an identity crisis with dire implications,” according to the official plot synopsis, while Zoe McDonald (Amy Brenneman) makes “surprising moves into Chase’s world.”

Watch it on Hulu

6. How to Die Alone (Hulu)

hulu

Created by and starring Natasha Rothwell, How to Die Alone is about a “broke, fat, Black” employee at NYC’s JFK Airport who decides to change her life around following an accident at work. The comedy-drama series is about facing your fears, and Rothwell is a delight in the lead role. Give it a watch before she returns to The White Lotus for season three.

Watch it on Hulu

5. I Saw the TV Glow (Max)

I Saw The TV Glow
A24

If you have an unhealthy relationship with TV shows (if you’re reading this, you probably do), have I got a movie for you! Jane Schoenbrun’s I Saw the TV Glow follows two outcasts played by Jaden Smith and Brigette Lundy-Paine who bond over a shared affection for The Pink Opaque, a Buffy the Vampire Slayer-like series with a deep, very ’90s lore. It’s a wonderful film not only about nostalgia, but also gender dysphoria. There’s a killer soundtrack, too.

Watch it on Max

4. Agatha All Along (Disney Plus)

Marvel

The first Marvel Cinematic Universe show with a bare butt scene is a WandaVision spin-off about Kathryn Hahn’s breakout character, Agatha Harkness. Prepare to have *that song* stuck in your head again. The “gayest show” in the MCU stable also stars Aubrey Plaza, Patti LuPone, and Joe Locke.

Watch it on Disney Plus

3. Monsters: The Lyle and Erik Menendez Story (Netflix)

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Following the (uncomfortable) success of Dahmer, Ryan Murphy and Ian Brennan’s “Monster” limited series returns with Monsters: The Lyle and Erik Menendez Story. This time, the focus is on the Menéndez brothers (played by Nicholas Alexander and Chavez Cooper Koch) who killed their parents (Javier Bardem and Chloe Sevigny), and the subsequent trial that turned into a media sensation. A third season has already been announced with Charlie Hunnam as Ed Gein.

Watch it on Netflix

2. His Three Daughters (Netflix)

netflix

I’ve said it before and I’ll say it again: more movies should star the wonderful trio of Carrie Coon, Natasha Lyonne and Elizabeth Olsen. So thank god for His Three Daughters, which follows three estranged sisters (bet you can guess who they’re played by!) as they reunite to care for their ailing father. The drama has been called the best movie of the year, which, again, is what happens when you put Carrie Coon, Natasha Lyonne, and Elizabeth Olsen in the same cast.

Watch it on Netflix

1. The Penguin (Max)

The Penguin Trailer Max Series
HBO

Colin Farrell’s scene-stealing performance in The Batman resulted in him being turned into a meme and, probably more impressively, getting a spin-off on Max. The Penguin explores Oswald Cobblepot’s (or as he’s called in the show, Oz Cobb’s) rise in the seedy Gotham underworld. The series, which also stars Cristin Milioti, Clancy Brown, and Theo Rossi, is getting comparisons to another crime drama in the HBO / Max family: The Sopranos. Not too shabby.

Watch it on Max

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LCD Soundsystem Announces Yet Another Residency, With 12 Shows Coming To New York City In November And December

lcd soundsystem KALORAMA Festival 2024
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Residencies hate to see LCD Soundsystem coming.

LCD Soundsystem staged 17 of 20 shows at Brooklyn Steel in Brooklyn, New York throughout October and December 2021, with the last three shows were canceled due to a surge in COVID-19 and the Omicron variant. The James Murphy-led band returned with a residency across New York City last November and December, and history will repeat itself this November and December.

On Thursday, September 19, LCD Soundsystem announced a 12-show residency at Knockdown Center in Queens, New York, beginning on Thursday, November 21 and wrapping on Sunday, December 15. The residency will unfold over the course of three weekends.

“After last year’s successful run of shows at the venue, the 2024 residency will further explore the potential of the Knockdown space, expanding to include a variety of live openers, nightly afterparties featuring DJ sets from special guests, a DFA Records swap meet, an on-site iteration of the Michelin-starred Four Horsemen wine bar, and more,” a press release reads.

The general on-sale for tickets to all 12 shows will begin on Thursday, September 26, at 10 a.m. ET. American Express Card Members will have access to the Amex Pre-sale from Tuesday, September 24, at 10 a.m. local time until Wednesday, September 25, at 10 p.m. local time. Find more information about all pre-sale tickets here.

LCD Soundsystem’s first show of this Knockdown run is scheduled for 11 days after they complete an eight-date residency in Los Angeles, California.

See all of LCD Soundsystem’s 2024 New York City residency dates below.

LCD Soundsystem’s 2024 Residency Dates

11/21 — Queens, NY @ Knockdown Center
11/22 — Queens, NY @ Knockdown Center
11/23 — Queens, NY @ Knockdown Center
11/24 — Queens, NY @ Knockdown Center
12/05 — Queens, NY @ Knockdown Center
12/06 — Queens, NY @ Knockdown Center
12/07 — Queens, NY @ Knockdown Center
12/08 — Queens, NY @ Knockdown Center
12/12 — Queens, NY @ Knockdown Center
12/13 — Queens, NY @ Knockdown Center
12/14 — Queens, NY @ Knockdown Center
12/15 — Queens, NY @ Knockdown Center

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Metallica Will Continue Their Long-Running ‘M72 World Tour’ In 2025, Joined By Pantera And Limp Bizkit

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Metallica launched the M72 World Tour in 2023, in support of their album 72 Seasons. The tour has been chugging along since then and now it’s getting ready to enter a third year: Today (September 19), Metallica announced added 2025 tour dates for North America.

The new dates will continue the band’s “No Repeat Weekend” tradition, which means that two-night stands will have different setlists and support lineups for each show. The new tour dates feature two-night stays in Toronto; Nashville; Columbus, Ohio; Philadelphia; Tampa; Santa Clara; and Denver.

Tickets will be available starting with fan club pra-sales on September 23 at 10 a.m. local time. The general on-sale begins September 27 at 10 a.m. local time. More information can be found here.

Find the newly announced tour dates below.

Metallica’s 2025 Tour Dates: M72 World Tour

04/12/2025 — Las Vegas, NV @ Sick New World @ Las Vegas Festival Grounds
04/19/2025 — Syracuse, NY @ JMA Wireless Dome *
04/24/2025 — Toronto, ON @ Rogers Centre *
04/26/2025 — Toronto, ON @ Rogers Centre +
05/01/2025 — Nashville, TN @ Nissan Stadium *
05/03/2025 — Nashville, TN @ Nissan Stadium +
05/07/2025 — Blacksburg, VA @ Lane Stadium *
05/09/2025 — Columbus, OH @ Sonic Temple @ Historic Crew Stadium
05/11/2025 — Columbus, OH @ Sonic Temple @ Historic Crew Stadium
05/23/2025 — Philadelphia, PA @ Lincoln Financial Field +
05/25/2025 — Philadelphia, PA @ Lincoln Financial Field *
05/28/2025 — Landover, MD @ Northwest Stadium *
05/31/2025 — Charlotte, NC @ Bank of America Stadium *
06/03/2025 — Atlanta, GA @ Mercedes-Benz Stadium *
06/06/2025 — Tampa, FL @ Raymond James Stadium +
06/08/2025 — Tampa, FL @ Raymond James Stadium *
06/14/2025 — Houston, TX @ NRG Stadium *
06/20/2025 — Santa Clara, CA @ Levi’s Stadium +
06/22/2025 — Santa Clara, CA @ Levi’s Stadium *
06/27/2025 — Denver, CO @ Empower Field at Mile High +
06/29/2025 — Denver, CO @ Empower Field at Mile High *

* with Pantera and Suicidal Tendencies
+ with Limp Bizkit and Ice Nine Kills

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‘Agatha All Along’ Viewers Were Very Surprised By Kathryn Hahn’s Nude Scene In The Premiere Episode

agatha all along
disney plus

Ali Ahn jokingly called Agatha All Along the “gayest show” in the Marvel Cinematic Universe. It’s certainly the most naked.

In episode 1 of the WandaVision spin-off series, Agnes O’Connor (played by the always delightful Kathryn Hahn) is trapped in a police procedural until she breaks out of her fugue state to once become Agatha Harkness. She strips off her clothes, and “wakes up” back in Westview, New Jersey, wearing nothing at all. There’s some conveniently placed hair over her frontside, but as she walks away from her neighbor, we see the second bare butt in MCU history (the first being in Thor: Love and Thunder).

Agatha All Along creator Jac Schaeffer told TVLine that Agatha was originally going to wear a robe after emerging nude, but Hahn came up to him and said, “Would Agatha stop to get a robe…? I feel like she would go out there naked.”

Schaeffer (who also directed the first two episodes) added that the scene “is so firmly based in character. It is not exploitative, it is not sexual… It is about this witch and what her priorities are. And in this moment, she needs answers and she doesn’t care if she’s naked or not. So yeah, it’s a point of pride for us.”

It also caught a lot of viewers off guard. “Full rear nudity. Deadpool got Disney bold,” one user on X wrote, while another noted, “If there was one thing I wasn’t expecting from the Agatha show, it was bare ass.” Here’s more:

lmaooo this is the closest Marvel has ever gotten to nudity – @relientkenny

seeing #agatha buttass naked was not on my bingo card – @folklorelle13

Not them showing naked ass on Disney+ – @Cee_dot_Moody

Wow, episodes 1 & 2 of #AgathaAllAlong was so good excited to watch episode 3 next week. Kathryn Hahn was so great. I love her so much. That naked scene can’t believe Disney showed us her – @iamjack1992

The biggest plot twist of the first two episodes of ‘Agatha All Along’ for me was Agatha’s butt shot. I sincerely did not see that coming. – @IzanaGeisler

Agatha All Along is streaming now on Disney Plus.

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Here Are The 2024 Riot Fest Chicago Set Times

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Riot Fest is just about here, as the three-day Chicago festival is set to kick off on September 20. The lineup features NOFX, St. Vincent, Beck, Waxahatchee, Spoon, Manchester Orchestra, Fall Out Boy, Tierra Whack, and more, with plenty of other artists in between.

If you’re looking to plan your day on the festival grounds, check out out the schedule highlights below.

Riot Fest Set Times For Friday, September 20, 2024

Highlights from the first day include New Found Glory at 5 (all times p.m. and CT unless otherwise noted) on AAA Stage, Sum 41 at 6:05 on Cabaret Metro Stage, Cypress Hill at 6:20 on Rise Stage, The Offspring (playing their 1994 album Smash) at 7:10 on AAA Stage, Public Enemy at 7:25 on Radical Stage, Fall Out Boy at 8:15 on Cabaret Metro Stage, NOFX at 8:30 on NOFX World, and The Marley Brothers at 8:30 on Rise Stage.

Riot Fest Set Times For Saturday, September 21, 2024

Leading Saturday are Manchester Orchestra (playing their 2014 album Cope) at 4:25 on Cabaret Metro Stage, Spoon at 5:30 on AAA Stage, Waxahatchee at 6:15 on Radical Stage, St. Vincent at 6:35 on Cabaret Metro Stage, Pavement at 7:40 on AAA Stage, NOFX at 8:30 on NOFX World, Beck at 8:45 on Cabaret Metro Stage, and Taking Back Sunday at 9 on Rise Stage.

Riot Fest Set Times For Sunday, September 22, 2024

Acts playing the festival’s final day include Mastodon (playing their 2004 album Leviathan) at 3:50 on Cabaret Metro Stage, Tierra Whack at 5 on Rise Stage, Lamb Of God at 6 on Cabaret Metro Stage, Oliver Tree at 6:50 on Rise Stage, Rob Zombie at 7:05 on AAA Stage, Dr. Dog at 7:55 on Radical Stage, Slayer at 8:15 on Cabaret Metro Stage, NOFX at 8:30 on NOFX World, and Sublime at 9 on Rise Stage.

Find the full set times here.

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Diddy’s $100 Million Sexual Assault Lawsuit Judgement Was Set Aside, But He’s Not Out Of The Woods

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Amid everything else going on with Diddy right now, earlier this month, he was ordered to pay $100 million to Derrick Lee Cardello-Smith over an alleged 1997 sexual assault, per USA Today. Cardello-Smith filed a civil lawsuit against Diddy in June and was granted the award in a default judgement, as Diddy didn’t make any filings in the suit.

At the time, though, Diddy’s attorney Marc Agnifilo wrote in a statement, “This man is a convicted felon and sexual predator, who has been sentenced on 14 counts of sexual assault and kidnapping over the last 26 years. His resume now includes committing a fraud on the court from prison, as Mr. Combs has never heard of him let alone been served with any lawsuit. Mr. Combs looks forward to having this judgment swiftly dismissed.”

Now, the case has swung in Diddy’s favor.

TMZ reports the default judgement has been set aside, on the grounds that Cardello-Smith apparently didn’t sufficiently proved he effectively served the lawsuit to Diddy per Michigan law.

Judge Anna Marie Anzalone also removed the temporary restraining order the prevented Diddy from selling assets to cover damages, and noting there’s a likelihood Diddy wins the case due to the statute of limitations, given that Cardello’s Smiths claims date back to 1997.

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Zach Bryan Deactivated His X/Twitter Account After Choosing Kanye West Over Taylor Swift

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Zach Bryan posted an opinion on X (formerly Twitter) about Kanye West and Taylor Swift, and he immediately regretted it.

Bryan posted:

“Eagles > Chiefs
Kanye > Taylor
Who’s with me”

Apparently, Bryan did not have many allies. Not only did he go against Swift, but he probably additionally angered Swifties by choosing the Philadelphia Eagles over Travis Kelce’s Kansas City Chiefs. The country star deactivated his X account shortly after receiving an influx of backlash for this post, and people on X are relentlessly going after Bryan — probably more so for being pro-Ye than pro-Eagles.

Either way, it must be noted that cyberbullying is never acceptable, so hopefully, Bryan didn’t deactivate his X account due to harassment.

Of course, mentioning West and Swift in the same sentence has been a dangerous game since the 2009 MTV VMAs, where West cruelly interrupted Swift’s acceptance speech.

Swift addressed her tumultuous history with West within her TimePerson Of The Year” profile last December. She specifically cited their 2016 phone call that his then-wife Kim Kardashian leaked.

“You have a fully manufactured frame job, in an illegally recorded phone call, which Kim Kardashian edited and then put out to say to everyone that I was a liar,” Swift told Time. “That took me down psychologically to a place I’ve never been before. I moved to a foreign country. I didn’t leave a rental house for a year. I was afraid to get on phone calls. I pushed away most people in my life because I didn’t trust anyone anymore. I went down really, really hard.”

West hasn’t shown any remorse, and more recently, Lil Wayne name-checked Swift and Kelce in “Lifestyle” from West and Ty Dolla Sign’s Vultures 2 last month.

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Jack Antonoff Just Stoked The Taylor Swift Rumor Mill By Posting A Photo Of Her With Sounwave In The Studio

Taylor Swift | The Eras Tour - London, UK - Night 5
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Taylor Swift’s every action is evaluated for potential Easter eggs, especially in relation to when she might finally drop Reputation (Taylor’s Version). Swifties have been on high alert for anything “Rep TV“-coded since 1989 (Taylor’s Version) arrived last October. So far, they have not been rewarded. But that won’t stop them from hoping.

On Wednesday, September 18, 11-time Grammy winner and Swift’s favorite producer Jack Antonoff posted an Instagram carousel of photos from past Electric Lady Studios sessions. One black-and-white photo timestamped December 21, 2023 captures Swift and Sounwave laughing in the studio, which, of course, sounded the alarms among Swifties.

“Jack Antonoff just posted this picture of him, Taylor Swift and Sounwave in the studio on December 2023,” the Taylor Swift Charts fan account posted on X (formerly Twitter). “Sounwave did not work on The Tortured Poets Department [eyeball emoji].”

Sounwave was one of six credited producers on Midnights, Swift’s 10th studio album released on October 21, 2022.

Antonoff has been Swift’s primary collaborator since Swift originally released 1989 in 2014. Midnights was “the first album we’ve done with just the two of us as main collaborators,” Swift said in October 2022, but he has contributed production and songwriting to every Swift album since 2014.

So, it’s highly probable that they were working on new music in the studio in December 2023, but there is absolutely zero way of knowing whether it was material for Reputation (Taylor’s Version), Swift’s 12th LP, or none of the above.

Regardless, can Reputation (Taylor’s Version) just drop already? Haven’t we suffered enough?

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Lady Gaga Had A Great Reason For Never Debunking Rumors Claiming She’s A Man, As She Explained To Bill Gates

lady gaga  "Joker: Folie A Deux" Photocall - The 81st Venice International Film Festival
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Lady Gaga seems to be in a great place in her life. She’s newly engaged to Michael Polansky. She’s portraying Harley Quinn in Joker: Folie À Deux, and she’ll supposedly release her seventh studio album in early 2025.

Such a sense of security makes it easier to look back upon tumultuous past experiences and speak out against cruel rumors, which Gaga has done of late.

Last week, Gaga revisited the infamous cyberbully-led Facebook group and commented, “Some people I went to college [with] made this way back when. This is why you can’t give up when people doubt you or put you down — gotta keep going.”

On Tuesday, September 18, What’s Next? The Future With Bill Gates premiered on Netflix, and the second episode features Gaga explaining why she chose not to acknowledge one particularly baseless rumor earlier in her career.

“When I was in my early 20s, there was a rumor that I was a man,” Gaga told Gates roughly halfway into the episode. “I went all over the world. I traveled for tours, for promoting my records, and almost every interview I sat in they said — there was this imagery on the internet that had been doctored. They were like, ‘There’s rumors that you’re a man. What do you have to say about that?’”

After a montage of clips from those cited interviews played, Gaga continued:

“The reason why I didn’t answer the question is because I didn’t feel like a victim with that lie, but I thought about, What about a kid that’s being accused of that that would think that a public figure like me would feel shame? I guess what I’m saying is I’ve been in situations where fixing a rumor was not in the best interest of the well-being of other people. In that case, I tried to be thought-provoking and disruptive in another way. I tried to use the misinformation to create another disruptive point. People, I think, assume that someone like me that performs that my performance is what’s not real, but to me, that’s the most real thing that you’ll see about me. That is so much more real than all of the rumors that are designed to orbit me to gain more clicks.”

Earlier in the episode, Gaga explained the danger of “entertainment and information being a lot closer together than they ever have been before” and explained how “entertainment as a form of manipulation is a big part of my career,” especially in terms of leveraging her platform as an entertainer to advocate for oppressed groups.

Beyond Gaga, Gates used the entire episode to investigate the era of misinformation and conspiracy theories and whether there is any hope of preserving the truth. Other episodes explore artificial intelligence, global warming, income inequality, and infectious diseases.

What’s Next? The Future With Bill Gates is streaming now on Netflix.

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ODESZA’s Creative Director, Sean Kusanagi, Details The Creative Innovations That Elevated Their Live Show

ODESZA
MERLE COOPER/UPROXX

“It takes a team” isn’t just a saying to ODESZA. As one of the biggest electronic acts in the world, Harrison Mills and Clayton Knight have built up their global following by surrounding themselves with people who not only believe in their vision but help bring it to life. In fact, the band’s creative leads are very much considered members of ODESZA themselves.

Particularly, SOUND+VISION Award honoree Sean Kusanagi. As a longtime friend of Mills and Knight dating back to their college years at Western Washington University, Kusanagi has played a pivotal role in the creation and evolution of ODESZA.

“I actually ended up introducing Harrison and Clay because I knew both of them and that they were doing separate projects,” Kusanagi says. “Clay was doing Beaches, and Harrison doing Catacomb Kid. I was living with Clay at the time, kind of near our senior year, and I told the guys they should really just get together and play some music.”

ODESZA
ODESZA

When he encouraged Mills and Knight to meet, Kusanagi didn’t envision that the pair would end up forming one of the most renowned touring acts in the country or that it would forever change the course of his own career. Early gigs in ODESZA’s career saw Kusanagi wearing all sorts of different hats, from touring with the band, to playing guitar on the duo’s 2012 album Summer’s Gone, to mapping lasers on the band’s Last Goodbye tour, Kusanagi evolved as a powerhouse creative force in his own right as the band ascended to stardom.

“My role is to make sure that all of the creative elements are working together,” Kusanagi says of his current role in ODESZA. “We’ve always been obsessed with cinema and movies and building cinematic-type experiences. And the show’s no different. It is like we’re telling a narrative, we’re really building a movie on stage for people to see.”

ODESZA
ODESZA

“Music drives everything and being able to work so closely with my friends Harrison and Clay and Luke [Tanaka] thinking as a whole cohesive entity is where just a lot of the magic happens,” Kusanagi continues. “Sometimes it’s a visual that sparks the audio and sometimes the audio sparks a visual or a laser moment or a pyro moment or a costuming moment or a choreography moment. My goal is to just build a world on the stage so that when people show up, they feel immersed for those 90 minutes to two hours and feel like they live inside of this ‘ODESZA world’ that can only exist right then and there.”

We asked Kusanagi what he believes to be the main innovative components that have changed ODESZA’s live shows over the past two decades.

Creative Innovation 1: Drumline & Visual Musicality

ODESZA
ODESZA

So this was one of the first elements that we really brought to life, dating back to around 2015 or 2016. ODESZA being an electronic group, they wanted to bring live orchestral and musicality to a show that is consistently made of computers and electronic elements. I think a lot of people can agree that it’s not very interesting to just watch someone behind a computer. So it probed the question of how do you bring to life all the elements of their music, which is so layered and so textural and has so many different types of worldly samples? That was really the first thing that excited us.

The first thing that we tried was adding some drumming. Harrison and Clay initially just started drumming on stage, actually bringing a drum kit up there. They brought a SPD, toms, and crash to just add some of those initial energies since that’s all they could afford at the time.

We kept wanting to make it bigger though as the shows got bigger. It’s not enough just for the two of them to drum. So we brought on a drumline to represent so many of these rhythms and styles. It was almost 10 years ago now when we partnered with the Colorado University drumline, and what’s fun is some of those members are still with us now.

We wanted to then keep building on ODESZA’s cinematic musicality. That’s where we thought to add string components as well, and we brought strings to one of ODESZA’s first Red Rocks headlining shows. That was the moment where we started realizing there are all these opportunities to build not just around these electronic moments, but around these musical and orchestral moments and make it come to life. ODESZA built on this “cinematic-ness,” which was and continues to be very future-thinking.

Creative Innovation 2: Pyrotechnics

ODESZA
ODESZA

It’s really easy to just put an explosion within a show because we have money and it’ll just make the crowd hyped. But for us, it comes back to the question, “What’s motivating it? Why are we doing it?” We want to think about why we’re doing this and why it makes sense to add any sort of creative element into the live show.

So for us, yes, pyro is a huge part of our show, but we also want to make sure that it feels motivated for how everything is working together. I’ll use “Loyal” as an example here, where we have this army of drummers on the stage and we have this king that is rising from the dead. They’re bringing this loyal king to life. And in that moment we’re like, oh, fire makes so much sense here to add on the stage just because we have this very almost war battle scene happening, both with the drum line and the visuals. The fire is helping accent that.

We use pyro to help tell the story of this ODESZA world that we’re in.

One of the challenges that comes with pyro is the many different stage formats we find ourselves in. With the drumline out, we have a lot of people onstage, sometimes 16 people, while also trying to set off pyrotechnics. We had to work a lot on the choreography or reworked stage positionings to make it work on certain stages for sure. The whole thing gets underestimated, which is why you also don’t see it that often.

We’ve incorporated pyrotechnics for the past five or so years, but it was The Last Goodbye tour where we really dove in and built time code around our pyrotechnics and our special effects like confetti. We had every second planned. Every moment is planned down to the millisecond when it’s happening and how it’s firing and how it’s being shot off in the show.

Creative Innovation 3: Visuals

ODESZA
ODESZA

The mastermind behind the visuals is my partner Luke Tanaka. He’s the lead on a lot of it, but he works with 30-40 artists from all over the world to create the visuals at ODESZA’s shows.

We get to map out the show plan, and what type of visuals for each song, and then work with these really talented artists across the globe to craft the narrative behind every show. This is really Harrison, Clay, Luke, and myself figuring out what type of style we want the visuals to be. Is it animation? Is it Cinema 4D, is it unreal? Is it after-effects?

What type of program do we want to use? What type of visual artists do we want to collaborate with?

An example is our work with Euphoria, this amazing artist up from Canada who did a lot of the album design and album cover design. He built these characters and then we started using these characters as the main representation of the Last Goodbye souls that you actually saw as inflatables up at the Gorge and are also just kind the narrative tie between everything in the show.

We really try to stay away from building your classic three-part loop for each song, which you can see the format of a lot of times, and instead get into what the actual narrative of this show is, how do all these visuals play and intersect together? And then most importantly, what type of visual wants to represent the music in a whole entirely new way so when someone shows up to the show they experience a song and it evokes something different for them and allows them to hear it in a whole new light.

Creative Innovation 4: Lasers

ODESZA
ODESZA

We’ve used lasers for a long time, but we specifically leveled them up for The Last Goodbye tour.

Specifically, the lasers that we brought into the Gorge were a very unique new thing. I think one thing that we’ve always tried to do is if we’re at a special venue [like The Gorge] we want it to feel extra special. So we wanted to see how we could use lasers in a new way.

We actually put lasers behind the crowd and shot them all the way across the Gorge, with more wattage and lasers than what has ever been at that venue before. Projecting them across the crowd and into the background created this expansive place for people. The amount we used was the first time that that’s ever been done in that capacity at that venue.

@lexi1355

ODESZA brought out allll the lasers for The Last Goodbye Finale #odesza

♬ original sound – lexi

I think that’s also the main ethos for every single one of these things. How has it been done in the past and how can we break that mold and how can we recontextualize it or rebuild it in a way that feels like it has always belonged in this set? And even if it is pushing the boundaries of the visuals or the world-building or the lasers or the pyro, the number one thing for all of it is that it works together.

If it doesn’t work together, then it all falls apart. I actually think one of the most innovative things is just building this from friends and building this as a friend group, who have been together since the very beginning and knowing that these are some of the biggest shows. I never thought that I would be in this position of creative directing before Beyonce at Coachella, but to be able to look over and see myself doing this with my friends while sharing a stage with Beyonce or Eminem, and do three nights sold out at the Gorge, that’s everyone’s dream.