Mura Masa put a bow on 2021 with his lone original track of the year in the sticky, glitchy “2gether.” It foreshadowed the third album from the Grammy winning and once-again-nominated producer, and now his first offering of 2021, “Bbycakes,” showcases an explosive spirit of collaboration.
Featuring vocals from British garage pop singer PinkPantheress, Philly rapper Lil Uzi Vert, and British rapper Shygirl, “Bbycakes” features a veritable all-star squad of talent. Released today, the track was tabbed as BBC Radio 1’s coveted “Hottest Record In The World” tag and with good reason. A pop song at its core, Mura Masa weaves in a cheery steel drum into a hyper-garage beat. Uzi’s flow, PinkPantheress’ hook, and Shygirl’s atmospheric inflections float so fluidly together, bringing together the best of what the four artists each bring to the table.
“I feel like ‘bbycakes’ is a future facing record,” Mura Masa’s Alex Crossan said in a statement. “Clashing U.K. with U.S., hard drill music with cute U.K. garage culture, underground with overground. Most of all it’s a mission statement for the vicarious and playful nature that I think popular music needs to be looking to in order to soundtrack those crucial moments of fun and hedonism in an increasingly cynical culture.”
It’s hard to to put a finger on what the future of music should sound like, but Crossan does it beautifully words and song. He says that excitement for the unknown is what inspires his next record and “Bbycakes” does it in spades.
Listen to “Bbycakes” above.
Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
While stopping by Late Night with Seth Meyers to promote Uncharted, the infamously loose-lipped Tom Holland may have spilled his biggest Marvel secret yet. Since we’re two months out from the film’s release, and it’s record-breaking box office, it’s not exactly a spoiler anymore that former Spider-Men Tobey Maguire and Andrew Garfield show up in the multiverse romp, Spider-Man: No Way Home. However, according to Holland, one of them was sporting some extra padding in the ol’ Spidey suit.
During Monday night’s Late Night episode, Holland revealed that one of his predecessors was packing a fake Spider-butt, and it’s safe to say, this information shakes the entire Marvel Cinematic Universe to its core. Namely because Holland never identifies the culprit, and you can’t just drop a bomb like this without details, man. C’mon. Via Mediaite:
“I’m not going to tell you who, but one of us has a fake ass in their suit.”
The revelation shocked Meyers, prompting Holland to challenge viewers to figure out which Spider-Man needed some extra cushioning.
“I remember being on set like, ‘Wow! Oh, hang on a minute. Nah, that’s not real,’” Holland added with a laugh.
Alright, let’s tackle this scientifically, but full disclosure, we’re operating purely from memory here because Maguire and Garfield’s presence was kept so under wraps that there are very few screenshots of them in the movie. And the ones that do exist do nothing for our butt investigation.
Tobey Maguire
As the oldest Spider-Man (sorry, Tobey) with the most amount of time since his Spandex days, there’s a chance that Maguire could’ve been insecure about his Spider-butt. Especially knowing that he’d be going against his old nemesis, Willem Dafoe’s Green Goblin, whose ample backside has been an internet meme for years. That puts pressure on a man, okay?
Andrew Garfield
Maybe it’s our hazy memory or the fact that Garfield never got the recognition he truly deserved as a pretty great Spider-Man, but we seem to recall him sporting some significant cakes in No Way Home. At the time they looked natural, but with this new information in the mix, we don’t know what to believe anymore.
Tom Holland
As the ancient proverb states, “Whoever smelt, dealt it.” Are we suggesting that Holland lives for the thrill of wearing a padded butt and convincing others that, actually, it’s his co-stars who needed the cheek enhancements? Maybe, just maybe…
Simmons’ falling out with the Sixers has been documented time and again from seemingly every perspective, and once we get through March 10 when the Nets go to Philly for the two teams’ first matchup since the trade, we can hopefully move on from it all. This weekend, Joel Embiid sat down with Malika Andrews to discuss his season and that trade, both in how he felt about Simmons’ departure and his new teammate in Harden.
Embiid was fairly diplomatic, in that he said he believes Simmons will help take the Nets to another level, but also explained that he felt he tried to do everything he could to mend fences with Simmons and get him back, eventually getting to the point where “I didn’t care anymore.”
“I did a lot of chasing around trying to get him back and try to make him feel comfortable again. It was tough. I didn’t care anymore.”
Joel Embiid on Ben Simmons, James Harden, and the MVP race. Catch our convo on NBA Today: pic.twitter.com/cI2dXv6QIn
“I’d probably say a week or two before the trade deadline,” Embiid said about the last time he spoke to Simmons. “He’s a great player and I think whatever he’s gonna add to Brooklyn is gonna take them to another level too. I did a lot of chasing around, try to get him back and try to make him feel comfortable again. It was tough. I didn’t care anymore. … If I had pride, I’m outspoken and I’m honest, you know, I could’ve said a lot of stuff, but I still did whatever I thought was good to do as a teammate.”
It tracks with just about everything else Embiid has said dating back to training camp, when he told reporters their “job is not to babysit” Simmons while also noting that Simmons is a player that makes the Sixers better. The Sixers star and others wanted to visit LA this offseason to talk to Simmons but were told not to come, and it certainly seems that at that point, they decided to move on as best they could. The result has been an impressive 35-23 start to the season, good for third in the East with a real shot at a top seed if Harden gets on the floor at full strength this week as is being indicated.
As for the Nets, Simmons is expected to be back soon as well, and all parties can move forward for good, although they’ll still see each other plenty as divisional rivals now.
Back in August, The Daily Wire announced that they had wrapped production on their first original film, Shut In, a thriller from Disturbia director DJ Caruso. It was intriguing because while Shut In appears to be a straightforward thriller from an established director, The Daily Wire is the right wing media company co-founded by reactionary dorklet Ben Shapiro, whose nasal drone can be heard blaring from speakers all across the nation, railing against woke-nized Disney cartoons that he can hardly bear to jack off to anymore or whatever.
Of their movie offerings, Shapiro’s partner Jeremy Boreing assured Deadline in January of last year, “We will make great entertainment that all Americans can enjoy, regardless of their political views.”
Of course, he said this in the same breath as “If you’re fed-up with the cultural edicts of our country’s self-appointed moral overlords in Hollywood and legacy media, stay tuned,” and this convoluted, we’re-going-to-remain-apolitical-to-own-the-libs approach seems to define Shut In, a politically apolitical thriller at war with itself and appealing to no one.
Shut In stars Rainey Qualley — sister of The Leftovers star Margaret Qualley, daughter of Andie MacDowell, and a pop singer performing under the name Rainsford — and Vincent Gallo, an experimental director perhaps best known for shooting an unsimulated oral sex scene with Chloe Sevigny in Brown Bunny. Watching a movie starring a second-generation celebrity and the bad boy of 90s auteurism seemed like a weird way to stick it to Hollyweird, but at least it was a combination strange enough to be intriguing. I reached out for a screener via the email that kept sending me the Daily Wire’s press releases, but never received a response. Attempting to watch it the non-industry insider way, I went directly to the DailyWire site, where I was forced to click the “stand with us” button under a giant banner image of scowling nerds.
Daily Wire
I narrowly avoided spending $144 on this movie, having to go back a page to toggle a slider to be billed “weekly” rather than “yearly.” In so doing, I missed out on a golden opportunity to own a truly iconic “leftist tears” tumbler.
Daily Wire
If my goal had been to avoid having politics shoved down my throat like Jeremy Boreing claimed, so far it was going terribly.
As the movie begins, it becomes clear that, whatever else you might say about DJ Caruso, veteran director of xXx: The Return Of Xander Cage, I Am Number Four, Eagle Eye, Disturbia, and a legitimate favorite of mine, The Salton Sea, he does have a visual style. Which gives Shut In the flavor of a real Hollywood production, distinctly lacking the flat lighting and corny compositions that characterize your typical faith-based films, which are probably shot by someone who cut their teeth staging megachurch live shows.
The story, by first-time screenwriter Melanie Toast (whose name I can’t read without laughing) follows Jessica (Qualley), a struggling single mom in a skimpy tank top (Dear Penthouse…) who is newly sober and living in a rustic farmhouse she’s just inherited from her mother. She’s living there with her infant son and fantastically unhelpful daughter (this will become important later), Lainey, whose name Qualley will bellow throughout the film, really utilizing those pop music pipes. In fact, lots of this movie consists of characters operatically narrating their own actions. It’s a perfect movie for the blind.
Lainey, clearly drawn from the M. Night Shyamalan school of obnoxious children, spends most of her time collecting apples. She fills her pails with them, emptying them onto a great pile inside, where meemaw used to make apple butter. “Lainey, these apples are rotten,” Jessica tells her, over the fourth or fifth straight close-up of a rotten apple. Uh oh, my metaphor sense is tingling!
Soon Jessica manages to accidentally lock herself inside the pantry, and after about 10 straight minutes of Jessica inside, it started to dawn on me what I was watching: a good old-fashioned single-location thriller. That’s right, given the opportunity to finally stick it to those phony moralists in Hollywood, The Daily Wire’s first play was to finance a poor man’s 127 Hours or Buried(which already sucked). Did Hollywood really need help releasing middling thrillers in February?
Jessica spends the next 57 minutes of screen time inside the pantry. Meanwhile, her ex-husband (Jake Horowitz) shows up, accompanied by his meth buddy, a convicted child molester played by Vincent Gallo. At first, her ex-husband helps her, but soon they get in a fight and he puts her back in the pantry, nailing it shut for good measure. One of the nails goes through Jessica’s hand, and she looks down at her bloody hand, and then up at the crucifix nailed above the door, just to make sure we catch the symbolism. She also has a Bible in there with her.
Throughout the film, Shut In makes these overt Biblical allusions. Yet Christianity seems helpful only in the most utilitarian sense. Does Jessica escape by finding a higher power, learning to turn the other cheek, do unto others, etc? Nope, she uses the literal crucifix as a digging implement and finds hundred-dollar bills in the pages of the Bible. Shut In is almost as weird as it is incredibly boring.
Throughout, Jessica does utterly inexplicable things. When Vincent Gallo shows back up at the house, she tricks him into putting his hand under the door and then jams a screwdriver through his palm (Biblical reference??) and into the floor. Which pins him there, and herself next to a child molester for the foreseeable future. Later she sets him on fire. Which is to say, she sets the door of the wooden pantry she’s currently locked in on fire. Seems like a bad idea! Was it not Jesus who said “thou shalt not set fire to thine own highly flammable dwelling while locked inside of it, you moron?”
She manages to put out the fire after burning Vincent Gallo without torching the entire house with her and her kids inside it, which somehow also doesn’t weaken the wooden door any. Shut In is nothing if not logically inconsistent. Jessica first tries to dig under the floor (doesn’t the DOOR still seem like the path of least resistance here??) and finally manages to escape through the ceiling. In one shot she can barely reach the floor of the second story with her fingertips while standing on her tiptoes, and in the very next shot she has her entire torso through it with no explanation in between.
All the while she eats lots of apple butter. At one point, she reads an apparently meaningful Bible verse:
“Watch out for false prophets. They come to you in sheep’s clothing, but inwardly they are ferocious wolves. By their fruit you will recognize them. Do people pick grapes from thornbushes, or figs from thistles? Likewise, every good tree bears good fruit, but a bad tree bears bad fruit. A good tree cannot bear bad fruit, and a bad tree cannot bear good fruit.”
So… are the false prophets wolves or fruit trees? They’re wolves… dressed as sheep… who also carry fruit? Apparently, there were no Biblical prohibitions on mixed metaphors. And as it applies to this movie: is it the child molester played by Vincent Gallo that is the bad fruit? Is the ex-husband the wolf, and Vincent Gallo the child molester is the fruit he bears with him? Or is the actual fruit tree that bears bad fruit the bad fruit? WHAT IS IT WITH YOU AND FRUIT?!
All of which is to say that Shut In is boring, inconsistent, imbued with some kind of inscrutable code, and above all lazy, a perfect reflection of the rightwing media ecosystem. Ben Shapiro doesn’t even have the creativity to be truly insane, like the Infowars people, he’s more like an annoyingly persistent hall monitor, recycling the kind of dull schoolmarming that’s remained mostly unchanged since the first Bush era. Which is probably part of what makes Shut In so boring — it doesn’t take any interesting swings.
Jessica gets out, she finds her children safe (her daughter included, despite remaining absent and silent for 20-25 minutes of screentime at a clip, even when there’s a shrieking child molester being burned alive downstairs), and eventually her husband comes back. He tries to force Jessica to do meth at gunpoint — DJ Caruso seems to have forgotten everything he knew about meth users in the years since The Salton Sea — but she tricks him with her feminine wiles and pushes him out a window. Finally, I thought, this 89 minute movie that somehow feels 10 hours long is almost over.
There was still just enough time left for a parting shot of meemaw’s apple butter recipe:
Daily Wire
In case you can’t read that, it’s a note about how you can just cut the bad parts out of the apples and use the good parts. “Not many people know this secret, but these apples make the best apple butter.”
It’s a suitably confounding ending, thanks to the sheer variety of apple-related symbolism. Are the apples like Eve’s apple? Are the bad apples like when a cop shoots someone and the police spokesman comes on and says he was just a “bad apple?” Are they saying that a bad apple doesn’t spoil the bunch? Will the apple butter keep the doctor away? What the FUCK is this stupid movie even trying to say about god damned apples? Did the heroic ex-meth addict mother successfully cut the bad parts out of herself and keep the good while avoiding government assistance (with the help of her magic money Bible)?
Honestly, I think trying to find a message here would be putting more thought into this than anyone involved ever did. It feels more like they were spinning plates and spitting out freighted jargon just long enough for the checks to clear.
‘Shut In’ is currently available to Daily Wire members. Vince Mancini is on Twitter. You can access his archive of reviews here.
LCD Soundsystem is playing at your house, your house, Boston and Philadelphia! That’s right, the Brooklyn indie faithful have announced their next two residencies following the ambitious run of 20 hometown shows at the Brooklyn Steel venue that was cut short amid the surging Omicron variant last December.
Each stop on the residencies will see the band playing four nights of shows at Philadelphia’s Franklin Music Hall and at Roadrunner in Boston. These new residencies present an interesting approach for the legacy indie band. It could indicate that similar residencies could be coming to your city in the near future.
Meanwhile, LCD Soundsystem will be the musical guests on Saturday Night Live this Saturday, February 26th, in an episode hosted by John Mulaney. The band had a busy holiday season with the release of the All My Friends sitcom/concert special hybrid with Eric Wareheim and Macaulay Culkin.
For now, check out the LCD Soundsystem tour dates below and tickets go on sale Friday, 2/25 at 10 a.m. ET here.
03/28 — Philadelphia, PA @ Franklin Music Hall
03/29 — Philadelphia, PA @ Franklin Music Hall
03/30 — Philadelphia, PA @ Franklin Music Hall
03/31 — Philadelphia, PA @ Franklin Music Hall
04/03 — Boston, MA @ Roadrunner
04/04 — Boston, MA @ Roadrunner
04/05 — Boston, MA @ Roadrunner
04/06 — Boston, MA @ Roadrunner
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Gin is a fairly unique spirit in the alcohol world. While most of its counterparts are distilled and then either aged or left un-aged before being softened with water (or not) and bottled as is (gaining flavor solely from distillation and maturation), gin gains flavor from additives introduced after the first distillation. The initial distilled spirit is colorless and nearly flavorless, like vodka, but it’s definitely not vodka when it comes out of the bottle. During a secondary distillation, gin is infused with herbs, barks, berries, and botanicals with juniper berries (often) leading the way. That’s the source of the vegetal, herbal flavor notes that gin is most famous for.
One of the most popular (and historic) styles of gin is London dry. While some gins get a little crazy with botanicals, fruits, and even artificial sweeteners, London dry gin keeps it… rather dry. A London dry gin (which doesn’t have to be made in London) is made with much less sugar than other varieties, thus creating the iconic taste drinkers know to expect. It’s herbaceous but not sweet and crisp but not overly fruity.
This is the gin of Bond and Churchill. The gin the queen drinks.
If you’re new to this spirit, you might not realize how complex it can be. Sure, most gins are fairly juniper-forward, but they also utilize a wide range of herbs and botanicals to give each expression a unique flavor profile. Making this a fascinating style to try blind. No flashy bottles or celeb-owned labels to ogle at means I’ll simply be using my senses of smell and taste to rate and rank each sip. It really is as simple as it seems, just like a nice G & T.
Our lineup today includes:
Tanqueray London Dry Gin
Bombay Sapphire London Dry Gin
Beefeater London Dry Gin
Gordon’s London Dry Gin
Sipsmith London Dry Gin
Gilbey’s London Dry Gin
Boodles London Dry Gin
Broker’s London Dry Gin
Let’s get our London Dry Gin on!
Part 1: The Taste
Taste 1
Christopher Osburn
Tasting Notes:
There’s a light herbal flavor that starts this gin’s nose off nicely. This is followed by the classic spicy aroma of juniper and delves into an earthy, citrusy finish. The palate follows suit with notes of lemon zest, orange peel, juniper spice, cinnamon, coriander, and gentle, warming heat.
Taste 2
Christopher Osburn
Tasting Notes:
Floral, citrus zest, coriander, bold juniper … this gin’s nose is loaded with aromas. Drinking it only adds to the experience with notes of juniper, slight herbal, floral flavors that pair well with the orange peel and lemon zest flavors.
There’s also a great deal of spicy, warming heat that ties everything together nicely.
Taste 3
Christopher Osburn
Tasting Notes:
While there are clear notes of pine and juniper on the nose, this gin also has a pronounced and appealing citrus aroma. Sipping it reveals more of the lemon curd/ orange peel flavor that pairs well with juniper berries, cinnamon, and coriander. Overall, this is a multi-dimensional gin.
Taste 4
Christopher Osburn
Tasting Notes:
On the nose, I found a ton of citrus notes from lemon zest to lime to orange, as well as a nice kick of juniper and a slight herbal quality. The palate began with more lemon zest and wound its way into pine, coriander, cinnamon, and more juniper.
It’s a well-balanced, flavorful gin.
Taste 5
Christopher Osburn
Tasting Notes:
There’s a ton of pine on this gin’s nose and a nice kick of juniper as well. I can’t find any other herbs or botanicals though. The palate is more of the same with juniper taking center stage and overpowering everything else. There are lighter hints of cinnamon and coriander, but the juniper really leads the way.
Taste 6
Christopher Osburn
Tasting Notes:
This is a really harsh-smelling gin. There’s a real cleaning supplies/Pine-Sol scent that goes along with a heavy dose of juniper berries and not much else. The palate is a little more flavorful with more juniper, some citrus, maybe some seasonal spices like coriander, and more pine.
It’s definitely not a gin you’d ever want to make the mistake of drinking neat.
Taste 7
Christopher Osburn
Tasting Notes:
A lot is going on with this gin’s nose. The first aromas are spicy, earthy, herbal juniper berries and that’s to be expected. This is followed by notes of tangerine, lemon peels, licorice, and coriander. The palate is filled with hunts of juniper, angelica, spicy cinnamon, and gentle, warming citrus and spice at the finish.
Taste 8
Christopher Osburn
Tasting Notes:
Nosing this gin revealed heavy aromas of orange peel and lemon zest as well as a nice hint of pine needles and juniper. Its palate is very citrus-centric with a great deal of tangerine, lemon curd, and orange pulp flavor as well as more pine needles and juniper that wind into coriander and other spices.
From my notes: “A very complex gin, to say the least.”
Part 2: The Ranking
Now comes the part you’ve been waiting for: The rankings. Keep reading to see where your favorite gin landed.
Gilbey’s might not have the name recognition of some of the brands on the list, but that doesn’t matter. It sells. This bargain gin is flavored with twelve distinct herbs and botanicals. On top of the obvious juniper, there are coriander, lemongrass, orange peel, kalamansi (a type of Filipino lime), angelica root, and others.
Bottom Line:
This isn’t a great gin. It’s overly flavored and harsh. It might work well as a bargain mixer. It came as no surprise that it was by far the cheapest gin I tasted.
Boodles is named for the Boodle’s Gentlemen’s Club in St. James, London, and touts that it was the favorite gin of Winston Churchill (one of the club’s members). Its current recipe dates to 1845 and is made with a wheat-based spirit that’s flavored with juniper and various other botanicals including rosemary, sage, and nutmeg.
Bottom Line:
Clearly, this is a gin for the juniper lovers of the alcohol world since that’s the dominant flavor. There’s no alcohol harshness, just not much substance past the initial kick of juniper. I expected more from a big name like Boodles — this was fairly disappointing.
Even though this gin’s name conjures up images of burly men eating large meat sandwiches, it’s actually named for The Yeomen Warders of Her Majesty’s Royal Palace and Fortress the Tower of London. These traditionally-adorned guards ceremonially guard the Tower of London. The gin — made with nine botanicals, including juniper, lemon peel, and Seville orange — pays homage to them.
Bottom Line:
This gin, while not overly extravagant in the flavor department, does have a mix of juniper, spices, and a load of citrus zest. But nothing really stood out and it ended up more of a muddled mess of flavors.
There are few names in the gin world bigger than Bombay Sapphire. First introduced in 1986, this award-winning gin is made with eight “essential” ingredients: licorice, cassia bark, coriander, angelica root, lemon peel, orris, and of course juniper berries.
Bottom Line:
This gin has a ton of flavor, mostly in the citrus department. But there’s also an herbal quality along with a nice bit of juniper and winter seasonal baking spices. It didn’t surprise me to find that this was Bombay Sapphire — it’s well known for its citrus flavor.
A relative newcomer in the gin world, Sipsmith has gained quite a following since it launched in 2009. Made using traditional ingredients like juniper, coriander, and angelica root, this copper pot still-distilled gin has won numerous awards in the years since it joined the market.
Bottom Line:
This citrus-forward gin is warming, flavorful, and would be the perfect base for your favorite gin-based cocktail. It’s definitely a gin I’ll return to for a second taste. Sipsmith is a reasonably new brand and this gin is a nice mix of classic and contemporary flavors.
This gin is known just as much for its household name as its simple, clean ingredients. While some gins can get a little busy with their additional flavors, Tanqueray London Dry Gin is simply infused with juniper, angelica root, coriander, and licorice. This results in a dry, earthy, herbal, award-winning gin that was created to be mixed with.
Bottom Line:
This is a juniper lover’s dream gin. It’s floral, earthy, and filled with spicy juniper aroma and flavor. This is the last of the big-name gins on this list and I’m surprised it didn’t fair better. Still, it has a classic enough gin flavor to land in the top three.
This award-winning gin is the classic bargain London dry gin on the market. This juniper, coriander, and spice-forward gin are well-suited as the base for a gin gimlet, martini, or a classic, always refreshing gin and tonic.
The best part? Regardless of the awards it racks up, it’s always fairly inexpensive.
Bottom Line:
I couldn’t believe that Gordon’s, one of the biggest bargains on this list, beat out some of the more well-respected brands. But it absolutely did with its warming, subtly spicy, citrus, and juniper-forward flavor profile. It’s the kind of versatile gin that fits all of your mixing needs.
This award-winning gin prides itself on its no-frills flavor. Distilled at a 200-year-old English distillery, it starts as a four-time distilled pure grain spirit in which juniper and other botanicals are steeped for a full day before distilling once more. It was given the title of the “world’s best gin” at the 2010 Ultimate Spirits Challenge.
Bottom Line:
Based on name recognition, it’s surprising some of the legendary brands didn’t take the top spot. But there’s a reason Broker’s has been racking up awards. It’s a great gin and this blind taste test proved that price doesn’t always guarantee quality. This is a bold, floral, juniper, spicy gin that can stand up as the base of all of your favorite gin-centric cocktails.
No one ever accused Packers QB Aaron Rodgers (at least, not in the past year or so) of not being cryptic. That’s been his public-statement style lately, what with the Covid-vaccine conspiracy-theory crusade going while calling upon Joe Rogan for medical advice. Perhaps this was a step too far for the clay-eating Shailene Woodley, given that they ended their year-long engagement even after she responded to Aaron’s anti-vaxxing NFL controversy with an apparent rave about one of his body parts.
Neither Aaron nor Shailene ever provided much of an explanation (nor should they be expected to) for the split, although TMZ reported word from a source that Aaron was feeling “cold feet” while wanting to prioritize his NFL career, and Shailene reportedly “felt ‘neglected.’”
Well, Aaron posted a late-night (Monday) “gratitude” message to Instagram, where he sounded vaguely like he was saying goodbye? At least, that’s how he sounded while talking about football and his teammates. Whereas this is what he wrote to Shailene:
“@shailenewoodley, thanks for letting me chase after you the first couple months after we met, and finally letting me catch up to you and be a part of your life. Thanks for always having my back, for the incredible kindness you show me and everyone you meet, and for showing me what unconditional love looks like, I love you and am grateful for you.”
Talking about “unconditional love” could suggest a few things. Maybe they’re not really broken up for good, or perhaps that’s simply wishful thinking on his behalf. The whole “letting me chase you the first couple months” is slightly wild, given that that suggests some overlap regarding his relationship with Danica Patrick. Whatever the case, Shailene hasn’t publicly responded, although Aaron sure did post a loved-up (and undated) photo of them together, as you can see above.
To make the obvious joke, it seems like everybody’s talking about Bruno: The breakout Encanto soundtrack hit “We Don’t Talk About Bruno” has been dominating the Billboard Hot 100 chart, as last week was its third at No. 1, which is rare territory for a song from an animated movie. Now, the party continues: On the new Hot 100 chart dated February 26, “Bruno” is No. 1 for a fourth total week.
Four weeks is now the most time a song from any Disney movie, whether it be animated live action, has spent at No. 1. The previous record-holder was Bryan Adams, Rod Stewart, and Sting’s 1994 The Three Musketeers song “All For Love.”
Additionally, “Bruno” and the Encanto soundtrack are the first corresponding song and OST to simultaneously lead their respective Billboard charts for at least four weeks since 1992, when Whitney Houston’s “I Will Always Love You” and The Bodyguard soundtrack did so for 12 weeks in 1992.
.@EncantoMovie and “We Don’t Talk About Bruno” mark the first soundtrack and corresponding song to lead the #Billboard200 and #Hot100 together for at least 4 weeks in 29 years.
The last was Whitney Houston’s ‘The Bodyguard’ soundtrack and “I Will Always Love You” (12 wks; ’92).
It’s a big week for some other songs on the chart, too, like Glass Animal’s “Heat Waves,” which achieves a new peak at No. 2, and Gayle’s “ABCDEFU,” which has achieved an all-time high of its own at No. 4. Lil Nas X’s “Thats What I Want” also had its best chart placement ever this week by returning to the top ten at No. 9.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Days ahead of the release of their third studio album Angel In Realtime, Gang Of Youths have released a new cut from the album called “Spirit Boy.” On “Spirit Boy,” lead singer David Le’aupepe remembers his father as he walks through London.
The song “was inspired by a death, a God, a Rōngoa, a long walk along the regents canal, and then some sh*t dave saw on the telly,” according to a tweet from the band.
“Spirit Boy” opens with a kick drum intro before transitioning into a symphony infused with guitar strums, piano notes, and a mix of strings near the end. “The gigs were overlong, and most of them mundane / And the weather climbed to 20-something centigrade” Le’aupepe remarks, before mentioning, “I’ve never been in London this time of year / It’s nice / But I couldn’t wait to slowly disappear.”
Gang Of Youths first announced Angel In Realtime last November, nothing the album is about Le’aupepe’s father and “everything he left behind” after he died in Sydney in August 2018.
Listen to “Spirit Boy” above.
Angel In Realtime is out 2/25 via Warner Records. Pre-order it here.
Gang Of Youths is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
With Barry Season 3 finally arriving in April 2022, the Bill Hader-starring series will have been off the air for three years, so it’s understandable if the events of Season 2 are fuzzy after all of this time (and a full-blown pandemic). We’ll walk you through the events of the last season and the story of Barry Berkman (Hader), the soldier turned hired assassin, who wants out of the hitman life so he can pursue his newfound passion for acting. In fact, we’ll split the recap into the two segments of Barry’s life that are now on a major collision course following the events of Season 2.
Barry: The Actor
As Barry continues to become an integral part of the acting class led by Gene Cousineau (Henry Winkler), and even starts to form a father/son relationship with the acting coach, his love life takes a much-needed turn as he finally starts dating Sally Reed (Sarah Goldberg), who captured his attention in the first season. As the couple prepares for a showcase featuring personal stories from their life, Sally plans to mine the emotional depth of a prior abusive relationship with Barry playing the part of her violent ex, Sam. Initially, the story features Sally defiantly standing up to Sam. However, Barry pushes Sally to explore the truth of the experience, and the fact that she didn’t stand up to her abuser. That emotional connection to what really happened helps Sally deliver a performance that finally gets a meeting with a talent agency.
However, things don’t go as planned at the meeting. The agency is mainly interested in getting Sally to star in a series about an abused woman, and she’s not interested in just doing “revenge porn” that won’t push her as an artist. Adding to the frustration: Barry is offered a role in a Jay Roach movie despite having very little experience with acting. The situation culminates with Sally and the acting class being invited to perform their narratives at a massive showcase full of talent execs, but it’s clear that Barry and Sally’s relationship is being strained.
On the night of the big performance, the situation comes to a head as Barry is caught off-guard by Sally reverting back to the original narrative and defiantly standing up to his version of Sam. Granted, the audience eats it up, which leaves Sally torn between telling her truth or finally receiving the recognition for her acting that she’s been chasing for years.
Meanwhile, Barry is noticeably distracted as his relationship with Cousineau goes from beloved mentor to being completely shattered by Barry’s other life.
Barry: The Hitman
HBO
While Barry and Gene’s mentee-mentor relationship continues to deepen, there’s a ticking time bomb waiting to go off: Season 2 opens with the aftermath of Barry killing Detective Janice Moss (Patricia Newsome) who was getting close to connecting Barry to the murder of one of Cousineau’s acting students in Season 1. Not only that, but Moss had become romantically involved with the acting teacher, who now thinks that the detective ghosted him.
Meanwhile, NoHo Hank (Anthony Carrigan) has become the head of the Chechen mob, and naturally, he wants Barry to continue being the gang’s hired killer. Barry, however, wants out. Hank does not take this news well, but eventually, after a few skirmishes, they hash things out after Barry agrees to train a squad of killers for Hank.
There’s also the matter of Monroe Fuches (Stephen Root), Barry’s handler. After running afoul of the police, he agrees to wear a wire and implicate Barry as Detective Moss’s murderer. Thanks to Barry being distracted by the acting class, and the threat of Fuches blowing his chance at a new life, Barry actually does confess to the murder and is about to get himself arrested by Detective Loach (John Pirruccello). However, little did Fuches or Barry know that Loach had other ideas. Namely hiring Barry to kill his ex-wife’s new lover.
To escape their legal predicament, Barry and Fuches take the job, which leads to a wild karate fight with Ronny and his eight-year-old daughter, who mops the floor with Barry. The confrontation spreads across town to a local supermarket where Loach and Ronny both end up dead, leaving Barry off the hook and square with Fuches. Or so he thinks.
Despite having a clean break, Fuches still wants Barry back and tracks down Moss’s car that Barry stashed in the woods. He then travels to Cousineau’s house and pretends to be a police officer investigating Moss’s murder. Little does Cousineau know is that Fuches called the real police, pretended to be Cousineau, and confessed to Moss’s murder. The acting coach is arrested, which infuriates Barry, causing him to be even more distracted during Sally’s big performance.
Meanwhile, Fuches orchestrates a team-up with NoHo Hank by squashing a pending battle with the Bolivian and Burmese gangs, who have now agreed to work together. When Barry learns what Fuches is doing, on top of the Cousineau situation, he flips and heads to a monastery where he completely eliminates all of the gang members, but not before Fuches can escape.
As for Cousineau, he’s cleared of the murder charges after the cops find Moss’s car and a Chechen pin that Barry stashed in the trunk to make her death look like it was gang-related. But before the season ends, a flashback is shown of Fuches at Cousineau’s house whispering something in his ear. Those words, “Barry Berkman did this.”
Barry Season 3 premieres April 24 on HBO.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
