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Autistic blogger creates compassion and understanding through relatable Facebook posts

When Lyric Holmans was diagnosed Autistic at the age of 29, it was like they were born again. It fundamentally changed how Holmans saw themself and others, and it led to the important realization that they no longer had to live up to neurotypical expectations.

“Finally learning the truth allowed me to grow a skill that I’d been lacking for most of my life—self-compassion,” Holmans tells Upworthy. Adding that the diagnosis was like a “guidebook” that allowed them to “finally understand myself, and once I understood myself better, I even began to understand other humans—because I now understood how different people’s minds can be.”

This rebirth allowed Holmans to create a blog and social media profiles under the moniker NeuroDivergent Rebel. As the NeuroDivergent Rebel, Holmans elevates neurologically atypical voices to broaden the conversation surrounding neurodiversity.

The NeuroDivergent Rebel has nearly 88,000 followers on Facebook and 34,000 on Instagram.

One of the NeuroDivergent Rebel’s primary focuses is letting the public know that no one should attempt to turn neurodivergent people into neurotypical people.

“We know that treating people like they are inferior or destined for failure can push them into that self-fulfilling prophecy of not believing in their own abilities,” they told Upworthy. “Neurodivergent people, like all people, need to believe in themselves. We also need society to stop asking us to be all the things we’re not.”

Holmans wants neurodivergent people to take off their “masks” and to be themselves instead of contorting their minds and bodies in an attempt to be indistinguishable from their neurotypical peers. They understand that “masking” is a form of self-protection but it can push people to the emotional and physical breaking point.

“For some of us, myself included, simply being yourself means standing out, which can be dangerous if you are around unsafe people or situations. For me, as an Autistic person, masking often means I am hiding my discomfort or confusion in a situation. I may also mimic neurotypical expressions, cues, and body language, or fake eye contact, because I know non-Autistic people sometimes feel you’re up to no good or lying if you won’t look them in the eye,” Holmans says.

As a leading neurodivergent voice on social media, Holmans has seen how platforms such as Facebook and Instagram are slowly changing the way people understand neurodiversity.

“Social media has given rise to neurodivergent voices. Once upon a time, even as recently as five years ago, when I was first diagnosed, it was very hard to find the words and voices of other neurodivergent adults,” Holmans says.

“If you went to Google or any other search engine and typed in ‘Autism’ or ‘ADHD’ you would only find stories and resources about children, from medical professionals and worried parents (who were also only finding the medical articles that tend to slant heavily towards the harder parts of the neurodivergent experience),” they continued.

“For those of us, like me, rediscovering ourselves late in life, neurodivergent adults were lost and alone with few resources aimed at helping us. Now we are finally seeing a bit more balance to the narrative, though things are still far from perfect, and we have a long way to go,” Holmans says.

Some of the most impactful posts they’ve made have helped parents understand their neurodivergent children.

Their posts are also a way for neurodivergent people to feel connected to others.

They also allow people to celebrate their differences.

And they’re advocating for changes to our classrooms and schools to create a more compassionate, inclusive space for neurodivergent students.

In the end, Holmans is all about helping people improve their understanding of themselves and others to build a more compassionate world. “If I am able to give my readers the gift I received, in learning about neurodiversity that I’m not a broken neurotypical person—and it empowers them to live their lives more boldly, I’ve won,” Holmans says.

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Professor’s hilariously exasperated message to students illustrates how teachers are so done

If you know any teachers, you probably know how utterly exhausted they all are, from preschools all the way up through college. Pandemic schooling has been rough, to say the least, and teachers have borne the brunt of the impact it’s had on students.

Most teachers I’ve known have bent over backwards to help students succeed during this time, taking kids’ mental and emotional health into consideration and extending the flexibility and grace we all could use. But teachers have their own mental and emotional needs, too, and at some point, something’s gotta give.

A college student posted screenshots of a professor’s message on Twitter with the comment “someone PLEASE check on my professor.” It’s simply incredible.

The message reads:


“There is no class tomorrow. I’ve got some things to take care of regarding this and my other class, and my full time job. I have received countless emails about zeroes on assignments either through errors I’ve made, you’ve made, or simply people not realizing or knowing they were supposed to turn it in and then realizing in panic they received a zero on it for (surprise), not turning it in. It seems that giving you a free assignment so long as you turn SOMETHING in created far more chaos than good will. Apologies. That’s on me. And you. But also me. But also you.”

Then it went on…

The professor gave a bulleted list of instructions for what clearly sounds like a very simple, easy assignment designed to give students an opportunity to boost their grades.

“- Submit it. I’ve extended the deadline until tomorrow before Midnight.

– If you do NOT turn it in before then. I’m sorry. It’s a zero. No excuses at this point and frankly, I regret ever trying to make this assignment easier because it’s created more problems at this point.

– I will look at these, do not do something stupid like type ‘b’ or ‘i did it’. I will become enraged and bitch about you for exactly 15 seconds to anyone within my proximity who will listen. I will not hold back.

– After I receive these, I will give you full credit (pending the above prerequisites). I will then promptly print 100 copies of the assignment out, put them in a pile, light that pile on fire, and dance around the rubble as it burns. I will then put my hand on the smoldering embers so that I may feel again. Feel what, you might ask? Anything. Literally anything.

– I will then sleep like a baby, having put this nightmare behind me.”

Absolutely classic.

The professor saw the tweet his students shared after it went viral and chimed in with a response.

And he added an update on how things were going on the assignment front.

Other teachers responded to his woes, commiserating over students being handed a chance to improve their scores and simply … not doing it.

It’s been a challenge during the pandemic to figure out how much to expect of any of us, hasn’t it? Some leeway is definitely warranted, but are we enabling bad habits when we give too much? There are no right answers to that question. We’re all winging it, trying to navigate uncharted waters and having to constantly readjust as things change.

It’s exhausting. We’re all exhausted. But teachers are at a level of “done” that few of us can fathom. Healthcare workers can fathom it. Anyone working with the public the past two years might get close. But until you’ve actually taught, you don’t know. Teaching is hard under normal circumstances. Pandemic teaching is a whole other ballgame.

We feel you, teachers. Hang in there, and enjoy this bit that will undoubtedly feel familiar:

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18 of the funniest photos from the 2021 Comedy Wildlife Awards

Six years ago, the Comedy Wildlife Photography Awards started humbly as a small photo contest. But it’s grown to be a worldwide renowned competition seen by millions across the globe. The photos are always funny but they come with a serious message: We need to protect the natural world.

This year’s winner is “Ouch!” a photo of a Golden Silk Monkey who appears to have injured the family jewels by landing on a wire with his legs open. The photo was taken by Ken Jensen in 2016.

“I was absolutely overwhelmed to learn that my entry had won, especially when there were quite a number of wonderful photos entered,” Jensen said in a statement. “The publicity that my image has received over the last few months has been incredible, it is such a great feeling to know that one’s image is making people smile globally as well as helping to support some fantastically worthwhile conservation causes.”


Winner: Ken Jensen “Ouch!” (Golden Silk Monkey, China)

This is actually a show of aggression, however in the position that the monkey is in it looks quite painful!

Affinity People’s Choice Winner: John Spiers “I Guess Summer’s Over” (Pigeon, Oban, Argyll, Scotland)

“I was taking pics of pigeons in flight when this leaf landed on the bird’s face.” – John Spiers

Creatures of the Land Winner: Arthur Trevino “Ninja Prairie Dog” (Bald Eagle, Longmont, U.S.A.)

When this Bald Eagle missed its attempt to grab this prairie dog, it jumped toward the eagle and startled it long enough to escape to a nearby burrow. A real David vs. Goliath story!

Creatures Under Water Winner: Chee Kee Teo “Time for School” (Smooth-Coated Otter, Singapore)

A smooth-coated otter “bit” its baby otter to bring it back for a swimming lesson.

Portfolio: Vicki Jauron “Joy of Mud Bath” (Elephant, Matusadona Park, Zimbabwe)

An elephant expresses its joy in taking a mud bath against the dead trees on the shores of Lake Kariba in Zimbabwe on a hot afternoon.

Highliy Commended Winners: Andy Parkinson “Let’s Dance” (Brown Bear Cubs, Kamchatka Peninsula, Far East Russia)

Two Kamchatka bear cubs square up for a celebratory play fight having successfully navigated a raging torrent (small stream!).

Chu Han Lin “See Who Jumps High” (Mudskipper, Taiwan)

David Eppley “The Majestic and the Graceful Bald Eagle” (Bald Eagle, Florida, U.S.A.)

Bald eagles will use the same nest for years, even decades, adding new material to it at the beginning and throughout the nesting season. Normally, they are highly skilled at snapping branches off trees while in flight. Possibly tired from working nonstop all morning on a new nest, this particular bald eagle wasn’t showing its best form.

Yes, sometimes they miss. Although this looks painful, and it might very well be, the eagle recovered with just a few sweeping wing strokes, and chose to rest a bit before making another lumber run.

Gurumoorthy K “The Green Stylist” (Indian Chameleon, Western Ghats)

Jakub Hodáñ “Treehugger” (Proboscis Monkey, Borneo)

This proboscis monkey could be just scratching its nose on the rough bark, or it could be kissing it. Trees play a big role in the lives of monkeys. Who are we to judge?

Jan Piecha “Chinese Whispers” (Raccoon, Kassel, Germany)

The little raccoon cubs are telling secrets to each other.

Lea Scaddan “Missed” (Kangaroo, Perth, Australia)

Two western grey kangaroos were fighting and one missed kicking the other in the stomach.

Nicolas de Vaulx “How Do You Get That Damn Window Open” (Raccoon, France)

This raccoon spends its time trying to get into houses out of curiosity and perhaps to steal food.

Pal Marchhart “Peek-a-Boo” (Brown Bear, Harghita Mountains, Romania)

A young bear descending from a tree looks like it’s playing hide and seek.

Ronald Kranitz “I Got You” (Spermophile, Hungary)

I spent my days in my usual “gopher place” and yet again, these funny little animals haven’t belied their true nature.

Video Category Winner Rahul Lakhmani “Hugging Your Best Friend After Lockdown”

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Extreme yo-yo’s, high rise jeans and fluffy blowouts show the ’90s are officially retro now

I’m a millennial. One of my greatest joys is making my Gen Xer boyfriend feel ancient. I love to remind him how I was in high school when he was enjoying Phish concerts. When he mentions his pop culture icons, I revel in saying “who?” as I watch him appear dumbfounded. And oh, you should see his face when I remind him that I have never, not once, seen “The Breakfast Club.” Nothing brings me more sadistic delight.

Well, it looks like I’m about to get a heaping serving of humble pie. Karma is real folks, and it got me.

It all started with a viewing of this yo-yo commercial from the ’90s.


This Yomega yo-yo commercial—with background music reminiscent of “The Fresh Prince of Bel Air” theme and some in-your-face teenage boys sporting Beastie Boys hairdos—was going viral.

The video received a flood of comments remembering the yo-yo craze:

“I went crazy and bought one called the metallic missile. It’s the coolest yo yo I swear”

“Ah man, totally remember using baby oil to grease the axle on my fireball.”

“Back in elementary school we had a school assembly because a ‘yoyo artist’ was coming to visit.”

As I thought back on my own pride at having accomplished my first “walk the dog” yo-yo trick back in 7th grade, I thought about other trends I’ve seen recently. Ones that were all too familiar. Butterfly clips. Mini skirts. Velvet. Then I tasted the bittersweet flavor of nostalgia, dread—yes karma—as it slowly dawned on me that…

…the ’90s are now retro.

OMG. It’s true. Things that appeared not only in my childhood, but in my teenage years, are resurfacing. “Making a comeback,” as the headlines say. As I list these out, I feel a newfound sense of empathy for older generations.

Low-rise jeans

Are you kidding me? I only just bought my super high rise mom jeans! How many waistlines can one woman sport? Is it just me, or do fashion styles come and go at a super speed pace nowadays?

I was relieved to see the universally flattering bell bottoms trending once again. But I’m not ready for this. One, I’m not ready to accept that low-rise is considered “vintage.” Two, I’m not convinced anyone finds this fit actually comfortable. And three, on a more serious note, many women don’t remember this style fondly, for reasons that InStyle made a great article about here. Let’s just say, the ’90s were a time where hypersexual culture and purity culture came to a head in a weird way.

Fluffy blowouts

90s, 90s hair, 90s comeback

Even though Gen Z has dubbed the side part as “old,” this voluptuous hairstyle is apparently in and ready to serve some serious Topanga vibes and I’m psyched about it. (Do I have to explain that Topanga is from “Boy Meets World”? Do I have to explain what “Boy Meets World” is?)

Blockbuster

Sorry for the mislead, readers. No, Blockbuster is not coming back. And probably never ever ever ever will. But it is making a comeback of sorts. Randall Park will be starring in a comedy series, aptly and simply titled “Blockbuster,” that takes place at (you guessed it) the world’s last remaining Blockbuster. The ultimate irony? This show will be on Netflix, the company that put Blockbuster out of business. One final twist of the proverbial knife.

Barbed wire: tattoos and more

Hulu recently released its trailer for the new Pamela Anderson and Tommy Lee biopic, starring Lily James and Sebastian Stan. Though I’m not entirely sure why anyone needs this show, the transformation that Lily and Sebastian undergo for the roles is pretty incredible. But that’s not the only place where barbed wire is becoming trendy. Arm bands, wristlets and ankle tattoos have been popping up featuring the once hot design. Lets not forget the classic barbed-wire-paired-with-delicate-flowers combination, a classic symbol for “strong, yet vulnerable.”

Dua Lipa even got a heart-shaped barbed wire tattoo. And she’s in her 20s, so you know it’s cool!

’90s are the new ’70s?

Gosh, I remember watching episodes of “That ’70s Show” thinking how odd and caricatured those teenagers looked. Still hilarious, though. To think that there will be a spin-off set in the ’90s puts a whole new perspective on things. My childhood generation is now a potential scene for a period piece? Stop the world, I wanna get off!

Pretty soon we’ll be seeing yo-yos trending on TikTok. In a retro, ironic way, might I add. But I suppose that’s how the passage of time works. And really, it only stands to make me appreciate some symbols from my younger days. Hopefully we can bring back some wholesome ’90s classics, like just going to the mall with friends or going to a concert and just being there, without having to film it.

As I watch my old clothes turn into costumes, and I surrender to the fact that time stops for no one, at least I can take solace in one thing: I’ll still always be younger than my Gen X boyfriend.

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‘Latinx In Gaming’ Is Building A Community Of Gamers Ready To Shake Up The Industry

For game designer Elaine Gomez, the goal of her nonprofit Latinx in Gaming is more than just “raising awareness.”

“It’s super important to see characters that look like you in games because that inspires people at another level,” Gomez tells UPROXX. “But [we’re here] to really change people’s lives, not just speak about needing more Latinos in games.”

There’s often a trickle-down relationship between representation and systemic change, but it can be frustratingly slow, especially for people like Gomez and fellow Latinx in Gaming co-founder and game designer Fernando Reyes. Both have faced roadblocks in their own careers and they want to prevent the next generation from encountering those same issues.

“Getting into the game industry is hard for anyone, but even harder for us,” Reyes, who’s originally from Mexico, says. “There were so many immigration problems that I faced: getting a work visa into the US, adapting to a new culture, learning a different language [so I could] explain my ideas. It was ridiculous, the amount of challenges that I had to face compared to others. If there’s anything that I could do to prevent other people from going through the same challenges, or, even if they have to go through them, to not go alone. I think that’s a success for me and for what the organization stands for.”

The group was initially founded at the Game Developers Conference a few years ago. Its president, Cristina Amaya, was looking for a way to revive the Latinx chapter of the International Games Developers Association. Gomez was part of the initial group she recruited, and Reyes joined soon after, having spent time working with the pair while organizing community events for Microsoft. The initial goal of the group hasn’t changed much over the years – though everything else about it has. They’ve got more money, more reach, and a more secure status as a nonprofit, but the founding principle of creating a space for Latinx gamers to connect, share their experiences, and help each other to succeed is still the same.

“Of course, now that we have bigger budgets and more resources to create projects, we can start giving to this community that we built,” Reyes says. “But primarily it’s all about connecting people.”

They do that by mostly listening to the needs of their community and meeting them when and where they can. The group has held panels at game conferences, inviting people to share the issues they’re facing – whether they’re game creators or just perspective gamers.

“It’s really interesting to hear the challenges that Latin American game developers face versus one’s overseas,” Gomez shares. “The issues are astronomically different. Everybody wants to know, ‘How do I get a visa to work at a big company like Ubisoft or Electronic Arts?’ and we’re trying to figure out, ‘Well, how can we help?’”

As Gomez explains it, the answer often leads to “really difficult conversations” regarding how different governments work and the disparate access to legal counsel. It’s inspired the group to offer workshops and online resources for prospective developers as well as help purchase needed equipment and software for hopeful content creators looking to level up their Twitch streams or just get started in online gaming.

“We are trying to make an impact as consciously and intentionally as possible so that people can reach their dreams and make that a reality.”

Another challenge the organization faces is, perhaps, an unexpected one: diversity.

Here in the states, we have an unfortunately narrow view of Latinx culture but Reyes and Gomez both know that there can be big differences depending on which country you hail from, which customs you keep, which dialect you speak, etc. That’s why they’re reaching out to people in those countries to learn what their specific needs are and how best to meet them.

“It’s a challenge on its own trying to serve such a diverse community,” Reyes says. “But I think we have tried to find the common ground. We have [members] representing their countries on the Latin American side within Latinx in Gaming. Just being in contact with the community itself and asking, ‘What is it that you need?” had helped solve things.”

The nonprofit regularly spotlights Latinx content creators with its large database of Latinx game devs and industry contacts, but it also provides a professional networking space where gamers can get help with resumes and job interviews, or just connect about pop culture. It’s a wide net they’re casting, but Reyes thinks that’s why they’ve been successful – they offer the tools and let the community decide what it needs.

“We really believe in the impact at a single individual level and at a country level, which is very ambitious, but I think that’s the way to do it if you have a very big community.”

The group has partnered with companies like PlayStation, Nintendo, Microsoft, and more to host job fairs and online events over the past year to help Latinx gamers stay connected. They recently won the Global Gaming Citizen Award for their work in the community in 2020. And they have big dreams for the future. Gomez hopes to one day create an incubator fund where Latinx in Gaming can sponsor creators within the community, funding their projects while they focus solely on building them. For Reyes, he dreams of turning Latin American cities into the next gaming hub, with the industry doing for places like Bogota, Columbia what it did for Montreal – arguably the biggest city for gaming ventures right now.

But both recognize the work is just beginning. Though big developers are beginning to invest more in representation and inclusion, they need to partner with groups like Latinx in Gaming to do it right.

“It’s still very young and the intention is there,” Reyes explains. “It can be very easy to just pretend that you are actively helping the situation, investing the money in projects that actually don’t give you any results. We have been doing this for a while and we understand the situation and the challenges. If they put actual resources to help enable us to create meaningful impact, that’s the way to go.”

Again, it’s one rung of the ladder at a time.

“I think that we’re getting there,” Reyes says. “But this is the start of the journey rather than the end.”

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Director Rhys Thomas On Why Matt Fraction’s ‘Hawkeye’ Is So Important To The New Series

It’s pretty early in the first episode of Hawkeye when you see director Rhys Thomas’s unique touch. As you saw in the trailer, Hawkeye has poor Clint Barton having to sit through something called Rogers: The Musical that features a musical version of the Battle of New York that we see in the first Avengers movie. And, yes, Clint is miserable. And Rogers: The Musical itself is, as Thomas puts it, his specialty of, “not too good, not too bad,” that he perfected on SNL and Documentary Now!.

Hawkeye, so far (I was given two episodes before this interview) is about the relationship between Clint Barton (Jeremy Renner) and the Kate Bishop (Hailee Steinfeld) who becomes his protegee after she gets into some hot water after stealing, then wearing, his Ronin costume from Avengers: Endgame. (Clint made a lot of enemies during that time period and now they think Kate is the person who caused all their troubles.)

Hawkeye borrows a lot from Matt Fraction’s highly popular run with Hawkeye from the Marvel comics and, as Thomas says, Fraction is a consultant on the show. But how that happened isn’t probably quite how you think that might happen. And it all comes back to Seth Meyers.

Pretty much right off the bat in the first episode we get Rogers: The Musical, which feels very up your alley with your background with Documentary Now! and SNL.

Yeah. That musical, early on, we were trying to figure out what’s a fun way to meet Clint. We knew he was going to be in the city with his kids, and how do you sort of introduce him? And my brain just got to work on what was the last place that he’d want to be?

You found it.

And I threw it out there in a meeting with Kevin Feige. And I kind of almost immediately backtracked on it as well. Because, suddenly, I was like, hang on a second, we’re going to have to write music and choreograph it and stage it. And it’s still a lot of work. But Kevin really took hold of it and got excited. And then next thing I know I’m getting to work with Marc Shaiman and Scott Wittman. And, again, I think I tapped into my specialty of making something “not too good, not too bad.”

That does seem like a tricky balance: It’s got to be good enough to be entertaining, but bad enough to be funny.

Exactly. You just want it to be absurd. And, yes, I obviously had to meet the standard of this is a musical about Steve Rogers in the MCU. So obviously, it needs to feel big and produced well.

Clint getting angry at the Battle of New York scene, “Ant-Man wasn’t even there!” and then there’s Ant-Man dancing on stage is very funny.

And, again, Jeremy’s face, that’s the thing. You knew you were kind of in golden territory, because all you need to do is cut to Jeremy’s face at any point in that performance and you’re fine.

So I didn’t know until recently that Matt Fraction is involved in the production?

Yeah, he’s a consulting producer.

What does that mean? Do you talk to him? Because everyone loves his run with Hawkeye. How often do you actually consult with him?

What’s funny is, actually, I was introduced to Matt Fraction through Seth Meyers.

Oh really?

Because they’re friends.

Actually, that makes sense. Mike Shoemaker is a big comic guy, too.

Yeah. So they’re actually friends and so I kind of, Matt was just someone that I could reach out to and ask questions. He shared playlists with me. I was a huge fan of that run and so it was just kind of crazy to be able to go like, “Well, hey, what about this?” So I don’t know, he’s like a confidant slash correspondent.

So how does Seth make that introduction? is it over email? Or was it in person?

No, it was an email thing. Because I started talking to Marvel about it and sort of, kind of, got in there, I think, through persistence. But I didn’t know about the Seth connection. But I brought up Hawkeye with Seth and that I was kind of talking to them about it and kind of working and starting to figure it out. And he was like, “Oh, I know Matt!” And the next thing I know I’m emailing with Matt.

So, famously, Matt Fraction’s run is what he’s doing when he’s not saving the world. But how far can you take that angle with a live-action series? My guess is, “We want some of that, but we can’t probably do all of that.”

No, exactly. Again, luckily, I think that’s where sometimes you also have the safe hands of Kevin Feige and Marvel behind you because I probably would’ve gladly spent more time just sitting with Jeremy in an apartment staring at the wall. Because I do find that approach to that character so refreshing and funny. But you’re inheriting the Jeremy Renner, Clint Barton of 10 years of the MCU as well. And, so, I think it was a constant line. The philosophy I sort of came to understand at Marvel is, “best idea wins.” And, so, I kind of unabashedly kept grabbing on to things that I enjoyed from the run and grabbing on situations and I think just trying to get to that character. What I liked is the character study of Fraction. And so wherever I could find ways that we could kind of be hitting the same tone, whether it’s a different approach, that was the goal, ultimately.

It’s interesting Hailee Steinfeld was, famously, up for Katniss in The Hunger Games. With Kate Bishop, did you ever joke, see, you finally get your bow and arrow role?

[Laughs] No, I didn’t gloat or anything over that. Again, it’s so amazing. You’re introducing this character to the MCU. And so I think we both… the other day when we showed the show in London, Hailee sort of said, “We’ve come a long way on this.” And it is, it’s crazy. Again, it’s been a year. And to watch her grow into the role and evolve has been super cool.

I am curious where you come from with Hawkeye. I’ve loved Hawkeye since I was a little kid reading West Coast Avengers, and I’m just curious, were you always interested in him? Because I feel like, just knowing your prior work, that it would be a kind of a character you like because of his attitude towards things.

I think that was it really. I would not identify myself as a comic book nerd. Because, again, I know what that really means to people. But, I think my entry point was the MCU Clint. But I was always fascinated by, again, this human guy. And the fact that he gets hurt and that sort of journey and the way that he also kind of had this identity as kind of the fifth Beatle. I kind of enjoyed the way the audiences were kind of not that excited about it sometimes. But then I came across the Fraction run. You know, I think as a result of hunting it down and kind of looking. And obviously, other Hawkeye runs, but… I don’t know. That was always amazing: to find this run that actually tapped into what my brain wanted to know about this guy. And it was kind of the way that, if I was going to do this, this is how I’d approach it as well. It’s so funny.

See, that’s the way to play it, “I’m not a comic book nerd.” Because once you do that, then you start getting the, “Okay, well, in West Coast Avengers 15 what happens,” questions…

Exactly.

You don’t want to be quizzed.

Yeah, exactly. It’s terrifying.

The first two episodes of Marvel’s ‘Hawkeye’ will premiere on Disney+ on November 24, 2021. You can contact Mike Ryan directly on Twitter.

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‘King Richard’ Is An Extremely Slick Exercise In Image Management

The Oscars love conspicuous acting. The harder it feels like an actor is working, the more awards voters seem love it. That’s the only conclusion I can draw from the Oscar buzz around Will Smith’s performance as Venus and Serena Williams’ father in the new movie King Richard. It’s not a great performance, but it’s certainly a big one. Almost as if Will Smith got so tired of being overlooked (he was nominated for The Pursuit Of Happyness and Ali) that he figured he’d better shout to be heard. It is hard to fault this logic based on the actors who actually have won Oscars lately.

An odd thing happens when you watch the first five minutes of King Richard, or even the trailer. My first thought, and the friends I’ve spoken to had the same reaction, was Wow, Will Smith is really hamming this up, isn’t he? Then I wondered, Well, maybe the real Richard Williams actually sounded like this, and had to pull up some clips. Based on what I found, the real Richard Williams didn’t sound like that, or at least felt like a much more subdued version of whatever Foghorn Leghorn-meets-Bagger-Vance thing Will Smith is doing in King Richard. Working through a scraggly beard and dirty teeth, Smith turns “heard” becomes “hoid,” “work” into “woik,” and always pluralizes words like “people” and “feet,” become “peoples” and “feets.” But hey, maybe that’s just what Oscar performances are now; odd, obvious dramatic choices that take 10 or 15 minutes of screen time to get used to. Gosh, he sure is ACTING, isn’t he?

Eventually, you do get used to his collection of conspicuous affectations. Will Smith is never a bad actor even if in this case he is sort of an obnoxious one. Yet King Richard‘s story raises even bigger questions. Namely, are we now living in the age of the vanity biopic?

King Richard, directed by Reinaldo Marcus Green (Joe Bell, Monsters and Men) with a script by Zach Baylin, executive produced by three of the Williams sisters, is the slickest exercise in image management I’ve seen since Straight Outta Compton. King Richard is essentially The Pursuit Of Happyness with tennis, the supposedly-true tale of a kooky genius who was convinced he was destined for greatness (either as the father of tennis stars or as a rich stockbroker) and pursued it doggedly, unconventionally, refusing to listen to all the people who told him it could never work until it finally did. And in both cases, the selling of life rights to the movie you’re now watching is the ultimate trophy of success. The question isn’t so much “how much of this story is just bullshit mythmaking” (most of it, I’m guessing) but what’s new here? What insight did we gain from all this rising and grinding?

If you were looking for a glimpse into the personalities of Venus and Serena Williams, two of the greatest tennis athletes of all time, you will be thrilled to learn that, according to King Richard, they played tennis a lot. They were mostly just charming, happy-go-lucky children, they always listened to their parents and never fought. Never got jealous of each other! Not even once! Even if Straight Outta Compton was equally an unabashed infomercial for all things Ice Cube as King Richard is for all things Williams family, it’s a bit more interesting to see Cube recording “F*ck Tha Police” than it is to see the Williams sisters hit tennis balls.

King Richard is content, mostly, to shine a flattering light on things we already know while avoiding the truly interesting questions. The film positions Richard Williams as simultaneously the ultimate psychotically-driven sports parent (a category with many historical examples, from Earl Woods to Marv Marinovich) and the anti-psychotically-driven sports parent. He was a psycho, but for making sure his children didn’t burn out! The signature moment in this telling comes basically verbatim from the real-life incident in which an interviewer asks Venus Williams about her confidence, and then, when he keeps pressing her, Richard Williams jumps in and cuts it off early, making the point that she’s a 14-year-old child and the guy doesn’t need to keep trying to puncture her confidence. It’s a nice moment, of Richard Williams being willing to be the asshole in the moment, for the greater good of protecting his daughter and checking a too-intrusive media.

Yet the only possible takeaway from it is “Gosh, what a great guy,” or, generously, “Gosh, what a complicated man who turned out to be right all along. You might not want to live with him but he sure knew how to raise tennis stars!”

There’s a thornier question here, and maybe a uniquely American one, about whether life is really something you can “win” or “lose” — about whether good parenting is designed to set your children up for “success” or to create happy, interesting, compassionate children. King Richard is far too withholding of Venus and Serena Williams’s images to ever explore this in any meaningful way. There’s one lone scene in which Aunjanue Ellis, in a solidly understated performance as the girls’ mother, Oracene Williams, calls Richard to the carpet for his glory hogging, as well as revealing his relative lack of attention towards his five children from a previous marriage. Yet this line of inquiry vanishes as quickly as it appears, and I only know the number of Williams’ other kids because I looked it up on Wikipedia afterward.

Jennifer Capriati, meanwhile, is held up as the ultimate example of When Sports Parenting Goes Wrong. The evidence for this is her arrest as a teenager (for shoplifting and pot) and the fact that she ended up winning fewer tournaments. But… maybe she was happy? What, other than tennis, was the difference between Capriati and the Williamses? That King Richard never even pays cursory lip service to these kinds of questions tells you a lot about its purpose and its built-in blind spots. It has the same kind of shark-eyed single-mindedness that has made people wonder if Will Smith is a Scientologist.

King Richard is another kooky success story that never really interrogates what it means to be successful. Richard Williams wrote up an 80-page business plan! He made his daughters practice in the rain! What an unconventional genius! In one scene, Richard Williams confronts CPS officers who have shown up at the home thanks to a call from a concerned neighbor. Williams has the kids spell hard words and prove the foreign languages they speak and the neighbor is written off as a buttinsky and a hater. But was she really the bad guy in this scenario? In any story not told so firmly from the perspective of the Williams family, we might actually be able to explore that further.

‘King Richard’ is available now in theaters and on HBO Max. Vince Mancini is on Twitter. You can check out his film review archive here.

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Harry Styles Proved How Healing Live Music Can Be During ‘Love On Tour’

Those who love live music, or have spent their careers working in the medium, have spent the last couple of years in limbo. Twin questions are looming for most people: When shows will return? And: When will I be ready to return to a show? Even as vaccines have helped facilitate a slow return to some form of normalcy, variants, the still-obvious risk factors, and a growing number of rescheduled and canceled tours keep the pandemic and the threat of Covid-19 at the front of the conversation. But this fall, into that void of fear, uncertainty, and anxiety stepped Harry Styles. Styles remains the ideal pop star for our next decade and the perfect host for plenty of fans to return to large gatherings without trepidation.

As the once and future breakout star of One Direction, Harry is an ideal performer to be throwing a lavish, kindness-infused show during a season of grief and uneasiness. He’s a seasoned vet when it comes to massive crowds, and he’s an expert MC who controls the emotion of the crowd with firm but friendly banter throughout his time on stage. He does all that, and still delivers one of the best pop performances of the last two decades. Already tapped during his first solo tour as a kingmaking performer with the ability to create an entire universe during his allotted set time, Harry set out off on rescheduled tour dates back in September, eager to bring his critically-acclaimed Fine Line album to a global audience of hungry fans.

As a fiercely inclusive icon who urges his audience to embrace themselves wholeheartedly, Styles is uniquely situated to be one of the first major pop acts returning to the stage in 2021. That’s in large part due to his self-proclaimed motto “Treat People With Kindness,” and when the song of the same name began during a tour-closing set at The Forum in LA this weekend, the track’s resonance overtook any overly earnest vibes that might’ve clouded the song’s impact when it came out two years ago. Even with just two albums out, there’s a number of songs that diehard fans seem to treasure as their own, and “TPWK” is one of them. On the other hand, some of the Fine Line-era singles have gotten so big – “Watermelon Sugar,” “Adore You” and “Golden” among them — that even attendees without much knowledge of the Styles canon seemed to at least know the hits.

But let’s face it, most people braving an indoor arena show at the end of 2021 aren’t casual fans, they’re the ones who have been looking forward to this moment for the last eighteen months. During his Saturday night show, Harry made it clear that his appreciation for and trust in the audience was just as strong as their appreciation for and trust in him. Joking about the diamond-shaped stage in the middle of the venue, he let fans know he’d be spending equal time facing them and facing away from them — pausing to let the whole room clap for his ass. This kind of easy camaraderie cut through any tension from the crush of getting into the packed venue, and set the expectation that each person at the set was just as important as the next. Sure, he might cater to his ever-whorling GA pit of most devoted listeners, but there was never a moment the rest of the stadium didn’t feel Harry’s star power, too.

That charisma was spotlighted most during moments like his clever cover of the One Direction standout, “What Makes You Beautiful,” or in quiet moments, like the interpolation of “Two Ghosts” that lead into a rendition of “Falling.” Though Fine Line might be getting more attention at the moment, Styles is careful to create a bridge between the two records, honoring early fan-favorites like “Cherry” and throwing in his debut solo single, the ’70s-throwback anthem “Sign Of The Times,” at the beginning of a lengthy four-song encore.

Finishing that encore with the unreleased cult favorite “Medicine,” his number one banger, “Watermelon Sugar,” and the dance-pit-frenzy-causing “Kiwi,” Styles left it all on the floor and then some. His insistence on creating a safe, passionate place for fans to enjoy his music live has turned his tour into one of the most powerful forces for good during an apprehensive year. And the excellence and unpredictably creative energy of his performances have helped prove that in-person concerts aren’t some kind of unnecessary luxury — they’re as much a space for healing as they are for entertainment. Check out the final setlist for Love On Tour below.

Harry Styles at The Forum, Saturday 11/20
1. “Golden”
2. “Carolina”
3. “Adore You”
4. “Only Angel”
5. “She”
6. “Two Ghosts” intro into “Falling”
7. “Sunflower, Vol. 6”
8. “Woman”
9. “Cherry”
10. “Canyon Moon”
11. “Treat People With Kindness”
12. “What Makes You Beautiful”
13. “Fine Line”

ENCORE
14. “Sign Of The Times”
15. “Medicine”
16. “Watermelon Sugar”
17. “Kiwi”

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Howard Stern Took Another Swing At Aaron Rodgers Over His Toe Injury: ‘Did He Go To The Doctor… Or Joe Rogan?’

Howard Stern continued his relentless dunking on Aaron Rodgers on Monday morning by blasting the quarterback for seeking medical treatment for his recent toe injury after “doing his own research” about the COVID vaccine. While no one’s quite sure how Rodgers injured his toe (maybe tripping over one of his, uh, large appendages) Stern once again blasted the Green Bay quarterback for recklessly lying about his vaccination status and taking health advice from Joe Rogan.

Stern also slammed the NFL, which he says “should be ashamed of themselves” for keeping the “f*ckhead” Rodgers around after he “put people in danger.” Via Mediaite:

“Now I hear he has a toe injury. When he had the toe injury – did he go to the doctor or did he go to Joe Rogan? Who fixed his toe?” Stern asked. “I bet you he went to a doctor, so he goes to doctors for everything else, but on the vaccine he’s listening to Joe Rogan.”

Stern has been a vocal critic of anti-vaxxers, so naturally, he hasn’t been gone easy on Rodgers who, as a professional NFL quarterback, has a large platform to influence people’s decision about the vaccine. After Terry Bradshaw and the Hall of Famers called out Rodgers for lying about his vaccine status, Stern backed them up on his radio show the next morning.

“If there was decency in this world, I would throw this guy out of the football league so fast,” Stern said. “What he did to his fellow teammates — and bravo Terry Bradshaw for what you said and everyone else whose got half a brain in this country — but this f*cking guy, they should throw him out of the league so fast. … He said he got his information from Joe Rogan. You’ve got doctors who go to medical school — I don’t know what’s happened to this country.”

(Via Mediaite)

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Phife’s Upcoming Posthumous Album ‘Forever’ Gets A Release Date

It has been a few months since we last received word on Phife Dawg’s posthumous album, Forever. The late member of A Tribe Called Quest had been working on the album at the time of his death and it was initially to have been released in the first quarter of 2017, but those plans were scrapped and the album had been in limbo ever since. However, in late 2020, Tribe released a statement promising the album’s release sometime in 2021 and the first single, “Nutshell Part 2,” was released in February, followed by an animated music video in March.

A live-action video followed a few weeks later, and in May, a second single, “French Kiss Deux,” dropped, but since then, there has been little information about the status of the album itself. Today, though, A Tribe Called Quest was finally able to announce an official release date for the long-awaited project: March 22, 2022, the sixth anniversary of Phife’s passing. Dion Liverpool, a frequent Phife collaborator, helped to finish the album and will also be releasing it through his Smokin’ Needles Records imprint, distributed by AWAL.

In a statement, Liverpool said, “We faced a lot of ups and downs trying to get the album completed, and only by God’s grace and patience were we able to. I would like to thank his fans for being patient and understanding that nothing that is good and timeless will happen overnight. I took on the responsibility to help the family complete Forever and honored that I was trusted to do so.” Phife’s widow, Deisha Taylor, added, “As we celebrate his life on this day, we are overwhelmed with excitement of completing Forever. This album is truly a masterpiece and will exceed all expectations. The world will absolutely love and cherish this amazing album.”

His mother, Cheryl Boyce-Taylor, was also quoted, saying, “Forever, soon come. His voice a steel pan cruising the sea salt edge of Trini waters. A balm, a salve, a son’s kiss on his mama’s cheek.”