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Dr. Dre Could Lose ‘Millions’ If The Super Bowl Halftime Show Gets Canceled By COVID

As Super Bowl LVI, scheduled to be played February 13, inches nearer, the rise of COVID infections nationwide could endanger the whole event — which is extra bad news for Dr. Dre, who’s billed to play the heavily anticipated halftime show with his buddies Eminem, Kendrick Lamar, Mary J. Blige, and Snoop Dogg. According to TMZ, Dre stands to lose “millions” of dollars if the NFL pulls the plug on the event due to COVID concerns.

Unfortunately, that’s owed to an insurance provision that excludes outbreaks of sickness from policies. The Communicable Disease Exclusion — which dates back to the SARS outbreaks in the early 2000s — exempts insurance from paying out in the event of a cancelation resulting from a similar outbreak of a virus or bacteria. While it looks like the Super Bowl will be played as planned, there is an outside chance that with new variants of COVID circulating, things could go south. For now, the NFL is considering options for alternative venues in the works should the state of California or the city of LA decide to reinstitute lockdowns for safety.

Considering that just a year ago, Dre was hospitalized for a brain aneurysm, the fact that he has a chance to perform at all is miraculous by itself, but I’m sure that he won’t appreciate losing any more money in the wake of his recent contentious divorce.

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Morgan Wallen’s ‘Dangerous’ Was The Most-Popular Album Of 2021 Despite His Racial Slur Controversy

Last February, a video of country singer Morgan Wallen surfaced which showed him using a racial slur with his friends. The video spurred major controversy and led to him being reprimanded by fellow country artists and banned from a few awards ceremonies. But despite the backlash from him using a racial slur, fans still listened to his sophomore album Dangerous: The Double Album so much that it was the most popular LP of 2021 by far when it comes to streaming.

MRC Data, a company which tracks and compiles music sales in the US, just released their year-end report for 2021. It shows that Wallen’s Dangerous, which was released in early January last year, finished 2021 with 3.226 million equivalent album units. Most of the album’s success was driven by streaming numbers, and seeing the LP boasted 30 songs, there were a lot of tracks available for fans to stream. Dangerous also spent 10 weeks at No. 1 on the Billboard 200 albums chart, which was more than any other album from 2021.

Following behind Dangerous was Olivia Rodrigo’s Sour, which earned 2.856 million in 2021. Drake’s Certified Lover Boy came in third place, earning 1.970 million unites. Adele was behind Drake with 1.936 million units for her album 30, and Pop Smoke’s posthumous LP Shoot For The Stars Aim For The Moon came in at No. 5 with 1.533 million units.

While Dangerous was the most popular album of 2021, Dua Lipa had this year’s most-streamed track. Her song “Levitating,” which was actually released in 2020, earned 804.71 million streams this year alone, making it the most popular song of 2021.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Photos Of Young Dolph With His Alleged Killer Surface Online After Police Reveal Their Suspect

Here’s a terrifying crime statistic: Over half of murder victims know their killer. That horrible fact apparently holds true when it comes to famous entertainers as well; consider that Nipsey Hussle was apparently on speaking terms with the man who allegedly shot him to death in front of this own store in 2019. It also appears to be true of the more recently deceased Young Dolph, who was killed in Memphis in front of a bakery by two men who opened fire from the parking lot.

Now that police have revealed a suspect in the murder, eagle-eyed Young Dolph fans have spotted him in multiple photos of the late rapper, often standing just beside him and in some cases wearing a chain reading “PRE” — the acronym for Dolph’s label, Paper Route Empire — around his waist. The suspect, 23-year-old Justin Johnson, is apparently also a rapper going by the name Straight Dropp; however, he was not listed as a Paper Route artist at the time of Dolph’s death.

The Memphis Police Department issued a warrant for Johnson’s arrest yesterday, while the Tennessee Bureau of Investigation has offered a $2,500 reward for information leading to his capture. A total reward of $15,000 has been offered by the MPD, TBI, and US Marshals, who have issued a second warrant for violation of federal supervised release due to a weapons charge. Johnson is wanted for First Degree Murder, Criminal Attempt-First Degree Murder, and Theft of Property $10,000-$60,000.

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Jennifer Lawrence Named The One Song That She’d Want To Listen To For The Rest Of Her Life

Jennifer Lawrence’s last movie before taking a hiatus from acting was Dark Phoenix, the least successful of all the X-Men movies (New Mutants made less money, but at least it didn’t cost an estimated $200 million). But now she’s back, and her first post-hiatus film, Don’t Look Up, is breaking viewing records on Netflix. “In its second week on the streaming platform, the disaster movie has recorded 152,290,000 hours streamed between December 27 and January 2,” according to Variety, which puts it “right at the top of its leaderboard of globally viewed English-language films.”

Earlier this week, Lawrence visited The Late Show to discuss Don’t Look Up and also play “The Colbert Questionert,” a game of 15 questions “that when asked, reveal not only to me and the audience, but to the person being asked the questions who they truly are,” as host Stephen Colbert explained. One of the questions was: you get one song to listen to for the rest of your life, what is it? “Um… um… I can’t answer that! How do you answer that?” Lawrence said before settling on “Holding On to You” by Miranda Lambert.

The non-single from Lambert’s fifth album, Platinum, was co-written by Jessi Alexander (who also penned “The Climb” for Miley Cyrus) and Ashley Monroe, one-third of country supergroup Pistol Annies. It should not be confused with the Twenty One Pilots song of the same name, and it’s definitely not “Wu-Tang Clan Ain’t Nuthing ta F’ Wit.”

You can watch The Late Show clip above.

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Tara Reid Retweeted Her Now-Iconic Tweet From The Afternoon Of Jan 6th, 2021

As the nation grapples with the one year anniversary of the January 6 insurrection that saw the U.S. Capitol building breached by a throng of Donald Trump supporters in an effort to overturn the results of the 2020 presidential election, Tara Reid wants everyone to remember that she had a tweet go viral that day. The American Pie and Sharknado actress retweeted herself on Thursday morning, reminding the world that shortly after 3 PM EST on January 6, 2021, she announced to the world that she “saw the news” and tweeted an emoji that over 13,000 people liked. A true historical moment if there ever was one.

To Reid’s credit, she did acknowledge later in the year that maybe it wasn’t her best tweet. In May 2021, she responded to the original post with the laughing face emoji and joked that it “aged well.”

Of course, it’s not like the one-year anniversary of January 6 is deprived of levity. To “honor” the historic breaching of the Capitol building, The Daily Show erected mock monuments that completely lambasted the “patriots” of the “Freedomsurrection” like Rudy Giuliani, Lauren Boebert, Marjorie Taylor Greene, and Ted Cruz. Each of their actions during the attempted coup were much more ridiculous than Reid’s tweet, and in her defense, she wasn’t directly involved in an all-out insurrection. More importantly, Reid also acknowledges that attempting to decertify an election is a bad thing, which puts her light years ahead of Boebert, Cruz, and Greene in true patriotism.

(Via Tara Reid on Twitter)

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‘Ozark’ Season 4 Trailer More Than Suggests That Marty Needs To Watch Out For Ruth

Ozark‘s supersized, two-part final season may just get the job done. That job, of course, would be to make Marty Byrde (Jason Bateman) rue the day that he ever got into money laundering. Sure, he’s had regrets before now because it’s awfully inconvenient to pluck up one’s family (including his cheating wife, Wendy, who’s also dealt with her share of sh*t from Marty) and haul butt down to the actual Ozarks. And he’s been roughed up plenty, as well, but now, Marty’s truly in a fine mess: because this new trailer suggests that Ruth Langmore (the magnificent Julia Garner) will make her move.

Ruth has, of course, been maneuvering in the background for some time as Marty’s right-hand gal who cleans up after him and rarely asks for much. She’s been learning (despite insisting, “I don’t know sh*t about f*ck”) and positioning herself for a power play, and this trailer indicates that she’s going to find some money-laundering assistance from Marty’s son. That’s pretty crafty, as are more ominous words from Navarro and the hint that (as in horror movies) the call’s coming from inside of the house, all while Marty’s supposedly working off the last shreds of his obligations in Mexico.

Here’s a tiny little logline to tide us over:

Marty and Wendy are rid of Helen and climb to the top of Navarro’s empire. They find another opportunity to get out of the Ozarks but some past sins won’t stay buried and the most dangerous threats come from blood.

This final season will contain 14 episodes, which will launch in two seven-part halves. So, two final seasons? That’s not the official stance, but I’m running with it.

Ozark will return on January 21, 2022.

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Grimes Asks Fans To Help Pick Her ‘Book 1’ Album Cover From A Pair Of Outlandish Options

Last month, Grimes officially kicked off her new era of music following her 2020 album Miss_Anthropocene with the wistful track “Player Of Games.” Though she hasn’t confirmed the song’s subject matter, it definitely seemed like her version of a breakup track after splitting things off with her ex (and father of her child) Elon Musk. The song arrived as the first preview of her upcoming album Book 1. While she has yet to share a release date for the LP, the singer has asked her fans advice on an important aspect of the album.

On Twitter, the singer shared two possible images she wants to use for her Book 1 album artwork. The first image shows her as half-android with her clothes ripped in a way that shows off her then-pregnant belly. The second is a more close-up image that puts her against a starry backdrop with open books and snake-like creatures at her back. “I can’t tell which of these is my album cover,” she wrote. “all thots welcome.”

Ahead of sharing her possible Book 1 album artwork, Grimes announced to fans that she aims to pivot away from music as her “day job” after releasing Book 1, although she clarified that her goal isn’t to quite music forever. “Celebrity culture is suffocating a f,” she wrote on Twitter. “I’m not quitting music, but def changing my main day job after BOOK 1. Music industry feels old and tired, reliant on archaic systems.”

Check out Grimes’ Book 1 cover art options above.

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Black Country, New Road’s ‘Concorde’ Video Is A Must-See Alien Ant Abduction Tale

In their budding existence, Black Country, New Road have never taken the easy way out. The 7-piece chaos punk collective’s songs are often sprawling numbers with dynamic movements and “Concorde” is no different. The single came out last November and now the can’t miss video has arrived.

A twisted sci-fi tale of a reverse alien abduction, features an alien ant (a nod to the band’s upcoming album, Ants From Up There) being taken into custody by an earthling ops team. The six and a half minute clip feels like a campy extraterrestrial short film and the music really complements both the tension in the story, and the feeling of joy as the events transpire towards the finish line.

Watch the “Concorde” video above and check out Black Country, New Road’s North America Tour dates below.

02/19/2022 — Cambridge, MA @ The Sinclair
02/22/2022 — Brooklyn, NY @ Sultan Room, Turk’s Inn
02/23/2022 — Brooklyn, NY @ Elsewhere
02/25/2022 — Philadelphia, PA @ Johnny Brenda’s
02/26/2022 — Montreal, QC @ Bar Le Ritz
02/28/2022 — Detroit, MI @ Third Man Records
03/01/2022 — Chicago, IL @ Lincoln Hall
03/03/2022 — Seattle, WA @ Barboza
03/03/2022 — Portland, OR @ Polaris Hall
03/05/2022 — Arcata, CA @ The Miniplex, Richard’s Goat Tavern
03/06/2022 — San Francisco, CA @ Great American Music Hall
03/08/2022 — Los Angeles, CA @ Zebulon
03/09/2022 — Los Angeles, CA @ Regent Theater

Ants From Up There is out on 02/04/2022 via Ninja Tune. pre-order it here.

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Nas Boards The NFT Train, Offering The Publishing Rights To Two Of His Songs

It was probably only a matter of time before Nas jumped on the NFT trend. He’s invested heavily in blockchain before and has often been on the cutting edge when it comes to his investments in tech. Today, he announced his partnership with blockchain platform Royal to offer 50 percent of the streaming rights from two of his songs as NFTs. According to a press release, a limited number of tokens will be offered on January 11, granting holders a portion of the publishing rights to “Ultra Black” and “Rare” from King’s Disease I and II, respectively.

Of the partnership, Nas said, “I am always looking for new and unique ways to connect with the people. So I am excited to partner with Royal on their new endeavor in order for the world to connect with my music in a new way.” Meanwhile, Royal’s co-founder and CEO Justin “3LAU” Blau said, “Having Nas be the first artist to sell royalty rights through Royal is an incredible affirmation of our mission. It’s proof that artists across genres feel strongly about democratizing ownership of their music, and that they want to be connected to their listeners on a deeper level.”

Royal’s investors also include 3LAU’s fellow electronic artists The Chainsmokers, Disclosure, and Kygo, while hip-hop artists involved include Joyner Lucas, Logic, and Stefflon Don.

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John Early On How The ‘Bonkers’ ‘Search Party’ Final Season Covers Cults, Elon Musk, And Millennial Narcissism

Search Party is the kind of show that samples different genres like it’s ordering toppings at the counter of a fro-yo shop … if fro-yo was still cool. The dark comedy series, which launched on TBS before moving to HBO Max, has done it all: murder, mystery, murder mysteries, millennial brunches, psychotic twinks, courtroom drama, and Susan Sarandon in a slow-speed round-about car chase. But in its swan-song season, showrunners Sarah-Violet Bliss and Charles Rogers have defied the improbable, surprising us again with cults, Jeff Goldblum, horror-comedy, shocking hookups, and a story about found family – the dysfunctional, criminally selfish kind.

John Early has been part of it all, playing a fame-whoring, monochrome-outfit-rocking hipster ready to switch political allegiances, fib cancer diagnoses, and lie under oath for a spot in the limelight. In the show’s final season, Early’s Elliott is ready to settle down, with a custom-ordered baby that may or may not turn out to be some kind of genetically manufactured Anti-Christ.

Uproxx chatted with Early about the show’s final season, how Search Party captures the essence of our culture, that Jeff Goldblum cameo, and his ongoing beef with email search engines.

Elliott’s life has been pure chaos for four seasons. Does that trend continue in season five?

Well, season four ends essentially with Dory dying. So, I think they were all ready to move on from the kind of roller coaster ride that Dory has taken them on through the first four seasons. They’re all, in their own way, settling down. In some ways, starting a family is maybe the first glimmer of selflessness in Elliott. But of course, as he says in a scene with the great John Waters in regard to these genetically engineered children, ‘They’re real conversation pieces.’ So we kind of immediately know that this is not out of love or desire to raise a family.

That’s not his character.

It would be so disappointing, as a viewer, to see Elliott suddenly want to be a good person. That’s not why we watch the show.

And do people really change?

I think it’s really hard to change. That’s why I think hard comedies don’t get enough credit. I think they’re actually more honest about the nature of people’s inability to change.

Right. Ted Lasso is sunny optimism on steroids whereas a comedy like Search Party can have teeth and still be enjoyable and funny and ridiculous.

Totally. I mean, look at the world right now, it’s falling apart. Everyone can kind of feel the precariousness of this moment. I understand, obviously, why some people would need the kind of positivity, the positive outlook of a show like Ted Lasso. But then I think a lot of people also need this kind of catharsis of leaning into how sour and dark and scary this moment is.

It’s the show for people who turn on cult documentaries for comfort.

[laughs] I’m much more in that camp.

Speaking of cults, Dory might be leading one this season. What would get Elliott and the rest of the group to join?

I think they’ve all kind of gone to such extremes over the past four seasons because of Dory, that at this point — their threshold for just getting on board, it’s very low. I think the tenderness that this show earns, after dragging you through so much hell, is in the fact that they actually all choose to be together. Even though they may resent it on some level or actively even try to resist it, in the end, they’re bonded by the trauma of the end of season one and what they go through after that.

At the end of the day, they just want to be together. They like hanging out. So, if it takes joining a cult, then sure. That’s why I think a lot of people join cults — literally just to have any sort of social structure, routine, a kind of committed family.

For the prospective cult leaders out there, what would it take to recruit John Early?

I mean, I grew up a child of ministers — very Presbyterian, progressive, easy-breezy ministers, nothing too hard about it. But I think of myself as just kind of anti-cult because of that. I think for me, it would have to be food-based. It couldn’t be one of those cults where you’re kind of just having paste.

It can’t just be radishes and bone broth every day.

It’s going to have to be a kind of heavy cream-based cult.

I heard your dad is a huge fan of the show and he gave some input for this season.

He did! He emailed me, ‘If they’re going to do a season five, here are my ideas.’ He literally did a paragraph for each character. It was so smart and funny. I was like, ‘I did not know you were watching the show on this level.’

Not just a “being a supportive parent” surface-level kind of thing.

Yeah, he’s truly internalizing the show and thinking about the characters in a deep way. I was very touched.

Did any of his script notes make the cut?

I’m going to look it up right now. [Checks phone} Let me see. ‘Robert Early.’ ‘Search Party.’ These are my search terms … [Long pause] Oh, no. Can I use this interview as a platform for something?

Go for it.

Why is it so hard to search email?

Good question.

Okay, wait. ‘Search Party ideas’, maybe?

[Another long pause]

Oh, God. It’s not coming up. Let’s coordinate. I’ll send them to you. I think that’ll be funny, and he’ll get the Google alert.*

The show has had some fantastic guest stars over the years but this season, there’s a scene with Jeff Goldblum that might be the most ridiculous thing we’ve seen so far. What was it like shooting with him?

That was a day where the four of us really felt like we were so lucky this show was continuing. I think every season has a great comic set-piece and this one is really up there for me. It’s so fun when the stakes of it are so high and also so clear. It’s not just emotional stakes. In this case, it’s actual action movie stakes. That’s what I feel so grateful for with the show because it started as millennials at brunch. It could have just stayed that, as so many shows do. But we get to hit all these genre notes and do these crazy things.

We’ve talked about how this show started and how it’s changed over the years. How do you think this season will be remembered?

It really ratchets up in stakes. There were times when we were shooting where we were like, ‘Is this just so bonkers?’ We couldn’t tell, but then we would think about the culture right now. We would think about Elizabeth Holmes, Elon Musk, the pandemic, wellness culture on Instagram, influencers. Search Party is really good at not directly depicting what’s going on in the culture. Which would be boring, because why would you want to see any more of what we’re going through, directly on screen? But Search Party does a really good job of capturing the essence and the volume of this moment, culturally; of what turns people into Elizabeth Holmes-es. It’s not just that our generation happens to be narcissistic, just in a vacuum, or happens to be ruthlessly ambitious. This is a generation of people who grew up within a kind of late capitalism moment and therefore, have those ruthless, ambitious principles, as everything around them is shrinking. We’re living in a culture of austerity, scarcity. Do you expect people to suddenly become selfless and learn how to share, as all of our resources are shrinking? No. People are going to become monsters and I think Search Party does a good job of showing how our current culture, the way our society is structured, turns people into true monsters. Anything other than that would’ve been treacly and sentimental and not authentic.

*John Early searched his inbox tirelessly and without ceasing for what we can only assume were days. He was unable to find his father, Robert Early’s, email at the time of this interview’s publication. He hopes this tragedy will draw attention to the very real need of millennials everywhere for a better email search engine. Do better, Google.