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Bright Eyes Add 2022 Dates To Their ‘Down In The Weeds’ Tour

Last August, Bright Eyes, who dominated indie music in the early aughts, returned after a nine-year hiatus to drop their new album Down In The Weeds, Where The World Once Was. Their run of shows this past summer was a reunion tour of sorts and they’ve now added several more dates, this time in 2022.

Bright Eyes tour kicks off in St. Paul, Minnesota in late March and comes to a close a month later in Norfolk, Virginia. Not only are they sharing their music with their fans on the road, but they’re also supporting a great cause with their tour. Members of Bright Eyes are partnering with Plus1 to ensure that $1 from every ticket sold will benefit the Downtown Women’s Center in Los Angeles.

See Bright Eyes’ 2022 tour dates below.

03/23/2022 — St. Paul, MN @ Palace Theatre
03/24/2022 — Milwaukee, WI @ The Riverside Theater
03/25/2022 — Madison, WI @ The Sylvee
03/26/2022 — Chicago, IL @ Chicago Theatre
03/30/2022 — St. Louis, MO @ The Pageant
03/31/2022 — Louisville, KY @ Paristown Hall
04/01/2022 — Nashville, TN @Ryman Auditorium
04/03/2022 — Columbus, OH @ Express Live!
04/05/2022 — Pittsburgh, PA @ Stage AE
04/07/2022 — Boston, MA @ Roadrunner
04/08/2022 — Philadelphia, PA @ The Met
04/09/2022 — Washington, DC @ The Anthem
04/10/2022 — Norfolk, VA @ The NorVa

Tickets for Bright Eyes’ 2022 tour go on sale 12/10 at 10 am local time. Get them here.

Down In The Weeds, Where The World Once Was is out now via Dead Oceans. Get it here.

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Forty million American adults are functionally illiterate, meet the woman striving to help them

When Deidra Mayberry was a child, she struggled with reading. Feeling embarrassed and ashamed, she did her best to hide it. And she was pretty good at hiding it. As her family moved around a lot, due to her parents’ military career, she adapted and kept hiding it — making it all the way through school without anyone really noticing.

After graduating from high school, she started looking for support to improve her reading skills.

“I was turned away because I was over the age of 17, and other private options like one-on-one tutoring were financially out of reach for me.”

Deidra promised that one day she’d do something to fix it. After struggling for years, and eventually finding support, she started a nonprofit to help other adults facing their own challenges with literacy. Now she’s striving to help the almost 43,000,000 adults who still are struggling. According to the National Center for Educational Statistics (NCES), 21 percent of adults in the United States (about 43 million) fall into the illiterate/functionally illiterate category.

For Deidra, college was the first time she experienced and understood what functional illiteracy was. Someone who is illiterate is unable to read or write at all, but someone who is functionally illiterate has some reading skills — they’re just not strong enough to manage daily living and employment tasks.

She was able to graduate by taking extra summer semesters, spending long nights studying, changing her major when it got too hard, and getting help from her dad.

“I was so proud that I actually made it through college and graduated,” Deidra says. “But once I started to apply for jobs, reality kicked in fast. I never truly fixed my literacy problems. Instead, I found ways to work around them in order to spare myself the embarrassment and shame that I already felt daily.”

“I relied heavily on movies to teach me and give me exposure to things in life that would help me relate to others,” she says. “This caused me to live a life of fear, limitations, and hopelessness.”

“I felt unworthy because I knew I had this big secret — and thought if people knew, they would see that I had no value.”

Deidra continued to live like this for years until she had a lightbulb moment.

“I was working so hard to hide my literacy struggle in order to make it work, but I asked myself, ‘What if I worked just as hard to fix it?'”

She found the courage to tell a friend, who began tutoring her. “The hope, courage, and confidence she helped me find was the beautiful moment of empowerment that reminded me to create and provide a resource for people just like me.”

That’s exactly what she did. On March 12, 2020, she and another friend decided to start a nonprofit to help other adults that were functionally illiterate. And even though COVID-19 shut down businesses and sent people into lockdown the very next day, she didn’t let it stop her.

“I just believed God was with me and the time was still now because people have been waiting for this,” she says.

She launched Reading to New Heights, an organization that teaches adults the fundamentals of reading with one-on-one, confidential and virtual tutoring sessions with certified educators.

“The curriculum that our educators teach from allows our adult learners to revisit the fundamentals of reading and comprehension as if they are learning them for the first time,” Deidra says. “Basic reading foundations such as phonemic awareness, phonics, fluency, spelling, vocabulary and comprehension are exactly what adults struggling with illiteracy need in order to build competent literacy skills and fill the gaps that illiteracy causes in education.”

And most importantly, these services are provided at no cost, so that anyone who needs them has access.

“Though illiteracy and functional illiteracy can affect anyone, people in low-income and underserved communities of color are more likely to be limited in education, income, and workplace advancement opportunities because of it.”

“Illiteracy and functional illiteracy can be directly linked to higher prison populations, lower household incomes, and inaccessibility to quality healthcare,” Deidra explains. “By committing to developing the fundamentals of reading, our adult learners overcome both the psychological and environmental limitations of illiteracy.”

Since they launched, the nonprofit has been featured on Fox 4 News, which gave them the exposure they needed to grow from three adult program participants to 20 — and they hope to continue growing. They have also been accepted into an Incubator Program with the United Way, which is designed to support them while they build their business.

Deidra is one of Tory Burch’s Empowered Women this year. The donation she receives as a nominee is being awarded to her new and growing nonprofit.

“It’s kind of ironic, the very thing I was ashamed of and thought I had to hide for years was the one thing that, once I shared it, not only freed me but gave me hope and provided a way to help others,” Deidra says. “I love that my story has been about helping others find the courage to share and take the first step to start their literacy journey.”

To learn more about Tory Burch and Upworthy’s Empowered Women program visit https://www.toryburch.com/empoweredwomen. Do you know an inspiring woman like Deidra? Nominate her today!

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BTS Continued Their Ascent During A Four-Night Stint At SoFi Stadium

The ascent of BTS is impossible to deny. The success of their early albums on the Billboard charts has been well-documented, but as much as those Korean and Japanese language projects set records for non-English music in America, it’s their recent string of singles that has established the boy band as a mainstream phenomenon. When they released their first English-language single, “Dynamite,” back in 2020, the song broke the YouTube record for one-day views and the Billboard chart record for fastest song to ever hit No. 1. For better or worse, follow-up English-language songs like “Butter” and “Permission To Dance” have had similar success, and though their plans for global tours behind their latest album, Map Of The Soul: 7 have been repeatedly delayed due to the ongoing pandemic, the boys made an effort to get some American dates on the books before the end of 2021, completing a four-day stint at SoFi Stadium to close out the year.

Aside from setting a record for ticket sales in the aftermath of Covid-19 — racking up $33.3 million in sales for 214,000 tickets — the band also re-established themselves as architects of a live show that goes above and beyond the standard arena stage set up. Even before the show started on Thursday night, waves of cheers would leak into the concessions area, startling a few diligent fans into checking outside to double-check if the show had started — no, thankfully it was just another beloved video clip. The show hadn’t begun yet, it was still safe to grab snacks. In a crowd of over 70,000, it’s hard not to get caught up in the energy of others, and when it comes to energy, BTS fans bring the heat.

But no one brought more fire that night than the band themselves. Accompanied by many rounds of fireworks and pyrotechnics, a constantly rotating stage set, a full backing band, and hordes of dancers, the seven BTS members managed to make the enormous, brand new stadium feel as small as a living room during their shows last week. A massively oversized couch, roomy enough to accommodate all seven members at once, was a memorable set piece, as was a peek-a-boo panel below their massive video screen that occasionally opened to reveal a backing band and dancers who were having just as much fun performing as the superstars in front of them. Soon, this band won’t just be the biggest K-pop act in the world, they’ll just be the biggest act in the world. Period.

With a setlist that incorporated a good number of their older songs, along with the obvious anchors like “Dynamite” and “Butter” mid-set, the live show illustrated that though American audiences may be just tuning into the group, their discography stretches back almost a decade. Other fan-favorites like “Burning Up” and “Life Goes On” were high points during the two-hour concert, which included lots of moments for the boys to address the audience, or take quick breaks for multiple costume changes. Overall, the spectacle of the show was just as important as the music itself, and the show was a wonderful reminder that live music can mean so much more than just hearing the songs — it’s also about presentation and attention to detail.

No detail was too small for BTS to take extra care about it at SoFi, so that even in a crowd of thousands, it felt like the boy’s pointed, encouraging remarks were specific enough to apply to individual fans as well as the stadium at large. Their love and respect for the audience was a tangible presence, and for anyone who was just getting their sea legs with stadium shows after many months off, this was the kind of welcoming vibe that made even the anxiety of attending a large-scale event alone eventually start to fade. Closing out the evening with their newest single, “Permission To Dance” — which also served as the title for this brief set of shows — the freedom and excitement of that many fans in one place was almost overwhelming. It feels almost unfeasible that the band could get even bigger, but as they continue to release English-language singles — and potentially a whole album in that lane — it seems inevitable that that’s exactly what’s going to happen.

With a full global tour looming in 2022 and recent collaborations with artists such as Megan Thee Stallion, Coldplay, and Ed Sheeran, who had a writing credit on “Permission To Dance,” the ascent of BTS is still happening. And with their mini-tour, Los Angeles was lucky enough to be some of the most recent audiences to witness it happening.

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Tierra Whack Will Follow Up Her ‘Rap?’ EP This Week With Another EP, ‘Pop?’

Philly rapper Tierra Whack had been keeping a low profile since releasing her genre-shifting debut project Whack World in 2018, but it looks like her comeback is just getting started. After dropping her three-song Rap? EP last week with the video for “Stand Up,” she announced a follow-up project coming this week titled Pop? Does anyone else sense a theme developing here?

With Rap? touching on Whack’s witty wordplay and ferocious flows, it stands to reason that Pop? will likewise focus on her equally astute songwriting skills, which should never be underplayed after she put out the upbeat “Only Child” in 2019. Both projects add up to a more thorough — though still incomplete — image of the multitalented rapper-singer, who appears to be working her way up to making these EPs a genre-themed series. She’s fond of throwing curveballs, though, so there could just as easily be a full-length album on the way as well.

Either way, the past two weeks represent a sharp uptick in Whack’s productivity after she spent the years since being declared a XXL Freshman only releasing a handful of singles — albeit really good singles like “Link” and “Unemployed” — and freestyles over classic beats like Ludacris’ “Stand Up” and Onyx’s “Slam.”

Pop? is due 12/9 through Interscope. Pre-save it here.

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The Long-Developing Elizabeth Holmes Movie From Jennifer Lawrence And Adam McKay Has Finally Found A Home

After five years, Jennifer Lawrence and writer/director Adam McKay are finally getting to make their Elizabeth Holmes movie. Announced back in 2016, Bad Blood has found a home at Apple TV+ where the pair, who recently worked together on Netflix’s Don’t Look Up, will tackle the true-life story of the infamous Theranos CEO. Naturally, Lawrence will star as Holmes while McKay will serve as writer, director, and producer.

From the official Apple TV+ press release:

The film will chart the dramatic story of Holmes’ Silicon Valley blood testing startup that catapulted her to being the youngest and richest self-made billionaire before claims of fraud brought everything crashing down. Produced by Apple Studios, in association with Legendary Pictures, the feature is based on “Bad Blood: Secrets and Lies in a Silicon Valley” from Pulitzer Prize-winning investigative journalist John Carreyrou, who broke the initial story.

Bad Blood will continue Lawrence’s return to acting. She took a self-imposed break after films like Dark Phoenix, Red Sparrow, and Passengers weren’t exactly her best work.

“I was not pumping out the quality that I should have,” Lawrence recently explained to Vanity Fair. “I just think everybody had gotten sick of me. I’d gotten sick of me. It had just gotten to a point where I couldn’t do anything right”

Fortunately, the time away from acting helped Lawrence realize that sometimes work is just work, and now she’s back with a new perspective. “That kind of shook me out of thinking that work or your career can bring any kind of peace to your soul,” she said before jumping back into work with Leonardo DiCaprio like it was no big thing.

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Leon Bridges Serenades A Dusty Landscape With A Dreamy Cover Of Marvin Gaye’s ‘Purple Snowflakes’

It’s that time of the year again. Snowflakes are falling (in a select few parts of the country) and musicians everywhere are celebrating the season by sharing newly recorded holiday music. Ed Sheeran just released an original Christmas song with Elton John and Dave Grohl is celebrating each day of Hanukkah by sharing a new cover of a classic rock jam. Now singing his version of a holiday jingle, Leon Bridges puts a Texas spin on one of Marvin Gaye‘s Christmas tracks, “Purple Snowflakes.”

“Purple Snowflakes” originally appeared on the compilation album Motown Christmas Vol. 2, which featured music by Diana Ross, The Jackson 5, The Temptations, and, of course, Marvin Gaye. The original version of the song features jingling bells that are commonplace in classic Christmas tunes. But for his version, Leon Bridges takes things in a bit of a different direction.

Dressed up in an outfit that’s one-part cowboy and one-part Elvis impersonator, Bridges trades in snow-touched scenery for the dusty landscape of the California hills to deliver his cover of the Gaye classic. Bridges’ version of the track has chimes instead of bells and a full band offers subdued instrumentals to allow the singer’s voice to absolutely shine. While he’s just now sharing the cover as an official video, Bridges actually recorded the song exclusively for Amazon Music as part of their new Amazon Original holiday project.

Watch Bridges perform “Purple Snowflakes” above.

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‘He saved my life’: Marine veteran shares how his life was transformed by service dog

Marine veteran Paul Coppola is a wonderful example of the transformational power of service dogs.

Ten years ago, he was rocked by two explosions in an attack that took the lives of 17 Marines in Afghanistan. The attack left Coppola with traumatic brain injury, PTSD, and an injured back.

Coppola didn’t think his struggles warranted a service dog but after prodding from his wife, he was paired with Dobby, a four-year-old black Lab mix trained by veteran organization Operation Delta Dog.

Dobby and Paul soon became best friends and partners in life.


Dobby helps Paul with simple tasks such as opening accessible doors and eases his anxiety by giving him something to focus on in stressful situations. Paul is also a source of support for Dobby, a rescue dog who also suffers from anxiety.

“He’s given me my freedom back, really,” Paul says. “I have to admit the fact that he’s saved my life.”

Today, Paul volunteers at Operation Delta Dog where he acts as a mentor and provides living proof of the positive effect service dogs can have in the lives of veterans.

Paul’s journey was recently profiled by Chewy in the video above entitled, “A Day in the Life of a Veteran and His Service Dog.”

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Tame Impala Fires Off The New Track ‘No Choice’ And Reveals Their 2022 North American Tour Dates

Tame Impala may have released his album The Slow Rush nearly two years ago, but they’re still sharing music from the era. The previously unheard songs are remixes and b-sides that will be compiled on his upcoming The Slow Rush Deluxe Box Set, including a groovy Lil Yachty collaboration. Now sharing another look at the project, Tame Impala fires off the atmospheric track “No Choice” and shares dates to their 2022 North American tour.

The psych rock-leaning production of “No Choice” definitely calls back to the Tame Impala’s Lonerism days. A swirling electric guitar bends and melts over intricate percussion as Kevin Parker’s drowned-out vocals ask big questions about choice, freedom, and purpose.

Along with sharing the track off his forthcoming deluxe The Show Rush release, Tame Impala also shared a handful of tour stops in the US next year. The North American leg of his Rushium tour kicks off in late February at Arizona’s Innings Festival before coming to a close in May at Alabama’s Hangout festival.

Listen to “No Choice” above and check out Tame Impala’s Rushium 2022 North American Tour dates below.

02/27/2022 — Tempe, AZ @ Innings Festival (Tempe Beach Park)
03/03/2022 — Okeechobee, FL @ Okeechobee Music & Arts Festival (Sunshine Grove)
03/04/2022 — Okeechobee, FL @ Okeechobee Music & Arts Festival (Sunshine Grove)
03/05/2022 — Okeechobee, FL @ Okeechobee Music & Arts Festival (Sunshine Grove)
03/06/2022 — Okeechobee, FL @ Okeechobee Music & Arts Festival (Sunshine Grove)
03/07/2022 — Pittsburgh, PA @Petersen Events Center
03/09/2022 — Toronto, ON @ Scotiabank Arena
03/10/2022 — Montreal, QC @ Place Bell
03/12/2022 — Uncasville, CT @ Mohegan Sun
03/14/2022 — Brooklyn, NY @ Barclays Center
03/16/2022 — Boston, MA @ TD Garden
03/18/2022 — Hampton, VA @ Hampton Coliseum
03/19/2022 — Philadelphia, PA @ Wells Fargo Center
03/21/2022 — Asheville, NC @ ExploreAsheville.com Arena
03/22/2022 — Asheville, NC @ ExploreAsheville.com Arena
03/23/2022 — Nashville, TN @ Bridgestone Arena
03/25/2022 — New Orleans, LA @ Buku Music + Art Project
05/22/2022 — Gulf Shores, AL @ Hangout Music Festival

The Slow Rush Deluxe Box Set is out 2/18/2022 via Interscope. Pre-order it here.

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Enter To Win A Signature Epiphone Les Paul Junior Guitar From Green Day’s Billie Joe Armstrong

After Green Day became one of the biggest rock bands in the world and Billie Joe Armstrong finally made enough money to buy a guitar other than his iconic souped-up blue Stratocaster, he often turned to relatively plain looking Les Pauls.

Now, Armstrong has teamed up with Epiphone to release a signature Les Paul Junior guitar, which features a slab Mahogany body and a set neck, an Indian Laurel fretboard with 22 medium jumbo frets, a powerful PRO P-90 pickup, and master volume and tone controls with CTS potentiometers, making it rock-solid choice for pros and beginners alike. The coolest part? The Billie Joe Armstrong Les Paul Junior has Billie Joe’s autograph as an emblem on the back of the headstock and comes with a deluxe leopard, faux fur-lined custom hardshell case.

The Billie Joe Armstrong Les Paul Junior is truly a sight to behold, and we’re giving one lucky fan the opportunity to take one home over on our Instagram. Find out how to enter below.

Pick up Armstrong’s Les Paul Junior here, and check out all the details for the Player Pack — an easy plug-and-play starter pack designed for beginner players — here.

Billie Joe Armstrong is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group

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Alicia Keys Is Dangerously Close To Reuniting Lil Wayne And Pusha T On Her New Album

Alicia Keys is a lot of things: A singer, a songwriter, a Grammy Award-winner, an on-the-nose Netflix romcom producer, a wife, a mother, and now, apparently, a true agent of chaos. Considering the absolute deluge of drama that comes out of any attempt to force Lil Wayne and Pusha T into reconciliation, her decision to put them both on her upcoming album KEYS is like the rap game equivalent of throwing rocks at a wasp’s nest. She shared a tracklist for the 26-track double album featuring both names and set rap fans buzzing about the possibility of renewed hostilities.

Granted, unlike prior attempts to force collaboration, she didn’t put them on the same track — in fact, she didn’t even put them on the same “disc,” as KEYS has a unique twist meant to show off the duality of the singer’s classical training as juxtaposed with her deep roots in hip-hop. But the move does read a lot like playing with fire, especially if Pusha T’s younger brother instincts take over and have him tossing darts at Lil Wayne across the gulf. The two don’t even have to be on the same track to spark resentment, with Pusha’s verse on Pop Smoke’s album taking shots at Wayne’s longtime labelmate Drake and prompting Young Thug to speak out against him.

Pusha will appear on Side One, dropping bars on the intro track “Plentiful,” and Wayne will pop up on “Nat King Cole,” produced by Mike Will Made-It. Hopefully, the two can resist their urge to butt heads without being on the same track, as Rick Ross attempted to do in 2019 before Pusha torpedoed that plan with his “Maybach Music VI” verse, which ultimately had to be cut to keep the peace. If they can keep things civil, it’ll be one more step toward reconciliation after Wayne admitted he has no idea why Pusha has been sniping at him for the last 15 years.

Meanwhile, Alicia’s other guests are way more likely to keep things cool; as Khalid, Lucky Daye, and Swae Lee all seem unlikely to start throwing reckless haymakers at each other — although stranger things have happened in the world of hip-hop.

KEYS is due 12/10 on RCA. Pre-save it here.