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A Veteran Prop Master Says He Turned Down A Job On ‘Rust’ Due To ‘Massive Red Flags’

On Thursday, October 21st, cinematographer Halyna Hutchins was tragically killed while filming the new Western Rust near Santa Fe, New Mexico, when she struck and killed by a bullet from a gun fired by Alec Baldwin. As the incident continues to be probed by authorities and the Hollywood unions that oversee movie set safety protocols, new information is emerging about the production. As The Wrap reports, veteran property master Neal W. Zoromski came forward to say that he was in discussions about coming aboard as Rust’s property master, but ultimately passed on the job after getting a “bad feeling.”

Zoromski—who has more than 30 years of experience as a prop master and has worked on a number of well-known film and TV productions, including Criminal Minds, Scandal, Grace and Frankie, and Snowfallspoke with the Los Angeles Times about how excited he initially was at the prospect of working on the project, as he has never filmed a Western. But that after spending four days speaking with Rust’s filmmakers, Zoromski passed on the project as “there were massive red flags.” According to the Times:

“He said he felt that Rust was too much of a slapdash production, one with an overriding focus on saving money instead of a concern for people’s safety. Production managers didn’t seem to value experience and were brushing off his questions, he said.”

“After I pressed ‘send’ on that last email, I felt, in the pit of my stomach: ‘That is an accident waiting to happen,’” Zoromski told the Times. But now, he’s reportedly questioning whether he made the right decision to pass on the project, as “he believes that had he accepted the Rust job, things would have turned out differently.”

“I take my job incredibly seriously,” Zoromski said. “As the prop master, you have to be concerned about safety. I’m the guy who hands the guns to the people on set.”

Among the concerns that led to Zoromski saying “no” to the project was the fact that he was initially contacted on September 20th, just two weeks before production was set to begin, whereas often a prop master is brought in months ahead of time. He also claimed that the producers were “evasive” when he was asking about the specifics of the job, including the list of props he’d need to gather and oversee.

“In the movies, the prep is everything,” Zoromski said. “You also need time to clean, inspect and repair guns. You need time to fix old clocks. In period films, you are sometimes using antiques. But here, there was absolutely no time to prepare, and that gave me a bad feeling.”

The “deal breaker,” according to the Times:

Zoromski said he initially asked for a department of five technicians. He was told that “Rust” was a low-budget production and that plans were to use items from a local prop house. He modified his request to have at least two experienced crew members: one to serve as an assistant prop master and the other as an armorer, or gun wrangler, dedicated to making sure the weapons were safe, oiled and functioning properly.

But the “Rust” producers insisted that only one person was needed to handle both tasks.

“You never have a prop assistant double as the armorer,” Zoromski said. “Those are two really big jobs.”

The job of “property key assistant/armorer” ultimately went to Hannah Gutierrez-Reed, a 24-year-old with just two other credits to her name—one as a costume assistant and the other as head armorer on The Old Way, which is set to be released in 2022. That lack of experience is part of what’s now being questioned, with the Los Angeles Times writing that:

“According to search warrants, [Gutierrez-Reed] left three weapons on a rolling cart outside the church setting at midday Thursday. [Joel] Souza, the film’s director, told a Santa Fe County Sheriff’s Office investigator that multiple people had been handling the guns and that he wasn’t sure whether anyone had checked them for safety after the group came back from lunch.”

(Via Los Angeles Times)

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Britney Spears Has Words For Her Family: ‘The Conservatorship Is About To Be Over But I Still Want Justice’

Ever since Jamie Spears was suspended as the conservator of Britney Spears’ estate a month ago, the pop star has been active in speaking out against her family. She did so again on Instagram yesterday, saying that while her conservatorship is about to be over, she still wants “justice” beyond that.

Spears started by vaguely addressing some recent misdeeds that had been done against her, writing:

“Don’t you find it weird when you jump through hoops to organize trips or set up lunch dates with people you love only to know they’ll bail on you or leave after 10 minutes ??? It’s humiliating and it’s like every person I’ve ever opened to immediately says they’ll be gone on a trip for two weeks after … OK I get it … they’re only available to me when it’s convenient for them … well I’m no longer available to any of them now !!! I don’t mind being alone … and actually I’m tired of being this understanding Mother Teresa … if you’re rude to me then I’m done … peace out !!!”

She then got more specific and mentioned her family directly, continuing, “This message is to my family … for hurting me deeper than you’ll ever know !!! I know the conservatorship is about to be over but I still want justice !!! I’m only 5’4″ and I’ve played the bigger person my entire life … do you know how hard that is ???”

Find Spears’ post below.

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Sasami Announces The New Album ‘Squeeze’ And Drops Two Contrasting Lead Singles

Sasami’s 2019 breakthrough self-titled debut was a wonderful modern expression of shoegaze. On her upcoming album, though, the classically trained Los Angeles native is getting more experimental and exploring everything from nu-metal to folk-pop. This shouldn’t come as a surprise to anyone who’s followed her output this year, like the heavy-hitting cover of Daniel Johnston’s “Sorry Entertainer” and the gentle “Graves” by Hand Habits (which Sasami produced.)

Out February 25th on Domino, Squeeze is largely inspired by her deep-dive into her Japanese-Korean mixed roots and an anthropomorphic Japanese yōkai folk spirit she discovered called Nure-onna. The god-like creature has the head of a woman and a snake’s body and according to lore “is feminine and noble, yet powerful and vicious enough to brutally destroy victims with her blood sucking tongue.” This spirit inspired them as she wrote and produced an album that addresses everything from injustices in the world around her to relationship dynamics.

This viciousness channeled through Nure-onna comes through instantly on new single “Skin A Rat.” The track’s dark metal lean even features drums from Megadeth drummer Dirk Verbeuren and a deep gang vocal arrangement that features Vagabon’s Laetitia Tamko. In a statement, Sasami calls it “a soundtrack to cathartic release of anger and frustration with oppressive systems and humans.”

Meanwhile, “The Greatest” is all about guitars: The electric strum that opens the track as Sasami starts painting the tale of one-sided emotions. The drums hit and the guitar just keeps building, almost like they’re begging for feelings to be reciprocated. Sasami says it’s “like power born out of a black hole. All fantasy.”

Watch the videos for “The Greatest” and “Skin A Rat” above. Below, find the Squeeze album and tracklist, along with Sasami’s upcoming headlining tour dates, as well as those supporting Mitski and Japanese Breakfast.

SASAMI

1. “Skin A Rat”
2. “The Greatest”
3. “Say It”
4. “Call Me Home”
5. “Need It To Work”
6. “Tried To Understand”
7. “Make It Right”
8. “Sorry Entertainer”
9. “Squeeze (feat. No Home)”
10. “Feminine Water Turmoil”
11. “Not A Love Song”

10/29/2021 — Dallas, TX @ Studio at the Factory ^
10/30/2021 — Houston, TX @ White Oak Music Hall ^
10/31/2021 — Austin, TX @ Stubb’s (Levitation)
11/01/2021 — San Antonio, TX @ Paper Tiger ^
11/03/2021 — Tucson, AZ @ Club Congress (Outdoor Plaza) ^
11/04/2021 — Tempe, AZ @ Coca-Cola Sun Deck at Sun Devil Stadium ^
11/07/2021 — Berkeley, CA @ UC Theatre ^
11/09/2021 — Sacramento, CA @ Ace of Spades ^
11/11/2021 — Sonoma, CA @ Gundlach Bundschu Winery ^ –
11/12/2021 — San Luis Obispo, CA @ Madonna Inn ^
11/13/2021 — Santa Cruz, CA @ The Catalyst ^
11/15/2021 — Pomona, CA @ The Glass House ^ –
11/16/2021 — Pomona, CA @ The Glass House ^ –
03/04/2022 — Brattleboro, VT @ The Stone Church
03/05/2022 — Woodstock, NY @ The Colony
03/06/2022 — Rochester, NY @ The Bug Jar
03/08/2022 — Lakewood, OH @ Mahall’s
03/10/2022 — Charlotte, NC @ Snug Harbor
03/11/2022 — Savannah, GA @ Savannah Stopover
03/21/2022 — Nashville, TN @ The End
03/22/2022 — Atlanta, GA @ Masquerade Purgatory Stage
03/24.2022 — Washington, DC @ Black Cat
03/25/2022 — Brooklyn, NY @ Music Hall of Williamsburg
03/26.2022 — Philadelphia, PA @ Johnny Brenda’s
03/27/2022 — Cambridge, MA @ Sonia
03/30/2022 — Pittsburgh, PA @ Club Cafe
03/31/2022 — Columbus, OH @ Rumba Cafe
04/01/2022 — Chicago, IL @ Lincoln Hall
04/02/2022 — Minneapolis, MN @ 7th Street Entry
04/03/2022 — Omaha, NE @ Reverb Lounge
04/05/2022 — Denver, CO @ Larimer Lounge
04/07/2022 — Salt Lake City, UT @ The State Room
04/08/2022 — Boise, ID @ The Shredder
04/09/2022 — Portland, OR @ Doug Fir Lounge
04/10/2022 — Seattle, WA @ Barboza
04/12/2022 — San Francisco, CA @ The Chapel
04/13/2022 — Los Angeles, CA @ Teragram Ballroom
04/21/2022 — Bristol, UK @ Marble Factory * –
04/22/2022 — Leeds, UK @ University Union Refectory *
04/23/2022 — Glasgow, UK @ Barrowland Ballroom *
04/25/2022 — Dublin, IE @ Vicar Street * –
04/26/2022 — Manchester, UK @ Manchester Academy *
04/28/2022 — London, UK @ The Roundhouse * –
04/29/2022 — London, UK @ O2 Academy Brixton *
04/30/2022 — Brussels, BE @ Les Nuits Botanique Festival *
05/02/2022 — Tourcoing, FR @ Le Grand Mix * –
05/03/2022 — Paris, FR @ L’Olympia *
05/04/2022 — Amsterdam, NL @ Paradiso * –
05/06/2022 — Zurich, CH @ Kaufleuten *
05/07/2022 — Lausanne, CH @ Les Docks *
05/09/2022 — Berlin, DE @ Metropol * –
05/10/2022 — Copenhagen, DK @ Vega * –
05/11/2022 — Stockholm, SE @ Fallan
05/12/2022 — Oslo, NO @ Sentrum Scene * –
05/14/2022 — Hamburg, DE @ Fabrik * –
05/15/2022 — Cologne, DE @ Carlswerk Victoria * –
05/17/2022 — Vienna, AT @ WUK * –
05/18/2022 — Prague, CZ @ Archa Theatre *
05/19/2022 — Munich, DE @ Strom * –

^ with Japanese Breakfast
* with Mitski

Squeeze is out 2/25/2022 via Domino. Pre-order it here.

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The Assistant Director On ‘Rust’ Was Reportedly Fired From A Previous Film After Another Gun Discharge

Details are still emerging about the accidental shooting last week on the set of the low-budget Western Rust, which resulted in its director, Joel Souza, being wounded and its cinematographer Halyna Hutchins, being killed. Over the weekend, it was revealed the prop gun, which was unwittingly discharged while in possession of star Alec Baldwin, was handed to him by Assistant Director David Hills. But now there’s another turn to this part of the story.

As per Deadline, a similar, albeit non-fatal, gun discharge incident happened on the set of Freedom’s Path, a period piece about slavery filmed in Arkansas in 2019. And the A.D. on that film was David Hills. In this case, a member of the film’s sound department had to jump back from a close-by blast but was nonetheless injured.

“I can confirm that Dave Halls was fired from the set of Freedom’s Path in 2019 after a crew member incurred a minor and temporary injury when a gun was unexpectedly discharged,” the producer told Deadline. “Halls was removed from set immediately after the prop gun discharged. Production did not resume filming until Dave was off-site. An incident report was taken and filed at that time.”

The injured crew member returned to set less than a week later, but both Hills and the armorer — the member of the props department who oversees the prop weapons — were replaced immediately.

Halls’ résumé includes titles like The Crow: Salvation and The Matrix Reloaded, but he reportedly has a personal-behavior complaint filed against him two years ago while on the set of Blumhouse’s TV show Into the Dark. As per Deadline, he was fired for “lack of respect’ to fellow crew members, who described him as “very aggressive” and “intimidating on set.”

A.D.s are often responsible for overall set safety, though it is currently unclear why Hall, and not the armorer, handed Baldwin the prop gun, nor if he performed a visual check on the weapon beforehand.

Other reports from the set of Rust detail a troubled production, with deplorable conditions for the crew, resulting in things being rushed. Both internal and police investigations are underway.

(Via Deadline)

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Angelina Jolie Expertly Avoided A Reporter’s Question About Her Relationship With The Weekend

Rumors have been swirling around The Weeknd and Angelina Jolie ever since the pair were spotted out at dinner together in Los Angeles. So even though the actress is currently engaged in a round of press interviews to promote her role in the new Marvel movie, The Eternals, you had to know an enterprising young journalist was going to try to get an answer out of her about Abel Tesfaye. An E! News reporter for the Daily Pop had to ask — “Now I have to know, Angelina, because your kids are at the age where they have opinions, so I have to know,” he began. “Were they more excited that you were in The Eternals, or that you are friends with The Weeknd?”

For her part, Jolie dodged the question like the professional she is, not even dropping a hint about Abel and focusing entirely on the movie. “They’re very excited about this film, if that’s what you’re asking,” she responded coyly. But, what she couldn’t hide was a pretty big smile, and a grin and fellow star Salma Hayek who was part of the press blitz alongside Jolie. It’s not quite a hint, but maybe it’s something? The Weeknd won’t stop teasing a new era, so maybe we’ll get more answers out of him in coming weeks.

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Mark Zuckerberg Says Facebook Will Move Its Target Away From ‘Older People’ And Towards ‘Serving Young Adults’

Facebook isn’t doing so hot. The combined powers of a massive document leak and a whisteblower whistleblowing have shed new and disturbing light on a company already seen by many as detrimental for society. It’s gotten so bad that the company is actually doing something. First, they’re launching something called the “metaverse.” Now, as per Insider, on a third-quarter earnings call — during which they assured investors they’re still a money-gobbling machine — co-founder and CEO Mark Zuckerberg pitched a radical new direction for the company. It just happened to sound a lot like what it was initially.

On the call, Zuckerberg — who started the company with Eduardo Saverin and others while they were undergrads at Harvard — said that the social media giant would start “serving young adults the North Star, rather than optimizing for the larger number of older people.” Their target demographic would move from all ages — or at least your cousins who are bad at spotting conspiracy theories — towards ages 18 through 29.

Part of the shift would include a pivot to video. The plan involves ramping up Reels, the video feature on Instagram, which they purchased in in 2012. Since its launch last year, Reels has been a clear attempt to do battle with TikTok, the video service that has transfixed Gen-Z and which survived an assassination attempt last year by then-president Donald J. Trump. Zuckerberg has called TikTok “one of the most effective competitors we’ve ever faced.”

Zuckerberg also wanted to target teenagers. Among the many damning details in the leaked or whistleblown intel was that company employees know Instagram been deemed detrimental to teens’ mental health.

Over the last few years, Facebook had moved from a youth-oriented service to one accused of brainwashing their parents and grandparents. The service has been a bastion of misinformation, and among the revelations was that the powers-that-be had altered algorithms to favor more explosive (and often simply incorrect) content. So perhaps your uncle who believes nonsense about vaccines may have to get his misinformation elsewhere. But then, it seems like a certain former president is already working on that.

(Via Insider)

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Peyton Manning Apologized To Viewers After Marshawn Lynch Kept Cussin’ On The Manningcast

After a couple weeks off, the Manningcast returned to ESPN2 for Saints-Seahawks with Peyton Manning donning an Ole Miss jersey after his Vols lost to Eli’s Rebels two weeks ago, and once again the brothers were joined by some high-profile guests.

The first of those was Marshawn Lynch, a natural fit with the Seahawks playing, but ESPN seemed to not quite recognize why putting Lynch on live television from his house might create some, well, FCC issues. Over the course of his interview, which took up about half of the first quarter, Lynch said “shit” three times and dropped one f-bomb, and each time you could see Peyton die a little bit inside.

The interview, despite the continued stepping on toes due to the remote delay, was tremendously entertaining, because Marshawn Lynch can’t help but be, but what comes with that is that Lynch is always his natural self, which, like most of us, includes cussing. After Lynch left, Peyton had to trot out the old apology for the viewers, despite the resounding response to the interview being “give us more Marshawn.”

It’s not the first time they’ve had to come back from break and issue an apology, which Peyton notes, as Eli got himself in some trouble for throwing up the double birds a few weeks ago. It’s, honestly, part of the charm of the Manningcast, but I’m not sure ESPN will be thrilled with cutting an extra check for a fine.

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Tom Brady Is Going To Get The Fan Who Gave Back His 600th TD Ball A Bitcoin (Plus Season Tickets)

Tom Brady made NFL history on Sunday as the first quarterback to ever throw 600 touchdown passes (now 602) with a pass for a TD to Mike Evans in the Bucs blowout win over the Bears. Evans, not realizing the momentous occasion, gave the ball to a fan in the stands in Tampa as he so often does, and had a rather hilarious reaction to learning he gave away Tom’s 600th TD ball.

The Bucs did some negotiating and got the ball back, and there’s been a bit of uncertainty on exactly what the fan, Byron Kennedy, got in exchange. On Monday, Rick Stroud reported quite the haul was headed his way, with signed jerseys, helmets, cleats, and balls from Brady and Evans, as well as the Bucs taking care of him with tickets for this season and the next.

That’s a pretty good get for, effectively, being the lucky fan to get a ball tossed your way on a Sunday, but Brady decided to loop one of his sponsors in to sweeten the pot with something of seriously substantial value, as FTX will send him a Bitcoin for being willing to trade the ball back to Brady.

I do like that Brady is getting his sponsor to shoulder the financial burden here, but they’ll happily do it for the tremendous pub that will come with it. For Kennedy, getting a whole Bitcoin is a helluva reward, as the ever-mercurial cryptocurrency is valued at $63,000 currently, which, again, is a solid day’s work for…going to a football game and being in the right place at the right time.

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Marjorie Taylor Greene Is Big Mad About That Report Linking Her To The Jan. 6 Rally That Led To The Capitol Siege

On Sunday, Rolling Stone published an explosive Rolling Stone report that linked several Republican congresspeople to the events that led to the Capitol attack of Jan. 6. Among them, to the surprise of no one, was Marjorie Taylor Greene. Many of the names named — usual suspects such as Lauren Boebert, Madison Cawthorn, Mo Brooks, etc. — kept quiet the day after the piece dropped. Not Greene.

As per Raw Story, the Georgia representative tried to torch the report in an interview with The Daily Caller, though she didn’t actually deny what had been said. She simply demonstrated that she doesn’t know how journalism, especially journalism involving sensitive and ongoing investigations, works. For one, she’d apparently never heard of anonymous sources, nor read the article itself, which went to great lengths to explain why their sources were protected.

“They’re talking about their sources and sources and quoting sources, but not giving names, so that just reminds me of the whole Russian collusion lie, and the type of language that Adam Schiff uses when he’s talking about sources,” Greene told the publication. “The whole thing is their same playbook. Make up a story, publish it, then all the other outlets rinse and repeat.”

The report, mind you, did not link Greene with the actual Capitol storming itself. It simply said she and a number of other congresspeople had taken part in “dozens” of meetings planning rallies in the lead-up to the big one on Jan. 6. Some of them, including former White House Chief of Staff Mark Meadows, allegedly knew that the event could turn violent but ignored the warnings.

The sources also said they had plenty more dirt where that came from, but most of it they were saving for the committee and public hearings.

Greene wasn’t even the politician who came off the worst. That would be Paul Gosar, who the piece claimed had promised organizers that they’d receive blanket pardons for any wrongdoing they committed in the lead-up to what proved the Capitol riot. But it’s also clear that she’s taking a cue from the Donald Trump playbook: When accused, simply deny and blame the media. It works with their supporters every time.

In the wake of the report, fellow representative Alexandria Ocasio-Cortez called for any colleague who was involved in the lead-up to the attack, Greene included, to be expelled. In the meantime, surely there isn’t video of Greene in 2020 talking to cameras about the “great planning session” she had about rallies leading up to that fateful day.

(Via Raw Story)

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Wil Wheaton gave a perfect explanation of how to separate problematic artists from their art

In an era of debates over cancel culture and increased accountability for people with horrendous views and behaviors, the question of art vs. artist is a tricky one. When you find out an actor whose work you enjoy is blatantly racist and anti-semitic in real life, does that realization ruin every movie they’ve been a part of? What about an author who has expressed harmful opinions about a marginalized group? What about a smart, witty comedian who turns out to be a serial sexual assaulter? Where do you draw the line between a creator and their creation?

As someone with his feet in both worlds, actor Wil Wheaton weighed in on that question and offered a refreshingly reasonable perspective.

A reader who goes by @avinlander asked Wheaton on Tumblr:

“Question: I have more of an opinion question for you. When fans of things hear about misconduct happening on sets/behind-the-scenes are they allowed to still enjoy the thing? Or should it be boycotted completely? Example: I’ve been a major fan of Buffy the Vampire Slayer since I was a teenager and it was currently airing. I really nerded out on it and when I lost my Dad at age 16 ‘The Body’ episode had me in such cathartic tears. Now we know about Joss Whedon. I haven’t rewatched a single episode since his behavior came to light. As a fan, do I respectfully have to just box that away? Is it disrespectful of the actors that went through it to knowingly keep watching?”

And Wheaton offered this response, which he shared on Facebook:


Answer: I have been precisely where you are, right now. In fact, we were just talking about this a few days ago, as it relates to a guy who wrote a ton of music that was PROFOUND to me when I was a teenager. He wrote about being lonely and feeling unloved, and all the things I was feeling as a teenager.

He grew up to be a reprehensible bigot, and for years I couldn’t listen to one of the most important bands in my life anymore.

But this week, someone pointed out that he was one member of a group that all worked together to make that thing that was so important to me. And the person he was when he wrote those lyrics is not the person he is today. And the person I was when I heard those lyrics doesn’t deserve to be shoved into a box and put away, because that guy is a shit.

This is a long way of saying that Joss sure turned out to be garbage. Because of who my friends are, I know stuff that isn’t in the public, and it’s pretty horrible. He’s just not a good person, and apparently never was a good person.

BUT! Buffy is more than him. It’s all the actors and crew who made it. It’s all the writers who aren’t Joss. Joss is part of it, sure, and some of the episodes he wrote are terrific.

At least one of the episodes he wrote was deeply meaningful to you at a moment in your life when you’d experienced a loss I can only imagine. The person you are now, and the 16 year-old you were who just lost their dad, are more important than the piece of shit Joss Whedon revealed himself to be.

His bad behavior is on him. He has to live with it, and the consequences of it.

16-year-old you, who just lost their dad, shouldn’t have to think about what a shit Joss Whedon is for even a second. That kid, and you, deserve to have that place to revisit when you need to go there.

I can’t speak for the other actors, even the ones I know. But I will tell you, as an abuse survivor myself who never wanted to be in front of the camera when he was a kid: it’s really okay for you to enjoy the work. The work is good and meaningful, and if nobody is going to watch it because of what one piece of shit did two decades ago, what was it all for?

I’m not the pope of chilitown, so take this for what it’s worth: I believe that when some piece of art is deeply meaningful to a person, for whatever reason, that art doesn’t belong to the person who created it, if it ever did. It belongs to the person who found something meaningful in the art.

If it feels right to you to put it away and never look at it again, that’s totally valid. But if it brings you comfort, or joy, or healing, or just warm familiarity to bring it out and spend some time with it, that’s totally valid, too.

I’ve written a lot of words. I hope some of them make sense and are helpful to you.

As with practically everything in this world, the question of whether art can or should be separated from the artist is complex. It involves philosophical questions about the nature of art—where it comes from and who it belongs to—as well as questions about how imperfect a person has to be for us to reject everything they create. Wheaton’s response feels right, especially when we’re regarding art that is collaboratively created.