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What’s On Tonight: ‘Night Teeth’ Brings Party Hopping Vampires (Including Megan Fox) To Netflix

Night Teeth (Netflix film) — Debby Ryan and Lucy Fry play the lead-character vampires of this film, but there are also vampires played by Megan Fox and Sydney Sweeney, so you know what that means: any human in their sights is in big trouble. That includes a college-student-turned-chauffeur, Benny (Jorge Lendeborg, Jr.), who’s tasked with driving the two primary vamps around to parties, where they can get their thirst on. Can Benny stay alive, can he save Los Angeles, and can he possibly do both things? Talk about a guilty pleasure of a movie.

Found (Netflix film) — This documentary follows teen American girls who somehow discover that they’re cousins by blood. This leads to an online-meeting that turns into a real-life journey, wherein the teens travel to China for answers and adventure. It’s an emotional journey but a rewarding one.

Stuck Together (Netflix film) — Seven families who are stuck during Parisian lockdown endure the best and worst of each other over the course of three months. Man, this should inspire everyone who can get to the country side to do so, stat.

DC’s Legends of Tomorrow (CW, 8:00pm) — Sara and Ana have hatched a plan, and Nate’s in impersonation mode, all while Hoover scores some lucrative tickets, and everyone wants to make it to Manhattan.

Batwoman (CW, 9:00pm) — Alice and Batwoman’s team-up might not last too long if things don’t go right in this episode, which involves Killer Croc’s murderous rampage in Gotham.

The Wonder Years (ABC, 8:30pm) — This reimagining adopts a different perspective (from the Fred Savage-starring original show) with the focus on an African-American family and their home base in 1960s Montgomery, Alabama. Don Cheadle narrates the usual tween ordeals and also the experience of being part of a Southern Black family. This week, Dean really doesn’t want to go to the church lock-in, but he also wants to have his first kiss. Conundrum.

American Horror Story: Double Feature (FXX, 10:00pm) — Mamie’s forced to make a bold move, as all of the characters face off against hte future.

The Late Show With Stephen Colbert — Issa Rae, H.E.R.

In case you missed these streaming picks from last Wednesday:

Dopesick: Season 1 (Hulu series) — Michael Keaton (who is still the greatest Batman in history, so don’t mess with him in any role) finally comes to TV beyond cameo mode. Here, he takes on Big Pharma as a physician whose patients are dying off amid an opioid epidemic, and Rosario Dawson portrays one of the heroes who want to take the makers of Oxycontin down. The title of the source material (Dopesick: Dealers, Doctors and the Drug Company that Addicted America, the book by Beth Macy) tells you a lot, but this trailer promises an intense ride, and the cast includes Michael Stuhlbarg and Kaitlyn Dever, who’s all over TV now and making Justified‘s Loretta proud here.

Just Beyond: Season 1 (Disney+ series) — This horror-comedy anthology bases itself on R.L. Stine’s BOOM! Studios comic book series of the same name. Expect plenty of supernatural journeys (with a personally affecting touch) through alternate dimensions with witches, aliens, and ghosts onboard.

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Russell Westbrook’s First Game As A Laker Showed Where He And Frank Vogel Need To Make Changes

For the fourth time in LeBron James’ four-year tenure as a Los Angeles Laker, they dropped their regular-season opener. This time, it came at the hands of the Golden State Warriors, 121-114, and kicked off the LeBron-Anthony Davis-Russell Westbrook Era with a loss.

The former two were spectacular and the best players on the floor, combining for 67 points. They looked every bit the superstars who guided Los Angeles to a title fewer than 13 months ago. Westbrook, though, as the newest member of this trio, did not. He struggled to the tune of eight points on 4-of-13 shooting, four assists and four turnovers.

Some of it was his responsibility. Seven of his 13 field goal attempts were jumpers, a few of which were ill-advised, early clock pull-ups. These are not conducive to maximizing his offensive impact anywhere, independent of context.

Other portions were outside of his control. Head coach Frank Vogel elected to start DeAndre Jordan and 23 of Westbrook’s 35 minutes were spent alongside Jordan or Dwight Howard. Sixteen of them were spent alongside two of Jordan, Howard and Davis.

Worst of all, he was paired with Rajon Rondo for seven minutes and during that span the Lakers were a minus-15. Rondo did not resemble a rotation-caliber guard on a contender last season and he certainly didn’t challenge that sentiment yesterday. Even ignoring that, trotting out Westbrook next to him in the backcourt simply doesn’t benefit either of them or the team and prevents Rondo from proving my hypothesis wrong.

For a guard in Westbrook who’s best with space around him and shouldn’t be relied upon to shoot outside the paint, Los Angeles sure constructed lineups that ran counter to such a concept.

With Rondo in the fold, the two former All-Stars took turns commandeering the offense and relegating the other to spot-up duties, a job for which they’re unqualified. A high ball-screen for Westbrook shouldn’t feature Rondo as a release valve shooter. If Rondo is going to maintain a rotation spot, Vogel has to separate him and Westbrook. And if Westbrook is going to fully succeed as a Laker, Vogel has to separate him and Rondo. Possessions like these are just frivolous, imprudent efforts.

Part of the reason so many of Westbrook’s minutes were shared with an ill-suited veteran center in Jordan or Howard is because the Lakers do not play Davis as a center full time. Their goal and his goal is to avoid the constant rigors that transpire as a full-time 5, while also enabling him to be a ball-hawk defensively and attack mismatches as a scorer. There are exploits to Davis at the 4, even if he and Los Angeles are optimized when he’s a center.

I understand why Davis isn’t deployed at center more during the regular season and save it for the playoffs. But I also now wonder if the balance must shift because the team’s third-best player would so significantly benefit and more quickly integrate to a new setting. About 22 of Davis’ 39 minutes (56 percent) came without Jordan or Howard on the floor. Westbrook was present for roughly 12 of them.

Increasing his workload at center from 56 percent to, say, 75 percent, assuming he’s comfortable with that physically, would free up space for Westbrook and the offense. Davis as a 4 would be more serviceable if Jordan or Howard were viable rotation bigs, but neither really is at this stage of their careers and they both struggled Tuesday.

Davis’ dominant play-finishing slots aptly next to Westbrook, who ranked third in assists at the rim between 2018-19 and 2020-21, per PBPStats, and routinely spoon-feeds big men inside. Although Davis isn’t the 5 here, this play provides a vision of how Westbrook’s interior passing chops and his finishing prowess can harmonize if Westbrook consistently draws attention near or in the paint:

Yet on other occasions, the ways Davis as a 4 limits Westbrook’s on-ball creation manifested. He should not be resigned to catch-and-shoot responsibilities, which was the case a bit too commonly Tuesday. An intermittent spot-up three from Davis isn’t a deathknell offensively, but simply seems like a poor allocation of collective talent in general.

Replacing Jordan with Malik Monk (who admittedly struggled yesterday), Trevor Ariza (when healthy) or Wayne Ellington (also, when healthy) in the starting unit would empower Davis to be the roll man in snug ball-screens for Westbrook or inhabit the dunker spot to occupy helpers when the former MVP posts up.

While the initial results for Westbrook’s stint offensively were discouraging, game one was not without some encouraging examples process-wise. He parlayed his anti-gravity off the ball into attacking runways and his explosiveness off the catch remains so sudden and overwhelming. At this point, it’s cliche, but he has to embrace cutting. Instilling its value into him is paramount. Success followed when he was either primed to rip off the catch or sliced into the defense before the ball even swung his way.

The Lakers didn’t go to their cheat code of the LeBron-Davis empty corner pick-and-roll much, yet the outline of how Westbrook can benefit from the attention that action commands was evident. Second-side pick-and-rolls for him when the floor is properly spaced might also become a reliable tool when Los Angeles streamlines its rotation and some of their now-injured guys return. The correct lineups and play calls are necessary for this star-laden experiment to work, but Monday certainly provided glimpses of how that success could manifest.

Beyond what the opening night loss laid out, the Lakers should also scheme more sets involving Westbrook as a screener for Davis or James, particularly snug pick-and-rolls inside the arc. According to Cleaning The Glass, Los Angeles’ rim frequency against the Warriors was a pitiful 26 percent. Some of that is surely tied to insufficient floor-spacing. But a team who saw James, Davis and Westbrook play 113 of a possible 144 minutes should mash its way to the rim more than that and better catering the Xs and Os and rotations to those three guys can help accomplish this.

Similarly, if Davis and Westbrook do see more time together without another big on the floor, empty corner pick-and-rolls should spike in volume, especially in early offense, which is where Westbrook is best equipped to handle possessions.

The pace of last night’s game was a breakneck 112.5. For reference, the Washington Wizards led the NBA in pace last season at 104.67. I’m curious how sustainable that is for a veteran-laden squad. Promoting open-floor reps with Westbrook out there is prudent, but if the offense looked murky at that pace, a regression to the mean could spell a bit more trouble before daylight arrives.

Monday was the first meaningful data point along a journey of many required to assess the Russell Westbrook Experience in Los Angeles. This one, while confounding and frustrating on the surface, looks more optimistic underneath. There’s certainly work to be done, both from the coaching staff and Westbrook himself. There’s also probably a cap to growth, given his shaky jumper and inconsistent decision-making offensively. But there is absolutely substantial, attainable growth to be actualized that might have this random night in October as nothing more than the ground floor of a profitable exercise.

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‘Schitt’s Creek’ Star Dan Levy Voices Support For The Netflix Walkout As Protesters Take To The Street Near The Company’s Offices

On Wednesday morning, trans Netflix employees and their allies in the company walked off the job and took to the streets for the “‘Stand Up in Solidarity” rally, which hopes to improve the streaming service’s efforts at listening to trans voices before airing content like Dave Chappelle‘s controversial The Closer special. After two weeks of Netflix CEO Ted Sarandos defending the special, the company has reversed course as Sarandos has admitted he “screwed up” his handling of the growing controversy. Netflix also voiced its support for the rally and said that it will “respect the decision of any employee who chooses to walk out.”

In a notable move given the show’s popularity on the streaming service, Schitt’s Creek star Dan Levy issued a statement supporting the walkout:

I stand with every employee at Netflix using their voice to ensure a safe and supportive work environment. I’ve seen firsthand how vital television can be when it comes to influencing the cultural conversation. That impact is real and works both ways: positively AND negatively. Transphobia is unacceptable and harmful. That isn’t a debate.

Due to logistical issues, the event could not be held directly in front of Netflix offices, but it took place nearby. At least 100 protestors attended, including Transparent creator Joel Solloway, who loudly stated that a trans employee should be placed on “the Netflix f*cking board,” according to Deadline. The Netflix employees were also met by pro-Chappelle supporters, which led to a few minor scuffles after a Chappelle supporter attempted to crash one of the speeches.

You can see photos from the “‘Stand Up’ in Solidarity” rally below:

Getty Image
Getty Image
Getty Image
Getty Image

(Via Dan Levy on Twitter, Deadline)

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Portland Trail Blazers X-Factor: Larry Nance Jr.

As the 2021-22 NBA regular season approaches and training camp winds down across the league, we’ll be taking a look at the player on each team that holds the key to unlocking their potential. For the Portland Trail Blazers, that player is newly acquired forward Larry Nance Jr.

In late August, the Blazers were part of a three-team deal, with many focusing heavily on the decision by the Cleveland Cavaliers to acquire Lauri Markkanen. Within that swap, Portland turned Derrick Jones Jr., along with a draft pick, into Nance, aiming to upgrade the team’s frontcourt. That move came on the heels of the Blazers posting the NBA’s second-worst defensive rating last season, allowing more than 1.15 points per possession.

Portland’s roster, headlined by Damian Lillard and CJ McCollum, is not constructed in a way that inspires defensive belief. However, the Blazers truly cratered a year ago, especially when a deploying a second unit that featured Carmelo Anthony and Enes Kanter. Nance can’t and won’t fix everything, but the Cleveland Cavaliers were nearly eight points better per 100 possessions defensively when Nance was on the floor a season ago. On top of that, Nance is highly versatile, with the ability to play both forward spots and even flash to center if and when new Portland head coach Chauncey Billups wants to send a small-ball unit onto the floor.

Since leaving the Lakers in his third season, Nance has been off the radar nationally, but his maturation defensively has been notable, and he is also a positive offensive player. The 27-year-old has posted a 58.8 percent true shooting mark across the past two seasons, developing into an adequate three-point shooter and keeping pressure on the opposition near the rim. Nance is a capable rebounder on both ends, and he should help the Blazers to unlock lineup versatility surrounding Lillard, McCollum, and Norman Powell.

It remains to be seen as to what kind of role the Blazers envision for their newly-acquired forward, but the price Portland paid seems to indicate lofty expectations. The Blazers do have starting-caliber forwards in Powell and Robert Covington, but it wouldn’t be a surprise to see Nance garner starts at the power forward spot, in addition to his role as a super-sub that checks multiple boxes. It would be fair to say that Portland also had real belief that Jones could help them in a similar way a year ago but, in short, Nance is far more accomplished and proven in his role, and the Blazers acquiring an upper-tier defender at that spot cannot be overlooked in the team’s quest to make life better for Lillard while winning at a high level.

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Kenneth Branagh’s Nostalgic ‘Belfast’ Trailer Previews A Possible Best Picture Contender

It’s still early and many of the movies on the list haven’t been released to the public yet, but Variety‘s list of Best Picture 2022 predictions is topped by Belfast. The black-and-white film is a “story of love, laughter, and loss in one boy’s childhood, amid the music and social tumult of the late 1960s,” according to the official plot summary. It sounds like the most Best Picture-y movie ever — but it also looks very good. Both things can be true, as another black-and-white historical drama proved nearly 30 (!) years ago.

Belfast is directed by Kenneth Branagh, who has called it “most personal film” yet (yes, even more than Jack Ryan: Shadow Recruit). “The leaving of Belfast was definitely the most critical life event for me, because it was wrapped up in violence and disruption. It resulted in a profound change. Life was really never the same again for me. It affected many, many people in profound ways that reverberate to this day,” he told the BFI.

Belfast, which stars newcomer Jude Hill as Branagh’s nine-year-old surrogate, Caitríona Balfe, Judi Dench, Jamie Dornan, Ciarán Hinds, and Colin Morgan, opens on November 12. Also, in case you were wondering, Variety‘s Best Picture predictions list also includes Jane Campion’s fantastic looking The Power of the Dog, King Richard with Will Smith as Venus and Serena Williams’ dad, Dune, and Lin-Manuel Miranda’s tick, tick… Boom!.

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Ovlov Take Exception To Mental Health Responses On Their New Single ‘Wishing Well’

2018 saw Connecticut group Ovlov return with TRU, their first album in five years. They’re not taking as long between albums this time, though, as Buds is set for release in November. They announced the project last month, and today, they share a new preview of it, “The Wishing Well,” which sounds like a not-too-distant relative of early-2000s Death Cab For Cutie.

The band’s Steve Hartlett told Stereogum the song is about “how much I dislike the way some people respond to something a person with mental health issues might have done wrong, whether it be cops, all the way to the employees at your favorite ‘DIY’ venue in Brooklyn, NY.”

He also spoke about the nature of the new album, saying, “I definitely feel like this album is a bit poppier than anything else we’ve released. Hoping that pays off literally and figuratively [laughs]. […] I’ve just always loved pop music. I always felt like Ovlov was pretty poppy in general. Everything can always be poppier in my opinion. I don’t know. I just wanted this one to be different than the first two. There’s definitely some songs on there that don’t sound like Ovlov songs to me, but we made them that way. We made them sound as Ovlov as possible.” On that front, he described “The Wishing Well” as “a bit out of our realm.”

Listen to “The Wishing Well” above.

Buds is out 11/19 via Exploding In Sound. Pre-order it here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Next-Generation Versions Of ‘Cyberpunk 2077’ And ‘The Witcher 3: Wild Hunt’ Have Been Delayed Until 2022

Cyberpunk 2077 was supposed to be a Game of the Year contender when it first hit consoles. Instead, it quickly became a game infamous for bugs and was removed from the PlayStation store before eventually returning. To make matters worse for CD Projekt Red, the developers of the game, they were later hacked.

Between trying to fix Cyberpunk, get the game back on the store, and recover from a very serious hack, it’s safe to say that CD Projekt hasn’t had much time for other projects at the moment. This is why it shouldn’t be a surprise that the next-generation versions of Cyberpunk, and The Witcher 3: Wild Hunt, are being delayed.

Cyberpunk really couldn’t be much more of a disaster for its developers. The plan for the game was always to release it on PlayStation 4 and Xbox One then release the next-generation version for PlayStation 5 and Xbox Series X/S owners at a later date. Anyone who already owns the game and those consoles has still been able to play the game because they have backward compatibility, but those players will receive a free next-gen upgrade when the PS5 and Series X/S versions are officially available. It has now been more than a year since Cyberpunk‘s release and we still don’t have an exact date on when the upgrades will release, just that it’s going to be coming in 2022.

Once these upgrades do come out, the next-gen versions will likely be the best versions of the two games to date, but it has to be frustrating for everyone that it’s taken this long to create an upgrade for modern consoles. On the plus side, a delay will hopefully mean the games will release in a finished state this time around.

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The NBA Revealed The Next 25 Players On The 75 Greatest Of All-Time List

As the NBA tipped off the 2020-21 season on Tuesday night, the league began its 75th anniversary celebration in earnest. The league has rolled out a new logo, a new ad spot featuring current stars and legends, and is also unveiling a new 75 Greatest Players list, much as they did for the NBA at 50 in 1996.

The first 25 players were revealed on Tuesday night as the Inside the NBA crew introduced the first third of the list before the Bucks took down the Nets on ring night — which included Chuck and Shaq, who caused Barkley to lose it upon claiming he would “bust Wilt’s ass.” The list featured 20 players from the NBA at 50 list, with five newcomers in Giannis Antetokounmpo, Kevin Durant, James Harden, Steve Nash, and Dirk Nowitzki. On Wednesday, the list unveiling rolled on on ESPN with the NBA Today, as Magic Johnson joined the crew for the occasion and was, unsurprisingly, at the top of the second 25, along with a few of his fellow Lakers greats.

Once again, this list isn’t a ranking but simply a list of the 75 greatest in no particular order, alphabetical or otherwise.

Magic Johnson
James Worthy
Wilt Chamberlain
Jerry West
Larry Bird
Michael Jordan
Scottie Pippen
Isiah Thomas
Clyde Drexler
Karl Malone
Patrick Ewing
Chris Paul
Allen Iverson
Tim Duncan
Kevin Garnett
John Havlicek
Sam Jones
Robert Parish
Bill Sharman
Bill Walton
Walt Frazier
Paul Arizin
Rick Barry
Nate Thurmond
Wes Unseld

Combined with the 25 released on Tuesday (found below) we are now two-thirds of the way through the list, which will see the final 25 added on Thursday night on TNT.

Bill Russell
Hal Greer
Dirk Nowitzki
Bob Pettit
Oscar Robertson
Giannis Antetokounmpo
Kevin Durant
Elvin Hayes
Jerry Lucas
Willis Reed
Nate Archibald
Bob Cousy
Dave Cowens
James Harden
Hakeem Olajuwon
Kevin McHale
Kareem Abdul-Jabbar
George Mikan
John Stockton
Steve Nash
Charles Barkley
Moses Malone
Julius Erving
George Gervin
David Robinson

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Wu-Tang Clan’s ‘Once Upon A Time In Shaolin’ Buyers Have Been Revealed

The buyers of the Wu-Tang Clan album, Once Upon A Time In Shaolin, have been revealed as promised. PleasrDAO, a collective of self-declared “DeFi leaders, early NFT collectors, and digital artists,” with a penchant for “acquiring culturally significant pieces with a charitable twist.” The once-of-a-kind album, which was purchased by, “Pharma Bro” Martin Shkreli in 2015 for $2 million, certainly qualifies. The album, created by RZA in secret over a six-year period, was auctioned off as a kind of high-art stunt after only being played for a handful of people.

Shkreli, of course, lost possession of the album when it was seized by the US government after his 2018 conviction for securities fraud and subsequently auctioned off earlier this year. At the time of the sale, the buyers in question remained anonymous, agreeing to confidentiality with regard to the ultimate sale price. Today, though, The New York Times revealed PleasrDAO as the anonymous buyer in a story documenting both that sale price, $4 million, and the collective’s reasoning and ultimate goals for the album.

It should come as no surprise that the endgame is to make the album available to fans in some way — with permission from RZA and producer Cilvaringz — which, given the group’s own self-description, will likely involve non-fungible token (NFT) blockchain technology. Jamis Johnson, the group’s “Chief Pleasing Officer,” according to Rolling Stone, explained, “This album at its inception was a kind of protest against rent-seeking middlemen, people who are taking a cut away from the artist. Crypto very much shares that same ethos. The album itself is kind of the O.G. NFT.”

PleasrDAO — which stands for “decentralized autonomous organization” — shares collective ownership among its 74 members and have Cilvaringz support to make the album more widely available through listening parties or gallery exhibitions, but for now, it remains bound to the terms of its original sale: It cannot be released to the general public or reproduced until 2103.

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Bedouine Channels Joni Mitchell On The Vintage-Minded Video For ‘The Solitude’

Bedouine’s Azniv Korkejian makes downright gorgeous folk music for day dreamers and lovers alike. She co-produced her third album, Waysides, with Beck and Sia confidant Gus Seyffert, which already includes lovely singles in the autumnal “It Wasn’t Me” and the somber “The Wave.” Now ahead of the album’s release this Friday, the video for “The Solitude” is out and it’s directed by Korkejian and Steady Holiday’s Dre Babinksi.

The song opens with Korkejian’s luscious acoustic guitar and a gentle cymbal, before her warm coo takes over in the most comforting way. In the video, she performs from a vintage ’60s color TV and it adds to the classic feel of the tune with just the right amount of whimsy. The opening track to the Waysides, which was recorded in LA and the Yucca Valley dessert, Korkejian explains that listening to a certain Joni Mitchell song, really opened up her mind when writing “The Solitude”:

“I was listening to Joni Mitchell’s ‘My Old Man’ and kept returning to the lyric ‘the bed’s too big, the frying pan’s too wide.’ I was so taken by that; conveying a feeling by describing a change in proportions. I wanted to expand on that and it became kind of an homage. Otherwise, it’s about the realization that I’m not impervious to codependencies or being in denial about them.”

Watch the video for “The Solitude” above, and below, find the Waysides art and Bedouine’s upcoming tour dates.

Bedouine

10/28/21 — Nashville, TN @ City Winery
10/29/21 — Birmingham, AL @ Alabama Theatre+
10/30/21 — Jacksonville, FL @ Suwannee Hulaween 2021
10/31/21 — New Orleans, LA @ Orpheum Theater +
11/02/21 — St Louis, MO @ Stifel Theatre +
11/04/21 — Chicago, IL @ Auditorium Theatre, Roosevelt University +
11/05/21 — Chicago IL @ Auditorium Theatre, Roosevelt University +
11/06/21 — Chicago IL @ Auditorium Theatre, Roosevelt University +
11/27/21 — Pioneer Town, CA @ Pappy & Harriet’s #
11/29/21 — Las Vegas, NV @ Brooklyn Bowl at the Linq Promenade #
12/01/21 — Boise, ID @ The Knitting Factory Concert House #
12/02/21 — Salt Lake City, UT @ The Depot #
02/04/22 — Liverpool @ Leaf
02/05/22 — Gateshead @ The Sage 2
02/06/22 — Nottingham @ Glee Club
02/10/22 — Cambridge @ Junction 2
02/11/22 — Bristol @ Rough Trade
02/12/22 — Leeds @ Brudenell Social Club
02/13/22 — Manchester @ YES
02/14/22 — Birmingham @ Hare & Hounds 2
02/16/22 — Brighton @ Komedia
02/17/22 — London @ Lafayette

+ with My Morning Jacket
# with Courtney Barnett

Waysides is out 10/22/2022 via The Orchard. Pre-order it here.