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Today marks the release of Coldplay’s ninth album (and perhaps one of their final ones), Music Of The Spheres. To celebrate, the band has announced a livestream concert, which will be viewable on a number of Amazon platforms: the Amazon Music app, the Amazon Music channel on Twitch, and on Prime Video.

The performance goes down on October 22 at 10 p.m. ET at Seattle’s Climate Pledge Arena (which celebrates its grand re-opening with the performance). After the initial broadcast, an opportunity to re-watch it will be available at 1 p.m. ET the next day. Following that, a feature-length version of the concert will be available on Prime Video starting in early November. Additionally, a four-track Amazon-exclusive EP of songs from the performance will be available on Amazon Music.

The band said of the performance, “It’s great that fans all around the world can tune in to Amazon Music and watch our first show after the release of Music Of The Spheres. It’s going to be a special night.”

Coldplay did something similar for the release of their previous album, 2019’s Everyday Life, when they performed the album in Jordan for a livestream concert.

For those more interested in seeing the band in person, that will be possible next year, as the band is going on tour in 2022.

Music Of The Spheres is out now via Parlophone. Get it here.

Coldplay is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Do you remember what happened in the Succession season two finale? I don’t, outside of some vague recollections of a depressed Kendall listening to LCD Soundsystem (been there, buddy), Tom and Shiv’s beachside chat, and the final shot of Logan reacting to his Number One Boy’s betrayal. My hazy memory has nothing to do with the quality of the episode, though — it’s one of the best episodes of one of the best shows on TV. It’s because the episode aired two years ago this week. That’s a long time ago.

Let’s go through all the things that have happened since the finale.

[Remembers the last two years]

I take it back. That was a terrible idea. Let’s instead look forward to Sunday when Succession finally returns to HBO. If you haven’t watched the season two finale recently, you really should. There’s still time before the premiere. In fact, this should be a requirement from now on: watch last season’s finale before the new season’s premiere.

There are a lot of TV shows. Too many, some would argue. For that reason, and because we’re bombarded with information and bad tweets every second of our lives, it’s perfectly understandable to forget what happened on a show. Even if it’s one of your favorites. Take Better Call Saul, for instance. I love Better Call Saul, maybe even more than Breaking Bad. But the season five finale was in April 2020, and the final season isn’t expected to premiere until late 2022 (the delay is due to a world-altering pandemic and the star of the show having a heart attack on set, but that’s no excuse for making us wait for more black-and-white adventures of Cinnabon Gene). That makes the Succession break seem manageable. In the days before Saul is back, I plan on re-watching the season five finale, to remind myself of everything that I’ve forgotten.

Otherwise, this will be me watching the premiere:

I will do the same thing for The Witcher (last episode: December 2019), The Boys (October 2020), Russian Doll (February 2019), and Stranger Things (July 2019). I can barely remember where I parked my car — how am I expected to remember if Steve and Robin still work at the ice cream place in the mall? If I don’t rewatch, I will spend the first 15 minutes of the premiere wondering what the heck is going on. This isn’t fun for anyone, especially the person you’re watching it with. “Who is that?” is the last thing anyone wants to hear while watching a show or movie (dads love asking this after passing out on the recliner). Equally annoying is pausing an episode to Google “succession recap help,” although if you’re looking for one, we’ve got you covered.

This proposed rule does not apply to every show. I did not rewatch the What We Do in the Shadows season two finale before season three, or Ted Lasso or Tuca and Bertie (although I should have, because the more Tuca and Bertie in my life, the better). Comedies are mostly exempt, although there are exceptions to the rule: Barry is more serialized than your average comedy, and it’s been off the air since May 2019 (!). You might need a refresher. I plan on rewatching the Barry season two finale… and maybe the rest of season two… and season one too. What I’m saying is, Barry is a good show.

Another good show: Succession. Throw yourself a watch party catered by California Pizza Kitchen. Listen to the theme song during your Saturday long run. Check Etsy to see if anyone is selling “f*ck off” masks yet. Do what you gotta do to get hyped. But remember: rewatch the season two finale. You’ll enjoy the (excellent) season three premiere that much more. If it is to be said, so it be, so it is.

Brazilian pop star Anitta‘s new single, “Faking Love,” is a brazen breakup anthem, so it’s fitting that she tapped the Bay Area’s own Icy Princess, Saweetie, to deliver a slick, dismissive verse to really drive the message home. After all, Saweetie’s become kind of an expert at that type of song thanks to her experience on similar anthems like “Back To The Streets.” She also shines quite a bit brighter when paired with another woman’s voice — just see “Best Friend,” “Slow Clap,” and “Seesaw” — so she’s a perfect fit on Anitta’s upbeat track.

Saweetie’s flow has improved quite a bit as well, as those performance boot camps she delayed her album for seem to be paying off. The verse also helps hold fans over as they await the holidays to find out more about her collaboration with another pop icon, Cher. Meanwhile, Anitta, who has had a relatively quiet year so far, is smart to tap another American star as she warms up the new music rollout machine. After calling on Cardi B to spice up her fan-favorite single “Me Gusta,” getting in touch with another of the top female hitmakers in the US keeps her trajectory pointed solidly toward the sky.

Listen to Anitta and Saweetie’s new single, “Faking Love,” above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

As the NBA season approaches and the preseason comes to a close, we’ll be taking a look at the player on each team that holds the key to unlocking their full potential.

In Dallas, it is their supposed second star, Kristaps Porzingis, who has yet to create the 1-2 punch with Luka Doncic the Mavs had hoped when they traded for he and Tim Hardaway Jr. two years ago. For the Mavs to be the contender they believe they should be with an MVP-caliber star in Doncic, the new coaching staff led by Jason Kidd is going to have to figure out how to get Porzingis more involved in ways that he’s comfortable.

Porzingis has lamented the way he has been used in Dallas, reportedly feeling like an afterthought as he would often find himself stationed as a spot-up shooter to provide Doncic with the room to work as a ball-dominant force. Finding a little more balance is going to be necessary if Porzingis is going to buy in, but it comes with the added difficulty of getting Doncic on board with having a little less control over the offense. It’s clear how Porzingis can make an impact with Doncic given the production next to each other in the regular season (20.3 points, 9.2 rebounds per game on 44.8/36.2/81.7 shooting the last two regular seasons), but last playoffs against the Clippers saw Porzingis fade to the periphery (13.1 points, 5.7 rebounds per game), in part due to clearly not being 100 percent health-wise.

The Mavs made an effort to add some more shooting this offseason, most notably with the addition of Reggie Bullock, but for the most part this is a team that looks an awful lot like last year’s squad with a new coach at the helm. That means improvement has to come internally and the biggest area of need is for their second star to look the part, which falls on the shoulders of Porzingis, Kidd, and Doncic to all do what’s needed to buy in and find the chemistry and fit that has been lacking when it matters most. A lot of that will come down to trust between Doncic and Porzingis, because if this season ends with another early exit and struggles by Porzingis, a shakeup will be necessary next summer.

The Rundown is a weekly column that highlights some of the biggest, weirdest, and most notable events of the week in entertainment. The number of items could vary, as could the subject matter. It will not always make a ton of sense. Some items might not even be about entertainment, to be honest, or from this week. The important thing is that it’s Friday, and we are here to have some fun.

ITEM NUMBER ONE — You know, just your classic detective noir parody musical starring puppets voiced by celebrities

Follow me here: Ultra City Smiths is a gritty crime noir about a missing wealthy businessman and the citywide manhunt that develops as they try to find him. But it’s also a parody of that. And it stars puppets. The puppets sing songs at least once each episode. They’re voiced by, like, famous people you know from other shows. John C. Reilly shows up as a character known as “The King of the Night” who refuses to be questioned by the lead detective — who has a crippling addiction to, I swear this is true, limes — unless he can defeat him in a dance battle on a disco floor. At one point, one character has to sell his pants and starts walking around with newspaper wrapped around his legs. He calls them newspaper pants.

I feel like I’m losing you here. Okay. Okay. Let me try again. Ultra City Smiths is the latest project from Patriot creator Steven Conrad. Did you watch Patriot? Man, I hope you did. That show balanced the serious and the silly and the outright absurd as well as any show I’ve ever seen. There’s only one season of it and it’s on Amazon Prime. Go watch it sometime if you haven’t. Or watch it again if you have. It’s good.

Ultra City Smiths is like that, but more. There are serious and sad parts, there are unabashedly goofy parts, all of it. It is legitimately unlike anything I’ve ever seen on television, which I say as a compliment, if only because it’s cool to see people finding new ways to tweak and play with a form that has been stretched tissue-thin over the years. It’s one of the nice things about having 3000 channels and 400 streaming services. There’s room for everything.

Let’s talk songs, though. I feel like that didn’t really sink in earlier. Remember the thing I said about John C. Reilly playing a character who goes by “The King of the Night”? Well, I was not kidding. Look at him go.

So there’s that. There’s also this: Kristen Bell, playing a mayoral candidate whose husband is a sleaze and who was just embarrassed publicly by a sex tape video with him in which she dresses and acts like a cat, doing a full-on musical number with crowd participation while riding on what appears to be the back of a flatbed truck that is driving through town.

It’s honestly incredible. The season debuted on AMC’s premium streaming service a few weeks ago and just got done airing its season on AMC proper this week. I’m sorry I didn’t tell you about it earlier. (I’m sorry!) You can still binge it on AMC Plus, or on AMC’s website if you have a cable subscription. I really recommend you do. It’s so delightfully weird. Bebe Neuwirth from Frasier voices a professional wrestler named Lady Andrea the Giant. Tom Waits is the narrator. Jimmi Simpson and Da’Vine Joy Randolph voice the main detectives. It rules.

I imagine this is coming off as a bit of a hard sell. It might feel like I’m pushing too hard. If you’re getting that vibe from me here, please know that it’s happening for two equally important reasons: One, because I think it’s important for you to broaden your viewing experiences and try new and potentially strange things once in a while; two, because I really want a second season of this show and if I type all these words and convince enough people to watch, I might get one.

This is, maybe, a little bit self-serving. I can admit that. But I did also give you that video of a puppet voiced by John C. Reilly singing a song about being the king of the night. I’m doing this for both of us. Mostly for me. But also for us.

ITEM NUMBER TWO — Space things are happening

A few things are true here:

• William Shatner went to space this week
• It would make sense to use a picture of him as Captain Kirk from Star Trek here, considering the outer space of it all
• I chose, instead, to use a picture of him from his guest spot as the murderer on an episode of Columbo, in part because I love it and in part because this is my little sandbox to do things I love

Anyway, I think this is kind of cool. I don’t know. It’s just… it’s kind of cool that we launched a 90-year-old famous fictional spaceman into space for real. I have mixed-to-bad feelings about the billionaire space, in general. I think it’s either a silly way to waste money when it could be put to better use helping people on Earth or a terrifying thing because the richest and most successful people on the planet appear hellbent on getting off it. Like, do they know something or are they just frivolous bozos? Or is it both? I suppose we’ll find out at some point.

But look how excited Shatner was about it all. From CBS:

“I’m looking out the window, and it turns out that nobody told me about it. I mean, the limitations, there’s about a 50-mile skin that the Earth has of air. The air reflects the light and turns blue. So we see a blue sky. We grow up and live in a blue sky, right? The spaceship — and I like to call it that — punched through that at 2,500 miles per hour, 50 miles, 2,500 miles an hour so within the count of two or three it goes from blue, bang, and suddenly it’s black,” Shatner said. “And you see this black, and that’s space and eternity and the mystery of the cosmos. But it’s black, and it’s death and just down there is the blue — you’re on top of the blue looking down on Earth.”

And look at this. Look at him continuing to gush about space.

“You’re floating. Your gut is floating, your head is floating. The outside is, you’re immersed in things that are indescribable,” Shatner said. “I was so moved. And what I wanted when I said I want to hold on to it, it’s like a truth that suddenly comes to you. And you don’t want to dissipate it. You don’t want to lose it. You want to hold it for the rest of your life.”

That’s cool to me. Maybe I’ll feel differently if I sit around and think about it some more, but why would I do that when I could also… not do that? Let’s not do that. In fact, let’s move on to something else entirely. Let’s list some other cool space stuff, also in bullet points:

• The Right Stuff by Tom Wolfe is a cool book about the early days of the space program that I finding myself re-reading every couple of years because it rules
• For All Mankind is a cool show on Apple TV about space that starts from the alternate history premise that Russia beat us to the moon and it all builds out from there
• One time on Review, Andy Daly’s character took his dad, played by the great Fred Willard, to space and things went terribly wrong

How wrong? This wrong.

I guess the point I’m getting at here is that Review was a good show and I miss it a lot. I’m glad we had this chat.

ITEM NUMBER THREE — Only Murders in the Building is so much fun

Only Murders in the Buildings is a blast. We discussed this weeks ago before the first episode dropped on Hulu, but it remains true today, almost a full season of television later, with the finale dropping next Tuesday. It’s got so much going for it: Steve Martin giving you the full Steve Martin, Martin Short giving you the FULL Martin Short, Selena Gomez grounding the whole thing, Nathan Lane being devious, a sprawling whodunnit, Tina Fey sometimes, etc. In this week’s episode, Jane Lynch showed up as Steve Martin’s character’s former stunt double. Her character’s name is Sazz Pataki. This is good business.

I don’t have too much else to add here. Most of my feelings about all this are in the review I linked to up there. I imagine I’ll have more to say after the finale next week when — hopefully — they drop the reveal of who did the murdering and why. For now, I just wanted to reiterate that the show is a lot of fun and only 30 minutes a pop and would be a solid way to burn up three or four hours this weekend if you’re sitting around twiddling your thumbs or playing on your phone or twiddling your thumbs on your phone.

Sazz Pataki. Still not over that one.

ITEM NUMBER FOUR — My dads will not stop fighting and, quite frankly, I love it

I don’t know if the long-simmering feud between The Rock and Vin Diesel is my favorite thing in the world, but I am pretty sure it’s in the top five, at least. It just brings me joy in so many ways, these two massive box office dynamos just trashing each other in the press for something close to half a decade now, splitting up a successful movie franchise because they can’t be in a room together. I’m smiling right now as I’m typing this. I hope they never make up.

I bring this up now because The Rock poured himself some tequila and sat down with Vanity Fair for a lengthy profile that touched on his youth and his rise to fame and, yup, Vin Diesel. Go read it all. It’s great. But especially read this paragraph. It is a really good paragraph.

Over time, Diesel has voiced his own oblique observations about this situation. He has put down their differences to them being two alpha males (Johnson: “Sounds like him to say that, sure”); characterized Johnson, perhaps slightly patronizingly, as Hollywood’s second “multicultural megastar” whom he’s proud to see following in his footsteps (Johnson: “He talks like that”); and said that “I protected Dwayne more than he’ll ever know…but he appreciates it. He knows he only has one big brother in the film world, and that’s me.” (Johnson: “I have one big brother and it’s my half brother. And that’s it.”)

Everything here is great, starting with the words The Rock said and moving to the way it’s structured with The Rock saying those things in parentheticals so it reads like he’s responding in real-time. I’ve read it something like a dozen times and I’ve started giggling at “Sounds like him to say that, sure” each time. It’s all so petty and childish and being carried out by two musclebound multimillionaires who are professionally known as “The Rock” and “Vin Diesel.” If you can’t see the fun in this one, buddy, I do not know what else I can do for you. Maybe go get a dog. Might help.

ITEM NUMBER FIVE — An important note about Sexy Wonka

We can blast through this one pretty quick. Timothee Chalamet, bless his porcelain soul, blasted out this image on Instagram this week. It’s the first look at him as a young Willy Wonka in Wonka, because, I don’t know, why wouldn’t Willy Wonka get an origin story? Who among us hasn’t wondered, for decades now, how Willy Wonka became a nutso candyman who employs a squadron of little people who may or may not be enslaved? I mean, besides me. Because I have not thought about that even a little. And I suspect I won’t think about it again for a long time after this is published.

But let’s be professional about this and provide context. From CNN:

“The suspense is terrible, I hope it will last… WONKA,” Chalamet captioned the image, quoting Gene Wilder’s famous line from his portrayal of Willy Wonka in the 1971 movie musical “Willy Wonka & the Chocolate Factory.”

Although the plot of “Wonka” is being kept under wraps, the IMDB website says the Warner Bros. prequel will be set years before the events of Dahl’s 1964 novel “Charlie and the Chocolate Factory” and will focus on Willy Wonka’s early life.

Good. Fine. Wonderful. But none of that is why we’re talking about this. We’re talking about this because I saw the image and was driving myself insane over why it looked so familiar and then my colleague Josh Kurp sent me this tweet in our work Slack.

Timothee Chalamet’s sexy young Wonka is dressed almost exactly like Gonzo’s version of Charles Dickens in The Muppet Christmas Carol. This is incredible to me. I will never not unsee this now. So… maybe I will be thinking about young Wonka now after all.

Maybe this was their plan all along.

Maybe they did it just to target me and get me to mention it 2000 words into this column.

It was almost too easy.

ITEM NUMBER SIX — Are you guys excited to get super friggin’ calm?

It brings me great pleasure to report that Joe Pera Talks With You is coming back for a third season in a few weeks. That show is cool and weird and funny and unlike anything else on television right now, which I know I just said about Ultra City Smiths, but still. It’s true. It has its own pace and style, the purposely slow rollout of information punctuated but action and deep feeling that catches you off guard. He did a whole episode about going to a grocery store. The entire second season was built around an arc about him growing a bean arch in his yard. Most of the episodes are like 11 minutes long and as calm and peaceful as a lake at sunrise.

Pera attached an announcement to the video, which I will paste here.

Hello,

My name is Joe Pera and I’m writing to let you know that my old basset hound, Gus, and I will be returning for the third season of our relaxing comedy show, Joe Pera Talks With You on Sunday, November 7 at 12:30 a.m. ET/PT on Adult Swim.

The first episode follows me as I help my friend Gene pick out his retirement chair at the furniture store and the season-long search for the perfect place to sit goes from there. Aside from figuring out where to sit, episodes this season cover a lot of other stuff too, such as Great Lakes Ice Breakers, second fridges, cooking fish in the woods, classroom-appropriate movies, and drone warfare.

We put together the video above if you’d like a preview but I hope you’ll consider checking out my slow-paced show.

– Joe Pera

This really sums things up better than I did. It all reads nice and sweet and then suddenly, blammo, “drone warfare.” I am happy Succession is back this week because I missed watching those cretins rip each other limb from limb, but I’m also glad this show is coming back, too. Life is about balance, I guess.

READER MAIL

If you have questions about television, movies, food, local news, weather, or whatever you want, shoot them to me on Twitter or at [email protected] (put “RUNDOWN” in the subject line). I am the first writer to ever answer reader mail in a column. Do not look up this last part.

From Ash:

Important question regarding Matthew McConaughey’s possible political aspirations:

Which would you rather see, a tv show, or real life episode where Matthew McConaughey becomes President of the United States and makes a speech with the two dogs he was having a conversation with about what to have for dinner in that Lincoln commercial sitting in the seats usually occupied by the Vice President and Speaker of the House?

Follow up: what Cabinet positions do you think Matthew McConaughey would try to create for the aforementioned dogs? This can apply to real or fictional Matthew McConaughey or both.

I don’t really have an answer to this question. I’m sure I could figure one out if I sat here and thought about it a lot. Mostly, though, I’m just really happy that Ash sent this to me. I feel like I’m doing something right, like people are really getting what I’m about on a personal level, when someone somewhere is clicking “Compose Email” and typing out a whole thing about Matthew McConaughey becoming the President and appointing dogs he starred in commercials with to high-ranking government positions.

I like that this is something that happened. Makes it all worth it, more than the paycheck. Maybe not more than the paycheck. I do like money. Feel free to send some of that instead of an email if you want. But if you’re dead-set on the email, I mean, this is a pretty solid way to go. Thank you, Ash.

AND NOW, THE NEWS

To Nashville!

Nashville’s Metro government asked a judge to temporarily shut down Music City Party Tub — a mobile hot tub business that debuted in the Lower Broadway entertainment district in 2019 — in a lawsuit filed in Davidson County Chancery Court last week.

I do not know the hows or whys yet, although I imagine I’ll learn them shortly as I read on, but I don’t think I’m out of line when I say that this is the greatest injustice happening in America right now. We must free the Party Tub.

For the people.

The entertainment vehicle composed of a trailer fitted with a hot tub is operating illegally without a public swimming pool permit from Metro’s health department, according to the lawsuit. The health department issued a letter informing Music City Party Tub of its alleged health code violation on Aug. 11.

FREE

THE

PARTY

TUB

Health department field workers spotted Williams operating the mobile hot tub in Sept. 2020 while enforcing COVID-19 emergency health orders and told him he was operating without a permit, the lawsuit states. Williams replied that he is exempt from the permit requirement because his hot tub falls 50 gallons short of the “minimum capacity” for a public pool.

See, this is the problem with government bureaucrats, always squashing the dreams of the little man for unjust reasons, which is an opinion I’m sure I’ll continue to hold after I read the next sentence.

No such exemption exists, according to the lawsuit, which was first reported by Nashville Scene.

Ah.

Hmm.

But, like, still…

The hot-tub adorned trailer meets Tennessee code’s definition of a public swimming pool, and violating the permit requirement can result in civil penalties and a Class C misdemeanor, the letter states. Each day the mobile party tub continues to operate after receiving the letter without correcting the compliance issue counts as a separate offense.

Williams refused to sign the letter, documents show.

FREE

THE

PARTY

TUB

But also abide by your local laws and ordinances so we can continue to have a working society.

But then free the party tub. For the people.

Through the first four seasons of Big Mouth, there’s been hormone monsters, shame wizards, depression kitties, anxiety mosquitos, and f*ck gremlins. Season five introduces two new monsters to the mix: love bugs and hate worms.

The new characters will make things difficult for Big Mouth‘s hormone-struck teens. “Nick’s lovebug, Walter pushes Nick to pursue his feelings for Jessi until she publicly rejects him, turning Walter into a hate worm who leads Nick down a dark, rancorous path,” according to the official plot summary. “Meanwhile, Jessi’s lovebug, Sonya, appears as Jessi gets closer with Ali and eventually wonders if she loves her as more than a friend. Jessi and Ali’s new close bond, and joint co-opting of Missy’s affinity group, sends Missy into her own hate spiral, fueled by hate worm Rochelle.”

The love bugs are played by Brandon Kyle Goodman and Pamela Adlon, while the hate worm is voiced by Keke Palmer. They join a stacked cast, including Nick Kroll, John Mulaney, Jessi Klein, Jason Mantzoukas, Maya Rudolph, Ayo Edebiri, Andrew Rannells, Jordan Peele, and Richard Kind. Other newbies include Adam Scott, Chloe Fineman, Jemaine Clement as “Simon Sex,” and Kumail Nanjinani as… Kumail Nanjiani (yes, he’s ripped).

You can watch the trailer above (which concludes with a tease of a puppet Christmas special). Big Mouth season five premieres on Netflix on November 5.

Nick Fury has been through some sh*t over the past handful of Avengers movies. We finally got to see how he lost one eye (to a freaking cat) in Captain Marvel. He got snapped away (before he could even finish saying, “Motherf*cker”) at the end of Infinity War. And we don’t really know whether Fury attended Tony Stark’s Avengers: Endgame funeral, or if it was Talos, doing the shapeshifting thing. Yes, it seems as though Fury would want to pay his respects in person, especially considering that the fallen Avenger in question saved the universe, but we simply don’t know. What I’m saying is that there are theories involving the end of Spider Man: Far From Home, and you know how fans are with theories.

There is one thing we do know for sure. Samuel L. Jackson will portray Nick Fury in Marvel’s Secret Invasion series for Disney+, and he’s back (with a Fury) on the set. He’s also wearing a shirt that renders the dissolving of one Nick Fury, but don’t worry. He’s all in one piece, physically speaking.

“Time to get back in the groove,” SLJ wrote on Instagram while telling “The Snap” where to go. “Happy to be back on the attack!#secretinvasion#fuckthatsnap#backwithafury”

Well, it’s good to have confirmation of production, despite further details remaining scant. Presumably, the series will wade through the history of the Skrulls hanging on Earth, long-term and in a subversive, shapeshifting manner. The tone of the series remains a mystery, given that the Skrulls actually ended up (unlike in the comics) being good guys in Captain Marvel, and hopefully, that trend will continue. We’ll also get more Ben Mendelsohn in the MCU, though, and that is always a good thing.

Shortly after The Matrix Resurrections trailer dropped, and absolutely blew fans’ minds, Yahya Abdul-Mateen II took to Instagram where he confirmed that the character he’s playing is indeed Morpheus, the iconic mentor to Keanu Reeves’ Neo. Of course, this raised some questions considering the role was made famous by Laurence Fishburne who played Morpheus in the original Matrix trilogy, yet has not been shy about the fact that he was not invited back for the fourth movie. (But he’s cool with it.)

Setting aside the possibility that the Fishburne business could be an attempt to obfuscate Resurrections‘ surprises, Abdul-Mateen is opening up about taking on the role of Morpheus, and he readily admits that he was confused about the whole thing would work, too. In fact, he almost passed on the whole thing. However, he was eventually won over by the script, which gives him room to come in and not attempt to imitate his predecessor. Via Entertainment Weekly:

For his part, Abdul-Mateen has nothing but respect for Fishburne’s performance — and had no interest in replicating it. “Laurence already did what had to be done,” he says. “I think what the script provided was a new narrative and some new opportunities that did make room within the Matrix universe for a new Morpheus.”

Obviously, Abdul-Mateen can’t reveal anymore about the part, but he does make it clear that he’s “definitely a different iteration” of Morpheus, which could mean anything in the reality-bending world of The Matrix.

The Matrix Resurrections hits theaters and HBO Max on December 22.

(Via Entertainment Weekly)

After years of waiting, Adele is back with new music, as her new single, “Easy On Me,” was released earlier today. Fans will be able to listen to Adele’s forthcoming album, 30, when it drops on November 19, but of course, there are people in Adele’s circle who have already heard the album. As for other artists who have had the privilege of getting an advance listen of 30, there’s only one: Drake.

In a Capital FM interview this morning, Adele was asked if she sent the album to anybody so she could get their thoughts on it, and she was quick to respond, “No.” She then continued, though, “I played it to Drake maybe last year, when he was in town, just to get… like, ‘Do you think this is what people want or not want,’ and he was like, ‘Absolutely.’ But that’s it, really. […] I don’t sent it around to various people being like, ‘Can I get your thoughts on this?’”

This comes after Drake gave the new song a co-sign: After it was released, he took to his Instagram Story to spread the word about the track and show love for his pal, writing, “One of my best friends in the world just dropped a single.”

30 is out 11/19 via Columbia. Pre-order it here.

Legally speaking, there are a handful of (legitimate) reasons a person being charged with a crime could cite for having their case dismissed: No probable cause, illegal search, lost evidence, or lack of evidence are just some of them. However, the judge overseeing the case against Infowars personality Owen Shroyer might have heard a totally new one on Thursday, when Shroyer—who is being charged with two misdemeanors related to the events of January 6th—said he should not be charged with any wrongdoing because he’s like “Jesus or the Dalai Lama.”

As Pilar Melendez writes for Daily Beast:

“Prosecutors allege that the host of the Infowars program War Room With Owen Shroyer marched to the Capitol with several other Trump supporters. He was heard on a video telling the crowd: ‘Today we march for the Capitol because on this historic January 6, 2021, we have to let our Congressmen and women know, and we have to let Mike Pence know, they stole the election, we know they stole it, and we aren’t going to accept it!’ Shroyer was then seen on video on the west side of the Capitol and the top of the stairs on the east side of the federal building, according to charging documents.”

Shroyer is also offering an additional reason for having the charges against him dismissed: he’s a member of the press, and that by removing the barricades that typically stand between the Capitol building and the outside world, he was essentially being “invited” into the building by the government. Sort of like a vampire.

Prior to this, Shroyer was perhaps best known for his public outburst during Trump’s impeachment hearing. On December 9, 2019, Shroyer had to be physically removed from the U.S. Capitol (irony alert!) after he began shouting that, “We voted for Donald Trump, and they’re simply removing him because they don’t like him” and saying the Democrats had committed treason. As Deadline reported at the time, Shroyer later posted video of the incident to social media.

No word yet on whether Shroyer’s Jesus comparison tactic will work, but it seems dubious.

(Via Daily Beast)