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Jill Biden shows how much we need teachers by returning to the classroom this semester

In the days leading up to the 2020 Democratic Convention, Dr. Jill Biden reintroduced herself to the nation after serving as the Second Lady during the Obama administration. On Twitter, she reminded everyone that “Teaching isn’t just what I do. It’s who I am.”

The statement was a bold proclamation of her priorities when she was on the cusp of becoming the First Lady of the United States. Her continued commitment to being an educator while holding one of the most high-profile positions in the world may seem extreme to some, but it’s something every teacher understands.


Dr. Biden has kept up that commitment since moving into the White House. Last year, during the pandemic, she taught her classes virtually. But now she’ll return to her classroom at Northern Virginia Community College, where she has worked since 2009.

But that doesn’t mean America will be without a First Lady during the school year. She will continue to perform her duties as First Lady and will travel on days she isn’t scheduled to be in the classroom.

“There are some things you just can’t replace, and I can’t wait to get back in the classroom,” she told Good Housekeeping magazine.

Dr. Biden’s return to work shows her commitment to education but it’s also historically important. She is now the only First Lady in the position’s 231-year history to have a full-time job outside of the White House.

“It shatters the norms of what first ladies do,” said Randi Weingarten, president of the American Federation of Teachers, according to the Associated Press.

“She will really be bringing the role of first lady into the 21st century,” First-Lady historian Katherine Jellison told USA Today.

“Americans have historically wanted their first ladies to be in the White House and at the president’s side whenever possible,” Jellison said. “Maybe the time has come when Americans will be more accepting of the idea that a president’s wife can simultaneously be a first lady and a working professional.”

Dr. Biden’s decision to continue her career is a great example for women, too. It shows that even if your spouse has the most important job in the world, you can — and should — have your own life outside of their shadow.

via U.S. Embassy London

Her decision to return to work is also a way for her to show the value of educators. Teaching is too important for her to give up in exchange for a role that, at times, can be ceremonial and perfunctory.

“If we get to the White House, I’m going to continue to teach,” she said before the 2020 election. “I want people to value teachers and know their contributions and to lift up the profession.”

Dr. Biden shared why a teacher’s job is so important in a recent op-ed she wrote for Time magazine.

“Educators, always remember that right now, someone out there is a better thinker because of you. Someone is standing a little taller because you helped her find the confidence she needed. People are kinder because you showed them what that meant,” she wrote. “Your strength and resilience, your creativity and kindness, are changing lives and changing the world.

Dr. Biden’s decision to work shows that Americans have come a long way in their expectations of a First Lady. Hillary Clinton was greeted with scorn back in 1992 when her husband was running for president. Many thought it was improper for the then governor’s wife to be working as a lawyer.

“I suppose I could have stayed home and baked cookies and had teas,” she said. “But what I decided to do was pursue my profession, which I entered before my husband was in public life.”

At the time, her comments were seen as a major gaffe that dogged her for years. But now, they show how strong women like Clinton have changed the role that women can play in public life.


Hillary Clinton on “baking cookies”

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Kanye West Adjusted ‘Donda’ Based In Part On Online Reviews Of His Listening Events, Mike Dean Says

Kanye West finally released Donda recently (whether he wanted to or not, it seemed). The creative process of the record was a public affair, as West held three listening parties and made changes to the album between them. Mike Dean, who worked on the album with West, says that after the listening parties, he took reactions to the songs into consideration when making alterations to the album, including online reviews.

Speaking with Apple Music’s Zane Lowe, Dean said (as HotNewHipHop notes):

“It was interesting. It was grueling, lots of hours, lots of changes. Came out great, though. […] Kanye had three listening parties, so each listening party was like a test, kind of. And after each one, I think he wanted… I can’t talk too much about his process. He took all the information he got from everyone — including online reviews, personal friends’ reviews — and he just kind of digested it all and adjusted the album the way he wants.

He also noted that during the events, he was attuned to how the audiences were feeling about the songs, saying, “I definitely looked at how the crowd moved to different songs. I was up at the top of the stadium, DJ-ing.”

As unconventional as the process was, the results speak for themselves: Donda topped the charts and two of the album’s songs debuted in the top 10 of the Hot 100 this week.

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Amyl & The Sniffers Bash Around An Empty Warehouse In Their Highly Entertaining ‘Hertz’ Video

In just a few days, Melbourne punk outfit Amyl & The Sniffers will release their sophomore album, Comfort To Me. Prior to that, they’ve released a kickass new video for “Hertz,” featuring frontperson Amy Taylor bashing around an empty warehouse and kicking the ocean. Additionally, the band has announced a livestream where they’ll perform Comfort To Me in full on October 5.

“‘Hertz’ is a daydream of wanting to go to the country/bush and see landscapes other than the city,” Taylor opened up in a statement. “It was written in 2019 but it very much sounds like a pandemic song, because it’s a daydream about being repulsed by confinement, and frustrated over being stuck in one place.”

Back in July, Taylor opened up about recording Comfort To Me, which arrives on September 10:

“All four of us spent most of 2020 enclosed by pandemic authority in a three-bedroom rental in our home city of Melbourne, Australia. We’re like a family: we love each other and feel nothing at the same time. We had just come off two years of touring, being stuck in a van together eight hours a day, and then we’re trapped together for months in this house with sick green walls. It sucked but it was also nice. We spent heaps of time in the backyard listening to music, thrashing around in shorts, eating hot chips. The boys had a hard time being away from the pub and their mates, but it meant we had a lot of time to work on this record. Most of the songs were really intuitive. Main thing, we just wanted it to be us.”

She added, “If you have to explain what this record is like, I reckon it’s like watching an episode of The Nanny but the setting is an Australian car show and the Nanny cares about social issues and she’s read a couple of books, and Mr Sheffield is drinking beer in the sun. It’s a Mitsubishi Lancer going slightly over the speed limit in a school zone. It’s realizing how good it is to wear track pants in bed. It’s having someone who wants to cook you dinner when you’re really shattered. It’s me shadow-boxing on stage, covered in sweat, instead of sitting quietly in the corner.”

Watch “Hertz” above.

Comfort To Me is out 9/10 via ATO/Rough Trade. Pre-order it here.

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Lil Nas X Takes His Fake Pregnancy To The Next Level By Sharing A Baby Registry

Lil Nas X always commits to a concept. When his viral track “Old Town Road” took off, the musician was always seen sporting a cowboy hat. Now, Lil Nas X is gearing up for the release of his debut album Montero by faking a pregnancy and is never without his massive baby bump. Further leaning into his pregnancy cosplay, Lil Nas X has officially opened a “baby registry.”

Much like everything else he does, Lil Nas X’s baby registry isn’t typical. Instead of linking to items like onesies or cribs, Lil Nas X is using the baby registry as a way for fans to donate to important charities.

Lil Nas X made the announcement on social media alongside a few photos of him chilling with is faux-pregnant stomach. “Me and my team have set up a ‘baby registry’ for many charities if you guys would like to donate,” he wrote.

The registry is set up to mimic his Montero album’s tracklist, with each song linking to a different charity. Some of the organizations include the Transinclusive Group, which aims to create a safe space for transgender and gender non-conforming people of color to be their authentic selves, and The Bail Project, a national nonprofit organization on a mission to end cash bail, one of the key drivers of mass incarceration and structural racism in the US criminal legal system.

Montero is out 9/17 via Columbia. Pre-order it here.

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Muna Pick Up Some Pom-Poms In Their Delightful New ‘Silk Chiffon’ Video Featuring Phoebe Bridgers

Cheerleading — it’s all the rage lately! Between Pom Pom Squad, Olivia Rodrigo, and now Muna‘s new “Silk Chiffon” video, I’m almost regretting not trying out for the squad in high school. (LOL, JK.) That said, LA electropop trio Muna, who recently signed to Phoebe Bridgers‘ label Saddest Factory Records, have dropped a fun new single and video, “Silk Chiffon,” which features a cameo from Bridgers.

Evoking candy-colored But I’m A Cheerleader imagery (if you haven’t seen that movie, stop what you’re doing right now and watch it), “Silk Chiffon” is directed by Ally Pankiw and features the Muna girls in full cheer garb, with a pink-haired Bridgers strumming a guitar and singing a verse from the balcony of what could be a sorority house. Talking about the poppy new track, guitarist Naomi McPherson said “Silk Chiffon” is “a song for kids to have their first gay kiss to.”

“I think what the music does is attempts to reach through the screens and reach through the headphones of the people that are listening to say: ‘Maybe you’re like us and maybe we’re like you, and maybe we’re all a lot more similar than we think,’” McPherson told NPR in 2019 about what their message is to fans.

Next up for Muna, the trio will be supporting Bridgers on her North American tour, kicking off September 8. They’ll also be supporting Kacey Musgraves on her 2022 tour.

Watch Muna’s delightful “Silk Chiffon” video above.

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Why The Next ‘Mass Effect’ Might Have A New Engine

Remember the first time we saw the Citadel in Mass Effect? The Normandy breaking through the clouds to reveal a massive space station with a beautiful shade of pink and purple surrounding it. Everything about that scene is perfect and for a lot of people, it’s the moment they knew they were going to fall in love with the series. Despite being a game that came out in 2007, it managed to create a moment that arguably looks better than cinematic scenes today made on superior hardware. It’s an example of how, with proper art direction, anything can look great.

Now let’s compare the feeling that moment created to the one that Mass Effect: Andromeda created. Bioware’s attempt to take the series in a new direction was a spectacular failure and, until recently, has left the series dormant. There are people who do enjoy Andromeda, and they are well within their right to like the game because everything about video games is subjective. However, even the biggest defenders of Andromeda had one significant issue with it and it’s the state the game launched in. Bugs, poor facial animations, and a feeling of being unfinished plagued that game. Even with a shiny new engine utilizing cutting edge technology, Andromeda was a broken mess that took months to fix.

Doesn’t all that sound really familiar? It should because those are the same issues that plague the Madden franchise’s yearly releases. It also sounds a lot like some of the issues that led to Anthem being a development mess from start to finish until it was sadly shuttered for good. There’s one consistency across all of these titles, as all of them use the same internally developed engine called “Frostbite.” This does not mean that Anthem failed, Madden struggles, and Andromeda released a mess because of a singular engine. Every video game goes through its own problems in development, but considering that Frostbite was once described to Kotaku as “Full of razor blades” speaks volumes to the challenges it creates.

These challenges have led to rumors that the new Mass Effect game currently in development may utilize a different engine. The original trilogy was on the Unreal Engine and there’s a chance that Bioware switches back to that for their upcoming game. While it’s unfair to blame previous failures solely on an engine, when you look at the history of how Frostbite came to be and why so many developers struggle with it you gain a better picture of why they’re considering the switch.

What is Frostbite?

Frostbite is an internal engine that was first created by EA owned studio DICE. The reason DICE created Frostbite was because they wanted something that would help them meet the massive visions they had for the Battlefield games. Battlefield is famous for huge battles featuring up to 64 players at once and the upcoming Battlefield 2042 is expected to allow 128 players. They needed an engine that would not only allow for games of that size and scope but would also look really good at the same time. Frostbite gave them that.

For all the struggles that Frostbite can create, the games made with that engine are some of the best looking out there. Anthem, despite its faults, is a great-looking game. When Madden works it’s one of the prettiest sports simulation games. FIFA has been on Frostbite for years and is frequently praised for its graphics. However, the key detail in all this is that Frostbite was created with one series in mind: Battlefield. It is an engine specifically designed for the first-person shooter genre.

Everything is Frostbite

When EA realized the potential of Frostibite it started to switch many of its biggest IPs over to it. Not only because of how it looks, but this saves them licensing costs. By using an internally developed engine they aren’t forced to spend licensing money on something like Unreal. In theory, this is a great idea, but DICE didn’t make Frostbite to be an all-in-one tool. They made it for Battlefield and that means there were immediate problems that presented themselves. Tools that are standard in most engines have to be made from scratch, one phrase used by the Anthem team was they were “hacked together,” and bugs took an infamously long time to fix. One developer told Kotaku:

“We’re trying to make this huge procedural world but we’re constantly fighting Frostbite because that’s not what it’s designed to do,” said one developer. “Things like baking the lighting can take 24 hours. If we’re making changes to a level, we have to go through another bake process. It’s a very complex process.”

When everything is made on an engine that was designed for first-person shooters there is going to be problems. Some games, such as FIFA, managed to work through these problems and come out better. Others have not had nearly the same amount of success.

Switching to Frostbite guarantees growing pains

Not every game on Frostbite besides Battlefield and FIFA is a failure. Dragon Age: Inquisition was developed in Frostbite and came out a success — although, the developers of that game have spoken frequently about how difficult it was. Star Wars: Squadrons didn’t blow anyone away, but it was a perfectly serviceable game and received generally positive reviews. Star Wars: Battlefront II had great gameplay and was really only panned as hard as it was because of predatory microtransactions. However, it’s probably worth noting that the studios with the most success with Frostbite so far have either been DICE, worked closely with DICE or been on the EA Vancouver FIFA team. Every other studio is having a lot less luck with the franchise.

Perhaps no franchise has suffered more from the switch to Frostbite than Madden. Fans have been growing increasingly frustrated by the game for years, but morale around the series is easily at an all-time low. Metacritic isn’t a perfect metric, but here’s the critic and user scores of the last three games:

Madden 22: 68 Critics, 0.6 User
Madden 21: 63 Critics, 0.2 User
Madden 20: 76 Critics, 1.4 User

Compared to the final three games on Ignite Engine.

Madden 17: 82 Critics, 4.1 User
Madden 16: 83 Critics, 5.7 User
Madden 15: 81 Critics, 6.0 User

There is a significant and obvious drop in quality among both users and critics when it comes to Madden on the new engine. Some of this is apathy for the series, with faults such as bugs no longer being tolerated, but consider what we know about Frostbite and its “razor blades.” Then look at how only three studios have managed to successfully navigate those razor blades and it’s painting a picture that this engine might be more trouble than it’s worth.

Frostbite and Mass Effect

Mass Effect is a series that is absolutely beloved by fans. What Bioware created is a universe, characters, and morality system that fans still talk about to this day. “Who was your romantic interest?” “Did everyone survive the suicide mission?” “I am a scientist Solarian.” Obviously, these games weren’t without glitches and faults of their own. Some of the writing is extremely dated, it had glitches such as “ghost Tali,” and the combat in Mass Effect 1 was genuinely horrible. Remember the Mako? Everyone hated the Mako. The game wasn’t perfect, but we loved it anyway and when the remakes came out recently there was a sigh of relief when we saw it was sticking to the Unreal Engine. Not just because of nostalgia, but because it was going to avoid the razor blades.

Developers don’t want to make a bad video game. Nobody at EA has ever set out to make a game with the intention of it being bad. However, making video games is incredibly difficult already, and giving a team one of the most challenging development engines out there with a proven track record of causing problems seems like a bad idea. Especially when the last Mass Effect game on that engine failed as badly as it did. We all just want the upcoming Mass Effect game to be good. If that means moving away from an infamous engine then do it. If they can make a great game on that engine then stick to it. Just make Mass Effect fun. Please?

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The Medical Expenses For The ‘Jackass’ Crew Are Allegedly In The Tens Of Millions Of Dollars

The Jackass gang has racked up an impressive (painful) list of injuries over 20-plus years of nut shots. Johnny Knoxville alone has broken numerous bones, suffered “15 or 16″ concussions, and once had his nipple bitten by an alligator, which honestly sounds worse than a broken wrist. But which of the boys has had the most expensive injuries?

Nova Legal Funding compiled the medical bills for Steve-O, Wee Man, Preston Lacy, and the rest of the Jackass boys, and not surprisingly, Knoxville is number one. “Johnny Knoxville topped the list, with a total cost of $8,663,000, followed by Ehren McGhehey, who tallied up an estimated $7,380,000 in injuries, and fan-favorite Steve-O, who racked up a total of $5,820,000 during his career as a stuntman,” the report reads.

The team looked at 79 injuries in total, across six members of the Jackass crew… The estimated total cost of injuries across the entire cast is $24,263,000, however this number only accounts for the reported injuries suffered by the main members of the Jackass crew, and we estimate the actual number could be closer to $38m.

The costliest medical expenses are $2.7 million for McGhehey’s broken neck (he broke it three times!), $2.5 million for Knoxville’s brain hemorrhage, and $1.75 million for Steve-O’s fractured skull. (Bam Margera was presumably not included in the study.)

Here’s the full “Jackass Injury Rich List”:

Johnny Knoxville – $8,663,000
Ehren McGhehey – $7,380,000
Steve-O – $5,820,000
Dave England – $1,650,000
Jason “Wee Man” Acuña – $675,000
Preston Lacy – $75,000

The boys suffer for their art, and for that, we thank them.

(Via Nova and CNET)

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R. Kelly ‘Does Not Get Any Special Accommodations’ In Jail Despite His Celebrity Status

R. Kelly is currently behind bars as he continues his trail after being accused of grooming and sexually abusing several minors. The disgraced singer has been in jail since July 2019, but despite his fame and the high-profile nature of his case, the singer is reportedly not granted any special accommodations.

Kelly has spent his time at two federal prisons, the Metropolitan Correctional Center in Chicago and now the Metropolitan Detention Center in Brooklyn. A recent report from Billboard details the singer’s stay, with his former lawyer Michael Leonard claiming he only leaves his small cell for two hours a day. “Kelly has spent the majority of his time in the Chicago lock-up, where Leonard says he is only allowed out of his 8×10, two-person cell for a few hours day to check his email, talk to his lawyers, make phone calls, shower and eat, with no access to the rooftop basketball court that is typically available during non-COVID times,” Leonard says. The lawyer added that “every once in a blue moon” Kelly sings for his fellow inmates “and the place would go crazy.”

Other than being granted additional access to his lawyers via video calls due to his “limitations with reading and writing,” Kelly “does not get any special accommodations,” according to attorney Stacey Richman. “He will get the same food as everyone else,” Richman said. “He, like everyone else, will have commissary money so he can access more foods and sundries.” Richman added that he could potentially get the chance to trade his autograph for more commissary items items, which includes boxes of Ramen noodles, tuna pouches, and packets of cookies.

Kelly continues to attend court where some of his accusers have testified about they abuse they’ve faced. Most recently, a male victim claimed Kelly sexually exploited him when he was just 17-years-old.

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Maxo Kream Continues His Comeback With Tyler The Creator And Their Boisterous ‘Big Persona’ Video

Houston rapper Maxo Kream recently announced his return to the rap game with “Local Joker,” ending a two-year hiatus that began shortly after the release of his second studio album, Brandon Banks. That album’s follow-up, Weight Of The World, is now on the way with an October due date and in the meantime, Maxo has offered up a preview in the form of the album’s latest single, “Big Persona” featuring Tyler The Creator, who also produced its boisterous beat.

Tyler and Maxo cruise in a Rolls-Royce truck in the video, which sees Tyler embracing his new bellhop persona, once again showing off his luxury luggage collection, while Maxo embraces his lady’s baby belly in anticipation of his impending fatherhood. Meanwhile, the title “Big Persona” does double duty, not only describing the rappers’ charismatic public images but also paying tribute to Maxo’s late brother. Persona is also the name of Maxo’s streetwear brand and label, further expanding on the creative play on words.

Weight Of The World will continue to honor Maxo’s brother, detailing his life and taking stock of the impact of his absence. Family has long figured into Maxo’s work; Brandon Banks similarly focused on the generational qualities he inherited from his father.

Check out Maxo Kream’s “Big Persona” video with Tyler The Creator above.

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Geraldo Went Off On ‘Hillbilly Elegy’ Author JD Vance For Calling Alex Jones A ‘More Reputable Source’ Than Rachel Maddow

It’s not everyday you see a Fox News host coming to the defense of an MSNBC rival, but that’s exactly what Geraldo Rivera did on Tuesday morning after seeing a tweet from Hillbilly Elegy author J.D. Vance. In a perfect storm of conspiratorial rantings, Vance latched on to a tweet by frequent Tucker Carlson guest Glenn Greenwald that essentially accused Twitter of protecting Rachel Maddow even though she promoted a now-debunked article about ivermectin overdoses in Oklahoma.

“Alex Jones is a far more reputable source of information than Rachel Maddow,” Vance wrote in response to Greenwald. “One of them is censored by the regime. The other promoted by it.”

After Vance’s exchange with Greenwald was called out by Republican Congressman Adam Kinzinger, Geraldo entered by the fray by laying into Vance while (mostly) defending Maddow’s reputation. The Fox News host also had some words to say about Alex Jones:

“#HillbilllyElegy author #JDVance is obviously selling his soul to appeal to the lunatic fringe,” Rivera tweeted. “@maddow has some wacky liberal ideas, but she is much closer to the American mainstream than #AlexJones a conspiracy theorist being sued for claiming the Sandy Hook massacre was faked.”

Of course, this latest move isn’t entirely off-brand for Rivera who has repeatedly sparred with his own colleagues. He’s been a vocal critic of Tucker Carlson‘s “xenophobic views” and has publicly threatened to “kick the ass” of any unvaccinated person who dares to come into his grandchildren’s house. You don’t mess with The Mustache.

(Via Geraldo Rivera on Twitter)