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Siponey’s Amanda Victoria On Launching A Drinks Business From Scratch

Unlike so many drinks businesses, award-winning (and Uproxx praised!) canned cocktail company, Siponey, didn’t have to readjust their business model to highlight diversity, inclusion, and environmental stewardship over the past half-decade. Those qualities are fundamental to the company itself and how it came about. Co-founded and co-owned by a Latina woman, Amanda Victoria, along with her partner, horticulturist Joseph Mintz, Siponey endeavors to give back to both community and the planet in everything it does.

It also tastes good, which is key if you want your upstart (non-celebrity owned!) drinks business to thrive. The canned whiskey spritz is comprised of four-year-old rye whiskey, real lemon juice, sparkling water, and honey. It features notes of honey and lemon with a touch of peppery rye — a nice break from the often syrupy competition.

As canned cocktails continue to boom, I chatted with Victoria about starting a brand from the ground up, her commitment to diversity and inclusion, and how environmentalism is part of Siponey’s overarching mission. Check our conversation below!

***

What was your introduction to the spirits industry?

I’ve been in wine and spirits for about 15 years, since approximately 2005. I started by working in, coincidentally, a Michelin starred restaurant as a hostess in the West Village, which is still there today; and was introduced to the world of wine that way. I found myself as a young 18–19-year-old, serving wine to the likes of Lou Reed, Giselle Bundchen, and some really high-end people in this Michelin star world that was popping at the time. I was really inspired by the different tastes and cultures that I was introduced to in the West Village as a young girl.

As soon as I could start drinking legally, I became more interested in learning about wine. And that led to working in other great restaurants and bars, including some of the most awarded cocktail bars in the world and in the city; falling into the right laps at the right time with mentors, including Audrey Saunders at the Pegu Club [who] was my first early mentor and teacher. I don’t have any traditional studies in my field. And I mention that just because I happen to be working alongside and for and together with a lot of the people that ended up creating a lot of the accreditations for the industry. A lot of it was being defined at the same time that I was working in these cocktail bars.

When did the idea for Siponey come along?

So much had happened between the time that I was working in bars and restaurants up to 2019. I worked for every major supplier — both public and private companies of the large liquor companies in the world — in roles that were very well regarded on a global level, and always focused on education. So I had the opportunity to travel the world for almost a decade – flying around the world, learning from families and generations of producers, from Poland to France to Scotland and beyond. Then, coming and teaching these stories of production and education back to the American audience. For these large liquor suppliers like William Grant & Sons, Louis Vuitton, and Moët Hennessy, I had been doing this so often, I would get dream job after dream job, to be honest. I love the concept of learning and teaching about cultures that are defined by specifically family producers, but people who have been making products for the lines of many family generations. Then, coupled with that, flying, teaching, traveling, and education are all my favorite things.

I was lucky to be able to do that for large companies for so long. But it got to the point where I became just overly passionate about these products to the point where people that I would be educating on the products themselves back in America would say, “Well, is this your family? Is this something that you own? Do you have equity in this company?” I even had a moniker at one point where people used to call me Lady Moët and it was just because I was so entrenched in this company that I was working for at the time that people assumed that I was for it and had an equity stake.

I met my partner Joseph Mintz in 2018. We came together on an idea after nagging me for as many months as he could, “When are we going to launch your own product? When are you going to launch something that you actually own and that you can talk about as passionately as you talk and teach about these products that you’ve really changed the revenue structure? Why can’t we do this for yourself?” The three-tier distribution system is nearly impossible to navigate as an individual supplier, it would be a really challenging thing. He didn’t really know the full landscape of how challenging the distribution of alcohol is in the U.S. I think, if he did, we might not be where we are today. I’m glad he didn’t at that time, and he’s my partner in life and business.

I was six months pregnant and we came together on the idea to create Siponey.

What would you say helped you take that leap of faith?

Joey is my catalyst. So much of my life in the last several years has accelerated rapidly with Joseph entering my life, including this business of ours. It was his opportunity to dream and see real opportunity in me and my experience and couple it with his experience. He brings in the environmental aspect of the brand itself, coming from a background in horticultural studies from the New York Botanical Gardens. He’s always planting, and he brings in the entire environmental wellness element of the Siponey story and brand. He thought of us coming together, creating a community around apiary education, and giving back to the environment, a brand that is rooted in sustainability and environmental wellness, and ingredients. Siponey is all about people and the planet and giving back to people with our ingredients and giving back to the planet with the way we’re made. We give back a portion of profits to nonprofit partners who are out there teaching children how to make honeybee colonies in underserved communities. It’s bringing all these elements together that uniquely makes the Siponey brand story.

I say uniquely because now we’ve had some copycats at this point, which is humbling. So much of what Siponey is is who me and Joey are. So we’re really secure in who we are and putting our love into this project. I hope it shows.

Siponey

Let’s get into the actual drink itself. Tell me about the whiskey and other ingredients.

When Joey was like, “You need to make a product.” He was like, “What would you make?” This is obviously before the pandemic. This is before the recent RTD canned cocktail rush, but it’s also around the same time as the initial White Claw success. And that was the inspiration for making a product. Again, with the best ingredients, we wanted to do something that we feel our customers really just simply deserve – the highest quality ingredients you’re going to find in a canned cocktail.

We use a four-year-old aged rye whiskey from New York state, made in a fashion that is pretty much biodynamic but not certified because of red tape. It’s made with that much care. All local grains, all locally aged in New York State. All our ingredients are coming from an approximately 200-mile radius of upstate New York. The wildflower honey comes locally from where the same grains are planted for the whiskey. So there’s synergy there in the elements. Then, we also use lemon juice and carbonated water, Saratoga Springs water – which is just some beautiful, delicious water to carbonate and make the soda water aspect of Siponey. The lemons don’t come from upstate New York. They don’t grow lemons very well in New York State. We work with a purveyor to get our lemon juice. That’s the only element that’s not out of New York. Because of all of the ingredients coming with such care to New York State and because Joey and I being born in New York City, we’ve created what we’ve termed as the “official canned cocktail of New York City” because everybody who’s touched this project is so New York.

I look at your social media posts and you’re very passionate about the ins and outs of the spirits industry. I want to get your perspective of what’s right and wrong in the industry. Let’s start with the positive.

So much is going right. Change is really hard. We’re at the precipice moment so to speak of some significant change or the potential for some significant change. A lot of the larger corporations are all really receptive to the, for lack of a better word, buzzwords, of the social and environmental causes that are so important right now, that have been important for decades prior; but they came to a pinnacle moment during the pandemic in the last couple of years here on many different arenas on a collective level and then have really trickled down to an industry level. So, the awakening moment is here. There is not an older male gentleman in corporate America liquor who hasn’t heard of diversity, inclusion, sustainability, environmental wellness, and how that supporting these very important initiatives will also, in turn, support their profits and revenues overall.

Just because I grew up in it, it seems very important to me to be quite vocal about action and follow-through and in these departments of specifically social justice and for Siponey very specifically environmental wellness and follow through and to see the money be redirected to support these significant changes that they’re committing to with a lot of wordplays right now. So we’re at this moment — and I think we’ve been here for a little bit under a year, at least — where we’re looking towards the future. I want to see this change that’s going to happen, the awareness is there. Whether it’s awareness from a pure level or from a profit-driven level. I think it’s the latter, but it’s there.

So, we’re here at this moment of awareness and I think that is very positive.

I agree with you, the first step to change is acknowledging there is an issue. You read my mind, it’s like “is this performative for profit, or do you genuinely care about making a change?”

For the most part, I’m not going to be the one to sugarcoat that. I think as someone as a Latina and woman – and my insights don’t match my outside sometimes – I find myself at tables with white older gentlemen quite often in my career, and it’s because my mouth doesn’t really match my outside. I feel like it’s some disconnect. I feel like it is very much for profit. I really do want to see environmental wellness. I really do want a planet left for my daughter to raise her family in, in the future. But I think short term, a lot of these companies that do commit to these bigger statements that they’re making, I’m still waiting to see it. I want to see it. I think it’s performative. It can be performative until we really look back at this time, we won’t really know. Just like you said, acknowledgment to change is huge.

With being a double minority — a Latina and woman — what advice would you give someone that’s also a double minority that wants to launch their own business in this space?

That’s a very good question. It’s a little heartbreaking to some extent because, in some ways, the playing field is not level. I think about just how I would speak to my daughter if this were something she wanted to pursue, but I hope change will be in a different place in her generation. I think for sure perseverance, finding a place to deal with rejection, a healthy outlet for rejection is super important. For every one “yes”, there’s going to be 100 “no’s” and in social media, you see a lot of people that celebrate those yeses, but there are a lot of things we don’t see. Take a moment and understand there’s no overnight success. It’s a long, long process, typically. Overnight success is, again, what you think you see as an observer, but so much went into that moment.

Specialize in something – that’s a big one for me – in whatever industry you’re in, whatever pursuit of passion that you have. The one thing that you do need to be successful as an entrepreneur is passion and being able to utilize that passion by specializing in something. For me in the beginning, it was French spirits. I really specialized in French spirits. Then, I moved on to specialize in Scotch whiskey and whiskey in general. Find a little niche area and put some commitment of time and education, research, and establish yourself as an expert in that area. Through dedication, time, and passion that you bring into it repeatedly, it’ll add up to something.

Don’t take “no” for an answer.

Siponey
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Griff’ Shadowboxes With Herself In The Magnetic ‘One Night’ Video

After releasing her new single “One Night” just a few short days ago, Griff is back with a dance-heavy new video for the magnetic track. Already tapped by giants like Spotify and the BRIT Awards as one of the next big things in pop, this new song just continues to prove her songwriting abilities — and doubles down on the fact that she’s a triple threat. The video alternates between Griff walking through city streets chasing down her shadow, and breaking out into full-fledged dance moves, expertly echoing the song’s tension between living in the past and wanting to move on and focus on healing the self.

At just 20-years-old, Griff — aka Sarah Faith Griffiths — has already had massive hits like her breakout single “Black Hole,” and released her debut EP One Foot In Front Of The Other back in June. “One Night” is a new single that’s not on that project, and more proof that Griff is just getting started. After early support from Spotify, another streaming giant, none other than YouTube, is also throwing their weight behind this young artist. They named her as their latest Artist On The Rise, and usually, they don’t get these kinds of predictions wrong.

Check out her new single above and keep your ears out for a lot more from this young pop star in the making.

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42 Dugg Marks The Deluxe Release Of ‘Free Dem Boyz’ With The High-Speed ‘Bestfriends’ Video

Building on the success of his breakout mixtape Free Dem Boyz, Detroit rapper and XXL Freshman 42 Dugg maintained his momentum with a deluxe edition re-release of Free Dem Boyz last week, adding seven new songs including features from Lil Durk, Moneybagg Yo, and Nardo Wick while shuffling some of the sequencing to make for a smoother ride.

Today, Dugg marked the release of the deluxe edition by sharing the high-speed video for one of the album’s original standout tracks, “Bestfriends.” Directed by DrewFilmedIt, the video captures an exuberant Dugg as he shops for jewelry, puts the pedal to the metal in his brand-new cars, and holds court at a neighborhood gathering, enjoying the attention of his community and the fruits of his newfound success.

Free Dem Boyz, which debuted at No. 8 on the Billboard 200 in May after its release on May 21, gave Dugg his first top-10 placement on the albums chart behind hyperactive singles like “4 Da Gang” featuring Roddy Ricch and “Maybach” featuring Future and the continued support of post-release singles such as “Turnest N**** In The City” and “Rose Gold” featuring EST Gee, 42 Dugg’s fellow breakout star and compatriot on Yo Gotti’s CMG record label. Dugg is also headed on tour — more information for that is available here.

Watch 42 Dugg’s “Bestfriends” video above.

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ESPN MLB Reporter Jeff Passan Bodied Jacob Wohl’s Dad On Twitter

Jeff Passan seems like a pretty nice guy and is perhaps the best Major League Baseball insider in the game today. He’s also very good at Twitter, where he is known for RKO’ing people who pop up into his mentions with nonsense with a directness that you normally don’t see from people at ESPN. (Well, unless they’re emailing a United States Senator from Missouri, but that’s neither here nor there.)

Anyway, Passan tweeted out some details about New York Mets acting general manager Zack Scott getting arrested for drunk driving, which was reported earlier in the day on Wednesday by the New York Post. The details weren’t great: According to Passan, Scott was at the home of team owner Steve Cohen earlier in the night for a big fundraiser that included a number of players in attendance.

The replies featured a bunch of people making fun of the Mets, but also, a man by the name of David Wohl, who accused Passan of trying to smear Cohen, somehow.

Now, Wohl’s son is a man by the name of Jacob Wohl, a well-documented right wing grifter who is facing a number of criminal and civil lawsuits (along with a potential record fine from the FCC) relating to a widespread robocall scam that looked to suppress turnout in the 2020 presidential election, specifically in Black communities. Passan understands this and decided to bring the thunder.

I am going to be honest, I did not expect Jacob Wohl’s dad getting viciously dunked on by Jeff Passan over the New York Mets to be a thing that happened when I woke up this morning, but here we are.

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Rudy Giuliani Got Duped Into Making A Video On Cameo That Basically Trashes His Own Client

Rudy Giuliani only started making Cameo videos a few weeks ago, and already, this latest money-making scheme is biting him in the rear. For a set fee, Giuliani will record a personalized message, which is already a recipe for disaster without factoring in his alleged fondness for an after-dinner drink or two. It also doesn’t help that Giuliani has become a not-so-in-demand attorney, which was fully evidenced by this latest catastrophe.

In a nutshell, Giuliani recently recorded a 52 second Cameo message praising a team of journalists and activists who have diligently reported or campaigned against the energy firm Derwick Associates. There’s just one small problem, Derwick was founded by Alejandro Betancourt, who is one of Giuliani’s clients. As if that wasn’t a big enough self-own, Giuliani was completely oblivious to the damage he was doing to his own client and actually gushed about the message he just delivered. Via Intelligencer:

“Well, that’s a nice thing!” Giuliani adds. “I really wish somebody would send me a message like that! I think you can be very, very proud of it. It sounds like it comes from the heart, and it comes from having done very hard work. I wish I knew more about it, I could say more, but that’s the message they gave me to deliver to you. And, again, I congratulate you on having done such fine work for the people that appreciate you so much!”

According to Intelligencer, Giuliani did not respond to multiple requests about whether or not he has any sort of screening process for his Cameo messages. Although, his 22-year-old spokesperson/Instagram influencer Christianné Allen recently quit, and he only just found a replacement who used to work for… Hooters of Long Island. Maybe give Rudy a minute.

(Via Intelligencer)

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Texas’ Near-Total Abortion Ban Is Sparking Outraged Responses And ‘Handmaid’s Tale’ Comparisons

Everything’s bigger in Texas, which goes for efforts to ban abortion, too. A valedictorian recently switched out her speech to call out lawmakers’ successful efforts to almost completely ban the medical practice, after Ted Cruz called to ban the abortion pill last year. Cruz must be very pleased with the situation and his state (maybe he won’t jet off to Cancun again anytime soon), but the resulting problem is a dire one. Texas has effectively banned abortions after six weeks (without exceptions for rape or incest).

Not only that, but the state now allows any private citizen to sue someone (including abortion doctors or anyone who even gives a patient a ride to a clinic) who assists a woman in getting an abortion. This makes Texas very much a state that both supports the freedom to do with one’s body regarding masks and denies the freedom to do with one’s body regarding a woman’s right to choose. It’s a blatant attempt to overturn Roe v. Wade and Griswold v. Connecticut that has been upheld by the Supreme Court. It’s pretty much up to the states to make the call on abortions from here on out, and let’s just say that the comparisons to Handmaid’s Tale on Hulu are easy to draw.

Several Democratic lawmakers (and Rachel Maddow) have spoken out about the potentially unconstitutional nature of the near-total abortion ban.

This is not only very much a vigilante-type law (allowing private citizens to get in on the game, with monetary rewards) but also a scenario that mirrors what goes down in Gilead in The Handmaid’s Tale. The Salem Witch Trials are also popping into conversation. People are outraged and afraid, and that’s more than fair.

Still, it’s important to remember that there are flaws in The Handmaid’s Tale as an all-encompassing comparison. Rather, financially disadvantaged and women of color are disproportionally affected by what’s happening in Texas, and it’s already making a detrimental impact among those groups.

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What’s On Tonight: ‘Dug Days’ Brings A Beloved Pixar Character Back To Disney+

Dug Days (Pixar series on Disney+) — Remember the tearjerking Up? Well, lovable dog Dug is back with a series of short features that take place in his very own backyard, and expect your heart-strings to be pulled, along with your funny bone. Your soul just might take off like a house attached to every balloon in the universe, too. Embrace it.

Turning Point: 9/11 and the War on Terror (Netflix docuseries) — This five-part docuseries marks the 20th anniversary of 9/11 with a timely examination of the War in Afghanistan and what, exactly, really led the war on terror to our current moment in history. Expect interviews from U.S. military veterans and Afghanistan National Army soldiers, along with Taliban commanders, and government officials from both the U.S. and the Afghan government. As well, 9/11 survivor voices will reverberate as the world continues to reflect upon how that day altered the globe forever.

What If…? (Disney+ series) — We’re in the multiverse, baby. The MCU’s officially launching headfirst into that realm after Loki‘s season finale, and this show’s Twitter account clarified official participation as well. Enjoy this show full of alternate realities that stand separate from the existing canon (thus far), including Agent Carter taking the super-soldier serum, T’Challa materializing as Star Lord, and Black Widow and Nick Fury taking on a murder mystery while Tony Stark eats a donut.

Archer (FXX, 10:00pm) — Season 12 continues with a trip down memory lane for Malory while it’s British history time for Pam during a voyage across the pond.

Riverdale (CW, 8:00pm) — Following a bizarre time jump and, uh, literal war, Season 5 sees Archie and the gang helping Cheryl after she discovers an underground palladium. Then a trouble-making trucker gets confronted by Betty and Alice.

American Horror Story: Double Feature (FX, 10:00pm) — Alma takes matters into her own hands while Harry meets up with an unexpected visitor, who’s attracted by his newfound talent.

Awkwafina Is Nora From Queens (Comedy Central, 10:00pm) — Awkwafina’s semi-autobiographical series returns for a second season, in which she gazes into the future with starry eyes. In the present, however, Nora supports Edmund in his acting career (which is going nowhere, fast) while Wally finds out that Brenda’s still on the dating apps.

How To Be A Cowboy (Netflix series) — Dale Brisby is, uh, keeping cowboy traditions alive through… the power of social media. Alright!

The Late Late Show With James Corden — Clive Owen, James Arthur

In case you missed this streaming pick from last Wednesday:

Clickbait (Netflix series) — Adrian Grenier plays a loving family man who mysteriously disappears, only to surface in a viral internet video that accuses him of being a domestic abuser who will be killed after a certain number of views. No one’s sure whether this is a confession or a threat, and yikes. This promises to be (according to the synopsis) a “high stakes thriller that explores the ways in which our most dangerous and uncontrolled impulses are fueled in the age of social media,” but it sounds awfully stressful.

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All The New Albums Coming Out In September 2021

Keeping track of all the new albums coming out in a given month is a big job, but we’re up for it: Below is a comprehensive list of the major releases you can look forward to in September. If you’re not trying to potentially miss out on anything, it might be a good idea to keep reading.

Friday, September 3

  • Asher Roth — Greenhouse Effect Vol. 3 (RetroHash)
  • Ashland Craft — Travelin’ Kind (Big Loud Records)
  • Baby Queen — The Yearbook (Polydor)
  • Bad Waitress — No Taste (Royal Mountain Records)
  • Big Boi And Sleepy Brown — The Big Sleepover (HITCO)
  • Brett Young — Weekends Look A Little Acoustic These Days (BMLG Records)
  • Buck Gooter — Head In A Bird Cage (Ramp Local)
  • Closet Disco Queen & The Flying Raclettes — Omelette du Fromage (Hummus Records)
  • David Ferguson — Nashville No More (Fat Possum Records)
  • Dead Romantic — Voices (Mercia Records)
  • DJ Gutta Butta And Slimmy B — All Net EP (Empire)
  • DJ Seinfeld — Mirrors (Ninja Tune)
  • Drake — Certified Lover Boy (OVO Sound)
  • F.S. Blumm & Nils Frahm — 2×1=4 (LEITER)
  • Gerry Rafferty — Rest In Blue (Rhino)
  • Gerycz/Powers/Rolin — Lamplighter (American Dreams Recs)
  • Ghost Hounds — A Little Calamity (Maple House Records)
  • Hannah Holland — Tectonic (Red Yeti Records)
  • The Hawkins — Aftermath EP (The Sign Records)
  • Hot Mustard — Mother Sauce (Color Red)
  • Imagine Dragons — Mercury — Act 1 (Interscope)
  • Iron Maiden — Senjutsu (EMI)
  • Jhay Cortez — Timelezz (Universal)
  • Keaton Henson — Fragments EP (PIAS Recordings)
  • Lady Blackbird — Black Acid Soul (BMG)
  • L’Orange — The World Is Still Chaos, But I Feel Better (‎Mello Music Group)
  • Little Simz — Sometimes I Might Be An Introvert (Age 101)
  • Liz Cooper — Hot Sass (Thirty Tigers)
  • Lukasz Pawlik — Long-Distance Communication (Summit Records)
  • Manic Street Preachers — The Ultra Vivid Lament (Columbia/Sony)
  • Maria Domark — Flawless EP (P.O.F CORP)
  • Megan And Shane — Daughter Of Country (self-released)
  • Nala Sinerphro — Space 1.8 (Warp)
  • New Found Glory — Forever And Ever x Infinity…And Beyond!!! (Hopeless Records)
  • Nico Hedley — Painterly (Whatever’s Clever)
  • P.E. — The Reasons for My Love EP (Wharf Cat Records)
  • Paige Beller — I’ll Be Better (SofaBurn Records)
  • Pell — Floating While Dreaming II (PellYeah)
  • Petey — Lean Into Life (Terrible Records)
  • Pearl & The Oysters — Flowerland (Feeltrip Records)
  • Renee Rosnes — Kinds Of Love (Smoke Sessions Records)
  • Robert Jon & The Wreck — Shine A Light On Me Brother (Continental Europe)
  • Solar Mantra — Away (Argonauta Records)
  • Spirits Having Fun — Two (Ramp Local)
  • Suuns — The Witness (Joyful Noise)
  • Usain Bolt — Country Yutes (9.58 Records)

Friday, September 10

  • AJ Davila — El Mar (Hotel Records)
  • AJ Mitchell — Skyview (Epic)
  • Al Ross & The Planets — Blue Crystal (MVD Entertainment)
  • Amyl & The Sniffers — Comfort To Me (ATO Records)
  • Andrew W.K. — God Is Partying (Napalm Records)
  • Anette Olzon — Strong (Frontiers)
  • Annie — Neon Nights EP (Paradise of Bachelors)
  • AZ — Doe Or Die 2 (EMI)
  • Backyard Tire Fire — Black Dirt Blue Sky EP (Royal Potato Family)
  • Béla Fleck — My Bluegrass Heart (Renew Records)
  • Berry — Vault Of Light (Joyful Noise Recordings)
  • Central Heat Exchange — Central Heat Exchange (Citrus City Records)
  • Chris Jagger — Mixing Up The Medicine (BMG)
  • Chrome Waves — The Rain Will Cleanse (Transcending Records)
  • Colleen Green — Cool (Hardly Art)
  • Common — A Beautiful Revolution Pt. 2 (Loma Vista)
  • Daniel Romano’s Outfit — Cobra Poems (You’ve Changed Records)
  • Delta Sleep — Spring Island (Sofa Boy Records)
  • Donny Osmond — Start Again (BMG)
  • Dori Freeman — Ten Thousand Roses (Blue Hens Music)
  • Elvis Costello — Spanish Model (UMe)
  • Flossing — Queen Of The Mall EP (Brace Yourself Records)
  • Foy Vance — Signs Of Life (Gingerbread Records)
  • Genix — 199X (Anjunabeats)
  • Gift Of Gab — Finding Inspiration Somehow (Nature Sounds)
  • Hawthorne Heights — The Rain Just Follows Me (Pure Noise Records)
  • Hayden Calnin — What It Means To Be Human (Nettwerk Records)
  • Homeshake — Under The Weather (SHHOAMKEE)
  • J Balvin — Jose (Universal Latin)
  • James Blake — Friends That Break Your Heart (Republic Records)
  • Jann — Other Side EP (DMK)
  • Jazz Cartier — The Fleur Print (Petal Garden/PIVTL Projects)
  • Jazzmeia Horn — Dear Love (Concord Jazz)
  • Joshua Henry — Grow (BMG)
  • Joshua Speers — Midnight Horses EP (Warner Records)
  • Julia Bardo — Bauhaus, L’Appartamento (Wichita Recordings)
  • Kacey Musgraves — Star-Crossed (Interscope Records)
  • King Krule — You Heat Me Up, You Cool Me Down (XL Recordings)
  • Laura Nyro — Go Find The Moon: The Audition Tape (Omnivore Recordings)
  • Lazarus Kane — Psychobabble EP (So Young Records)
  • Low — Hey What (Sub Pop Records)
  • Machinedrum — Psyconia EP (Ninja Tune)
  • Martin Sexton — 2020 Vision EP (Kitchen Table Records)
  • Martina Topley-Bird — Forever I Wait (AWAL)
  • Maston — Souvenir (Trouble in Mind)
  • Matthew E. White — K Bay (Domino)
  • Matthew Fowler — The Grief We Gave To Our Mother (Signature Sounds)
  • Metallica — Black Album Remastered (Vertigo)
  • Mister Strange — I EP (PNKSLM)
  • Norman W. Long — Black Brown Gray Green (Hausu Mountain)
  • Ohr — Walk In The Light (Headstate)
  • 박혜진 Park Hye Jin — Before I Die (Ninja Tune)
  • Pat Metheny — SIDE-EYE NYC (V1.IV) (Modern Recordings)
  • Perfect World — War Culture (Life and Death Brigade)
  • Saint Etienne — I’ve Been Trying To Tell You (Heavenly Records)
  • Sam Barron — A Prayer for A Field Mouse (Mother West)
  • Samantha Fish — Faster (Twisted Ambition)
  • Sister. — Something/Nothing EP (AWAL)
  • Sleigh Bells — Texis (Mom + Pop)
  • Slothrust — Parallel Timeline (Dangerbird)
  • Slow Leaves — Holiday (The Mercey Brothers)
  • Spencer. — Are U Down? (4AD)
  • Tommy Genesis — Goldilocks (Downtown Records)
  • The Vaccines — Back In Love City (AWAL)
  • We Were Promised Jetpacks — Enjoy The View (Big Scary Monsters)
  • Wild Pink — A Billion Little Lights: Live (Royal Mountain Records)
  • Yebba — Dawn (RCA)

Friday, September 17

  • 2Cellos — Dedicated (Sony Masterworks)
  • Abe Rounds — The Confidence To Make Mistakes EP (Colorfield Records)
  • Adia Victoria — A Southern Gothic (Canvasback Records)
  • Adna — Black Water (Despotz)
  • The Album Leaf — One Day XX (Eastern Glow Recordings)
  • Alexa Rose — Headwaters (Big Legal Mess Records)
  • Alexis Taylor — Silence (Piccadilly Records)
  • Alicia Walter — I Am Alicia (Sooper Records)
  • Andy Mineo — Never Land II (World 45)
  • Bad Bad Hats — Walkman (Don Giovanni Records)
  • Barney Bentall & Geoffrey Kelly — RanchWriters (True North Records)
  • Bea Troxel — Gettin’ Where (Ruination Record Co)
  • Billy Idol — The Roadside EP (Dark Horse Records)
  • Blue Lick — Hold On, Hold Fast (Editions Mego)
  • Blvck Hippie — If You Feel Alone At Parties (The Record Machine)
  • Bogwife — A Passage Divine (Majestic Mountain Records)
  • Boy Willows — Bangs EP (Nettwerk Records)
  • Buffalo Daughter — We Are The Times (Music Mine)
  • The Cocktail Slippers — Shout It Out Loud (Wicked Cool Records)
  • Cold Beat — War Garden (Like LTD)
  • Colin Linden — bLOW (Highway 20/Thirty Tigers)
  • Concrete Castles — Wish I Missed You (Velocity Records)
  • Cynthia Erivo — Ch. 1 Vs. 1 (Decca)
  • D.D. Verni & The Cadillac Band — Let’s Rattle (MVD Audio)
  • Dan Berkson — Dialogues (Freestyle Records)
  • Daughtry — Dearly Beloved (Dogtree Records/Warner Music)
  • Dead Sara — Ain’t It Tragic (Warner Records)
  • Dehd — Flower Of Devotion Remixed (Fire Talk)
  • The Delevantes — A Thousand Turns (Rounder Records)
  • Don Broco — Amazing Things (SharpTone Records)
  • Eric Krasno — Always (Mascot Label Group)
  • The Felice Brothers — From Dreams To Dust (Yep Roc Records)
  • Field Guides — Make Peace With That (Birthday Cake)
  • Henrik Lindstrand — Reimagined (One Little Independent Records)
  • Iron Lizards — Hungry for Action (The Sign Records)
  • Jordan Rakei — What We Call Life (Ninja Tune)
  • José González — Local Valley (City Slang)
  • Lil Nas X — Montero (Columbia)
  • Lindsey Buckingham — Lindsey Buckingham (Rhino)
  • Lizzie Loveless — You Don’t Know (EggHunt Records)
  • Low Hummer — Modern Tricks For Living (Dance To The Radio)
  • Lydia Hol — Some Dreamers Of The Golden Dream (Amelia Recordings)
  • Marcus Atom — Love vs. War (Fantasy Records)
  • Melissa Etheridge — One Way Out (BMG)
  • Mild High Club — Going Going Gone (Stones Throw Records)
  • Mini Trees — Always In Motion (Run For Cover Records)
  • Modern Woman — Dogs Fighting In My Dream EP (End Of The Road Records)
  • Mono — Pilgrimage Of The Soul (Napalm Records)
  • Nate Smith — Kinfolk 2: See The Birds (Edition Records)
  • Nik Freitas — Searching For Device EP (Park the Van)
  • Noah Kahan — I Was / I Am (Republic Records)
  • Only The Strong — Fractured EP (Art & War Music Group)
  • The Plot In You — Swan Song (Fearless Records)
  • Porij — Baby Face EP (Oat Gang Records)
  • RAY BLK — Access Denied (Island)
  • Real Friends — Torn In Two EP (Pure Noise Records)
  • Rod Gator — For Louisiana (Blue Élan Records)
  • RP Boo — Established! (Planet Mu)
  • Scotty McCreery — Same Truck (Triple Tigers)
  • Sideline — Ups, Downs And Name Towns (Mountain Home)
  • Sonny Vincent — Snake Pit Therapy (Svart)
  • Sweet Nobody — We’re Trying Our Best (Daydream Records)
  • Yvette — How The Garden Grows (Western Vinyl)

Friday, September 24

  • 99 Neighbors — Wherever You’re Going I Hope It’s Great (Nice Work/Warner Records)
  • Ada Lea — One Hand On The Steering Wheel The Other Sewing A Garden (Saddle Creek)
  • Amon Tobin — How Do You Live (Nomark)
  • Angels & Airwaves — Lifeforms (Rise Records)
  • Anna B Savage — These Dreams EP (City Slang)
  • Anthony Hamilton — Love Is The New Black (My Music Box/BMG)
  • Aunty Social — It Looks Friendly EP (Nettwerk)
  • Balsam Range — Moxie And Mettle (Mountain Home)
  • Ben Böhmer — Begin Again (Anjunabeats)
  • Billy Strings — Renewal (Rounder Records)
  • Boys Noize — +/- (Boysnoize Records)
  • Bummer — Dead Horse (Thrill Jockey)
  • Cold War Kids — New Age Norms 3 (CWKTWO/AWAL)
  • The Connells — Steadman’s Wake (Black Park/Missing Piece Records)
  • Crisix — The Pizza EP (Listenable Records)
  • Des Rocs — A Real Good Person In A Real Bad Place (300)
  • Elke — No Pain For Us Here (Congrats Records)
  • The Greeting Committee — Dandelion (Harvest Records)
  • Hayden Pedigo — Letting Go (Mexican Summer)
  • Houndmouth — Good For You (Dualtone)
  • Hush Kids — Weatherman EP (Tone Tree Music)
  • Japanese Breakfast — Sable (Original Video Game Soundtrack) (Sony Music Masterworks)
  • Jeromes Dream — Presents (Alone Records)
  • Joanne Shaw Taylor — The Blues Album (KTBA Records)
  • Joey DeFrancesco — More Music (Mack Avenue Records)
  • Joey Purp — UpLate (self-released)
  • Joyer — Perfect Gray (Julia’s War)
  • Kari Faux — Lowkey Superstar Deluxe (Don Giovanni)
  • Kondi Band — We Famous (Strut Records)
  • Lathums — How Beautiful Life Can Be (Island Records)
  • Little Hag — Leash (Bar/None)
  • Luke Wild — Shoebox EP (Terrible Records)
  • Mac McCaughan — The Sound Of Yourself (Merge)
  • Macie Stewart — Mouth Full Of Glass (Orindal)
  • Magic Roundabout — Up (Third Man Records)
  • Mark Bishop — Some Distant Mountain (Sonlite)
  • Mas Aya — Máscaras (Telephone Explosion Records)
  • Maxshh — Bonus Flowers (Exploding in Sound)
  • Nao — And Then Life Was Beautiful (Sony Music UK/RCA)
  • Natalie Imbruglia — Firebird (BMG)
  • Nate Mercereau — Sundays (How So Records)
  • Nina Savary — Next Level Soap Opera (Tin Angel)
  • Nox Holloway — If Only The World Didn’t Spin So Much EP (Sell The Heart Records)
  • One Step Closer — This Place You Know (Run For Cover)
  • The Ophelias — Crocus (Joyful Noise Recordings)
  • POP. 1280 — Museum On The Horizon (Profound Lore)
  • Public Service Broadcasting — Bright Magic (Play It Again Sam)
  • Radiant Baby — Pantomime (Lisbon Lux)
  • Ryan James Brewer — Tender (Amphion Records)
  • The Screaming Wheels — Istramental (Rock Svirke Records)
  • Shakka — Road Trip To Venus (Base ‘N Rebulz’)
  • The Shivas — Feels So Good // Feels So Bad (Tender Loving Empire)
  • Spencer Cullum — Spencer Cullum’s Coin Collection (YK Records)
  • Sufjan Stevens And Angelo De Augustine — A Beginner’s Mind (Asthmatic Kitty)
  • Taylor McCall — Black Powder Soul (Black Powder Soul Records)
  • Third Eye Blind — Our Bande Apart (Mega Collider Records)
  • Tony Kamel — Back Down Home (The Next Waltz)
  • The Two Man Travelling Medicine Show — Blindfold (Musical Bear Records)
  • Various Artists — I’ll Be Your Mirror: A Tribute To The Velvet Underground & Nico (Verve Records)
  • Wang Wen — 100,000 Whys (Pelagic Records)
  • Wayne Snow — Figurine (Roche Musique)
  • William Shatner — Bill (Let’s Get It! Records)
  • Wrabel — These Words Are All For You (Big Gay/Nettwerk)

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Meek Mill And LIl Uzi Vert Pop Wheelies And Flash Cash In The Gritty ‘Blue Notes 2’ Video

Philadelphian rappers Lil Uzi Vert and Meek Mill join forces to pop wheelies and flash cash in the video for their gritty new collaboration, “Blue Notes 2.” The latest addition to Meek’s growing collection of stylish collaborations over the past several weeks, the “Blue Notes 2” video taps into one of Philly’s favorite pastimes, with the two rappers and their cohorts racing ATVs through the streets at night while being trailed by a helicopter spotlight. The beat, produced by brothers Nick Papz and ​Xander, lays a moody, noodling guitar over roaring drums to reflect the gritty feel of the Philly rappers’ boastful, rapid-fire verses.

“Blue Notes 2” follows Meek’s prior releases “War Stories” and “Sharing Locations” with Lil Baby and Lil Durk, building momentum on his long-awaited follow-up to 2018’s Championships. In the interim, he’s complained about blogs only covering the “goofy sh*t” he does, so this string of releases may go a long way toward ensuring the focus returns to his music rather than the antics that have seemingly pursued him in the last couple of years.

Watch Meek Mill’s “Blue Notes 2” video featuring Lil Uzi Vert above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Under French law, businesses can’t email employees after work hours

This article originally appeared on 11.12.17

Nothing can ruin a relaxing weekend or holiday like an email from the office. Even if there’s no need to take action until Monday, the unwanted intrusion of professional life can really suck the joy out of a Sunday afternoon barbecue.

That’s why the country that’s famous for giving its employees 30 days off a year and 16 weeks of full-paid family leave in May 2016 made itself even cooler with its new “right to disconnect” rule.


In France, if you’re a company of 50 employees or more, you cannot email an employee after typical work hours. The labor law amendment has come about because studies show that in the digital age, it’s increasingly difficult for people to distance themselves from the workplace during their off hours. This new provision allows people to get the full advantage of their time off.

“All the studies show there is far more work-related stress today than there used to be, and that the stress is constant,” Benoit Hamon of the French National Assembly told the BBC. “Employees physically leave the office, but they do not leave their work. They remain attached by a kind of electronic leash — like a dog. The texts, the messages, the emails — they colonize the life of the individual to the point where he or she eventually breaks down.”

The rule stipulates that companies must negotiate policies that limit the spillover of work into their employees’ private lives. Although there are no penalties for violations, companies are to establish “charters of good conduct” that specify the times which employees are free from being digitally connected to their workplaces.

This right to disconnect amendment was passed as part of a controversial French labor law that some say will weaken unions and enhance employee job insecurity. The digital disconnect amendment was the one part of the law that’s been viewed favorably by the French public.