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A Year After Launching, The NBA Foundation Continues To Grow With Humility

August 2021 marked a year since the NBA Board of Governors launched the NBA Foundation, a charitable foundation aimed at creating greater, and sustainable, economic empowerment within the Black community, specifically focused on Black youth. Within that year the Foundation, in partnership with the NBPA, awarded 40 grants to non-profit organizations totalling $11 million, utilizing the collective $30 million NBA team owners have committed to donating annually, over the next ten years.

From its inception, the NBA Foundation aimed to focus on what the NBA’s former SVP of Player Development, and now the Foundation’s inaugural Executive Director, Greg Taylor, and his team considered three critical employment transition points: getting a first job, securing a job post-high school or college, and career advancement. Some of the ways the Foundation planned to actualize those goals was through investing in youth employment and internship programs, job shadows and apprenticeships, career placement, professional mentorships, support of STEM fields, and partnerships with Historically Black Colleges and Universities. Involving each NBA team also meant that grants could be awarded that focused on specific concerns within the communities of each franchise’s home markets, rather than designating from the top-down.

Taylor has often referred to the NBA Foundation as a labor of love and that much is clear when talking with him about its progress over the past year, but the fact that it sits so closely with Taylor and his staff is also what’s driven its success. Launching a new, multi-tiered, highly ambitious and necessarily self-aware philanthropic organization would require heavy lifting even under the best conditions, but Taylor and his team did it during some of the most fraught stretches of the Covid pandemic.

On a call with Dime, Taylor reflected on the last year and its challenges, the process behind identifying candidates and awarding grants, the insight that board members Tobias Harris and Harrison Barnes bring to the table as athletes, and how to strike a balance between realistic expectations and maintaining the natural momentum within the work he and his team are doing.

What has the response been like in the first year of launching the NBA Foundation, and in what ways has it surprised you?

It’s been overwhelmingly positive. I’m really very, very pleased with the feedback we’ve gotten from grantees, from other foundations with a much longer track record that we have, from the teams, players, all of our stakeholders. I think there’s an overwhelming sense of pride with regards to the NBA responding in such a significant way to many of the social justice issues that were facing the country, that this is a long standing commitment over time. As you know it’s a 10-year, $300 million commitment from our governors, funding the NBA Foundation’s mission around economic opportunity for Black youth. And while it’s a 10-year commitment on paper, there’s every expectation that the Foundation will operate in perpetuity going forward. I also say there’s nothing more powerful than an idea whose time has come, and I think in many ways, our work at the NBA Foundation, really trying to pour into resources and opportunities — in this case for Black youth — I think it’s an important moment in time and glad to be a part of it.

I think what’s been surprising from my standpoint really has been the degree to which we’ve had really great success in working with organizations that work with a broad spectrum of young people. So we have organizations that work with homeless youth, that work with court-involved youth, that work with the valedictorian from their high school and college, and everything in between. And I think what’s really been surprising and heartening is the importance of providing equitable opportunities across the spectrum of young people towards really meaningful employment. And I think the tightening of our commitment around economic opportunity has just been a really, and how well it’s been embraced, has been really surprising for me.

You and your team delivered 40 grants in the past year to non-profits, can you tell me a bit about the decision-making process that goes into ultimately narrowing down the organizations grants are awarded to?

We have a pretty rigorous process. We know that our financial resources are limited. We know that the need is great across the country to help provide meaningful employment opportunities for Black youth. And so we have a really thoughtful decision-making process. It certainly starts with wanting to understand performance and track record of the nonprofit partners that we partner with, around generating positive outcomes for young people. So longstanding or widely recognized as effective organizations working with our population is one. Two, we look at the innovative nature of their programs, right? And we know that really beginning to involve young people in the design of the curriculum, really working with and partnering with corporations and nonprofits that will hire our young people differently, all requires a focus on innovation. And so there’s an innovation component that we look at. We’re very interested, as I said, the organizations that are operating in our 28 markets, so there’s a geographic focus. And while in many cases we have also worked with national organizations, those national organizations are looking to replicate or share their programming in our 28 markets. So there’s a little bit of a geographic focus if you will.

And then probably lastly, I would just say, we look at the leadership of the organization. We want to make sure that we’re investing in diverse leadership, particularly African-American leadership, as we know that sustaining those organizations over time for long standing outcomes, all matter. So that gives you a sense. Obviously, we look at their financial health, we review their 990 [forms]. We look at their tax status, all of that stuff, which is consistent with best practices in philanthropy — we do all of the above. But all of that goes into the decision-making where we decide who we’re going to award the grants to. I’d be remiss if I didn’t say we work also in partnership with our local teams to identify organizations in their markets. While we maintain the final decision, their voice is important too.

How do you think launching the NBA Foundation during the pandemic affected, or magnified, goals for the Foundation overall?

Without question. There’s no question that the backdrop of the Foundation happening or being instituted during the pandemic played a role. I would say programmatically, one of the things we’re committed to is giving grants for both capacity building goals, as well as program goals. And I would say that that capacity building goals, meaning helping the nonprofit organizations strengthen their operations, hire staff or solidify their institution, that really comes out of the pandemic, where we know so many organizations have struggled to stabilize, grant dollars are harder to find on the capacity building side. So we wanted to really respond to some of those institutional needs that we heard from our grantee partners. There’s no question that programming, in person, as it historically has been. So many of our organizations have really brilliantly moved to online program delivery and everybody’s using Zoom and other software, as you know.

And so we wanted to help them by providing resources to help that program transition in terms of how they’re delivering services and supports to their young people. And maybe selfishly, I would just say establishing the Foundation during the pandemic, I have yet to be in the same managerial room as my small, but mighty team. We are too operating on Zoom and manage and lead this organization almost completely virtually. Because we have not yet been in the same office either. So building and establishing a startup foundation in the middle of a pandemic has affected us all.

Do you think getting underway during the pandemic helped to create a sense of urgency for team owners to engage with and invest meaningfully in the communities within their markets?

I think it added to the larger mission of trying to be really responsive coming out of the social unrest in the country. I would argue that the NBA has a longstanding history of being a leader in social justice and civil rights. I would argue that the creation of the NBA Foundation really expands on that legacy. I would say one of the inflection points to the decision to create the Foundation was the moment the Milwaukee Bucks decided not to play in Orlando. And I think in many ways, what we were thinking about as a league is, what is our response? What is the sustained response we could have over time to really help change some of the social justice issues that we’re facing as a country. And I think that was the creation of the NBA Foundation. I think the pandemic has also exacerbated some of those issues too, because folks were more isolated. They were more challenged, different things happening in the community. But I think the larger genesis of the Foundation was the social justice unrest in the country, and the pandemic was an extenuating circumstance on top of that.

The Board of the NBA Foundation is made up of team executives, as well as current and former players like Tobias Harris, Harrison Barnes and Michael Jordan. Could you share with me some of the unique perspective Tobias and Harrison have brought to the team, and why it was crucial to include players when establishing the Foundation’s Board?

Both have been highly engaged board members, really pleased with both their voice and their recommended direction. I think about Tobias utilizing his interviews during his post game news conferences coming out of the Bubble, where he was highlighting the fact that there wasn’t that much media attention on Breonna Taylor. I think that commitment to social justice spills over in his leadership on the board at the Foundation. He’s really has been instrumental in identifying potential nonprofits that are working and mirroring the mission that it’s about economic opportunity for Black youth. He is an absolute proponent of education. And so education is one of the pillars of the Foundation. I think he brings a lot of knowledge and thought process to our education grant making. Same goes for Harrison. I think Harrison has a real interest in philanthropy and has come in and asked a lot of questions about the creation of the Foundation and our back office operations. We’ve done a number of grants where he has actually recommended organizations that we took long and hard looks at. He’s very big proponent of City Year, and City Year was one of our initial grantees and his recommendation and familiarity with the organization, coupled with our due diligence of who that organization is, shows his active nature around the work. So both the Tobias and Harrison have been tremendous board members. We talk regularly and I feel like they’re highly engaged, and we appreciate their perspective.

You’ve talked before about the awareness of being a new philanthropy and working to build awareness through partnerships, and aside from the internal knowledge and experience of the NBA’s own community-focused initiatives, are there any established philanthropic organizations you and your team have looked to as you build?

This is the first ever NBA foundation. And I think while the NBA brand is certainly established and well known, we didn’t have in our building the track record in terms of philanthropy, right? And so this is our first time working in the philanthropic space. I’m really blessed that I have 20 plus years in philanthropy, formally at the Kellogg Foundation, and the Foundation for Newark’s Future. One of my initial hires has been a young woman from the Ford Foundation, Adela Ruiz, who’s our Program and Grants Manager. Lauren Sills used to work with the JP Morgan Chase Foundation, she’s our Operations Director. So wanted to bring expertise to the board, but without question we’ve all tapped into our network.

We’ve had lots of conversations with ranges of different philanthropy, including Ford and Kellogg and others that have really been very helpful. The Knight Foundation in Miami, Hispanics in Philanthropy, and others, have really provided back office guidance and recommendations, because we don’t want to recreate the wheel and we really do want to add value in the space. We know that means we should be partnering with folks who have been at this longer than us. We should leverage our own knowledge, lead with humility, listen our way into leadership and really try to add value to what has been ongoing work in the field. And so lots of philanthropic partners have been absolutely helpful and essential and certainly, we want to thank all of them for their willingness to support what we’re trying to do.

On that same note, you’ve also talked about wanting to get clarity on what success looks like for the Foundation. Even in this first year of operation, the Foundation is incredibly far reaching, how do you measure success now, and how will that differ going forward?

As a startup, we want to get the organization’s brand up. And so a lot of our early success, at least at the organization level, is to get the word out, is to be an efficient grant-maker, is to really be effective in our decision-making. So having strong internal operations that are very effective, an experienced team, and really getting that brand out. We certainly have made, I think, 40 wonderful grants to organizations. I think we touched with those for those 40 grants about 11,000 young people. And so we realized that we’re accelerating outcomes for young people in our non-profit partnerships. Certainly we want to track what those young people are doing, it’s just too early to be able to tie progress that those young people are experiencing to the Foundation. You have to have some time to do that over time, but strengths and quality of the partnerships and the number of partnerships we create between the NBA, non-profits and companies that are really thinking differently about hiring young people differently.

We will certainly track our partnerships and their effectiveness in terms of achieving concrete and meaningful outcomes for young people. One of the things we want to do is to create storylines, we want to get the word out about what the tremendous work that so many nonprofits are doing around economic opportunity for Black youth. And so we certainly want to track the number of stories, the content that is created, the ways in which we can highlight the work of our nonprofit partners, all of those are metrics towards, or maybe indicators towards success. But I think given our year long roadmap, I think those are good markers that are realistic at this point, but we certainly will evolve our measurements to be about job creation, to be about, are those young people that we’re working with above the racial wealth gap or transcending the racial wealth gap in their particular market? Are there companies that are changing policies and practices as to how they hire and prepare and retain Black youth for meaningful employment? All of those will be markers of success moving forward. It’s just early in our tenure at this point.

You’ve stressed keeping realistic expectations to your team. How do you balance realistic expectations, while continuing to nurture the kind of momentum the Foundation has seen in its first year?

I think I already used the quote about nothing is more powerful than an idea whose time has come [laughs], but the momentum has been amazing. And I want to shout out both Lauren Sills and Adela Ruiz on my team in terms of just amazing work. Our board, our partners. I think the momentum has been amazing and I’m really glad to be a part of it. I think when I say managing our expectations, it’s really more around recognizing that we’re building our organization and that we can’t, to your earlier question, lead to outcome, at this point, because it’s just too early in the process. Listen, we’re open for business. We want to grow our numbers and strengthen our partnerships. We want to work with organizations that have longstanding track records in preparing young people in the world of work. We want to work with companies that want to hire and prepare young people for meaningful employment differently. Our momentum, it’s really incredible. And we want to promote that. We just want to move in a thoughtful way, move with humility and really build a sustainable entity as we move forward. And I think that’s the balance, it’s momentum, not versus, but complemented with sustainability. And I think we’re looking at all of that in a realistic and thoughtful manner.

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A Bunch Of Capitol Hill Cops Are Suing Trump And His Cronies Over Their Election Fraud Lies That Sparked The Jan. 6th Insurrection

Donald Trump is being sued again, this time by a group of seven Capitol Police officers who accused the former president of inciting an insurrection on Jan. 6th.

Though other suits naming Trump as an instigator of the mob that stormed Congress that day have been filed, this is the first to allege that the former president worked with far-right extremists and political organizers to spread misinformation about the presidential election, which led to the coordinated attack on the Capitol. Officers Conrad Smith, Danny McElroy, Byron Evans, Governor Latson, Melissa Marshall, Michael Fortune, and Jason Deroche named Trump along with allies like Roger Stone and groups like the Proud Boys and the Oath Keepers as the guilty parties responsible for trying to disrupt the peaceful transition of power earlier this year.

“Plaintiffs and their fellow law enforcement officers risked their lives to defend the Capitol from a violent, mass attack — an attack provoked, aided, and joined by Defendants in an unlawful effort to use force, intimidation, and threats to prevent Congress from certifying the results of the 2020 Presidential election,” the suit reads, via the New York Times. “Because of Defendants’ unlawful actions, Plaintiffs were violently assaulted, spat upon, tear-gassed, bear-sprayed, subjected to racial slurs and epithets, and put in fear for their lives. Plaintiff’s injuries, which Defendants caused, persist to this day.”

Earlier this summer, a handful of Capitol Police officers came forward to share their experiences trying to combat the violent mob during a congressional hearing but the suit contains even more horrific details from the individuals — five of whom are Black — forced to try to keep the peace that day. One officer recounted how rioters beat him and hurled racial slurs at him as they tried to breach the Senate chamber. Another shared how the mob struck him with batteries before assaulting him with mace and bear spray, causing his eyes to swell shut.

The suit comes as the Justice Department continues to investigate Trump’s role in the Jan. 6th insurrection and a newly-appointed Congressional committee has made requests for mountains of detailed records relating to the Trump administration’s involvement in the attempted coup.

(Via New York Times)

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Tom Cruise Showed Off HIs Insane ‘Mission: Impossible 7’ Motorcycle Cliff Jump That Required A Year Of Training

After months of teasing it as Tom Cruise’s most dangerous stunt yet, Paramount gave CinemaCon a glimpse at the actor’s latest death-defying action scene in Mission: Impossible 7 that involves literally launching him off of a cliff in Norway. In a behind-the-scenes clip shown to CinemaCon attendees on Thursday, an absolutely giddy Cruise talks about the motorcycle stunt that he’s wanted to do since he was a “little kid.” Via Deadline:

Cruise trained for the feat by skydiving in the air. A cycle jumping course was built, which Cruise trained on, jumping hills. “I have to be so good that I don’t miss my mark,” says Cruise.

Cruise barrels down a ramp off a cliff and in mid-air lets the bike go before his parachute is released. McQuarrie mouth drops as he watches the first take of Cruise. “Tom Cruise just rode a bike off a cliff six times today,” says one of crewmembers in the BTS shot.

As the clip comes to an end, director Christopher McQuarrie says, “The only thing that scares me more is what we’ve got planned for Mission 8.”

The motorcycle stunt is yet another in a long line of stunts that could’ve easily ended very badly for Cruise. But according to The Hollywood Reporter‘s Aaron Couch, Cruise didn’t approach the motorcycle jump lightly and he spent a year preparing for it.

“Cruise trained for a year doing 500 skydives and 13,000 motorbike jumps,” Couch reported from CinemaCon. “They captured this on day one of principal photography. Genuinely scary watching him do this.”

Mission: Impossible 7 jumps into theaters on May 27, 2022.

(Via Deadline, Aaron Couch on Twitter)

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Griff Pads Her Rising Star Resume With The Pop Anthem ‘One Night’

There are a ton of artists who are regularly hailed as the next big thing, but few of them are successful at a young age like Griff (real name Sarah Faith Griffiths) is. The UK singer-songwriter is only 20 and it already a Brit Award-winner, and this year, she performed on two of the most recognizable TV shows in both the US and UK: Late Night and Later… With Jools Holland.

Now Griff is carrying that momentum further with a new single, the pop anthem “One Night.” Griff says of the track:

‘One Night’ is about feeling like you’re always carrying this darkness or burden. I think in the daytime we can feel distracted because we’re around people and we’re busy, but that moment between going to bed and falling asleep, there’s just enough silence for those burdens to get louder. Essentially this song is trying to understand why I can’t shake it, and the chorus comes to this breaking point of desperately wanting at least ‘One Night’ alone.”

Press materials also note the song is influenced by Griff’s “love of Whitney Houston and The Weeknd.”

Listen to “One Night” above.

Griff is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Megyn Kelly Is Getting Fact-Checked Over Her Unfortunate Tweet About Mental Health, ‘Snowflakes,’ And The Military

Megyn Kelly got absolutely eviscerated on Twitter on Thursday after tweeting out a weird and inaccurate take on “quiet rooms” at the U.S. Open. The former TODAY host was commenting on a Fox News report that the U.S. Tennis Association will be taking greater strides to focus on players’ mental health following Naomi Osaka’s withdrawal from the French Open. As part of the mental health initiative, “quiet rooms” will be provided for struggling athletes, which prompted Kelly to fire off an insult at U.S. Open players.

“Good Lord please never let the snowflakes who need this sign up for our military,” Kelly tweeted.

There was just one small problem with Kelly’s tweet. The military actually does provide quiet rooms.

“Quiet rooms have been part of the USMC Health Service Support Operations for more than 20 years,” journalist Timothy Burke replied while also providing documentation to support his claim. So, not a good look for Kelly.

Kelly’s tweet also spurred a significant amount of backlash thanks to her callous disregard for mental health sufferers, which also includes military members. She was voluminously dragged for the insensitive nature of her tweet as well as for using the term “snowflake” despite having a checkered past of feigning outrage at topics she disagrees with. For example, that time she argued that blackface isn’t racist. You know, things like that.

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David Duchovny Reveals How Scientology Tried To Recruit Him, And It ‘Didn’t Go Well’ (For Scientology)

David Duchovny’s lengthy TV stretches include a bifurcated role on FOX’s The X-Files as the alien-believing Fox Mulder. That doesn’t necessarily mean that he’s all up in the alien business, in real life, to the degree that he’d believe everything that, say, L. Ron Hubbard wrote. The sci-fi author notoriously (thanks to the Internet) penned the “scripture” upon which the Scientology religion (and many call it a “cult”) is based. There’s a particular passage of the organization’s lore, known as the “Xenu” story, that one only is supposed to hear once achieving a status called Operating Thetan Level III. That’s the same creation myth that South Park once skewered because it involves a blown-up volcano and disembodied alien souls possessing humans and all that jazz.

Well, Duchovny did not sign on to pay far too many thousands of dollars to read that story. He did, however, answer a question from The Daily Beast about how Scientology tried to recruit him. He’s careful to say how his good friend, ex-Scientologist Jason Beghe, “never tried to recruit me,” but someone tried to lure him in (during Beghe’s wedding reception), and then this happened:

I did go to [Jason’s] wedding at the Celebrity Centre in Los Angeles, and they made a play for me. I did squeeze the cans and I did a session on the E-meter, and I realized immediately, because they’re asking very personal questions, that they were gathering information that I didn’t want to give out to a stranger. So, the session didn’t go well. I didn’t play by the rule, and I never went back. And Jason, to his credit, never tried to recruit me. He only “recruited” me in the sense of saying, “This is great, and I think you should try it,” not anything harder than that.

Duchovny added that he and Jason “drifted apart” during his years in Scientology, which is how they do things because they consider those who aren’t in the organization to be “suppressive persons.” The Californication star also noted that Jason’s “vocabulary was different” and his views “had changed completely” during those years. However, it’s worth noting that Beghe left Scientology in 2007 and did a video interview in the aftermath. Within that deep dive, he revealed how he and David reunited to hang out, and David asked him what Scientology was really all about. Jason tried to explain the Xenu stuff, and then they both completely lost it, dissolving into laughter and rolling around on the floor with tears streaming down their faces. Good times.

(Via Scientology & Mark Bunker on Vimeo)

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Report: Stephen A. Smith Wants ESPN To Form ‘A Big 3’ With Magic Johnson And Michael Wilbon

Stephen A. Smith apparently has an idea that he wants to see come to fruition over at the Worldwide Leader. According to Andrew Marchand of the New York Post, Smith wants to team up with former ESPN analyst Magic Johnson and, potentially, longtime network personality Michael Wilbon on broadcasts that lead into some of its biggest NBA games, including the Finals.

Smith wants to team up with Johnson, possibly on “NBA Countdown,” the pregame show that leads into the NBA Finals and other marquee games, according to sources.

Smith’s ideal setup would be to have a Big 3 that also includes “Pardon the Interruption” co-host Michael Wilbon, who often works alongside Smith on “SportsCenter.”

The network’s basketball programming has been in a state of flux in recent months. While NBA Countdown has never received the publicity that its TNT counterpart, Inside the NBA, receives as a pregame show, the group of Maria Taylor, Jalen Rose, Jay Williams, and Adrian Wojnarowski settled into a groove dating back to last year. But following Taylor’s departure to NBC at the end of the NBA Finals, there’s no word on how ESPN plans to move forward.

Marchand did note that while there has been some hesitancy in the past to have the ubiquitous Smith in this spot because “the league feels his style is too opinionated and not the right tone to lead into its main event,” he tends to get what he wants now that he is ESPN’s most prominent personality. The question that still exists, though, is how this sort of thing would work — Marchand mentioned that possibilities exist like Johnson appearing as one of the folks who replaces Max Kellerman on First Take and the trio coming together for Smith’s already-established midweek SportsCenter in the lead-up to NBA games on Wednesdays.

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Chris Stapleton Brought A Bluesy Rendition Of ‘Worry B Gone’ To ‘Late Night’

Currently on his All-American Road Show tour, Kentucky favorite Chris Stapleton stopped by Late Night With Seth Meyers last night to perform a bluesy rendition of his Guy Clark cover, “Worry B Gone,” which appears on last year’s Starting Over.

Rocking a giant turquoise-studded hat, Stapleton performed surrounded his band, which includes his wife and backing vocalist Morgane Stapleton. Together, they rolled out a spirited reimagining of Clark’s 2006 track, which longs for a medicinal escape from “a world of trouble I need to forget.”

Chatting with Vulture about his decision to cover the late Clark, who died in 2016, Stapleton said last year, “With musicians, it’s saddening for those of us who loved all their music because you wonder what else was there. Like, ‘Man, we’re not going to get anymore music.’ The cool thing with musicians is that a lot of their wisdom and humor and life is recorded. I don’t have that with my dad, or my aunts and my uncles, or my grandparents. I don’t have recordings of them pondering the world. But we get that with musicians. So in the coolest way, while it’s tragic that we lose some of these folks, musicians get to live on.”

Check out Stapleton’s appearance on Late Night With Seth Meyers above.

Starting Over is out now via Mercury Nashville. Get it here.

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Kind scuba divers try to convince a tiny octopus to trade its plastic cup for a shell

Sometimes taking care of our beautiful home planet looks like big, broad policies tackling issues like plastic pollution and habitat destruction. And sometimes it looks like taking the time to help one tiny creature in an environmental bind.

In a YouTube video that’s been viewed a whopping 18 million times, we see an example of the latter in action as a group of divers attempt to convince an octopus to abandon the plastic cup it’s using for protection and trade it for a sturdy shell. Pall Sigurdsson has shared dozens of underwater videos on YouTube, but watching this particular video from a dive off the coast of Lembeh, Indonesia almost feels like watching a Pixar short film.

“We spent a whole dive and most of our air saving this octopus from what was bound to be a cruel fate,” Sigurdsson wrote in the description of the video.

“The coconut octopus, also known as veined octopus, is born with the instinct to protect itself by creating a mobile home out of coconut or clam shells. This particular individual however has been trapped by their instincts and have made a home out of a plastic cup they found underwater.”

Sigurdsson explained that a predator like an eel or a flouder would probably end up swallowing the cup with the octopus in it, likely killing both of them.

“We tried for a long time to give it shells hoping that it would trade the shell,” he wrote. “Coconut octopus are famous for being very picky about which shells they keep so we had to try with many different shells before it found one to be acceptable.”

If you think an octopus in a cup making a decision about shells doesn’t sound riveting, just watch:


Octo in a cup

www.youtube.com

The tentacles reaching out to test the weight of each shell, the divers searching for more options to offer it, the suspense of wondering whether the octopus really would abandon its pathetic plastic pollution protection…it’s just too much.

Funny how one small interaction in one tiny portion of the vast ocean can say so much about us, for better and for worse. Human pollution is an enormous problem and saving one little octopus won’t save the world, but it sure gives us hope and motivation to keep trying.

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20-year-old nomad who chooses to live in a van shares how she stays safe and thrives on the road

Do you ever fantasize about quitting your job, moving out of your place, and living life on the road? Seems impossible, right? How do you make money? How do you stay safe? How do you survive without all of the creature comforts you’re accustomed to?

Abigail Martin, a 20-year-old photographer and social media influencer, has taken that giant leap into the unknown by buying a conversion van and taking it on the road. On her TikTok page, she shows people what nomadic life is like and how anyone can join her.

It all started when she was in high school and started watching #VanLife videos online. By the time she graduated, she had no interest in going to college or joining the rat race.


So she worked four jobs until she saved up $18,000 to purchase a 2017 Ford Transit with 54,000 miles on it. It cost an extra $10,000 to install a bed, a kitchen, and to set up the electrical.

“In the morning, I would work at a coffee shop from 6 a.m. to noon, then I would walk across the street to a boutique from noon to 6 p.m,” she told The New York Times. “Then I’d go waitress at a restaurant from 6 p.m. until closing. On off-days, I was running my own photography business.”

Abigail purchased her van during the height of lockdowns and used her TikTok page to engage with people when we were all forced to be apart. Now, her page has over 730,000 followers and her videos have 18.3 million likes.

If you’ve ever dreamed of dropping out and living life on the road, here are a few videos we’ve selected from Abigail’s page to get you started.

How does the electricity work?

@abigailmartiin

How i have electricity in my van!! #vanlife #fyp #climber #washingtoncheck #vanconversion #foryoupage #vanbuild #outdoors #travel #hiking

How does she use the restroom?

@abigailmartiin

How i go potty 🕺🏼 #vanlife #vanconversion #fyp #adventure #travel #toilet #camping #foryou

How does she shower?

@abigailmartiin

see i’m not a dirtbag 100% of the time 😉 #vanlife #fyp #caravanning #vanbuild #solofemaletraveler #camping #adventure #travel

How does she make money?

@abigailmartiin

Reply to @ihave.6babydaddies i do work & heres how! #vanlife #buslife #travel #fyp #solofemaletravler #photographer #adventure #camping

How does she stay safe?

@abigailmartiin

Reply to @whyamisigningupforthis How i stay safe! #vanlife #vanbuild #solofemaletraveler #solofemalevanlife #outdoors #travel #fyp

How to identify a sketchy campsite.

@abigailmartiin

fun times as a solo female :))) #vanlife #solofemalevanlife #adventuredog #fyp #travel #pnw

What’s her morning routine like?

@abigailmartiin

a morning in a van. #vanlife #fyp #travel #camping #vanconversion #solofemaletraveler #adventure #foryou #morningroutine #breakfast #coffee

Abigail shares her greatest realization.

@abigailmartiin

here’s your daily existential crisis 🙂 go live yo life #motivational #fyp #vanlife #travel #adventure #inspirational #solofemaletraveler