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Four big takeaways from National Geographic’s new ‘Fauci’ documentary

When I first saw the preview of National Geographic’s documentary about Anthony Fauci, I was confused. My assumption was that the documentary was made to profile his role in the COVID-19 pandemic response as that’s how he became a household name. How did the filmmakers know they would need to get footage of Fauci at the very beginning of the pandemic, when no one knew yet what it would become?

The answer is: They didn’t. This film was never intended to be about this pandemic at all. The profile of Anthony Fauci was planned by award-winning filmmakers John Hoffman and Janet Tobias in 2018 and they began filming in the fall of 2019, several months before anyone had even heard of SARS-CoV-2. The filmmakers originally planned to highlight Fauci as a lesser-known public servant, focusing primarily on his work throughout the AIDS pandemic.

What they ended up with is parallel stories of Fauci’s AIDS work and Fauci’s COVID response, and their “lesser-known” subject becoming a superstar during the making of the film. In fact, the press release for the film included the following, which is an unusual disclaimer but one the filmmakers felt necessary in the current climate: “Dr. Fauci had no creative control over the film. He was not paid for his participation, nor does he have any financial interest in the film’s release.”



Fauci | Official Trailer | National Geographic Documentary Films

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The film flips back and forth in time from the ’80s and ’90s to the past two years, showing us the work of a much younger Fauci beside his current, impressively spry, 80-year-old self. Here’s what stood out most to me:

The man is the epitome of a dedicated public servant.

Regardless of what the whackadoodle conspiracy theorists think, Fauci’s dedication to his work is unparalleled. While he is paid well—at $418,000/year he makes more than the president—his salary is not outrageous for a doctor who has been working for decades, and seeing him in his home, it’s clear he’s not living an opulent lifestyle. He says he feels a “very deep sense of responsibility” in his work, which is clear when you see his career play out in this film.

He’s not afraid to tell the truth.

Fauci is a tough cookie in the best way. He knows he’s “the bad guy” to a certain subset of the population. “I represent something that’s uncomfortable for them,” he says in the documentary. “It’s called the truth.”

President George W. Bush told filmmakers that when Fauci meets with you, you know he’s going to lay out the facts no matter how they might affect the politics. “Tony Fauci doesn’t come into the Oval Office to make you look good,” he laughed.

During the first year of the COVID pandemic, Fauci found himself in the unique position of having to fact-check the president in real time. He also faced resistance from within. The film actually opens with Fauci on the phone being told that the White House had declined TV spots about COVID vaccine development because the president wanted to focus on the economy. When the filmmakers asked Fauci about his meetings with the president early in the pandemic, he gently laughed and said, “Yikes.” That pretty much sums things up.

Fauci has served under six presidents and always with the goal of keeping the science at the forefront. As a government employee, he has to deal with policy, but as we see behind the scenes in his work with the AIDS crisis as well as the COVID pandemic, he doesn’t care about politics. He cares about science—and he cares about people.

His empathy is what makes him effective in his work.

What was most striking in seeing Fauci’s career play out is how often he talks about putting himself in other people’s shoes and seeing things from their perspective. When AIDS activists protested the National Institutes of Health’s handling of AIDS treatment, he didn’t dismiss them. He listened. He went to activist meetings and dialogued with them. He thoughtfully explained what they were wrong about, and also thoughtfully acknowledged what they were right about.

“My weapon, in addition to the science, is speaking to the American people,” he says. People who saw him as an enemy grew to admire him. In fact, one AIDS activist who had led protests outside the NIH during the AIDS crisis said he has been regularly checking in with Fauci to see how he’s doing with the vitriol and threats he’s received during the COVID pandemic. (Fauci is a level-headed guy, but we see him drop an angry f-bomb when his daughters were being threatened.)

As a disease specialist, Fauci is brilliant. But he has an intuitive finger on the pulse of human nature as well, which makes him ideally suited to the work he does.

Fauci hasn’t changed. Our society has.

Seeing certain people call for Fauci to be fired and accusing him of lying, covering up research, causing the pandemic or [fill-in-conspiratorial-Tucker-Carlson-talking-point-here] feels utterly ridiculous. The man is 80 years old and has dedicated his entire life to fighting and treating infectious diseases. The idea that he would somehow suddenly become some kind of evil player in a global conspiracy to control the masses or whatever inane idea people have come up with is ludicrous.

Fauci was vilified early in the AIDS pandemic, but it was nothing compared to what he’s experienced with COVID-19. “The whole atmosphere strains your concept of what normality is,” he says in the doc. Our divisiveness can’t continue if we hope to be prepared for the next pandemic, he says. It just won’t work. And we have a common enemy—the virus—which should be uniting us.

That goes for Americans as well as our global society.

“When you have a global pandemic, you need a global solution,” says Fauci. “To think you can just take care of yourself … is just folly.”

As the film shows, we got there with AIDS. The life-saving AIDS cocktail was developed in the United States, $15 billion was invested by the second Bush administration to distribute the medicines to vulnerable populations across Africa, and Democrats and Republicans united to back the investment.

Much of the success of AIDS treatment is owed to Dr. Fauci. And I am 100% sure that history will be much fairer to him than many Americans have been during this pandemic.

“It’s always the sustained investment in science that rises to the occasion,” says Fauci. Again, always putting the spotlight back on the science.

“Fauci” can be seen by all Disney+ subscribers on October 6, and you can read more about the making of the film here. Definitely worth a watch.

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Jen Psaki had the perfect response to a Fox New reporter defending violent school board meetings

School board meetings have become the new front line in America’s culture wars. Over the past few months, there have been countless viral videos of angry parents spouting off on school board podiums about a whole host of issues.

There have been aggressive debates over mask mandates, the teaching of critical race theory and transgender equality.

School board meeting disruptions have become such a regular part of American life they were lampooned last weekend on “Saturday Night Live.”


However, threats to school boards are a serious issue and the Biden Administration should get ahead of the problem by taking a strong stance against those who threaten our educators. Recently, school board officials across the country have been threatened with violence, including one incident where a protester brandished a flagpole against a school board official.

The National School Boards Association sent a letter to the Biden Administration stating that, “These heinous actions could be the equivalent to a form of domestic terrorism and hate crimes.”

The threats have prompted U.S. Attorney General Merrick Garland to address the issue. In response, Garland directed federal authorities to meet with local law enforcement over the next month to discuss strategies for addressing the increase in “harassment, intimidation and threats of violence against school board members, teachers and workers” in public schools across the country.

Just about every American would agree that we should work to protect school board members from threats of violence. However, Fox News reporter Peter Doocy used Garland’s decision to crack down on violent threats as a way to rile up conservatives.


Jen Psaki vs. Peter Doocy on concerned parents

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He completely mischaracterized Garland’s directive in a question he asked White House Press Secretary Jen Psaki on Wednesday.

“Does the administration agree that parents upset about their kids’ curriculums could be considered domestic terrorists?” he asked.

“Let me unravel this a little bit,” Psaki answered, saying that Garland is “correct” to say that threats of violence against public servants “run counter to our nation’s core values.”

“Regardless of the reasoning,” she said, “threats and violence against public servants is illegal.”

Doocy then took things in an even more convoluted direction by claiming that Joe Biden was being hypocritical on the issue of protests.

“Something you said on Monday after some protesters were hounding Kyrsten Sinema into a restroom,” Doocy said, “You said, ‘The president stands for the fundamental right of people to protest, to object, [and] to criticize.’ So does the president support the fundamental rights of these parents to protest at school board meetings?”

“Of course,” Psaki said. Then, she took a moment to explain the difference between “violence” and “nonviolence” to Doocy.

“But he doesn’t stand for the fundamental right – I assume you don’t either – for people to take violent action against public servants. And that’s what the threats are about. And so, no, he doesn’t stand for that,” she said firmly. “No one should.”

When reporters like Doocy make bad faith arguments over issues as important as threats of violence to America’s educators, he puts them at risk by muddying the waters around the issue. If his logic finds its way to Fox News and people believe the Biden Administration wants to unleash the FBI on parents, he risks inspiring even more people to consider violent action on their local educators.

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Built To Spill Signs To Sub Pop And It’s An Indie Rock Match Made In Heaven

The pride of Boise, Idaho, Built To Spill are one of the most beloved and time-tested acts in indie rock. Now the band, led by venerable frontman Doug Martsch, have signed to Seattle’s storied Sub Pop Records label in what feels like a match made in indie heaven. Sub Pop will now release and distribute Built To Spill’s music throughout the world and they’ve made no secret about how happy they are in a statement:

Over the course of 8 studio albums, a compilation, a live record, and consistently legendary live shows, Doug Martsch and his band have created some of our favorite music of the last few decades. We’re feeling pretty pleased with ourselves on this one.

Can you blame them? If you’ve been to a Built To Spill show at any point in your life, it’s instantly obvious what a treasure the band is. They’re one of the defining bands of the West Coast indie sound and in fact, have also announced a western U.S. tour. The full dates are below and look out for their Sub Pop Records debut album in 2022.

Built To Spill Tour Dates

Thu. Dec. 16 – Seattle, WA – The Showbox at the Market*
Fri. Dec. 17 – Portland, OR – Revolution Hall [SOLD OUT]*
Sat. Dec. 18 – Olympia, WA – Capitol Theatre*
Sun. Dec. 19 – Tacoma, WA – Spanish Ballroom at Elks Temple*
Wed. Jan. 26 – Seattle, WA – The Crocodile ^ !
Thu. Jan. 27 – Seattle, WA – The Crocodile ^ !
Sat. Jan. 29 – Portland, OR – Wonder Ballroom ^ !
Sun. Jan. 30 – Portland, OR – Wonder Ballroom ^ $
Mon. Jan. 31 – Eugene, OR – Sessions Music Hall ^ ! $
Wed. Feb. 02 – Sacramento, CA – Harlows ^ $
Thu. Feb. 03 – Santa Ana, CA – The Observatory ^ $
Fri. Feb. 04 – Las Vegas, NV – Brooklyn Bowl ^ #
Sat. Feb. 05 – Pioneertown, CA – Pappy & Harriet’s (Outdoors) ^ $
Mon. Feb. 07 – San Diego, CA – Belly Up ^ $
Tue. Feb. 08 – Los Angeles, CA – Echoplex ^ $
Wed. Feb. 09 – Los Angeles, CA – Echoplex ^ $
Thu. Feb. 10 – Santa Cruz, CA – Rio Theatre ^ $
Fri. Feb. 11 – San Francisco, CA – The Fillmore ^ $
Sat. Feb. 12 – San Francisco, CA – The Fillmore ^ $

* w/ Team Dresch
^ w/ Prism Bitch
# w/ Dinosaur Jr.
! w/ Oh, Rose
$ w/ Itchy Kitty

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‘Archer’ Said Goodbye To Jessica Walter With A Lovely Tribute, And It’s Making People Emotional

The Archer season 12 finale paid tribute to the great Jessica Walter, who died in March at 80 years old. The episode, titled “Mission: Difficult,” concludes with Archer (voiced by H. Jon Benjamin) reading a letter written to him by his mother, Malory (Walter).

“My dearest Sterling,” the note reads, “do you remember what I told you on your first day of training? You probably don’t, but it was, ‘Always know where the exits are.’ And with all the chaos and confusion of late, I thought it would be wise to make my own exit, in my own time, on my own terms, and in a way that I can never be found by my enemies, or all my lovesick paramours, who are literally countless.” It continues:

“And so I’ve decided that it’s time to pass the torch. Try not to burn yourselves with it. And I know my decision may seem abrupt, but we don’t always get to choose the perfect moment. Take care of yourselves, especially you my Sterling, because from wherever I am, I’ll be watching over you. Love, mother.”

In the final shot of the episode, Malory is relaxing on a beach with a drink in one hand. In the other? The hand of Ron Cadillac, voiced by Walter’s real-life husband, Ron Leibman, who passed away in 2019. It was a lovely homage to an incredible career.

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The Navy SEAL Who Killed Bin Laden Went Nuclear On Fox News Putting Profits Over People And Country: ‘It’s All About Money’

Robert O’Neill is the Navy SEAL who killed Osama Bin Laden, and while his time in the military may be over, he’s still taking shots at his enemies — and apparently, Fox News is top of the list.

O’Neill who, (at least) up until August of this year, was a regular contributor of the network, took to Twitter on Wednesday, blasting his former bosses in a series of damning posts that accused the network of valuing profits over people. The rant started with O’Neill addressing the situation in Afghanistan, an ongoing crisis sparked by President Biden’s controversial decision to withdraw U.S. troops from the region.

He followed that up with a direct call out to those in charge at Fox News, claiming the ones making decisions at the network knew the government’s game plan for the country and didn’t do a good enough job of reporting the truth to their audience.

“Seriously, don’t let Fox News fool you,” O’Neill wrote in a now-deleted tweet (via Mediaite). “They were in on it too… They don’t care about you. It’s all about money.”

And, in case you weren’t reading between the lines of those other tweets, he then shot off this post that compares the network to the militants he faced while touring overseas.

Fox News has confirmed (via Mediaite) that O’Neill is no longer a contributor for their network, which scans because lately, he’s been encouraging his followers to tune into their competitor, Newsmax.

Things must be pretty bad if the guy who made his name from killing a known terrorist, and who has been advocating for shooting people in the streets as a way to solve the problems in Afghanistan, thinks the people who work at your network are scummy.

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Gang Of Youths’ ‘The Man Himself’ Is A Powerful Meditation On Losing A Loved One

Following the July release of the Total Serene EP, Aussie rockers Gang Of Youths have given us perhaps the first taste of their yet-to-be announced upcoming album. “The Man Himself” finds singer Dave Le’aupepe pondering what his future looks like without his father by his side — whom he told Uproxx’s Steven Hyden in an interview last month was his “best mate in the whole world.” Before his father passed away of cancer in 2018, Le’aupepe knew nothing of his history in coming to Australia from Samoa and it has lit a fire inside of the singer to connect with his roots.

The song opens with pristine strings that unfurl into a drum and bass beat before Le’aupepe delivers the song’s chorus with an emotive tour de force akin to Bono:

Hey, now
I dunno what to feel, I dunno how to feel right
But I want to become my own man, I guess
Hey, now
I dunno if I’ll ever feel right
And let everything change to things that can make a man grow tall

The tension he feels when grappling with the road of life without his father is palpable, and we’re driven to ride this grief-stricken wave alongside him. And while the band is thriving since recently re-locating to London, Le’aupepe is still very much pondering how to move forward without his best mate.

“If I ever have kids I’m not really sure how to raise them without my dad helping me out.”

Gang Of Youths is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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So, ‘The Boys’ Might Really Be Bringing Back Stormfront (Despite, Well, You Know) After All?

WARNING: Spoilers for The Boys Season 2 finale below.
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In the aftermath of The Boys brutal Season 2 finale, Aya Cash’s Stormfront was basically reduced to a bloody stump after the white supremacist addition to The Seven pushed Homelander’s son to his breaking point with deadly results. While the show’s creator has confirmed that Stormfront is not dead, there’s not a whole lot she can do in her current “Stumpfront” form, and Cash has previously stated that she only had a contract for one season. With that information in mind, it sure seemed like Stormfront’s story is over, but the latest Season 3 promotional video is definitely throwing The Boys fans for a loop.

In the new “Seven on 7” clip, Vought News Network claims that Stormfront is “securely locked away” following the events of Season 2, but that hasn’t stopped a group of rabid devotees from taking up her mantle. Via Entertainment Weekly:

Since then, a group of Stormfront loyalists calling themselves the Stormchasers have apparently risen up to “keep fighting for Stormfront’s vision for the future” — which, spoiler, was pretty racist.

The Stormchasers also seem convinced that Stormfront is not locked up, which raises all kinds of questions about whether Cash is actually returning to the show for Season 3. She previously told EW, “I’m on a new Fox show now called This Country. My contract for The Boys was only for a year so, who knows? Maybe they can CGI my face in.”

Of course, a little bit of misdirection is part of the superhero genre at this point, and with this latest video, it sure sounds like Cash could be returning as one angry, vengeful, little stump.

(Via Entertainment Weekly)

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What’s On Tonight: Everyone’s A Suspect On ‘One Of Us Is Lying,’ And ‘House Haunters’ Is Exactly What It Sounds Like

One of Us Is Lying: Season 1 (Peacock series) — The New York Times bestselling novel comes to life when a group of give teens go to detention, and one of them does not emerge. Naturally, the four remaining students are all suspects, and all of them are looking sketchy for one reason or another.

House Haunters: Season 1 (Discovery+ series) — Yep, this house is exactly what it sounds like: a play on the long-running House Hunters series. Join up with comedian Anthony Anderson and his mom, Doris, who inject some horror into the housing market by pranking the hell out of prospective buyers and their realtors alike.

Baker’s Dozen: Season 1 (Hulu series) — Culinary competition series (very successful on Hulu following Taste The Nation) are so hot right now (yes, like Zoolander‘s Hansel), so watch out, The Great British Bake Off. Actress Tamera Mowry-Housley and chef Bill Yosses (who previously whipped up pastries in the White House) will judge amateurs as they face off with professionals.

Ghosts (CBS, 9:00pm) — A freelance journalist and a chef move into a massive country estate while hoping to transform it into a bed-and-breakfast. As the title indicates, however, there are ghosts afoot, and they’re comedic. So, there’s a Prohibition-era lounge singer, a hippie who indulges in hallucinogens, a scout leader, and a Militiaman. Oh boy.

Law & Order: SVU (NBC, 8:00pm) — Season 23 (!) sees Benson and Fin push back after Chief McGrath tightens up regulations, following the precinct crossing paths with Meloni and the Organized Crime crew.

Law & Order: Organized Crime (NBC, 10:00pm) — Dylan McDermott’s Wheatley will supposedly be around more this season, and I’m patiently waiting for his octopus accomplice, too, but this episode will hopefully follow up on that Kathy Stabler revelation while a bearded Elliot reels.

Sexy Beasts: Season 2 — Well, no one expected this show to return so soon, so I guess that one could consider it a… force of nature? It’s a nightmare of a concept, and one can’t look away from the trainwrecky aspect of people going into hours of prosthetic work to go on a date. And I’m not sure, really, if these contestants find it more or less hurtful to be rejected without any consideration of looks? That’s either so much better or so much worse than the usual dating hell out there. Yet obviously, someone did this poor rabbit dirty. Will Rob Delaney return as well? Surely, he can’t let the bunny down.

Late Night With Seth Meyers — Jason Sudeikis, Brendan Hunt, Joe Kelly

Doom Patrol: Season 3 (HBO Max series) — DC’s struggling misfit superheroes are back for another round of being portrayed by an incredible cast. Brendan Fraser has received plenty of raves for his fury-filled Cliff Steele/Robotman, and more kudos should go to Diana Guerrero (Orange is the New Black) as Crazy Jane, which is actually a role that requires Diane to play dozens of incarnations, including a very timely take on a Karen.

In case you missed this pick from last week:

The Problem With Jon Stewart (Apple TV+ series) — Jon Stewart’s return to TV fast approaches, and it could be argued that he’s never been needed more on TV than this particular moment. The former The Daily Show host will be doing the current-events thing with an episode every two weeks, which isn’t as frequent as fans might prefer, but we’ll trust the process. According to Apple TV+, viewers can expect Stewart to go deep on a single subject per episode with a “solutionary” approach, and yes, there are jokes.

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‘Eternals’ Star Kumail Nanjiani Says He Got Ripped Because He Wanted To, Not Because Marvel Told Him To

Kumail Nanjiani didn’t get ripped / jacked / shredded / etc. because Marvel required him to. It was his choice. In an interview with GQ, the actor and comedian, whose shirtless photos broke the internet in December 2019, revealed that Oscar-winning Eternals director Chloé Zhao was surprised to see his new physique. Surprised, and annoyed.

“Chloé got a little upset at me for getting in shape… I shouldn’t say ‘getting in shape.’ For changing my body to look a certain way,” he said. Zhao responded, “I wanted to make sure he didn’t feel like he had to do it for me.”

Nanjiani explained his decision further:

“If I’m playing the first South Asian superhero, I want to look like someone who can take on Thor or Captain America, or any of those people,” he says. But also because the character shrouds himself in the guise of a Bollywood star. Nanjiani grew up watching Bollywood movies — “From the ’60s to the ’90s I know basically every big [one],” says Nanjiani — so he knows those guys are jacked. “I was like, I want this to be believable. I want to feel that kind of powerful in this role.”

Since changing his body to look a certain way, as he put it, Nanjiani has noticed that people, in particular men, look at him differently: they want to fight him. “I just see the little child inside them, like a little child pretending to be a big, strong man,” he said. “It’s laughable if it wasn’t so fucking devastating — and causing so many problems in the world. I just want to be like, Dude, if you learn how to cry, you’d just be a lot happier.”

If you see Kumail Nanjiani walking down the street or in the gym, please do not turn into Izzy Mandelbaum. He would appreciate it.

Eternals comes out on November 5.

(Via GQ)

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Meet The Duo Reimagining New York Comedy Spaces For Our Era

Beginning last year, with the havoc of the pandemic and the rise of work-from-home culture, people and publications have steadily lamented the “end of New York City.” And it’s true, many who called the city home have flocked to less dense (and more affordable) areas. We’re not going to deny that there is a definite shift occurring in our country — Manhattan and Brooklyn rental prices have dropped for the first time in a long while — as we grapple with the reality of living in unprecedented times. But don’t let anybody ever convince you that New York is capable of dying. This is New York we’re talking about, it’s known as the city that never sleeps for a reason.

Give them a minute and the citizens of the Big Apple will find new ways to innovate and breathe new life into anything they touch. Just ask Mickela Mallozzi — dancer, travel show host, and proud New Yorker — who wrote about this very subject for our Fall Experiences Guide.

For David Levine and Ethan Mansoor, the chance to be part of how NYC emerges from the pandemic means shaking up the renowned New York comedy scene — making it more accessible and omnipresent than ever. The idea is Overground Underground, which takes unorthodox places and turns them into punk rock DIY comedy venues. A barbershop, a laundromat, a boxing ring, and a rooftop are all great comedy venues in the minds of Levine and Mansoor.

Overground Underground

“Honestly, we had no idea what this would turn into,” Levine says. “It’s not that old school clubs needed a revamp, but there’s a lot of formality that we don’t always want when we’re seeing shows. You’re seated somewhere specific, there are item minimums and then you have to wait around for the check to come before you can get up. The second our shows end there’s music blasting and people get to laugh about the sets and move around the room.”

Levine and Mansoor’s shows blur the lines between audience and performer in an effort to create something more intimate and communal.

“Comedians just want a good crowd to perform for,” Levine says. “We’re a bunch of lively 21-25-year-olds drinking in a laundromat and they love that energy when they’re on stage… They’re creative people, so as long as the shows are well run and concentrated on the comedy, they applaud the unorthodox venue choices and willingness to take a risk.”

Overground Underground

Levine and Mansoor’s efforts arent just for comedy’s experimental new kids — they’re also attracting big names and regulars from New York’s Comedy Cellar, like Sherrod Small, Phil Hanley, Kerry Codett, Mark Normand, and Dave Attell, who have all performed sets for Overground Underground crowds. It’s a reminder that New York is, and will probably always be, the epicenter of American comedy.

“Yes, and…” that, Los Angeles.

Check out Overground Underground’s Instagram to stay up to date with the crew’s latest dates, which include upcoming performances at Soho Ink on October 23rd and Economy Candy on November 3rd.

Overground Underground