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Last Updated: August 5th

Even though the streaming wars are heating up and every studio/network seems to be building their own platform, Netflix still has, arguably, the best movie library of them all. They’re getting better at categorizing them too, but when you have a film library that big, it’s hard to make sure all of the worthwhile titles get seen. That’s where we come in. Let this must-watch list be your guide to the overcrowded streaming landscape and an end to the mindless scrolling through Netflix’s movie catalog. There’s something for everyone here and it’s all good.

Related: The Best Stand Up Specials On Netflix Right Now

The White Tiger (2021)

Run Time: 125 min | IMDb: 7.2/10

Priyanka Chopra stars in this crime drama based on a NY Times bestselling book. Adarsh Gourav plays Balram, an academically gifted young man hailing from one of the lowest castes in Indian society. He longs to break free of the poverty and systemic oppression that prevent him from going to school and bettering his station, so he becomes a driver for a very wealthy family. Chopra plays the wife of Balram’s employer and over the course of the film, their lives become intertwined in extreme ways as Balram does whatever he must in order to rise through the ranks and earn a better life.

Ma Rainey’s Black Bottom (2020)

Run Time: 94 min | IMDb: 7.2/10

This dramatic interpretation of August Wilson’s iconic play is already garnering considerable awards buzz. That’s mainly due to Viola Davis, who turns in a stunning performance as the legendary Blues singer, and the late Chadwick Boseman, who plays a frustrated young Jazz musician whose ambition disrupts a fateful recording session.

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Mank (2020)

Run Time: 131 min | IMDb: 7.2/10

David Fincher directs a who’s-who for this biographical drama centering on screenwriter Herman J. Mankiewicz during the time he was crafting the script for Citizen Kane. Gary Oldman plays Mank, a singular kind of man engaging in emotional affairs with Hollywood actresses (played by Amanda Seyfried) and on-set feuds with directors like Orson Welles, and we watch as work on perhaps his greatest project slowly upends his personal life.

The Departed (2006)

Run Time: 151 min | IMDb: 8.5/10

Leonard DiCaprio, Jack Nicholson, Matt Damon, Mark Wahlberg, and Alec Baldwin star in this crime thriller from Martin Scorsese about an undercover cop and a mole in the police department who attempt to identify each other while infiltrating an Irish gang in Boston. DiCaprio plays the good guy (or as close as) with Billy, a disturbed officer playing the part of a criminal to get close to Nicholson’s kingpin, Frank. Damon plays the rat, Sullivan, who serves as a police officer on the force, but really works for Frank. The two unknowingly thwart each other at every turn, playing a thrilling game of cat and mouse before their secrets eventually come out.

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There Will Be Blood (2007)

Run Time: 158 min | IMDb: 8.2/10

Daniel Day-Lewis stars in this gritty, Oscar-winning drama from Paul Thomas Anderson playing a turn-of-the-century prospector, who risks his faith and his family for oil. Daniel Plainview is a shrewd, callous businessman who adopts the orphaned son of a dead employee to make himself look more appealing to investors. When he hits oil in California, he wages a war with a local preacher and his family who stand in the way of Daniel’s progress. Violence and yes, plenty of blood, follow.

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Snowpiercer (2013)

Run Time: 126 min | IMDb: 7.1/10

Chris Evans stars in this sci-fi thriller from auteur Bong Joon-ho. The film, set years into the future following a devastating ice age caused by mankind, follows Evans’ Curtis who lives in poverty on a train that continuously circles the Earth and contains all that remains of human life. Curtis is part of the “scum” that the people relegated to the back of the train while the “elite” enjoy the privilege of wealth and status that comes with living in the front. Curtis sparks a rebellion that ends in bloodshed and a devastating reveal when he makes it to the train’s engine room and discovers just how the elite have been fueling their operation. It’s a dark, grimy action piece that should give fans a new appreciation for Evans’ talent.

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Million Dollar Baby (2004)

Run Time: 132 min | IMDb: 8.1/10

Clint Eastwood directs and stars in this sports drama that catapulted Hillary Swank into the ranks of Oscar-worthy echelon. Swank plays Maggie Fitzgerald, a woman determined to dominate inside the ring. To do that, she needs to put in hard work and find herself a hardened coach who believes in her. Enter Eastwood. The two have a combative, emotionally heavy relationship that only gets more complicated as Maggie begins taking on dangerous fights.

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The Irishman (2019)

Run Time: 209 min | IMDb: 8.7/10

Martin Scorsese delivers another cinematic triumph, this time for Netflix and with the help of some familiar faces. Robert De Niro and Al Pacino team up (again) for this crime drama based on actual events. De Niro plays Frank Sheeran a World War II vet who finds work as a hitman for the mob. Pacino plays notorious Teamster Jimmy Hoffa, a man who frequently found himself on the wrong side of the law and the criminals he worked with. The film charts the pair’s partnership over the years while injecting some historical milestones for context. It’s heavy and impressively cast and everything you’d expect a Scorsese passion-project to be.

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The Irishman (2019)

Run Time: 209 min | IMDb: 8.7/10

Martin Scorsese delivers another cinematic triumph, this time for Netflix and with the help of some familiar faces. Robert De Niro and Al Pacino team up (again) for this crime drama based on actual events. De Niro plays Frank Sheeran a World War II vet who finds work as a hitman for the mob. Pacino plays notorious Teamster Jimmy Hoffa, a man who frequently found himself on the wrong side of the law and the criminals he worked with. The film charts the pair’s partnership over the years while injecting some historical milestones for context. It’s heavy and impressively cast and everything you’d expect a Scorsese passion-project to be.

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Roma (2018)

Run Time: 135 min | IMDb: 7.8/10

Oscar-winning writer/director Alfonso Cuaron delivers what may be his most personal film to date. The stunningly-shot black-and-white film is an ode to Cuaron’s childhood and a love letter to the women who raised him. Following the journey of a domestic worker in Mexico City named Cleo, the movie interweaves tales of personal tragedy and triumph amidst a backdrop of political upheaval and unrest.

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Casino Royale (2006)

Run Time: 144 min | IMDb: 8/10

Casino Royale marks Daniel Craig’s first James Bond entry, but he plays the suave MI6 agent like he’s been doing it for decades. The film gives fans of the spy franchise a soft reset, as we’re introduced to the new Bond when he sets off on his first mission as 007. Bond’s tasked with catching a private banker funding terrorist operations by beating him in a high-stakes game of poker in Montenegro, and he’s joined by Vesper Lynd (a terrific Eva Green), an MI6 accountant with a secret that threatens to derail the mission and may cost Bond his life.

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The Pianist (2002)

Run Time: 150 min | IMDb: 8.5/10

An Oscar-winning Adrien Brody leads this World War II drama based on a true story about a Polish-Jewish pianist forced to survive during Nazi occupation. Władysław Szpilman, a talented musician, finds himself in Warsaw during the height of WWII where he helps to lead an uprising in a Jewish ghetto before being forced to flee for his life from German soldiers. Brody went full method for the role, losing a dangerous amount of weight to play a tormented, tortured Szpilman, so you kind of owe it to the guy to watch this one.

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Pan’s Labyrinth (2006)

Run Time: 118 min | IMDb: 8.2/10

Guillermo Del Toro’s fantasy war epic focuses on a young girl named Ofelia, who grows up during a time of political unrest in her native Spain after a brutal Civil War ravages the country. Ofelia escapes the horrors committed by her stepfather when she accepts a challenge from a magical fairy, who believes her to be the reincarnation of Moanna, the princess of the underworld. If she completes three tasks, she’ll achieve immortality. The film is a play on folklore and fables from Del Toro’s youth, but there’s an undercurrent based in reality — the real cost of war — that grounds this film and makes it even more compelling.

Nocturnal Animals (2016)

Run Time: 116 min | IMDb: 7.5/10

Amy Adams turns in a haunting performance as a woman being, well, haunted by her ex-husband. More specifically, by her ex-husband’s novel, a violent thriller she assumes is some kind of threat or tale of revenge. As Adams’ Susan reads the novel — which plays out as a kind of separate film — she reminisces on her relationship with her ex-husband (played by Jake Gyllenhaal) and her current relationship with her cheating spouse (Armie Hammer). It’s a beautifully-shot neo-noir that feels like the most dangerous break-up drama you’ll ever see.

The Social Network (2010)

Run Time: 120 min | IMDb: 7.7/10

It’s hard not to watch this Aaron Sorkin-penned, David Fincher-directed masterpiece and have your viewing experience colored by Facebook, and founder Mark Zuckerberg’s, many political misdealings. Jesse Eisenberg plays the boy genius, an outcast whose brainchild is the product of a bad breakup and sexism. He partners with Andrew Garfield’s business-minded Eduardo Saverin and the two create the famous social networking site before Zuckerberg outs his friend and alienates himself. The story isn’t new, but watching it play out is still thrilling, mostly because Eisenberg is just so damn good at being a dick.

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Superbad (2007)

Run Time: 113 min | IMDb: 7.6/10

Jonah Hill and Michael Cera play a couple of best friends in search of a good time in this raunchy high school comedy from pals Seth Rogen and Evan Goldberg. Seth (Hill) and Evan (Cera) hope to close out their senior year by getting wasted and getting laid with a blow-out to end all blow-outs. Their mission to get booze for the party, impress their crushes, and have a memorable night is derailed rather quickly thanks to fake IDs, a couple of incompetent cops, bar fights, and their own bickering. It’s a gross, over-the-top, and surprisingly poignant look at friendship and what happens when we outgrow people.

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The Trial Of The Chicago 7 (2020)

Run Time: 129 min | IMDb: 8/10

Aaron Sorkin’s star-studded courtroom drama is finally here, and besides carrying some serious Oscar buzz, it’s also delivering a handful of ridiculously good performances from its impressive cast. That cast includes everyone from Succession’s Jeremy Strong to Sacha Baron Cohen, Joseph Gordon-Levitt, Michael Keaton, Eddie Redmayne, and Watchmen breakout Yahya Abdul-Mateen II. The film follows the true story of a group of anti-Vietnam war protesters charged with conspiracy counts and inciting riots during a demonstration at the 1968 Democratic Convention. We heard that Strong asked Sorkin to tear-gas him for this thing so, yeah, it should be an intense watch.

Fruitvale Station (2013)

Run Time: 85 min | IMDb: 7.5/10

Michael B. Jordan carries this powerful drama from Ryan Coogler. The film marks Coogler’s debut and covers the true story of Oscar Grant III, a Bay-Area resident who was killed in 2009 by BART police officer Johannes Mehserle at the Fruitvale district station of the Bay Area Rapid Transit (BART) system in Oakland. Rather than focusing solely on the tragedy, Coogler weaves a compelling story of a young man who wrestled with his past and had hope for his future just before his life was taken from him.

Legally Blonde (2001)

Run Time: 96 min | IMDb: 6.3/10

Reese Witherspoon is a certified icon, and she owes at least some of her popularity to this film about a privileged young woman who defies the odds in order to chase her unavailable ex-boyfriend. Witherspoon plays Elle Woods, a bubbly, air-headed blonde sorority girl who gets into Harvard (what, like it’s hard?) in order to impress a guy who dumped her. She ends up surprising herself, though, when she reaches the top of her class and is given the chance to serve on a high-profile case by her slimy professor and his well-meaning T.A. (Luke Wilson). Sure, this movie’s been quoted and meme-d twice over, but there’s no way you won’t have fun watching Witherspoon mine as much humor as she can from her dumb-blonde routine.

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Good Time (2017)

Run Time: 101 min | IMDb: 7.3/10

This gritty crime drama hailing from the Safdie brothers transforms star Robert Pattinson into a bleach-blonde sh*t-stirrer from Queens who’s desperate to break his developmentally disabled brother out of prison. Pattinson plays Connie, a street hustler and bank robber with grand plans to break out of his urban hood while Benny Safdie plays his brother Nick, who gets roped into his schemes. When Nick is sent to Rikers Island for a job gone wrong, Connie goes on a downward spiral to get him back. Pattinson’s manic energy carries this thing, and there’s plenty of police run-ins, shootouts, and heists (however botched) to keep the adrenaline pumping.

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Chinatown (1974)

Run Time: 130 min | IMDb:8.2/10

Faye Dunaway and Jack Nicholson star in this neo-noir about a private investigator who becomes entangled in a government scheme. Nicholson plays Jake Gittes, a P.I. hired by Evelyn Malwray (Dunaway) to follow her husband and report on his dealings. It turns out, Mr. Malwray was at the center of a government cover-up as the local water authority was trying to run people off their land by drying up their water source. There’s a lot going on here — corruption, a twisted family secret, romance, and plenty of violence — but watching Nicholson confusedly sort through it all is most of the fun.

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Scott Pilgrim vs. the World (2010)

Run Time: 112 min | IMDb: 7.5/10

Edgar Wright’s 2010 action comedy about a hapless boy, who must defeat evil ex-boyfriends in order to win the hand of the girl he loves, is a fast-paced ride that bombards the senses. Michael Cera plays a loveable goof in the titular hero, a young man enamored with a woman named Ramona Flowers (Mary Elizabeth Winstead). In order to be with his lady love, Scott must fight her evil exes (six guys, one girl), who challenge him to truly strange contests. The film is a cinematic mash-up of Japanese anime and gamer culture, intended for the crowd who grew up on Nintendo and comic books, but it brings plenty of laughs all the same.

Lady Bird (2017)

Run Time: 94 min | IMDb: 7.5/10

Greta Gerwig’s love letter to her hometown of Sacramento, California follows Saoirse Ronan and Laurie Metcalf as they navigate the often-frustrating relationship between mother and daughter. Ronan plays “Ladybird,” a young woman attending Catholic school who longs for the culture and change of scenery that New York City promises. Her mother, Metcalf, is overbearing and overprotective, and the family’s lack of money and social standing contributes to a rift between the two. Some hard truths are explored in this film, but watching Ronan manage teenage angst, first love, and everything in between will give you all kinds of nostalgia.

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I’m Thinking Of Ending Things (2020)

Run Time: 134 min | IMDb: 6.8/10

Charlie Kaufman’s latest film is based on a book of the same name and stars Chernobyl’s Jessie Buckley as a young woman meeting her boyfriend’s parents for the first time, which normally would be a happy event except she’s secretly been planning to break up the with the guy. That guy is Jesse Plemons, who seems to be in everything these days, and along with Toni Collette and David Thewlis who play his parents, they make for hellish dinner mates. There’s a sinister vibe permeating everything about this straightforward plot so if you think you know how this ends, let us be the first to tell you: You don’t have a clue.

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Marriage Story (2019)

Run Time: 136 min | IMDb: 8.1/10

Noah Baumbach’s star-studded divorce drama is pure Oscar bait, but in the best way. The film takes a look at messy breakups with Scarlett Johansson playing an actress and mother named Nicole, who is intent on separating from her stage director husband Charlie (Adam Driver). Laura Dern and Ray Liotta play their hard-hitting lawyers, who don’t help in diffusing the tension and resentment building between the pair when Nicole moves herself and their son across the country. It’s an intimate look at the emotional wreckage of a divorce and the struggle to put a family back together again, and it’s carried by some brilliant performances by Driver and Johansson.

Uncut Gems (2019)

Run Time: 135 min | IMDb: 7.5/10

This adventurous mindf*ck starring Adam Sandler finally landed on Netflix, and our only advice before watching this criminally-good romp is this: prepare yourself for a wild, over-the-top ride. Sandler gives one of his best performances, and the Safdie Brothers prove they’ve got a knack for crafting thrillers textured with grit and a realness that just can’t be beaten.

The Devil All The Time (2020)

Run Time: 138 min | IMDb: 7.1/10

This time-hopping drama set in the backwoods of West Virginia is basically an excuse for director Antonio Campos to assemble his own Avengers-style squad of Hollywood A-listers. Seriously, everyone’s in this thing — Tom Holland, Robert Pattinson, Bill Skarsgård, Eliza Scanlen, Sebastian Stan, Mia Wasikowska, Riley Keough, Jason Clarke, Haley Bennett, that kid who played Dudley in the Harry Potter franchise. The whole gang’s living in shacks and picking up hitchhikers only to murder them later and speaking in tongues and falling victim to generational trauma. It’s a heavy watch, and there’s not really a happy ending, but boy does Pattinson deliver a batsh*t crazy turn as a perverted preacher.

Into The Wild (2007)

Run Time: 148 min | IMDb: 8.1/10

Your love or hate of this film will squarely fall on who you feel about the film’s lead (real-life) character, Chris McCandless. On the one hand, McCandless struck out on an adventure to eschew the doldrums of modern life in the Alaskan wilderness. On the other hand, his woeful underestimation of the wilds and unpreparedness is maddening and cost him his life. Still, the kid gets a lot of points for at least trying when so many don’t.

Chef (2014)

Run Time: 114 min | IMDb: 7.4/10

Before he was bringing The Mandalorian to Disney+ and helming Marvel movies, Jon Favreau wrote, directed, and starred in this foodie gem about an overworked chef who upends his life to rediscover his passion. Favreau plays Carl Casper, a head chef at a high-end eatery who, fed up with his life, decides to quit and buy a food truck in order to get back to his neighborhood roots. Come for the food porn, stay for Favreau, who’s just as good an actor as he is a director.

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I Lost My Body (2019)

Run Time: 81 min | IMDb: 7.6/10

This beautifully animated French fantasy film follows the story of a young man named Naoufel, or rather, his hand which has been severed from his body and spends most of the film escaping labs and trying to get back to its owner. The film flits between the past and present, watching Naoufel’s life unfold from a young orphan to an accidental carpenter’s apprentice — which is how he lost his appendage — all while exploring themes of love, loss, and destiny.

Da 5 Bloods (2020)

Run Time: 154 min | IMDb: 6.9/10

Any Spike Lee joint is worth a watch, but this genre-bending thriller about a group of black Vietnam War vets returning to the battlefield decades later feels especially timely. That’s because Lee manages to shed light on a little-known part of our shared history: the way our country treated Black soldiers returning from the war, but he also raises the stakes with a subplot that includes a buried treasure hunt and a heartwrenching mission to retrieve the remains of a fallen comrade. The cast, which includes Black Panther’s Chadwick Boseman, is brilliant, the story is gripping, and you’ll probably be seeing more talk of it come awards season, so go ahead and watch it now.

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Shutter Island (2010)

Run Time: 138 min | IMDb: 8.1/10

DiCaprio and Scorsese team up again, this time for a dramatic thriller that feels different from their normal fare but still just as intense. DiCaprio plays a detective drawn to a mysterious island that houses a psychiatric facility for the criminally insane. He’s investigating the case of an escaped convict, but a conveniently-timed storm, a hostile staff, and some strange happenings lead him down a rather dark and dangerous rabbit hole. There’s a twist ending here worthy of its build-up, and DiCaprio shares the screen with some notable talents including Mark Ruffalo, Michelle Williams, Sir Ben Kingsley, and Emily Mortimer.

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Nightcrawler (2014)

Run Time: 117 min | IMDb: 7.9/10

Jake Gyllenhaal stars in this truly bonkers crime thriller from Dan Gilroy about a con-man who muscles his way into L.A.’s crime journalism scene and very quickly becomes the star of his own reporting. Lou Bloom (Gyllenhaal) is a petty thief who stumbles his way into the stringer profession — photojournalists who chase crime scenes to sell the footage to local TV stations. As Lou begins to record more exciting crimes, demand for his work grows and he starts staging scenes, obstructing police investigations, and inserting himself in high-speed chases to get the best shot. It’s a twisted, depressing look at the ethics of journalism and the consequences of consumerism, and Gyllenhaal has never been better.

Mudbound (2017)

Run Time: 134 min | IMDb: 7.4/10

Netflix spent much of 2017 trying to establish itself as an alternative to movie theaters as a place to find quality new films. The results were mostly strong, and none stronger than Mudbound, Dee Rees’ story of two families — one white and one black — sharing the same Mississippi land in the years before and after World War II. Rees combines stunning images, compelling storytelling, and the work of a fine cast (that includes Jason Mitchell, Carey Mulligan, Garett Hedlund, Jason Clarke, and Mary J. Blige) to unspool a complex tale about the forces the connect black and white Americans and the slow-to-die injustices that keep them apart.

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Mystic River (2003)

Run Time: 138 min | IMDb: 7.9/10

Sean Penn, Kevin Bacon, and Tim Robbins star in this heartbreaking drama about a group of high school friends whose lives are shattered following a terrible family tragedy. The men have reunited after years apart after the daughter of one, Jimmy (Penn) is murdered and another member of the group, Dave (Robbins) is suspected of the killing. Sean (Bacon) is a detective investigating the case as the story takes unpredictable, often frustrating twists and turns before revealing the truth of what happened.

I Am Not Your Negro (2016)

Run Time: 93 min | IMDb: 7.8/10

This documentary, narrated by Samuel L. Jackson, is based on the unfinished manuscript, Remember this House, by James Baldwin. The author and civil rights activist recounts the history of racism in the United States through personal observations and his relationships with friends and leaders like Malcolm X and Martin Luther King Jr. It’s a beautifully-shot, sobering reminder of how far we have yet to go when it comes to equality.

It Comes At Night (2017)

Run Time: 86 min | IMDb: 7.4/10

Writer/director Trey Edward Shults followed up his unnerving family portrait in 2015’s Krisha with a look at another family under the most desperate of circumstances. After an unknown illness has wiped out most of civilization, a number of threats — both seen and unseen — come for a family held up in their home out in the wilderness. It’s a subtle, dream-like tale that stars Joel Edgerton and Christopher Abbot as two patriarchs intent on keeping their families safe, no matter the cost.

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The Big Lebowski (1998)

Run Time: 117 min | IMDb: 8.1/10

The ’90s gave us some iconic characters, but Jeff Bridges as “The Dude” has to rank high on everyone’s list of beloved stoner types. Bridge’s bowling fanatic and overall slob’s mellow is seriously harshed when he becomes the victim of a case of mistaken identity and must recruit his bowling buddies (Steve Buscemi and John Goodman) to help him navigate kidnappings and cover-ups and the hangovers caused by too many White Russians.

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Rain Man (1988)

Run Time: 173 min | IMDb: 8/10

Dustin Hoffman and Tom Cruise star in this drama about a playboy conman and his autistic savant brother. Cruise plays Charlie, the rich kid who discovers his dad left him nothing following his death. When he meets Ray, the brother he never knew he had (Hoffman), the two embark on a cross-country road trip to save Charlie’s car import business and rediscover their connection. Cruise is his usual charming self, but Hoffman gives a brilliant turn as a misunderstood genius with quirks that make him endearing, even if they contribute to his otherness and isolation from his family.

Midnight Special (2016)

Run Time: 112 min | IMDb: 6.6/10

Michael Shannon, Joel Edgerton, and Adam Driver star in this thrillingly dark road trip flick from director Jeff Nichols. The story follows a father (Shannon) and his young, gifted son, who are on the run from the Feds and a religious cult after both groups learn of the boy’s special abilities. The sci-fi here is played more for mystery — we’re never quite sure what the boy can do, but it’s dangerously big — big enough to have Driver’s government investigator spooked. Shannon is terrific as a father scrambling to do right by his kid, and Edgerton is sturdy as the friend/hired gun who transports them where they need to go.

Concrete Cowboy (2020)

Run Time: 111 min | IMDb: 6.2/10

Idris Elba and Stranger Things star Caleb McLaughlin lead the cast of this drama that explores everything from fatherhood to coming-of-age storylines to racial tension in America. McLaughlin plays a rebellious teen who’s sent to live with his estranged father (Elba) for the summer and ends up immersing himself in a tight-knit Philadelphia community of Black cowboys.

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The Two Popes (2019)

Run Time: 125 min | IMDb: 7.6/10

Anthony Hopkins and Jonathan Pryce play off each other in this fictionalized comedy about two of the most powerful men in the Catholic Church. Hopkins plays Pope Benedict XVI near the end of his tenure as he struggles with the disillusionment of his role and his faith. Pryce plays Cardinal Bergoglio (who would later become Pope Francis) who’s also going through a crisis of faith and wishes to leave his post. What follows is two hours of two of the greatest actors paling around with each other, delivering some laughs as they get deep about the philosophical leanings of these two great men.

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The Florida Project (2017)

Run Time: 111 min | IMDb: 7.6/10

Willem Dafoe lends his name to this little indie that generated plenty of buzz during awards season just a few years ago. It follows the story of six-year-old Moonee (Brooklynn Prince) who lives with her mother in a run-down motel near Walt Disney World. Moonee, along with a couple of kids also living at the motel, gets into all sorts of mischief while her mom works first as an exotic dancer, then resorts to prostitution when things get rough. Poor and neglected, Moonee still finds joy in her unforgiving environment and though things end on a bittersweet note, this feels like one of the more hopeful movies on this list.

Eurovision Song Contest: The Story Of Fire Saga (2020)

Run Time: 123 min | IMDb: 6.6/10

Will Ferrell and Rachel McAdams take on the planet’s most-watched singing competition with this campy comedy about an Icelandic duo named Fire Saga, who are set on achieving glory on the world’s biggest stage. Ferrell and McAdams play Lars Erickssong and Sigrit Ericksdottir, artists chosen to represent their nation in the Eurovision Song Contest, a real competition that features musicians from all over the world, who are often performing in wild get-ups. Dan Stevens almost steals the show while Pierce Brosnan and Demi Lovato make appearances. We’re calling it now: “Volcano Man” is going to be a bop for the ages.

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Election (1999)

Run Time: 103 min | IMDb: 7.3/10

Matthew Broderick plays a depressed high school teacher, who tries to manage his imploding marriage while facing off against a determined and cunning student in this dark comedy that features Reese Witherspoon in one of the best performances of her career. Witherspoon plays Tracy Flick, an overachieving student with dreams (of becoming the student body president) that are quickly dashed by the school’s popular jock. Tracy’s willing to go to extreme lengths to win the race, but when Broderick’s Mr. McAllister thinks to intervene, his own failing personal life is put on display.

Recent Changes Through August 2021:
Removed: Back To The Future, The Dark Knight, Spotlight, Saving Private Ryan, Zombieland, Moonlight, The Girl With The Dragon Tattoo, Burning
Added: Snowpiercer, Million Dollar Baby

Over the last decade or so, more and more professional athletes are migrating to Hollywood. Some are content with cameos on popular TV series, others prefer bit parts in comedy blockbusters, and then, there are these guys.

Out of every sport, wrestling seems like the kind of day job that lends itself to the kind of theatricality needed to make it big in film and on TV. After all, more than pile drives and pins, cage matches, and tag-team showdowns, professional wrestling is all about the drama. And if you can deliver complicated storylines focused on feuds, friendships, and hostile takeovers all while wearing ill-fitting spandex and sequined leather chaps, you can probably do anything.

We took a look at the biggest wrestling personalities who’ve pivoted their smack-talking skills and over-the-top personalities to successful careers in Hollywood and decided to rank them based on box office draw and how interesting their acting choices have been. Here’s who’s had the best post-wrestling career on screen so far.

10. “Macho Man” Randy Savage
Best Performance: Bonesaw McGraw in Spider-Man (2002)

When a man’s Wikipedia page sports job descriptors like “professional wrestler,” “rapper,” and “baseball player,” is it really that much of a stretch to think he can probably act too? Randy Savage made a name for himself in the ring with his iconic, raspy delivery of catchphrases, his physicality, and his love of classical music. But he took that eccentricity and intensity and parlayed it into a successful career on screen too, voicing characters on shows like King of the Hill and patenting a slogan for Slim Jims that somehow made the idea of tasteless dried meat appealing. His best turn though had to be in Tobey McGuire’s first Spider-Man outing, where he played the savage, flamboyant antagonist in a cage match gone very wrong.

9. Stone Cold Steve Austin
Best Performance: Dan Paine in The Expendables (2010)

The cacophonous melody of shattered glass. The leather vest. The bald head. Steve Austin was a stone-cold baddie on WWE, ushering in an era of profanity and violence the league hadn’t risked exploring before but eventually, his career in the ring was sidelined by injury — and by the fact that he’d peaked by turning a Biblical passage into a T-shirt-selling empire. TV and film were the next best thing and though Austin gave some physically impressive performances in a handful of B-movies, his best roles were in bigger-budget fare. He played a worthy adversary to Slyvester Stallone in The Expendables before being set on fire, and he proved he had some surprising comedic chops in a couple of Adam Sandler flicks.

8. Ronda Rousey
Best Performance: Kara in Furious 7 (2015)

Ronda Rousey is an Olympic medalist. She’s the first woman to ever be inducted into the UFC Hall of Fame. She holds the record for the longest stint as a WWE Champion. In other words, she’s the real deal and her aptitude for trash-talking served her outside the ring too. She earned early film credits by playing ingenue mercenaries and self-sacrificing special ops agents. She even had a stint on Fox’s drama-heavy 9-1-1, but her best role might just be the ass-kicking foe of Michelle Rodriguez in Furious 7.

7. Big Show
Best Performance: Captain Insano in The Waterboy (1998)

Big Show was a hulking figure in the world of wrestling. His sheer size amazed fans, his brutish backstabbing terrified opponents. But, oddly enough, his acting career has benefitted from the man also known as Paul Wight showing off his softer, more humorous side. He fronted a sweet family sitcom loosely based on his own life over on Netflix and he’s played his bulk for laughs in movies like McGruber and Jingle All The Way. Still, nothing tops him dissing Adam Sandler live on television as the uber-masculine Captain Insano — even if we did come away feeling pretty sorry for Bobby Boucher.

6. Rowdy Roddy Piper
Best Performance: Nada in They Live (1988)

Roddy Piper — a Canadian wrestler posing as a quick-tempered Scottish rogue — is infamous in the sport for perfecting the antagonistic role that so many other men and women on this list would one day trade on. He favored bagpipes and kilts and over-the-top feuds so it should come as no surprise that his film career was equally niche. While we’re partial to his turn as a deranged wrestler on It’s Always Sunny In Philadelphia, his greatest role is undeniably that of Nada, a homeless drifter tasked with saving the world from aliens looking to enslave the human race in the cult classic They Live. After all, who else on this list utters a more iconic line than “I have come here to chew bubblegum, and kick ass. And I’m all out of bubblegum.” No one, that’s who.

5. Kevin Nash
Best Performance: Tarzan/Ernest in Magic Mike XXL (2015)

One of the founding members of a group known as the New World Order, Kevin Nash is an OG figure in the world of wrestling, a man whose rivals are some of the biggest names in the sport today — think Hulk Hogan and Bill Goldberg. But no feat in the ring can compare with Nash’s acting credits in both Magic Mike movies. Not only did Steven Soderberg deem him talented enough to play a reserved male stripper named Tarzan, but he was also so good in the role, Channing Tatum gave him even more to do in the sequel. Magic Mike XXL proved Nash could do comedy. He imbued Ernest with heart, playing up the dichotomy of his massive size and his character’s desire to just be a family man. And that stage routine where he pretended to be a leather-shorts-clad Michaelangelo? Truly inspired work.

4. Andre the Giant
Best Performance: Fezzik in The Princess Bride (1987)

It’s a rare thing when a wrestler is able to craft an acting career that outlives and outperforms his legacy in the ring. The rest of the names ranking higher on this list have achieved that, but they all follow in the footsteps of Andre Roussimoff, aka Andre the Giant. He may have been Hulk Hogan’s initial enemy in the WWF, but on screen, Andre brought to life a character that would one day become a cultural icon. An unemployed giant recruited to help start a war between two kingdoms, Fezzik evolved from a simple thug-for-hire to a hero in his own right. He was a loyal friend, an intimidating opponent, and a man blessed with the gift of rhyme. The Princess Bride just wouldn’t have worked without him.

3. John Cena
Best Performance: Steven in Trainwreck (2015)

Sure, John Cena’s gimmicks in the ring haven’t aged that well. His hip-hop-inspired costume complete with baggy jorts and gold padlock chains should never have been a look and we doubt his signature “You Can’t See Me” slogan ever really intimidated anyone. Still, if we had to suffer through those early WWE growing pains to enjoy his post-wrestling career, the acting choices he’s been making in the past few years are more than worth it. Now Cena is physically capable of being an action hero — and he’s done a worthy job of it in films like The Wall, 12 Rounds, and The Marine. But what Cena is truly gifted at is comedy, and he shines when he’s able to pair his imposing physique with his impeccable comedic timing. For proof, just look at how he takes bit parts — a tatted drug dealer handing out molly, birth control, and Flintstone gummies from the same tackle box in Sisters, a brawny sensitive boyfriend who sucks at dirty talk in Trainwreck — and turns them into the most memorable parts of a movie. His role in that Amy Schumer-led comedy still rings as his best work to date — no one has ever failed so spectacularly at trash-talking than Steven does during that hilarious movie theater confrontation — but his turns in Blockers and Daddy’s Home also have us hyped for what he’s promising in James Gunn’s The Suicide Squad. A guy who wears a shiny toilet seat on his head and values liberty so much he’d be willing to eat an entire beach’s worth of penises to get it? That’s the kind of character John Cena was born to play.

2. Dave Bautista
Best Performance: Drax in Guardians of the Galaxy (2014)

It’s hard to imagine Dave Bautista playing an animalistic baddie in the ring, which feels like one of the highest compliments one can pay to a former wrestler-turned-acclaimed-thespian. We know he did put in time in the WWE. He’s got enough championship titles to prove it, and his feud with Triple H during their Evolution days was one of the most thrilling storylines to come from the league, but when you think of Bautista now, you think of his career on-screen. And for good reason. The athlete has been vocal about how seriously he takes his craft and his choices reflect that commitment — from working with directors like Sam Mendes and Denis Villeneuve to his star-making turn in James Gunn’s weirdly wonderful Guardians of the Galaxy series. He’s done more indie fare with films like Bushwick and shows like HBO’s anthology series Room 104, but he’s also proven he’s capable of taking the lead in the comedy department, acting opposite of Kumail Nanjiani in Stuber and playing a CIA-agent-turned-reluctant-babysitter in My Spy. Still, his most impressive performance can be found in Gunn’s MCU debut where Bautista somehow managed to make a character with the phrase “The Destroyer” in his name one of the more soft-spoken, lovable losers in a franchise filled with idyllic superheroes. Bautista is a master of the deadpan delivery in the first Guardians film, playing the comedic foil to Chris Pratt’s Peter Quill and stealing the show from the wise-cracking CGI raccoon voiced by Bradley Cooper — two men with exponentially more acting experience than Bautista. Up next is Army of the Dead, Zack Snyder’s long-awaited zombie action-comedy, another Villeneuve epic in Dune, and the recently announced Knives Out 2. Bautista may not have as many credits under his belt as guys like The Rock or John Cena, but it’s his bold, interesting career choices that make him such a high-ranking contender on this list. Out of everyone, we’re most excited to see where he goes next.

1. Dwayne “The Rock” Johnson
Best Performance: Maui in Moana (2016) and Dr. Smolder in Jumanji: Welcome To The Jungle (2017)

This might be a completely unoriginal take but we’d argue that when you’re as successful at what you do as Dwayne Johnson is, people have no choice but to seed you in that number one spot. The truth is, no one comes close to what the artist formerly known as The Rock has done on the big (and small) screen. He’s the most popular wrestler to come from the WWE in its history, so much so that even fans who didn’t tune into his cage matches and Royal Rumbles can recite his signature catchphrase. And that relentless charisma easily transferred to his work in film, helping him headline a lineup of action-packed blockbusters in the early 2010s before transitioning to comedic roles with his Jumanji revival. His HBO drama Ballers proved Johnson has an eye for good storytelling — after all, not every prestige TV series gets such an enthusiastic endorsement from sitting Senator Elizabeth Warren — and his appearance in Fast Five reinvigorated that franchise, inspiring spin-offs centered around Johnson’s government-ops muscle-head and his contentious odd-couple relationships with the criminals that surround him. And while we appreciate the effort he put into his smolder for Jumanji: Welcome to the Jungle, while we get a kick out of his bromance with Kevin Hart in Central Intelligence, and while no one can sell CGI-heavy action epics featuring skyscrapers, San Andreas fault lines, and giant gorillas we need to acknowledge the truly fantastic performance Johnson gave in a modern animated Disney masterpiece. Yes, Dwayne Johnson can play a tough guy out to save the world in his sleep. A lot of people on this list can. But no one, we mean no one, can voice a trickster god who can shapeshift, voyage, and belt out a catchy show tune like this guy. Even Lin Manuel-Miranda recognized that.

Chicago, Illinois has been at the top of my U.S. travel bucket list for years. Not just because I’ve always heard it’s one of the coolest cities in the Midwest (which it totally is), but because I was born there. It’s right there on my birth certificate — but since my family left for Los Angeles before I was even able to form words it’s not like I know the Windy City. Not in the least.

With a curiosity about where I came from brewing, I finally packed my bags for the Chi (do non-residents who were born in the city get to call it that?) after 25 years away. I only had three days to explore Chicago’s famous food spots, nightlife scene, and classic tourist attractions, so I wasted no time lounging around. A few early thoughts before we get more granular:

1. If you’re Ubering everywhere, you’d better budget for it. I didn’t and had to walk nine miles in the heat one afternoon to get from place to place while saving cash.
2. The Windy City lives up to its nickname. I brought a flowy skirt and may have flashed a few locals on accident.
3. While the high temperatures and humidity are no joke in Chi-Town, summer is undoubtedly the best time of year to visit. From bikers zooming down the 18-mile long Lakefront Trail to young partiers chilling out at North Avenue Beach, Chicago’s lively summer vibes are perfect for adventure and party-friendly 20-somethings.

Below, you’ll find the mix of mainstream tourist attractions and low-key deeper dives that filled my days and nights. Of course, deep-dish pizza was a must on the to-do list but it was the trendy rooftop bars, authentic Greek cuisine, and a crystalline skyline that made Chicago one of the most memorable U.S. trips of my 20s, thus far. Check my full recommendations below:

PART I – Where to Get the Best Views

360 Views at The Signature Lounge

There’s no shortage of sky-high window views in Chicago, but one (literally) stands above the rest. The Signature Lounge at 96th is a bar and restaurant (The Signature Room at 95th) at the top of the iconic John Hancock Center. The lounge’s upscale ambiance and dress code make it a splurge-worthy destination for starting a celebratory weekend out on the town. To get here, you first wait in line to take an elevator that somehow races up 96 floors in less than a minute.

Be prepared for slight vertigo and roller coaster-like G-force if you’re sensitive to motion. Fear not, the view is worth the 30 seconds of discomfort.

The elevator doors open to floor-to-ceiling glass walls that offer a bird’s eye view of where the concrete jungle meets the icy blue water of Lake Michigan. Take a lap around the lounge and you’ll observe couples dressed to the nines for a date night, tourists snapping pictures of the awe-inspiring landscape (yes, I was one of them), and perfectly groomed waiters running glasses of specialty cocktails and champagne to their tables. On the far side of the lounge, you’re met with a sea of skyline that drifts into flat Midwestern terrain disappearing into the horizon.

If you can, go to The Signature Lounge at 96th during sunset. I’m not exaggerating when I say it took my breath away, but I’m also a sucker for a good sunset view.

Want to experience the spectacle for yourself? View the full menu and photo gallery here.

The J. Parker Rooftop at Hotel Lincoln

I booked a room at Hotel Lincoln for the weekend, which happened to be home to a popular brunch and nightlife rooftop called The J. Parker. This rooftop reminded me of a classic Saturday afternoon back home in LA. There were groups of young people, all dressed like a photo straight off Instagram’s Explore page, crowding the hotel lobby anxiously waiting in line to get the signature cocktails flowing. I ordered the “Bubble Around,” a tantalizing concoction made of vodka, lemongrass, elderflower, lemon, and prosecco.

The best part of The J. Parker was the unobstructed view of Lake Michigan and Lincoln Park. You can admire the lush greenery of the park at lunch, peer out at sailboats cruising by at sunset, or take in the city lights while you sip after dark.

Pro tip: If you book a stay at Hotel Lincoln, you get to jump the line for a table. The wait time for The J. Parker can get up to well over an hour, so it’s worth considering getting a room. Not only that, but the hotel is in the heart of the Lincoln Park neighborhood that’s only a short walk to Old Town, North Avenue Beach, and Lincoln Park Zoo.

Click here to book a room at Hotel Lincoln.

PART II – Where to Party

The Old Town Bar Scene

Looking to get lost in the night? Head to Wells Street in Chicago’s Old Town district. Walking distance from Lincoln Park, Old Town is filled with a plethora of bars, restaurants, and boutique shops. After dark, this historic stretch becomes a party scene where hundreds of young people scatter (or should I say stumble) from bar to bar. It reminded me of an elevated version of my university’s main street – bordering on chaotic but in the best way possible.

On one side of the street, there’re flashing lights and techno blaring at Benchmark. On the other side? A chill Irish sports pub where you can grab an authentic Irish beer to kick off the night. Just steps from the pub is a late-night pizza spot called Happy Camper complete with a disco ball, refurbished trailers, and a beer garden-esque atmosphere.

There’s truly something for every kind of gen-Z and millennial bar hopper in Old Town. My personal favorite Old Town hotspot was Happy Camper simply because of its quirky decor and cocktails.

Here is the full Happy Camper menu.

The Second City Comedy Club

Chicago’s Old Town is also home to where some of the greatest comedians, award-winning actors, and directors of our time got their big break. AKA, The Second City. It’s a comedy club and school where you can go to get some belly laughs and drinks on a night out. Notable names you might recognize (and by “might” I mean “definitely know and love”) include Bill Murray, Chevy Chase, Gilda Radner, Aidy Bryant, Cecily Strong, Mike Myers, Chris Farley, Key & Peele, John Belushi, Jane Lynch, Tina Fey, and Steve Carell…just to name a few.

If you want to understand the arts of improv and sketch comedy, this is a must-visit destination.

Click here for The Second City’s latest show dates, news, and classes.

PART III – Where to Eat

Chicago Pizza and Oven Grinder Co.

I didn’t know I could fall in love with a meal until I went to Chicago Pizza and Oven Grinder Co. This little wooden restaurant is comprised of a refurbished house that lies directly across the street from the scene of the infamous Saint Valentine’s Day Massacre in 1929. It’s even rumored to have been the lookout post for henchmen of the Valentine gunners.

One step into the foyer and your nostrils are met with a steamy combination of garlic, marinara, and warm dough. But this isn’t any old pizza place. It’s a pizza pot pie place. The individual serving-sized pies are made from scratch with triple-raised Sicilian bread, a homemade sauce, and a blend of cheeses that made the post-dairy stomach ache worth every. Single. Bite.

If you can’t wait for your pizza pot pie to bake (no shame, I couldn’t either), order the Mediterranean bread as an appetizer for the table. This massive, herby pull-apart flatbread reminded me once again why I’ll never go on the Keto diet.

Tables fill up fast, so you’re going to want to make a reservation here.

Authentic Cuisine in Greektown

A bit off the beaten path and less congested with tourists is Greektown. What was once a Greek immigrant community is now a commercial district. However, the cultural influences of the past still remain, as you’ll see passing by the many Greek restaurants, tavernas, and pastry shops. The restaurants, of course, are always my favorite part.

You know the feeling of being so satisfyingly full after Thanksgiving dinner that you can barely move? That’s exactly how I felt after leaving Greek Islands, a restaurant in the heart of Greektown that’s been filling its tables since 1971. The restaurant imports its extra virgin olive oil, wine, cheeses, seafood, olives, herbs, and spices directly from Greece, so you know you’re getting the real deal. The sampling of hummus and Taramosalata on my plate teleported me to the hillsides of Santorini. The traditional blue and white decor helped, too.

Out of everything on the menu, it was the flaming saganaki cheese that did it for me. I didn’t know whether to be scared or excited when the block of cheese burst into an orange flurry right next to my table. It was like a culinary circus act and I was the dancing bear waiting for my treat.

Ready to try the flaming cheese for yourself? View the full Greek Islands menu here.

PART IV – Where to Sightsee

Architecture River Tours

Chicago is often referred to as the “Second City” because it was rebuilt from the ground up after the Chicago Fire of 1871 left much of the city in ashes and one-third of the population homeless. What replaced the damage is a slew of skyscrapers highly recognized for their impeccably executed and creative designs. To get a closer look at the legendary structures and learn more about the city’s history, take an Architecture Boat Tour on the Chicago River. It’s maybe the most efficient and affordable way to experience most of the city without sacrificing too much of your party or dining time.

Your tour guide takes you on a 90-minute cruise that gives you in-depth detail about the tallest, oldest, and most gravity-defying buildings in Chicago. My neck was hurting by the end of it because I didn’t want to miss a single landmark.

If architecture doesn’t pique your interest, Chicago Line Cruises also offers a variety of other cruises, such as a historical tour and a live jazz tour.

Click here for the full list of options.

Historic Navy Pier

One of the most animated destinations during summer is Navy Pier. Here, you’ll find a 200-feet-tall Ferris wheel, classic carnival games, lakeside dining, sporting event watch parties, art installations, and even live performances from local dance groups and theater organizations (just to name a few). I even saw a wedding party boarding a yacht off the side of the pier for their reception.

Every Wednesday and Saturday night during summer, the pier also puts on live music and fireworks. Make sure you get to a rooftop bar or nearby park by 9:30 p.m. if you want to catch the show. If you go to the pier midday, wear sunscreen or a hat. The crowds of people and light reflecting off the water will heat you up in a hurry. I could almost hear the skin on my shoulders sizzling by the time I left.

Follow the link here for Navy Pier’s complete schedule of public events and programs.

The Bean at Millenium Park

I couldn’t go to Chicago without making a stop at “the bean.” Possibly the most Instagrammed piece of artwork in the Midwest, Cloud Gate (more popularly known as “the bean”) by Sir Anish Kapoor, can be found at the Chicago AT&T Plaza at Millennium Park. Unfortunately, it was gated off to abide by social distancing guidelines at the time of my visit. So I didn’t get the classic bean selfie in the mirrored surface of the sculpture. The upside is that I was able to take in the full essence of the piece, catching every glimpse of the skyline reflected against it.

As majestic as it was, I couldn’t help but think of a giant, silver Flubber. The surrounding area in the plaza is made up of walkways, futuristic architecture, and a queue of trees that offers a much-needed escape from the heat.

Curious to learn more? Here is the full rundown about the bean’s history, design, and location.

***

It’s safe to say that Chicago did not disappoint and there’s still so much to do and see (the jazz clubs! the theater scene! the avant-garde art!). A weekend doesn’t give you enough time to soak in everything the city has to offer. Will I be moving back? Not until I witness one of those famous Chicago winters. But I definitely won’t go another 25 years before returning to my birth city — that’s for sure.

There are a lot of fast food cheeseburgers out there and plenty of them are extremely solid. But let’s be real: there are some stinkers, too. That’s why you have us. In order to save you time and money, we’ve been eating at every fast food joint we can find and ranking everything from their dry patties to their absorbent napkins.

But one chain has evaded us and missed out on all of our rankings: Culver’s. Over and over you’ve told us we need to remedy that fact. Well, today is the day.

As a national chain, Culver’s isn’t small by any means. It’s got 600 restaurants in 24 states. Restaurant Business lists it as the 38th biggest food chain in the US (8th among burger joints) — bigger than Carl’s Jr., In-N-Out, Shake Shack, Five Guys, and White Castle. But its mostly midwest locations don’t align with the home bases of the core writers on our staff. And while ranking food is fun, we can’t really ask a writer to relocate for that task.

Still, we always want to be complete in our picks. So on a recent trip to South Dakota, I made a Culver’s run. In fact, it was a full menu feast. And it featured a revelation — the Culver’s ButterBurger.

For those of you not from the Midwest, Culver’s ButterBurger is a “pressed and seared” burger. Basically, a smash burger that’s been around far longer than the buzzword itself. The patty is a mix of sirloin, chuck, and plate beef that’s always fresh and never frozen. The burgers are made-to-order and 100 percent customizable with Culver’s vast array of toppings and condiments. Finally, there’s the soft potato bun that’s slathered with Wisconsin butter and lightly toasted on the flat top griddle.

It’s simplicity defined.

So how does it stand up? As a gourmand, chef, and traveler, I’ve eaten a lot of fast food burgers — from 2 am McDonald’s double cheeseburgers to countless Shake Shack airport burgers to monthly cheat meals at In-N-Out when I was living in L.A. Alas, it had been a long while since a ButterBurger from Culver’s had been part of that mix. But I always remembered it being really good, so I was excited to tuck in at a Sioux Falls location just a few days back.

I ordered a double ButterBurger with American cheese (this felt like the safe cheese get to compare and contrast with the competition) with onions and pickles and kechup, mayo, and mustard (making a defacto burger sauce on the bun). I’m not really a fan of lettuce and tomato on a burger. I also got a small basket that came with crinkle-cut fries in one of those old-school plastic baskets and a small drink. I took my number, got some signature Culver’s root beer, filled some little paper cups with ketchup, and found a table to call home.

Here are my thoughts:

The Burger Construction:

This isn’t rocket science but so many places get this wrong. It went a little something like this: Heel bun, condiments, pickle, cheese slice, patty, cheese slice, onions, patty, buttered crown bun, and an extra pickle chip on top.

The condiments and pickle on the bottom melded into a perfectly suitable burger sauce. It was tangy with a seriously salty deli pickle vibe. The cheese was put on when the burger was built, so it was just starting to melt as I tucked in. The onions were grilled (per my request) and added a nice crunchy, sweetness, and bite. The top bun was a soft and buttery delight that held its form.

The Burger Patties:

All that stuff mentioned above is fine but what’s great about this burger is the beef itself. These are perfectly rendered “smash” burgers. Just look at the sear across the whole patty. There’s legitimate lacing on the edges! And, most importantly, it’s still juicy on the inside. That’s a hell of a feat given how most fast food patties dry out — looking at you McDonalds, In-N-Out, Burger King…

What’s paramount to this burger is the heft of the patty. They’re light while still having a little weight to them. With a double, you know you’re getting a good-sized burger without getting weighed down.

Oh, and they’re perfectly seasoned with just the right push of umami complimenting that wonderous sear.

The Verdict:

My immediate thought while eating this was, “Oh, this is what Shake Shack has been trying to copy all this time…” Seriously, this is very obviously what Danny Meyer was mimicking when he opened his now international New York burger joint. And you know what? Culver’s still takes the trophy. This burger is really, really hard to fault. One, it doesn’t have a dumb-ass piece of butter lettuce on it like a ShackBurger, so that’s a win. Plus it had that exceptional bun and some nicely caramelized onions.

Not for nothing, but thhe crinkle-cut fries were damn good, too — completely fried and crispy down to the last one. Hell, even the root beer was a solid, albeit sweet, entry in the genre.

Is this the best burger in the fast food game? I’ll have to investigate a little deeper (Five Guys, Whataburger, etc.) but it’s sure not far off. It was perfectly smashed, buttery, and filling without being overwhelming. More than a regional favorite, this is a great fast-food burger, period.

If you don’t have a Culver’s in your home state, make it a point to seek one out next time you’re in the Midwest. You’ll be glad you did — I know I certainly am.

As has been the case on throughout these Olympics, the USA men’s basketball team found itself in an early hole in their semifinal matchup with Australia on Thursday in Tokyo, but this time it felt like they might be in some real danger.

A red-hot Boomers squad jumped out to a 41-26 lead in the second quarter, playing sensational basketball on both ends of the floor, and having beaten the Americans in their last two exhibition meetings, it looked as though they might just have Team USA’s number. However, as has been the case many times in these Olympics, Kevin Durant kept the Americans from falling into an insurmountable hole with his ridiculous shot-making, scoring 15 first-half points and leading the charge as Team USA closed the gap to 45-42 at the half (much like in their quarterfinals game against Spain).

It didn’t take long for the U.S. to regain the lead in the third quarter, as a Jrue Holiday runner put them up 46-45, an advantage they wouldn’t relinquish the rest of the way.

Durant continued to shine in the third, as he has been the driving force throughout the Olympics for Team USA on offense, carrying them at times when needed — and it has been needed probably more than he and his teammates would like.

He did get ample support in the second half from Devin Booker, who came alive and found his shooting stroke, finishing the night with 20 points on 7-of-10 shooting (3-of-5 from three).

As a team, the Americans heated up in the second half, but it was the defense that was the catalyst, as they continued to stymie Patty Mills as a scorer, but also did a much better job taking up the airspace from Australia’s perimeter shooters and asking a lot of questions from their tertiary players. Jock Landale, Nic Kay, and Chris Goulding accounted for 27 of Australia’s 61 shots on the night, which simply isn’t a winning recipe for the Boomers, as Team USA did a magnificent job in the late second quarter and the entire second half of taking away Australia’s primary options.

Holiday, Durant, Draymond Green, and Zach LaVine all were masterful on the defensive end, smothering Australia’s offense with their length to force bad shots and turnovers that led to breakouts on the other end.

In the end the Americans ran away with a 97-78 win to advance to the gold medal game, where they will either get a chance to avenge their lone loss of the Olympics against France or take on Luka Doncic and Slovenia. Durant finished with 23 points on 10-of-19 shooting from the field, as he was finally able to relinquish the offensive creation duties to others and rest up in the fourth quarter while his teammates pulled away. Booker’s 20 led the rest of the cast around KD, with Holiday and Khris Middleton each chipping in 11 points to help the cause — Holiday also led the team with eight assists.

As for Australia, they will play for the bronze against the loser of that France-Slovenia game, as they seek their first Olympic medal in men’s basketball.

A great burger is more than a delicious slab of beef — it’s obvious that the fixings are crucial. But just how crucial are they in shaping the fast food burger hierarchy? Can good bread make or break a burger? What about the cheese? Can a fast food chain overcome trash patties? These are the questions that keep a food/ weed writer up at night.

In truth, I’m not sure if I was stoned when I got the idea to follow our epic double cheeseburger ranking by grading fast food burgers on the quality of meat alone. No sauce, no onions, we’re not even interested in the bread! Whatever its origins, this experiment gave us the chance to zero in on one element to see how much it affects the whole burger experience. (Besides, we’ve done crazier things, like ranking fast food napkins.)

In the end, this exercise revealed four things:

1. Every single fast food burger is painfully overcooked. (“Something something legal department” is surely the root of this and it’s annoying.)
2. A good half of them aren’t seasoned — this blandness is usually masked by sauce.
3. Burger meat looks disgusting naked. (Our photo editor hates me now.)
4. My favorite burger… is actually pretty middling. Most diners and one-off burger joints could beat it in a “just beef” taste test, if only because they aren’t as scared of a lawsuit.

This was an odd experience taken all around and I got a lot of sideways looks from cashiers who thought I was insane for asking for “just the meat.” Most wouldn’t do it, so I ended up purchasing a lot of hamburgers with nothing on them and removing the dry meat from the equally dry bun to taste it. After a few bites, I’d reassemble my sad burgers to recover some sense of normalcy.

Ready to find out who won?

11. Jack in the Box — Hamburger

Tasting Notes

Generally, Jack in the Box is pretty middling. It’s never cracked the top five in any of our fast food rankings, but it never lands at the bottom of a list either. It’s reliable in its basicness, that is until I ditched all the sides. This meat has no flavor, aside from the dull taste of overcooked red meat. It’s grainy, full of chunky pieces of fat and other mealy bits, and it’s bone dry. Congratulations Jack in the Box, you have the worst beef in fast food.

The Bottom Line

It’s like pet food if you hate your pets.

Find your nearest Jack in the Box here.

10. Rally’s/Checkers — Rally Burger

Tasting Notes

This burger patty was incredibly flimsy, I had to be looking at something like a sixth of a pound. Quality-wise the beef is a bit of a step up from JiB’s offering, it doesn’t have that same awful chunky mouthfeel and Rally’s actually bothered to put salt on this one. Just because the texture was better, doesn’t mean it was great. This meat is really spongey, it takes a while to chew through it which really allows you to focus on just how mediocre the meat is.

The Bottom Line

Salty, and yet still surprisingly underseasoned. Overcooked, despite its light tan appearance.

Find your nearest Rally’s here.

9. Carl’s Jr/Hardee’s — Famous Star

Tasting Notes

Carl’s Jr charbroils its meat, so right off the bat, this one is practically bursting with flavor compared to the other two. The texture is alright, it’s not too grainy, there are no hard-to-chew knots of fatty meat, but it’s way too dry. On top of that, it’s completely underseasoned, it tastes like Carl’s Jr is relying solely on the char for flavor.

The Bottom Line

Dry and underseasoned. Far from the best-charbroiled meat your money can buy.

Find your nearest Carl’s Jr. here.

8. Del Taco — Hamburger

Tasting Notes

Fully-dressed Del Taco actually makes a surprisingly delicious double cheeseburger. Add slices of avocado to it and you’ve got an amazing burger experience that you can’t get at almost any other fast food joint. I guess I must’ve been really wowed by that avocado option because this meat has no flavor to it. The texture is leagues better than JiB’s or Rally’s, it has an appetizing mouthfeel giving you beef that breaks apart like meat should but it has no seasoning whatsoever. Not even salt. Just the taste of Del Taco’s flat grill.

The Bottom Line

It tastes like a burger patty should, which you wouldn’t think would be hard to do. Unfortunately aside from the flavor of cooked red beef, this one has no other flavor notes.

Find your nearest Del Taco here.

7. Burger King — Whopper

Tasting Notes

This one really shocked me. Burger King is without a doubt the worst fast food restaurant in the entire fast food galaxy. The chain frequently lands in the last place spot in our fast food rankings, and for good reason — the King does almost nothing right. Bad burgers, bad fries, horrible chicken nuggets, and pretty shitty chicken sandwiches as well. But the Whopper? It’s not bad. Burger King does the charbroiled thing better than Carl’s Jr., I’m not sure what goes on behind the scenes but this one is way less dry, and hey, look at that, they actually added salt.

The Bottom Line

A better charbroiled offering than what you’ll find at Carl’s Jr.

Find your nearest Burger King here.

6. McDonald’s — Quarter Pounder

Tasting Notes

I’ve never been a big fan of McDonald’s burgers. I know the value double cheese has its fans, and there are a few weirdos out there that like the Big Mac (middle bread? GTFO), but to me, I’ve always viewed the Golden Arches’ burgers as mediocre. I was wrong, this is a good grilled piece of meat. It’s perfectly seasoned with just the right amount of salt, it’s slightly juicy, and it has a great texture that melts in your mouth as you chew through it. I have nothing bad to say about this burger, which is something I never thought I’d feel about a McDonald’s burger.

The Bottom Line

A shockingly solid fast food burger. I promise it’s better than you think it is. I might’ve been underappreciating McDonald’s burgers my whole life.

Find your nearest McDonald’s here.

5. In-N-Out — Hamburger

Tasting Notes

This one was downright heartbreaking to me. When I witnessed this solo meat patty I couldn’t believe how small it actually was, and how sad it looked. This is hard for me to say but, In-N-Out burgers are pathetic. This has always been my favorite burger chain (yes I’m one of those, deal with it), and I’ve always reasoned that In-N-Out is so good because the meat just tastes better than all of the competition. I couldn’t be more wrong.

It’s not bad by any means, it’s juicy and well-salted, but there isn’t much to it. While the middle of the burger tastes great, the edges are overcooked, giving the burger a dull dry ring around it. that reminded me of boring bread crust.

The Bottom Line

I guess where In-N-Out shines is with their sponge dough and perfectly melty American cheese. The weakest link is the beef.

Find your nearest In-N-Out here.

4. Wendy’s — Dave’s Single

Tasting Notes

I’m not at all surprised to find Wendy’s in the top five of this ranking. The Dave’s Single is great, the burger is greasy and salty, with a juicy texture and a great mouthfeel, despite it looking like it was burnt to a crisp. I’ve always viewed Wendy’s as a beefy burger, it’s a place I almost never order a double cheeseburger, I even grab the Son of Baconator instead of the real thing because it’s just too much meat to handle.

But viewing it all on its own, it’s not really that much bigger than the other burger chains out there. I wouldn’t ever think to describe this burger as thick.

The Bottom Line

Wendy’s burgers are so good that it’s incredibly easy to forget someone made the dumb decision to cut these into squares. Buns are round Dave.

Find your nearest Wendy’s here.

3. Five Guys — Hamburger

Tasting Notes

Shout out to Five Guys for actually selling me just a piece of meat. They wrapped it up in a ridiculously large tin box, but I really appreciate that they didn’t

The Bottom Line

Find your nearest Five Guys here.

2. Fat Burger — Original Fat Burger

Tasting Notes

An actual conversation I had at Fat Burger: “Hi, would it be possible to just order a patty of meat?” “I’m sorry?” “A patty of meat, just on its own.” “You mean a hamburger?” “Just the meat though no bun.” “I’m sorry we can’t do that.” “No worries, can I just have an Original Fat Burger? Plain please.” “No cheese?” “No, just the meat and bread.” “Okay. Just meat and bread, right? Nothing else? No sauce, or pickles, or lettuce?” “Right.”

I ended up also ordering a Coke just because of how embarrassed I felt.

Aside from the fact that Fat Burger charged me fucking $8 for a hamburger, I have little to complain about with this one. It’s great, a little over-salted but it has a great caramelized outer that provides a nice crunch and keeps those delicious burger juices deep within the meat. This is so good I almost ate the entire patty without reassembling the burger.

The Bottom Line

One of the best patties of beef out there in the fast food galaxy. I’ve never considered Fat Burger one of the best burger joints, but after this experience, I might need to spend more time with the menu.

Find your nearest Fat Burger here.

1. Shake Shack — Shack Burger

Tasting Notes

I had a prediction that Shake Shack would end up dominating this ranking, so I’m not surprised to see it in the number one spot, but I am taken aback at just how much better this meat is compared to everything else out there. It’s not even close, Shake Shack blows our number two pick out of the water because it does everything better. It’s juicier than Fat Burger’s meat, with that same caramelized crust that keeps those savory juices locked in, but the flavor and texture of the meat is just so much better. It almost melts in your mouth without the need to chew it, with just the right amount of salt that enhances the flavor, rather than masks it. This meat is so delicate and sumptuous that I’m pretty sure your saliva alone could break it down.

The burgers at Shake Shack are made using a proprietary meat blend courtesy of New Jersey-based butcher Pat LaFrieda, so it’s no surprise that what you get from Shake Shack is much more luxurious. No other fast food restaurant is doing beef this delicious.

The Bottom Line

Hands down the best burger meat you can buy at a fast food restaurant. It’s amazing that a Shack Burger doesn’t cost more than $10, every bite is luxuriously delicious.

Find your nearest Shake Shack here.

If you’ve watched any quality TV over the past few decades (and surely, that’s the case), then you are familiar with the work of Natalie Zea. Most prominently, you know her from Justified, the beloved and acclaimed crime drama in which she played a character (Winona Hawkins) who not only had to deal with the Dixie Mafia (while pregnant with Raylan’s baby) but got dragged to hell by many of the show’s fans. We’ll talk about that in a little more detail later, but I want to talk more about how Zea’s been a regularly working actress before and after that notable role, yet none of these projects have gone the distance. Cancellations after a few seasons (as with The Detour and The Unicorn, the latter of which reunited her with ex-fellow-Harlan resident Walton Goggins) seem to be the name of the game. She’s a beguiling actress in need of her own vehicle.

Well, there’s a new show starring Natalie Zea that you really should consider putting on your calendar. If you haven’t seen the teaser trailer for NBC’s La Brea (which arrives on Sept. 28), then stop what you’ve been doing today and please enjoy yourself for approximately 35 seconds. I’ll wait for you, and we can talk this out afterward.

This looks like a glorious madhouse. An enormous sinkhole, which looks to be at least one-square-mile in area, opens in the middle of LA and sucks Natalie Zea into some primeval hellhole. There is, in fact, a “La Brea” museum in Los Angeles that preserves what has been found in the fossil quarries known as the La Brea pits. There are bird and mammoth skeletons, and it’s a whole gateway-to-the-past thing, so I guess this show is rooted in maybe 1/10 of one fact. That’s not really important here, though. What matters is that Natalie Zea gets yanked into the worst CGI-fall possible to push her back into some prehistoric land with pterodactyls and growling creatures and peril everywhere.

It’s absurd and preposterous and probably the kind of show that could find a helplessly devoted audience, if only NBC could harness the chaos and stay patient long enough to let the story unfold. The question is this: will they do so?

There are plenty of other people (including Natalie Zea’s son) who fall into that hellhole, and (according to the show’s synopsis) the husband-type figure is left above while having visions about how to find those missing, and we really do not know anything at at all about their dynamics. What I do know is this: this is an NBC sci-fi drama, and NBC has had a real issue with not nurturing their recent sci-fi dramas in an optimal way. Both Debris and Manifest transformed into casualties, with the latter being an example of an objectively bad show that grew wildly popular, to the point where people (including Stephen King) are still actively campaigning for its survival after NBC dropped it.

What I’m wildly proposing is this: if any actress can help save NBC from making more sci-fi stumbles (and the writers/producers step up, too), it could very well be Natalie Zea. She’s plucky and never receives enough recognition for pairing drama with wry humor. On Justified, she was so convincing at being the only character who ever truly tried to talk some sense into Raylan (don’t @ me about Art; he and Raylan very clearly held begrudging admiration for each other, and Art’s reprimands were largely lip service) because (gasp!) she didn’t want him to wind up dead during his swaggery-yet-sometimes-squirrely adventures. She was so good at playing this part (it ain’t easy to stand up against a lovable hero) that it was easy to kind-of grumble at Natalie Zea, too, because Raylan was mythical, to the point where one fugitive visibly marveled at his recognition of who was coming for him.

I have a hunch that Natalie’s subsequent career moves have been a little burdened by her Winona time, for understandable reasons. Look, when one plays a cop’s wife (or ex-wife) on a crime drama, then the character usually doesn’t push back too much. They’re in the peripheral, but Winona didn’t settle back and stay quiet, and she stood firm after pushing back. And Natalie Zea played her earnestly, but one can also read a little wink to the audience in some of those pushbacks at Raylan. He deserved it too, that smirking stinker, but it’s time for Natalie to shed the residual Winona aura. And Natalie can do so while using her ability to pair her Winona-honed drama-and-humor combo for La Brea.

In the years since Justified, Natalie turned in a few respectable seasons on Samantha Bee’s The Detour, which was a delightful family road-trip comedy on TBS. She also (concurrently to Justified) went toe-to-toe with Kevin Bacon in The Following, a psychological thriller series that rustled up three seasons. Before all of these shows, Natalie freaked the hell out of David Duchovny’s Hank Moody (not an easy feat) in Californication and did her soap opera time on Passions. Not to mention this: she is funny as heck on talk shows, whether she’s offering tips on the “flashback face” or admitting to her bizarre “medical problem” while Conan O’Brien can’t stop laughing.

And let’s face it: La Brea looks ridiculous in an entertaining way. Such a show requires a lead actress with a sense of humor, who can hide the giggles while playing it super-dramatic. It is very dramatic to fall into a sinkhole and find oneself in a terrifying alternate world, and yeah, I want to see how the writers clean up that hot mess. This show, from the little that has been revealed thus far, appears to appeal to the very same audience that loves Manifest. Both shows have preposterous setups that could veer in untold directions, so let’s hope that the writers can use Natalie’s strengths for good, and then maybe, just maybe, we’ll see some Justice For Winona on the horizon. Maybe she’ll even appear in that possible future Raylan show?

Never say never, and hopefully, La Brea won’t go the way of the dinosaurs Manifest.

NBC’s ‘La Brea’ premieres on September 28.

After the initial frenzy of the first few hours of free agency, things have slowed considerably in the world of NBA transactions, but a pair of important deals got done on Wednesday.

First was Spencer Dinwiddie’s sign-and-trade finally getting completed with the Nets and Wizards, as Washington finishes its roster overhaul after the Russell Westbrook trade (which the Dinwiddie deal became a part of). Later that night, word emerged from Harrison Sanford of NBC Sports Philly and confirmed by Marc Stein, that Danny Green was returning to the Sixers on a two-year, $20 million deal that will allow the Sixeers to, effectively, run it back with their squad that earned the East’s 1-seed but came up short in the playoffs, losing to the Hawks in the second round.

It is a straight two-year deal as well, per Adrian Wojnarowski, as there are no team or player options for 2022-23.

Retaining Green was always part of the Sixers plan, but it was a matter of whether the two sides could figure out the price tag to keep him around. They found that middle ground at $10 million per year, and it allows Philly to bring back their 3-and-D ace for another season. Green gave the Sixers exactly what they wanted a year ago, shooting 40.5 percent from three, while averaging 9.5 points, 3.8 rebounds, and 1.3 steals in 28 minutes per game.

Now that Philly has held serve in free agency aside from shuffling Andre Drummond in for Dwight Howard at backup center and letting George Hill walk, the question is what they’ll do with regards to the Ben Simmons trade front. Their asking price has led to executives calling it “outlandish,” but as the season approaches, we’ll see if they get more determined to move their star by moving closer to what other teams see as Simmons’ value and make a real significant move as the East around them continues loading up.

There are plenty of homages to be found in Netflix’s latest aesthetic action romp, Gunpowder Milkshake.

Keen-eyed action aficionados might find odes to the freewheeling underdog stylings of Jackie Chan in a certain bowling alley brawl, a French Connection nod in a hilarious car chase sequence, a gratifying Kill Bill throwback in a costume choice, or a John Wick-modeled showdown in a Baroque library where books double as gun cases and librarians know how to wield hammers with surprising efficiency.

But even amidst the slick set pieces and neon-drenched shoot-em-ups, one showdown in director Navot Papushado’s stylish punch-fest stands out. Mid-film, Karen Gillan’s Sam – a hitwoman for hire whose latest job has saddled her with an unwelcome, underage sidekick – must survive a Spaghetti Western-style stand-off with three goons in a dental clinic. Her attackers are injured – they shuffle awkwardly on crutches, in neck braces, and using wheelchairs – and they’re also high as kites on laughing gas. Sam is equally handicapped, having been injected with a paralytic agent that renders her arms useless. So, naturally, she improvises, and in the process, Papushado delivers the film’s most memorable, most surreal action sequence.

It’s inspiration? Roger Rabbit.

“We wanted the fight sequences to feel different,” Papushado tells UPROXX. “The clinic especially was very heavily inspired by cartoons; Buster Keaton and Who Framed Roger Rabbit.”

It’s the humor that spoke to Papushado’s directorial style.

“In Roger Rabbit, they’re laughing but they’re dying. We just went, ‘Okay, can we take that and just dial it up to 11?’ Like making something that’s really bananas. For me, that’s my childhood, watching cartoons on Saturday morning.”

That sense of whimsy played a role in everything, from the design of the clinic – shot on location in Berlin – to the music that scores the scene. It’s claustrophobic, a narrow hallway filled with flying bullets and clunky fist fighting, and unforgivingly lit – bright whites and neon greens make blood splatter and detached body parts easier to spot. The music, a maniacal Mariachi mix Papushado ended up opting for in post, only serves to heighten the absurdity of watching these professional assassins stumble about, lodging scalpels in jugulars and biting each other’s ears off.

Each character had their own theme music and Papushado often played music while shooting to “set the mood.”

“The goons, the three boneheads, were always a little bit more of the Western-style, the way Sergio Leone would cast everyone,” he explains. “They’re not sleek and handsome and they’re not working out at the gym now. These are guys, where if you look very carefully, there’s a little mustard on their shirt and they’re not in the best shape. I would play them the last track from The Good, The Bad and the Ugly, and it sort of became their theme.”

For Gillan, getting hype to shoot the clinic fight required a more unique playlist.

“I played two songs, one was from a composer called Stelvio Cipriani, which is very Italian chic,” Papushado said. “The other thing we did, because Karen is such a big fan of the Muppets, we’d play that theme song. We knew it had to be silly, we had to commit to the tone, so between takes we’d say, ‘Alright guys, it’s time for the Muppet song again. Everyone get into their Muppet zone.’”

For stunt coordinator Laurent Demianoff, that humor had to extend to the page, where he crafted the fights, pulling kung-fu comedy influences and working them into Sam’s larger character arc.

“You’re not thinking the same way as when you’re choreographing a regular fight,” Demianoff told UPROXX. “It’s very different because everybody is handicapped. It’s very cartoonish but very violent. So that was really fun to write at first. And then very challenging because we were thinking, ‘How can we do that on-screen?’”

Most of the fighting was intuitive. Demianoff would task his stunt team with rehearing moves, imagining how Gillan would fling her arms one way to aim a gun, another to incapacitate an attacker on crutches. They rehearsed all of the fight scenes for the film in just two weeks, with Gillan putting in weekend hours so that her muscles could memorize the choreography and she could be free to play up the comedy of her character’s dilemma.

“It was more about acting than just being great at action,” Papushado explained. “They don’t need to deliver something very elegant, no, it’s the other way around. They need to act bad, they needed to play like they’re wounded, they’re crippled and they’re fighting for their lives. This time around, it’s not being cool and slick and ‘come and get it,’ like the bowling alley. No, no, this time she’s a wounded animal. She’s fighting for her life. She’s giving everything she got and so are the three other guys. So it was more about the acting and delivering that kind of wild animalistic vibe, which Karen, I mean, she’s incredible. She can change gears in a heartbeat. One moment she’s funny, one moment she’s dangerous. One moment she’s with her back to the wall. One moment she’s chewing someone’s ear …”

That constant change in tone during the film’s many fight scenes is what drew Gillan to the movie.

“I’ve read a lot of action sequences in scripts before and they’re a lot easier to watch than they are to read and it’s usually because there’s a lot of explanation,” Gillan said. “On the page, it’s quite hard to understand how it’s going to make sense visually, but this was so easy to follow and it was also highly original and full of sequences I hadn’t seen before.”

For Papushado, as fun and entertaining as the action is, it also needed to serve the story. He’d seen enough of the Jason Bourne class of action movies, the ones with spectacular, heavily-edited fight scenes and city chases that are exhilarating to watch in the moment, and then forgettable once you step outside the theater. The superhero fare that glosses over the more violent matchups, using CGI and conveniently timed cutaways to deliver something polished but often hollow.

“Jason Bourne was amazing, I remember seeing that movie and being like, ‘Wow, I haven’t seen that before,’” Papushado said. “But since then, it became kind of the standard, because sometimes it’s just easy. You don’t have to stay on the shot for more than two seconds. I’m a little bit fed up with it. You hear the punch, but you don’t see it.”

It’s what sets the entire film’s approach to the gun-fu genre that’s come to dominate so many of the “women kicking ass” offerings of the past few years apart. It’s not just violence for violence’s sake. In every action sequence, Papushado questions what the bruises and battle scars will mean for his heroine moving forward and what the audience will walk away appreciating the most from her fight for survival.

“I was fortunate enough to be supported by an amazing stunt coordinator and trainers,” Papushado continues. “Because there’s nowhere to hide, everything needs to look good and they need to actually land those punches. For me, it just makes more memorable set pieces, more memorable ideas, but it also captures the emotion and the story in it.”

If you’ve never heard of Bell’s Brewery you probably don’t drink much craft beer. The Comstock, Michigan-based brewery has been around in some iteration since 1983 and gaining an ever-expanding cult following for its high-quality brews along the way. From IPAs to lagers to stouts, Bell’s has grown synonymous with craft and quality.

To help you spend your beer money wisely, we re-tasted the nine year-round staples Bell’s Brewery makes and ranked them. Our ranking is based on taste alone (obvi). Armed with this knowledge, you can make your first forays into the Bell’s lineup wisely.

9) Light Hearted Ale

ABV: 3.7%
Average Price: $11.99 for a six-pack

The Beer:

When it comes to ranking beer from an award-winning brewery, it should come as no surprise that a light beer wouldn’t land too high on the list. This 3.7% sessionable IPA is brewed with Centennial and Galaxy hops.

As a light beer, it’s great. As an IPA, it’s a little lacking.

Tasting Notes:

The nose is pretty bland with hints of fresh-cut grass, light citrus, and even lighter pine. Not a bad nose, just a bit thin. The palate is dry, crisp, with hints of sweet malts, citrus peel, and just a note of hop bitterness at the finish.

Bottom Line:

This is a totally crushable beer if that’s why you’re looking for. It’s light, dry, and refreshing. Fans of dank, piney IPAs need not apply.

8) No, Yeah

ABV: 4.5%
Average Price: $10 for a six-pack

The Beer:

Even if you’re a craft beer fan, you’ve probably never heard of Bell’s No, Yeah. This 4.5% sessionable, crisp golden ale is only available in Michigan, Wisconsin, Indiana, Ohio, Illinois, and Minnesota. If you live anywhere else, you’re out of luck.

Tasting Notes:

Aromas of wet grass, bready malts, and sweet grains are prevalent, but not much else. The taste reveals more sweet malts and grains as well as some citrus zest, tropical fruits, and light hops. Fairly well-balanced but not good enough to drive to the Midwest to taste (I got mine shipped — there are some perks to beer writing).

Bottom Line:

Similar to Light-Hearted, this is an easy-drinking session beer. It’s reasonably well-balanced but not very exciting compared to the brand’s other offerings.

7) Porter

ABV: 5.6%
Average Price: $12 for a six-pack

The Beer:

Porters are great winter warmers but a little too sweet and rich for much of the year. This award-winning porter is a reasonable 5.6% ABV and is the brewery’s lighter take on the classic style. It’s basically a chocolate and coffee-flavored sipper.

Tasting Notes:

The nose is highlighted by scents of caramel, coffee, and light chocolate. It’s got a decent nose but it’s not the most exciting porter we’ve ever tried. The palate is more of the same with espresso beans, bready malts, toffee, and a nutty sweetness throughout.

Bottom Line:

When it comes to easy-drinking, sweet, chocolatey porters, this is a pretty good choice. But it’s against some stiff competition.

6) Amber Ale

ABV: 5.8%
Average Price: $12 for a six-pack

The Beer:

The first beer ever brewed by Bell’s, this Amber Ale is a balance of caramel and toasted malts. It’s sweet, rich, and slightly bitter. It’s the kind of beer you crack open and share with friends. We get why this was the brand’s first-ever beer.

Tasting Notes:

The nose is everything you hope for in an Amber Ale. It’s loaded with sweet caramel malts, slight cereal, and just a hint of floral, slightly bitter hops. The flavor is extremely malty, sweet, and ends with a nice complimentary touch of piney bitterness.

Bottom Line:

If you’re a fan of slightly sweet, caramel-filled, and nicely hopped amber ales, this is perfect for you. It ticks all of the amber ale boxes and does them well.

5) Official Hazy IPA

ABV: 6.4%
Average Price: $12 for a six-pack

The Beer:

Hazy IPAs have been trending for the last few years, so it should come as no surprise that Bell’s got in on the scene with its Officially Hazy IPA. This double dry-hopped beer is brewed with Mosaic, Azacca, Amarillo, Citra, and El Dorado hops.

Tasting Notes:

The nose is all citrus and tropical fruits with tangerine, grapefruit, pineapple, and peach taking center stage. The palate is slightly bitter with hints of sweet wheat, orange peel, grapefruit, tropical fruits, and a bit of dank pine to finish it all off.

Bottom Line:

This isn’t your average hazy IPA. It’s more like a mixture of a wheat beer and a New England-style IPA. It’s sweet, fruity, and has a nice, gentle bitterness.

4) Hopsoulution Ale

ABV: 8%
Average Price: $12.99 for a six-pack

The Beer:

This 8% ABV double IPA doesn’t get as much hype as Two-Hearted Ale and that’s likely because it’s only available year-round in a few midwestern states. It’s a combination of multiple different hop varieties and ticks all of the IPA boxes. It’s high in alcohol and filled with citrus, tropical, and piney notes.

Tasting Notes:

The nose is a cacophony of citrus peels, tropical fruits, and caramel malts. The palate reveals dank pine, guava, mango, grapefruit, and a nice kick of bready, sweet malts at the very end. Overall, a very well-rounded IPA.

Bottom Line:

This is a great double IPA. It’s fresh, fruity, juicy, and perfectly dank. If its availability was greater, it might become the brewery’s other globally-known double IPA.

3) Kalamazoo Stout

ABV: 6%
Average Price: $12 for a six-pack

The Beer:

If you’re a fan of a classic pint of Guinness, you’ll love this 6% ABV American stout. It’s mellow, rich, and filled with hints of chocolate fudge, sticky toffee, and freshly brewed coffee. It’s even richer and bolder than its ABV would dictate.

Tasting Notes:

The nose delivers aromas of vanilla beans, butterscotch, chocolate, and light oakiness. The taste is melted milk chocolate, toffee, buttery caramel, and gentle coffee bitterness at the end.

Bottom Line:

This is a great stout. It’s the kind of beer we’d crack open literally any time of the year, but especially in the middle of winter.

2) Two-Hearted Ale

ABV: 7%
Average Price: $12 for a six-pack

The Beer:

Two-Hearted is by far Bell’s’ most popular beer, and for good reason. This highly drinkable, refreshing, 7% ABV double IPA is made with 100% Centennial hops. The result is a dank, citrus-filled, malt-fueled IPA you won’t soon forget.

There’s a reason it commonly makes lists of best IPAs in America.

Tasting Notes:

Fresh cut grass, clove, citrus zest, caramel malts, and tropical fruits lead the way in the aroma department. The palate is heavy on guava, mango, pineapple, and dank, resinous pine. That’s balanced by a lightly sweet malt backbone.

Bottom Line:

When it comes to double IPAs, this is one of the most well-rounded, complex beers around. It’s piney, filled with citrus, tropical fruits, and has just the right amount of sweet malts to make you forget some of the other IPAs on the market.

1) Lager of the Lakes

ABV: 5%
Average Price: $10 for a six-pack

The Beer:

Never had Lager of the Lakes? You don’t know what you’re missing. This Czech-style Bohemian pilsner is well-known for its combination of bready malts and bitter hops. It’s refreshing, highly crushable, and the perfect beer for a day at the lake.

Tasting Notes:

The aroma is all caramel malts, Noble hops, and light corn sweetness. Some fruity, citrus notes arrive late. The flavor is crisp, thirst-quenching, and filled with sweet wheat, corn, biscuit-like malts, slight fruit, and pleasing, bitter hops.

Bottom Line:

This should become your new go-to summer beer (and literally any other time of year). It’s light, refreshing, and highly crushable.

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As a Drizly affiliate, Uproxx may receive a commission pursuant to certain items on this list.