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Nick Jonas Was Worried His Jokes Would Offend ‘The Voice’ Cast When He First Joined The Show

After making his comeback with the Jonas Brothers in 2019, Nick Jonas has been busy. Not only did he join his brothers for a number of televised performances, but he dropped his own solo album Spaceman and also appeared on TV as a coach for the hit NBC show The Voice. Jonas has enjoyed his time on the show and has returned for a second season. But when he first started out, the singer was worried his jokes would be a little too offensive.

Jonas recently sat down to discuss his time on The Voice with his fellow coach Kelly Clarkson on her talk show, The Kelly Clarkson Show. Jonas noted how he now feels like he’s a part of The Voice family, but there were times when he thought he took things too far:

“I know all of you as my brothers and sister and so I don’t really care. I’m just going to let it go and take you guys down a notch. It’s been fun. I obviously love doing the show with you guys and working with these incredible artists, but I learned a lot from the first season interacting with them. We’re coaches, sure, but I think the thing that’s so cool is that we also learned so much in the process about ourselves and the artists we’re working with and how to give each other crap, and that’s been the most fun and rewarding part of being on the show for a second season. […] Day one of my first season, I didn’t know if I was going to offend someone, there’s always that worry. But then I realized you guys are hard to offend.”

Watch Jonas’ full interview on The Kelly Clarkson Show above.

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Justin Bieber Is Now The Youngest Artist To Reach A Major Chart Milestone, Beating Drake

The top 10 spots of the latest Billboard Hot 100 chart (dated July 24) were revealed yesterday, and the main story was BTS’ “Permission To Dance” replacing the group’s own “Butter” in the No. 1 spot. It was also a good week for Justin Bieber, though, as his and The Kid Laroi’s “Stay” debuted at No. 3.

That’s an impressive first week, but how it fits into Bieber’s historical context is an even bigger deal: It’s Bieber’s 100th song to appear on the Hot 100. Therefore, Bieber is now the youngest artist to have 100 songs appear on the Hot 100 chart, as “Stay” pushed him into triple digits when he was 27 years and four months old. The previous record-holder was Drake, who got his 100th Hot 100 hit when he was 28 years and 11 months old in 2015. Bieber is the 11th artist with at least 100 songs on the Hot 100, following Drake (who has 235 of them), Glee (207), Lil Wayne (174), Taylor Swift (137), Future (123), Nicki Minaj (118), Elvis Presley (109), Kanye West (109), Chris Brown (103), and Jay-Z (102).

This comes after Bieber had a big weekend in Las Vegas, as he managed to perform three concerts in just 24 hours. He also made an appearance on the Friends reunion special a couple months ago, but Chinese viewers didn’t get to see him.

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Kalan.FrFr Gives A Charismatic ‘UPROXX Sessions’ Performance Of The Plaintive ‘Never Lose You’

Compton rapper Kalan.FrFr gives a confident, charismatic performance of his plaintive TwoFr 2 single “Never Lose You” on this week’s episode of UPROXX Sessions, demonstrating why he’s rapidly becoming one of the Hub City’s fastest-rising talents.

Giving off a similar vibe to LA area rap crooners 03 Greedo, Bino Rideaux, and 2021 XXL Freshman Blxst (who has produced beats for him), Kalan blends a melodic delivery and emotive penmanship with lush, G-Funk-inspired beats to tell relatable stories of heartbreak, love, and loyalty shot through with the familiar notes of Los Angeles street culture. Starting off making beats in high school, Kalan retired from San Diego State University’s football team (he played defensive back) to focus on rap full-time.

The switch paid off earlier this year when he was signed to Roc Nation in March. He followed up the signing with the release of his debut album TwoFr 2, which has rapidly become a local favorite. With his deluxe version dropping over the weekend and adding impressive features from fellow South LA standouts 1TakeJay (a fellow UPROXX Sessions alum), BlueBucksClan (stay tuned), and Chicago breakout star Lil Durk, Kalan is one hit away from following his song-rap brethren into the mainstream spotlight.

Watch Kalan.FrFr’s UPROXX Sessions performance of “Never Lose You” above.

UPROXX Sessions is Uproxx’s performance show featuring the hottest up-and-coming acts you should keep an eye on. Featuring creative direction from LA promotion collective, Ham On Everything, and taking place on our “bathroom” set designed and painted by Julian Gross, UPROXX Sessions is a showcase of some of our favorite performers, who just might soon be yours, too.

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Former NBA Star Alan Henderson Shares The Story Of Birdie Brown And Talks About Black Representation In Spirits

Over the past half-decade, American whiskey has seen a serious reckoning with regards to the erasure of marginalized groups from its history — especially the enslaved Black men and women who helped build the spirit’s foundations. Thanks to award-darling Uncle Nearest (and its superhero founder, Fawn Weaver) and upstart brands like Brough Brothers Bourbon, the white-driven narrative of American whiskey is beginning to shift. We’re finally starting to see a spotlight shone on Black-owned distilleries and blenders and Henderson Spirits Group (HSG), founded by former NBA player and Indiana University legend Alan Henderson, hopes to be next in line for some love.

Regardless of the media attention, though, it certainly seems like Henderson is coming at the industry with the right intentions. His focus is on supporting marginalized voices.

“I’m trying to be intentional about trying to give African Americans opportunities in this industry,” he says. “I really am trying to think about what I’m doing, because my mission is to diversify the box from the drinks we serve, the bottles you see on the shelves, the owners, the workers, the bartenders, to the distributors selling. I want to see more diversity in everything. We’re big consumers. We have stories to tell. We have money to spend. We can learn this stuff as well as anybody.”

HSG focuses on Black history in the spirits industry, beginning with Birdie Brown Plain Hooch — which launched April 2020. Inspired by a Black woman homesteader of the 1800s, Birdie Brown is a Montana-made unaged whiskey (sourced from Dry Hills Distillery, in Bozeman). It’s comprised of wheat, oats, and barley. The toasted cereal palate and hot, lingering finish make for an enjoyable pour all on its own (though it might run a little hot for an unseasoned drinker). As a mixer, it really shines — switch out your favorite bourbon for this hooch and you’ve got a new riff on the classic old fashioned.

Henderson’s company is also in the process of releasing a gin and a flavored bourbon that will come out under their Tom Bullock’s line. The influence behind the brand is based on the story of the first African American cocktail book, released in 1917 — The Ideal Bartender by Tom Bullock. By the end of this year, Henderson also plans to release another expression as part of Birdie Brown Plain Hooch’s portfolio.

Inspired by what Fawn Weaver and Uncle Nearest have done with regards to representation and inclusivity in spirits, Henderson says: “They’re killing it. But they’re also like, ‘How can we also help advance diversity for other people or other companies trying to come up as well?’ There’s room for all of us and we can help each other, so that’s what I’m hoping to see.”

We spoke to Henderson about how he transitioned from a career in basketball to spirits, Birdie Brown, and what he hopes to achieve through his company by way of diversity.

***

You used to play professional basketball. So, what got you involved in the spirits industry?

It’s interesting. As I was playing [basketball], I was involved in a lot of different businesses. It ignited my entrepreneurial spirit. We had some quick-service restaurants. We actually had a recording studio on a label in Atlanta where we sold over 100,000 independent records. We had a recording studio where big acts would come in and record. So, that was one thing we had.

Then, I had some friends that were working on a liqueur. They asked me to take a look at it to see if I wanted to invest. I ended up not investing. But while doing my due diligence, I started looking at the business itself. I really liked the industry. As I was looking at it — this was several years ago — there was a lack of diversity on the shelf. I think that’s really what spurred me to say, ‘Let me see if I can figure out how to get some good spirits, and tell some different stories, and give people a chance to pick something off the shelf with someone that looks like them on the bottle.’

Everything I was picking up was pretty similar — primarily older, gray-haired white men and telling a story of their family history. I was like, ‘Can we get something else?’ That’s kind of what sent me on my mission. It’s taken a while to actually get things together and get things to the shelf. There’s a lot of learning and it definitely was an investment and a process but I’m glad I did it. I’m glad we’re at the point we are now. I think we’re positioned to really grow, tell some great stories, and develop great spirits.

Are you based in Indianapolis or Montana?

So, I’m based in Indianapolis. However, the spirits in the Henderson Spirits Group come from all over. Right now, we do not have our own distillery. It’s something that we’ve looked at and could be something in the future, hopefully, maybe even a destination-type distillery would be the goal. For instance, Birdie Brown was an African American lady from Missouri. She went on to Montana in the late 1800s by herself. It’s just an incredible story of perseverance, risk-taking, and fearlessness. She ended up homesteading in the early 1900s. She was distilling her own spirits and growing her own grains. She had a parlor and had a lot going on out there. She was a real entrepreneur. I was amazed by the story that there was this Black woman that could do that at that time and in that place. It just really excited me. So, we really want to tie into that Montana story.

I actually have a family farm out there and they have a distillery that’s making the Birdie Brown Plain Hooch. So, it’s made in Montana.

Who introduced you to the story of Birdie Brown? How did you stumble upon it? What really resonated with you about the story?

I was reading, researching, looking in books, looking online, and trying to learn as much as I could about where African Americans were involved in the spirits industry. I started looking closely around the time some of the different moonshines were coming out. I started learning that a lot of moonshiners who would have African Americans kept as slaves who’d keep the stills at their house. They were distilling and helping them make the liquids. I started doing more and more research on how we are involved. I was really trying to find stories that I could build a great brand around. I came across [Birdie’s] story and started trying to read as much as I could about it, learn as much as I could, and it just resonated with me. It was an unexpected story at an unexpected time and unexpected place. It just resonated with me — her grit and her willingness to take a chance. I don’t know how many of us would take that.

At the same time, I was looking, reading, and scanning for other stories because I had this vision for Henderson Spirits Group to be able to tell those types of stories. I really wanted to put a portfolio together of products that were just great products built around these real spirits heroes in history. She was the first one we’ve had to the market and I’m really proud to be able to tell her story. I’m glad that it’s something that people enjoy talking about and take some inspiration from.

Let’s talk about the actual hooch. Were you able to find Birdie’s original recipe?

No, we could not find it. We were trying to find as much as we could, like an old recipe book or anything, but what we did find was that we knew that she was growing oats, wheat, and barley. So, we knew she was growing all that on her own homestead and that’s what she would have been using to make her spirits. So, from that, we just set up using that as our inspiration for it, just working on a lot of different mash bills until we got one that we really felt good about.

That’s how we came up with the mash bill of wheat, oats, and barley.

And what do you like most about it?

Though it’s at a higher proof, it still gives you that smooth taste even if you’re drinking it neat. This is a lot different than a regular 100 proof white dog from corn whiskey. I like that smoothness. I like that you can get that oat, cereal-type nose. It’s really versatile. You can use it and swap it out pretty much with any drink you currently were making with another white spirit or vodka especially, and it just gives you a lot of options.

In what ways do you plan to keep the legacy of Birdie Brown alive through your spirits group?

I’m trying to really diversify the bar — the people, the places — and make an impact. I want Henderson Spirits Group to be a place where we brought in employees to come on, learn and grow, and maybe they go onto the big brands like Diageo and work their way up. Maybe they got their start with me, maybe some stay, and some go. We can just really create positions where people can learn and grow and become a valuable part of the industry. We have big dreams for Henderson Spirits Group and Birdie kicked it off for us.

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Dr. Fauci Is Forced, Once Again, To Snatch Up Rand Paul And School Him On COVID Conspiracy Theories

Like Batman and the Joker, it’s starting to feel like Dr. Anthony Fauci and Senator Rand Paul are doomed to battle each other forever. For the record, Fauci is clearly Batman in this scenario while Senator Paul is the unhinged madman who seems hellbent on gunning for Fauci with some sort of nonsense. This time around, Fauci had to dress down Paul during a congressional hearing on Tuesday morning where the senator accused Fauci of lying to Congress about the National Institutes of Health (NIH) funding “gain of function” research that led to the coronavirus pandemic.

To be clear, Paul is attempting to push what’s known as the “lab leak theory.” At its most extreme, the conspiracy theory posits that COVID-19 was created in a lab as some sort of bioweapon and then either accidentally or purposefully leaked. However, most scientific experts say that the prevailing evidence shows that COVID occurred naturally and was not the result of gain of function research.

That didn’t stop Paul from attempting to pull a gotcha move on Fauci by claiming that a 2017 research paper shows that the NIH did fund gain of function research. In reality, the paper did not prove that, and a heated Fauci dismantled Paul’s argument, which eventually led to a shouting match between the two.

As the argument continued, Fauci made it a point to note that Senator Paul has a history of coming at the infectious disease expert with misinformation. In a notable escalation, Fauci then accused Paul of being the one who is lying to Congress. Via USA Today:

“You’re trying to obscure responsibility for 4 million people dying around the world from a pandemic,” Paul said.

After being told to let Fauci speak, Fauci responded, “You are implying that what we did was responsible for the deaths of individuals. I totally resent that, and if anyone is lying here senator, it is you.”

When asked by Sen. Tina Smith if he had any other comments on Paul’s claim, Fauci said, “This is a pattern that Senator Paul has been doing now at multiple hearings based on no reality.”

Having enough of Paul’s outbursts, Fauci ended the discussion. “I have never lied certainly not before Congress. Case closed.”

(Via Aaron Rupar on Twitter, USA Today)

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Inspired By Britney Spears, Legislators Have Introduced A Reform Bill Around Conservatorships

It seems that the case of freeing Britney Spears from her long-running conservatorship is something everyone — from Madonna to embattled Republican Representative Matt Gaetz — can get behind. Now, a bipartisan bill has been introduced that, if passed, would make it easier for people living under conservatorships to request a different guardian other than their court-appointed one in situations of abuse and fraud.

The bill is called the Freedom And Right To Emancipate From Exploitation Act (or, the FREE Act, a reference to the #FreeBritney movement). The bill was introduced by sponsors Representatives Charlie Crist (D-Florida) and Nancy Mace (R-South Carolina).

Speaking to The New York Times, Mace said about the bill, “We want to make sure that we bring transparency and accountability to the conservatorship process. If this can happen to [Britney Spears], it can happen to anybody.” Crist added, “We’ve tried to be very smart and focused. That gives us a much greater opportunity to have success.” It should be noted that while the bill provides a way forward for people living under conservatorships to choose a different guardian (other than their court-appointed ones), it does not actually make it easier for them to dissolve their guardianships.

Last week, Spears scored major a win in a court when a judge allowed her to retain a lawyer of her choice, former federal prosecutor Mathew Rosengart. Until recently, Spears had been working with her court-appointed lawyer, Samuel D. Ingham III, who recently stepped down from his role. While the singer’s conservatorship stating that her conservator, her father Jamie Spears in this case, needs to approve any moves the singer attempts to make, Rosengart argued that it’s the singer’s constitutional right to have the lawyer of her choice. On July 19, Rosengart told news outlets that he and his firm were “moving aggressively and expeditiously to file a petition to remove Jamie Spears unless he resigns first.”

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Hollywood Studios And Guilds Have Agreed That Vaccines Can Be Mandated Amid Another Rise In COVID Cases

While more than 56 percent of Americans over the age of 12 have been vaccinated for COVID, getting jabbed is still a personal choice. But Hollywood holdouts who are looking to keep those paychecks rolling in may need to soon their way toward the pro side of being vaccinated against a virus that already killed more than 4 million people worldwide. In the past few days, the Game of Thrones prequel House of the Dragon and Netflix’s Matilda have both put a pause on production due to positive COVID cases—as did filming on season 2 of Bridgerton, just one day after production resumed following a previous positive COVID test.

While all of Hollywood is understandably anxious to get back to work following a year of closed sets — not to mention shuttered movie theaters — the heads of various studios and creative guilds also want to mitigate the health risks of heading back to work too soon. As such, they’ve entered into a short-term agreement that will allow them to require that cast and crew members be vaccinated, which will in turn allow them to relax some of the social distancing restrictions they’ve had in place.

According to The Hollywood Reporter, the new agreement was announced in a joint statement issued by the Alliance of Motion Picture and Television Producers and some of the industry’s premier guilds, including SAG-AFTRA, the DGA, IATSE, and the Teamsters. According to the statement:

The modifications center on workplace practices for fully vaccinated cast and crew, including changes to outdoor masking requirements and updated mealtime protocols. Producers will also have the option to implement mandatory vaccination policies for casts and crew in Zone A on a production-by-production basis. Additional changes, such as adjustments to testing frequency, are included for certain areas in the United States and Canada where COVID-19 incidence is, and remains, very low.

The Agreement will remain in effect through September 30, 2021. The parties will continue closely monitoring COVID-19 developments and will consider further modifications at that time.

“Zone A” cast and crew are those people who regularly work in close proximity to each other and cannot always wear PPE — as filming a sex scene with full-on face masks would probably be a lot less sexy.

According to THR, the question of whether vaccines would be mandated is a question that’s been swirling around Hollywood for several months now. When asked about it back in March while appearing on “The Business” podcast, Netflix co-CEO Ted Sarandos was taking a wait-and-see approach. “We’re not going to take a position on whether we mandate or not,” Sarandos said. “I think people are pretty enthusiastic about getting back to normal life, and so we’ll play it by ear and see how the adoption of the vaccines goes.”

My, how times change.

(Via The Hollywood Reporter)

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Apparently ‘Jurassic Park 3’ Almost Featured A Velociraptor Riding A Motorcycle To Its Death

If you were under the impression Jurassic Park 3 couldn’t get any more wacky, meme-worthy, and — let’s be honest — cringe-infused, storyboard artist Dave Lowery just took to the wild world of podcasts to prove you very, very wrong. According to Lowery during his recent appearance on the Jurassic Park 3-centric Stuck on Sorna podcast, the film almost featured a scene in which one of the film’s iconic raptors rode a motorcycle off a cliff and to their own demise — and we’re so bummed it didn’t.

According to Lowery the scene in question took place as the pack of raptors entered a high-speed chase with a character riding a motorcycle. In an effort to escape the scaly predators, the cyclist takes a parachute out of a backpack, leaps from a motorcycle, and glides off a cliff to safety. However, following the character’s departure, one of the raptors then leaps onto the still running motorcycle and remains on it as it goes flying off the edge of a cliff. After explaining the scene, Lowery playfully remarked it didn’t make it in the film “for some reason,” but honestly we can’t think of a single good one, as everything about it sounds both cool and campy as hell.

For those who are dying to know more about the magical moment we could have had, here’s a clip podcast host Daniel Stephen shared in which Lowery discussed the absurd scene:

Not too late to put this in a new Jurassic World. Or any other movie, really. F9 just sent Tyrese and Ludacris to space. It’s just a short leap from there to a raptor on a motorcycle.

via /Film

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Jack Antonoff Describes What Working With Lana Del Rey And Lorde Taught Him About Music

Along with making his own music as Bleachers, Jack Antonoff has earned a reputation as a producer for some of today’s biggest pop stars. He worked with Taylor Swift on a number of songs, and also produced recent works for Clairo, Lana Del Rey, and Lorde. Of course, working with such big names is going to teach him a thing or two about the art of crafting a pop song — and it definitely did.

Antonoff described working with Lorde and Del Rey in a recent digital cover interview with Billboard. Detailing what he learned from the two acclaimed musicians, Antonoff said:

“You’re always learning from everyone around you. Lana taught me that sometimes that thing that just comes out of thin air is the thing, and you don’t even touch it. Ella [Lorde], on the other hand, teaches me what can happen if you keep chipping away at something over and over. The idea of the process is these big egos and big attitudes [colliding], but once you get into that very vulnerable place of working and writing, everyone’s just a half-broken sponge. There’s so much being passed around, and there’s so much information and so much emotion, and that’s why I love it so much. It’s really this rarefied space.”

Elsewhere in the conversation, the producer noted just how groundbreaking it is that Taylor Swift has opted to re-record her first six albums. “[It] is monumental. People approached it with so much cynicism, and then, just like everything she does, there was no f*cking bit,” he said. “And people love to be like ‘This changes the game!’ about so much sh*t. This actually changes the game. And good! Let people who want to put artists in antiquated deals feel some fear about the power of artists. It’s a classic tale that is representative of the assumption that people suck, and they don’t.”

Read Antonoff’s full digital cover interview with Billboard here.

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A Jason Momoa Rock-Climbing Competition Series Is A Go At HBO Max

Jason Momoa’s a busy dude, to say the very least. He’s got a Netflix film coming soon, his Apple TV+ show is gearing up for Season 2, and of course, he’s still Arthur Curry. The Justice League star recently bid farewell to his dark locks (which will soon be blonde) while preparing for Aquaman and the Lost Kingdom filming to begin this week. And he’s got more on the way in the Warner Bros.-tangential universe because Momoa will be bringing us a rock-climbing competition series (The Climb) for HBO Max.

There’s no word on exactly how much climbing that we’ll see the outdoorsy Momoa doing (while he also operates behind the scenes through his On the Roam production company, which is teaming with the executive-producing Intellectual Property Corporation), but rest assured that the man is excited. In a press release, he declared, “It’s a dream come true to create a show with one of my idols, my good friend, and legendary climber Chris Sharma.” Momoa added that rock climbing is his “favorite sport,” which suggests that he shall participate at least a smidge. Here’s the series’ logline:

The Climb is a visually-arresting and life-changing adventure that represents the foundations of rock climbing and the exploration of the human spirit. In this all-encompassing competition, amateur climbers are put through a rigorous series of mental and physical challenges, utilizing the most intimidating ascents in the world to crown the world’s best amateur climber.

On the HBO Max front, Executive VP of Non-Fiction and Live-Action Family Programming Jennifer O’Connell describes this show as taking a “cinematic approach to a physical competition show.” Also, the obstacle courses will provided by Mother Nature herself. There’s no anticipated release date yet for The Climb, but audiences will surely be ready to tune in when that happens.