Three years after the release of one of the best albums of 2021, Pom Pom Squad are back with new music. The indie rock project led by Mia Berrin have announced a new album, Mirror Starts Moving Without Me, which comes out on October 25 on City Slang.
“I took a lot of inspiration from my younger self on this album,” Berrin said in a press release. “I wanted to get back in touch with my creative roots. After hitting a particularly rough bout of writer’s block, I challenged myself to make a playlist of my all-time favorite songs from childhood to adulthood. It was healing in a way I didn’t expect! Before we went into the studio, I made my bandmates and Cody do the same, then we all listened to each other’s and had a long conversation about them. Through the sessions for Mirror we were all pulling references from our collective playlists more than anything else.”
Pom Pom Squad also released a music video for “Spinning,” the album’s second single (after “Downhill”), which you can watch above.
Pom Pom Squad’s Mirror Starts Moving Without Me Album Cover Artwork
City Slang
Pom Pom Squad’s Mirror Starts Moving Without Me Tracklist
Deadpool has officially taken over the summer thanks to some well-timed interviews and one particularly entertaining episode of Hot Ones, but it’s really Wolverine who can take the credit for the film’s success. Deadpool & Wolverine would not be doing nearly as well if it wasn’t for Hugh Jackman’s incredible charm… and that popcorn bucket.
If you haven’t been able to make a trip out to your local theater, you might get spoiled when it comes to the various cameos and surprises. On the other hand, you might not care about that stuff, so feel free to wait until you can stream all of Ryan’s R-rated antics from the comfort of your own home. Sometimes those theaters can be a bit much.
Just like the other Deadpool and Marvel Cinematic Universe movies, the flick will eventually land on Disney+, though that could be a while. These movies generally become available on Disney+ roughly 45 to 90 days after their theatrical debut. Since Deadpool & Wolverine landed in theaters on July 26, the earliest we can expect it to stream will be sometime in November. Of course, this depends on how well the movie does in theaters.
Considering that the movie has made a reported $235.7 million thus far, Disney/Marvel may choose to keep it in theaters for as long as they can. There’s a good chance that Deadpool & Wolverine will land on streaming sometime around the holidays, which will be some R-rated fun for the whole family!
At long last, she’s back with new music, as she released “Seed Of A Seed” today, July 30. Heynderickx says of the new song:
“I first sent a demo of ‘Seed Of A Seed’ to my friend Tré Burt and he loved it. For three years he kept asking me if I’d finished the ‘better better’ song. It felt like a throwaway song to me, at first. It’s so simple, but I didn’t realize how much angst I’d woven into it: a desire for simplicity, and how far away that felt. It seems I accidentally pressed my story — the last four years of my life — into a tiny little tune and I love it now, too.”
The new song follows a headlining US tour that Heynderickx announced last week, which runs from August to November.
Listen to “Seed Of A Seed” above and find Heynderickx’s upcoming tour dates below.
Haley Heynderickx’s 2024 Tour Dates
08/02 — Ninilchik, AK @ Salmonfest
09/05 — South Burlington, VT @ Higher Ground
09/06 — Exeter, NH @ The Word Barn
09/07 — Easthampton, MA @ River Roads Festival
09/22 — Sisters, OR @ The Belfry
09/23 — Boise, ID @ Shrine Social Club
09/24 — Salt Lake City, UT @ The State Room
09/25 — Salt Lake City, UT @ The State Room
09/27 — Fort Collins, CO @ Washington’s
09/28 — Denver, CO @ Bluebird Theater
09/29 — Boulder, CO @ eTown Music Hall
10/01 — Albuquerque, NM @ KiMo Theatre
10/03 — San Diego, CA @ Lou Lou’s
10/04 — Los Angeles, CA @ Aratani Theatre
10/05 — San Francisco,CA @ Hardly Strictly Bluegrass
10/06 — Menlo Park, CA @ The Guild Theatre
10/08 — Sacramento, CA @ Sofia Theatre
10/11 — Seattle, WA @ St. Mark’s Cathedral
10/18 — Portland, OR @ Aladdin Theater
10/19 — Portland, OR @ Aladdin Theater
11/08 — St. Paul, MN @ Turf Club
11/09 — Milwaukee, WI @ Vivarium
11/10 — Chicago, IL @ Thalia Hall
11/11 — Lakewood, OH @ The Roxy
11/13 — Albany, NY @ The Egg
11/14 — Somerville, MA @ Somerville Theatre
11/15 — Philadelphia, PA @ Music Hall at World Cafe Live
11/16 — Washington, DC @ 9:30 Club
11/17 — Brooklyn, NY @ Music Hall of Williamsburg
Sometimes the best new R&B can be hard to find, but there are plenty of great rhythm-and-blues tunes to get into if you have the time to sift through the hundreds of newly released songs every week. So that R&B heads can focus on listening to what they love in its true form, we’ll be offering a digest of the best new R&B songs that fans of the genre should hear every Friday.
Since the last update of this weekly R&B column, we’ve received plenty of music and news from the genre’s artists.
Ravyn Lenae took a step closer to her Bird’s Eye album with her “One Wish” single featuring Childish Gambino, while Anderson .Paak and Gwen Stefani teamed up for their “Hello World (Song Of The Olympics)” track. Khalid unveiled the tracklist for his upcoming album Sincere, and Kehlani announced the Crash World Tour with Anycia and FLO. Elsewhere, Leo Waters returned with his new single “Cuerpo” and Halle Bailey breezed through a cover of Sabrina Carpenter’s “Please Please Please.”
Here are the new releases you need to have your eye on this week:
Jorja Smith — “High”
Jorja Smith is in an upbeat mood and her new single “High” is proof. The new single is a slick, house-inspired record that’s perfect for the carefree moment the summer months can present. “’High’ is a song I wrote about finding a friend within myself, even through the lows, you have to find the highs,” Jorja said about the song in a press release.
Muni Long — “Ruined Me”
Muni Long wears her heart on her sleeve on her latest single, “Ruined Me.” The singer pours her feelings on wax as she reflects on a now-concluded relationship and how heartbreak will affect her in the future. “Ruined Me” is the third single from her upcoming sophomore album Revenge, out August 30.
Mahalia & TakeADayTrip — “Life Size”
For the upcoming third season of Sprite Limelight, British singer Mahalia and producer TakeADayTrip team up for a fun and positive new collaboration. “Life Size” is birthed from a “hook” that TakeADayTrip created and left for Mahalia to reinterpret in line with her own “unique artistic vision.” What came out is a body positive anthem.
Ravyn Lenae — “One Wish” Feat. Childish Gambino
With Bird’s Eye out in a couple of weeks, Ravyn Lenae is back with another song from the project. Childish Gambino joins her for “One Wish,” a vulnerable record that Lenae uses to examine her relationship with her father, who was absent from her childhood. “‘One Wish’ is one of the most important songs on the album b/c it highlights the complex relationship I’ve had with my Dad,” Lenae said about the song. “Something valuable I’ve learned is being able to really humanize my loved ones and understand the context around people more deeply.”
Kyle Dion — “BRB”
Kyle Dion kicked off 2024 with his If My Jeans Could Talk EP, and now he’s back with new music for his fans. He returns with “BRB” which captures the fun of summer flings and the excitement of a fleeting romance. It pairs perfectly with Dion’s playful and carefree spirit.
Jaz Karis — “Sunset Blvd.”
At long last, London singer Jaz Karis is finally ready to release her debut album Safe Flight. The project is due September 20 and the latest offering from it is “Sunset Blvd.” The track centers on feelings of euphoria, blissfulness, and contentment using the idea of “driving down Sunset Boulevard with the love of your life,” as revealed in a press release.
Dylan Sinclair — “I Love My Ex”
After sharing “Lemon Trees” last month, Toronto singer Dylan Sinclair is back with another single. “I Love My Ex” finds Sinclair fresh off a breakup with a million questions swarming in his mind. “The early days after a breakup are not easy,” he said about the track. “It’s hard fighting the urge to call or text, and you can’t help but think of how they’re dealing with the new world without you.”
Breez Kennedy — “Wishing It Was Easy”
Riding the momentum of his previous single, “Who’s Been On Your Mind,” Florida and New Jersey-bred singer Breez Kennedy checks back in with “Wishing It Was Easy.” The upbeat single balances raw emotion and introspective lyrics over a pulsating single as Kennedy slowly accepts a relationship’s end — a feeling too many of us can relate to.
Nippa & Odeal — “Take Me”
UK singer Nippa calls on fellow singer Odeal, whose roots are tied to Germany, Nigeria, Spain, and the UK in his life, for their vibrant single “Take Me.” Together, Nippa and Odeal capture the intimate moments they have with a lover, and their desires to be whisked away by their respective partners.
Tempest & Amindi — “The Ranch”
Long Beach alternative R&B singer Tempest and Jamaican American singer Amindi join forces for “The Ranch.” The duo takes listeners on a fun ride with a playful and tongue-in-cheek record that present Tempest and Amindi as indulgent crushes who act as temporary pain relievers.
France is one of the top contenders for a medal in men’s basketball at the Paris Olympics, and as the home nation their games are a top draw. On Tuesday, the French side went up against Japan in their second game of group play, and found themselves in a surprising dog fight with a Japanese side led by Rui Hachimura.
The game was back-and-forth throughout, with Hachimura leading the way for Japan with 24 points early in the fourth quarter, when the Japanese star and Lakers wing picked up his second unsportsmanlike foul of the game and was ejected for pulling down Rudy Gobert’s arm and sending him tumbling to the floor. After review, the referees deemed it an unsportsmanlike foul and Hachimura had already picked one up in the third quarter for knocking Bilal Coulibaly to the floor, meaning his night was over.
The FIBA definition of an unsportsmanlike foul is a little bit different than an NBA Flagrant, but even so this felt like a pretty soft foul to lead to an ejection. Gobert falling to the floor didn’t help Hachimura’s case, but that felt more like the big man stumbling and losing his balance than getting forcefully thrown to the ground.
Every month, Uproxx cultural critic Steven Hyden makes an unranked list of his favorite music-related items released during this period — songs, albums, books, films, you name it.
1. Johnny Blue Skies, Passage Du Desir
Sturgill Simpson’s first music under a different name is the closest he’s come to making a “classic” sounding Sturgill Simpson LP in quite some time. In true paradoxical Sturgill Simpson fashion, being someone else has given him permission to be more like himself. Frankly, it sounds like the record that his label would have killed for in 2019 rather than cage-rattling provocation that was Sound & Fury. The album-opening “Swamp Of Sadness” immediately sets the tone, nodding to A Sailor’s Guide To Earth lyrically (he sings about being “a drunken sailor lost and lonely”) and musically, with warm organ fills and a lightly choogling rhythm section playing off of Sturgill’s bluesy guitar licks. It’s an inviting and amiable sound that unmistakably evokes the record that garnered Sturgill’s first and only Album Of The Year Grammy nomination, before he was sent down an opposing path of contrarianism and rebellion.
2. Jack White, “No Name”
“No Name” — the album Jack White release for free via a 12-inch vinyl distributed at Third Man Records stores — isn’t exactly Jack White’s best solo record. (I still ride for Blunderbuss, his solo debut from 2012, a quasi-Blood On The Tracks about the end of The White Stripes and White’s conflicted emotions about his prodigal partner Meg White.) But it’s the record that people who still check out new Jack White albums in 2024 have been waiting for. And it might even by the album that brings estranged listeners back into the fold. Simply put: It’s Jack White in a room with his crackerjack band, playing extremely loud, on a collection of riff-y rock songs that sound like they were written five minutes before they were recorded. It’s raw, it’s direct, and — this is a compliment — it’s not all that thought out. But the adjective that most applies hasn’t appeared in a Jack White album review since possibly the mid-aughts: Great. “No Name” is actually pretty damn great.
3. Zach Bryan, “Oak Island”
I am a Zach Bryan fan. But my admiration for his talent and prodigious output comes with some serious reservations. His ability to zero in on precise specifics with his words typically isn’t matched by an ability to create equally arresting melodies. For all his flair as a lyrical stylist, his music can be monotonous and flat sounding. So, while Bryan impressively composes a lot of songs, a lot of those songs are hard to distinguish from one another. At some point, his albums always get bogged down in a series of downbeat, mid-tempo dirges in which Zach pines after long-lost girls that he had to leave but can’t ever forget. I wish his latest record, The Great American Bar Scene, had more songs like “Oak Island,” the best song on the record and one of the better tunes in Bryan’s entire catalog. It’s his purest Springsteen homage on an album filled with them, in whch the song’s main character gets tied up with “some boys out in Jersey” who have him on the wrong end of a shady deal.
4. Zach Top, Cold Beer & Country Music
Of all the country albums released by dudes named Zach so far in 2024, this one is my favorite. It actually dropped back in April, though Top received a wave of publicity this month after sitting in with Billy Strings at a festival in Montana. On his own, he favors a Fender Telecaster over an acoustic guitar, and he’s adept at ripping out twangy lines that recall the greats of golden-era Bakersfield country. In that respect, Cold Beer & Country Music reminds me of my favorite ’80s country records, like Dwight Yoakam’s Guitars, Cadillacs, Etc. Etc. or Steve Earle’s Guitar Town. Also: The man has an impressive mustache, which is a rarity these days.
5. Ben Seratan, Allora
I raved about the lead single from this album, “New Air,” when it came out back in April (https://uproxx.com/indie/steven-hydens-favorite-music-of-april-2024/ ) for how it condensed everything I love about Wilco’s A Ghost Is Born into one eight-minute track. I’m happy to report that the rest of the album also hits all of my aughts-era indie-loving pleasure centers. Similar to Friko’s Where We’ve Been, Where We Go From Here — one of 2024’s best indie rock records — Allora draws on the maximalism of that bygone era’s most sprawling masterworks, Seratan certainly doesn’t shy from extended instrumental passages in which long guitar solos take center stage. (My other favorite song from the other record is another eight-minute epic, “Free.”)
6. Wand, Vertigo
This adventurous L.A. band has operated under the radar for more than a decade, probably because they mostly eschew easy pop accessibility. At a time when Tame Impala drifted from psychedelic rock to hooky Off The Wall homages that currently soundtrack trendy hotel lobbies, Wand has moved even deeper into the experimental ether. For Vertigo, Wand moved through 50 hours of studio jams to construct eight songs. The miracle of the record is that you can detect that improvisational ethos and also marvel at how well the tracks fall into place. Vertigo constantly knocks you off-balance, but it also operates on an unerring interior logic that always lands in exactly the right place.
7. American Aquarium, The Fear Of Standing Still
This long-running Americana act operates in the Jason Isbell/Drive-By Truckers zone, in which back-porch country-rock is paired with sensitive lyrics about southern identity and the meaning of masculinity. I have appreciated their output in the past, but their latest record hit a deeper nerve with me, perhaps because of the involvement of producer Shooter Jennings, who teases out a harder rocking side than previous releases have presented. At times, there’s almost a Gaslight Anthem vibe to the songs, which provides some extra crunch to all of the thoughtful introspection going down in the words.
8. The Red Clay Strays, Made By These Moments
If you haven’t already noticed the running theme of this column: A lot of the music I enjoyed this month could have appeared in an episode of Justified. And The Red Clay Strays are the most Justified-sounding band of the bunch. The influence of Chris Stapleton is obvious on the brawny vocals of frontman Brandon Coleman, though his old-world greaser guy looks are the opposite of Stapleton’s mountain man figure. On Made By These Moments, The Red Clay Strays stay on the southern rock side of Americana, with riff-y songs that often reach solo-heavy peaks, .38 Special style.
9. Charley Crockett, Visions Of Dallas
I’ve seen Crockett described as “country GBV” due to his prolific output. Visions Of Dallas is his second album of 2024, after $10 Cowboy released in spring, and his 13th LP overall since 2015. The downside of putting out so much music for any artist is that each record can blur into the next over time, and with Crockett, his retro revivalist tendencies don’t vary dramatically from one album to the next. But the man has a tremendous voice for this sort of throwback twang, and his taste in production and album covers is second to none. Plus, on Visions Of Dallas, he wrote a song based on Killers Of The Flower Moon called “Killers Of The Flower Moon” that runs down the story in a succinct three minutes and 14 seconds.
Uproxx is set to celebrate all the flavors of summer with an exclusive Sparkling Sessions event in Chicago this week, just ahead of Lollapalooza. Sponsored by Sparkling Ice, Tetto’s rooftop will come alive on Wednesday, July 31st for an evening full of sips and sounds all against the backdrop of the stunning Chicago skyline.
This exclusive event promises a vibrant atmosphere featuring custom Sparkling Ice cocktails, a variety of food stations, a 3D photo booth, cornhole, human-sized Jenga, custom food stations, paletas, and more. R&B star Justine Skye will perform an exclusive set for attendees. Los Angeles comedian and DJ Zack Fox will also be throwing down beats for a DJ set.
While the event is free and open to the public, an RSVP is required for entry. To attend, you must be approved on Partiful, after which entry will be on a first-come, first-served basis until the venue reaches capacity. Don’t miss out on this unique opportunity to celebrate summer in style – RSVP for free here.
Indie music has grown to include so much. It’s not just music that is released on independent labels, but speaks to an aesthetic that deviates from the norm and follows its own weirdo heart. It can come in the form of rock music, pop, or folk. In a sense, it says as much about the people that are drawn to it as it does about the people that make it.
While we’re at it, sign up for our newsletter to get the best new indie music delivered directly to your inbox, every Monday.
Sinai Vessel – I Sing
“Ten years eating shit / And going back for seconds,” Caleb Cordes sings at the beginning of “Country Mile,” a standout from Sinai Vessel’s new album. I Sing, the new album in question, is full of lines like these that practically jump off the (Genius) page. Surrounded by gorgeous acoustic guitars, tasteful pedal steel, and masterful production from frequent collaborator Bennett Littlejohn, Cordes’ tales of happiness and hardship come to life.
Hinds – “Superstar”
Long live Hinds! Viva La Hinds comes out soon in early September, and Hinds have given us excellent single after excellent single. It’s a streak that continues with “Superstar,” one of the Spanish indie rock duo’s best tunes yet; it’s perfect for a blissful drive in the summertime. Despite recently losing their rhythm section, Hinds’ Carlotta Cosials and Ana Garcia Perrote haven’t lost any of their verve.
Katie Gavin – “Aftertaste”
As the frontwoman of indie-pop trio Muna, Katie Gavin knows how to command a room. Her stage presence perfectly complements the band’s sophisticated synth-pop, an adept skill she has translated into making relatively quiet, introspective music under her own name. Gavin’s debut solo album, What A Relief, sees her adapt her predilection for memorable songwriting to a more intimate setting. Adorned with acoustic guitars and arrangements that evoke everyone from Sheryl Crow to the Indigo Girls, it marks a new path for Gavin. Despite the mellow milieu of her new endeavor, she hasn’t lost any of that commanding presence.
Porter Robinson – Smile! 😀
Bright, maximalist, and shameless, Porter Robinson’s third studio album lives up to its emoticon-anointed name. Semi-ironic Taylor Swift self-comparison? Check. Allusion to the infamous Pitchfork review of Jet’s Shine On? Why not! A song titled after a luxury fashion brand in which the producer does his best Bladee impression? Sure! It all might seem absurd, but the absurdity is kinda the point. It’s fun and self-aware, distinguishing itself as a new addition to Robinson’s proverbial Eras Tour. After all, bitch, he’s Taylor Swift.
Origami Angel – “Dirty Mirror Selfie”
Ryland Heagy and Pat Doherty are on a roll. As Origami Angel, the Washington D.C. emo duo pair lyrics about Pokémon with some of the sickest shredding you’ll ever hear. As evidenced by records like 2019’s Somewhere City and 2021’s double LP Gami Gang, the two musicians have their style down to a science. But there’s still room for fun surprises. Feeling Not Found, the third proper Origami Angel album, abounds with halftime screamo breakdowns, math-rock noodling, and pristine pop-punk hooks. Sometimes, like in the case of “Dirty Mirror Selfie,” all three of those appear in a single song. If Somewhere City is Charmander and Gami Gang is Charmeleon, then Feeling Not Found is Charizard.
Alex Izenberg – Alex Izenberg & The Exiles
On previous albums, Alex Izenberg’s ’70s-inspired indie-folk relished in sparse textures. For Alex Izenberg & The Exiles, however, the Los Angeles songwriter has transposed that dreamy languor into something bigger and more concrete by way of a full backing band. Legendary PNW indie producer Phil Ek presides over the boards, and Ek and the band give Izenberg’s music a bit more heft without losing the somnambulant quality so central to his work. The end product resembles something like sleepwalking and lucid dreaming at the same time.
Enumclaw – “Not Just Yet”
“Not Just Yet” is a loving, heartbreaking tribute to family. Uncle Mike, a relative of Enumclaw’s Aramis Johnson and Eli Edwards, was recently diagnosed with early-onset Alzheimer’s, and frontman Johnson marvels at the cruelty of time and the tenuousness of memory. “How could he forget me when he taught me everything,” he sings in the second verse. For all of its fuzzed-out guitars and noisy ambiance, “Not Just Yet” teems with heartfelt tenderness.
Spirit Of The Beehive – “I’ve Been Evil”
This past week, the wildly influential noise-pop trio Spirit Of The Beehive shared two new singles from their forthcoming fifth album, You’ll Have To Lose Something. But really, they work in tandem. “Something’s Ending” sets the stage for the more conventionally structured yet no less captivating “I’ve Been Evil.” It perfectly encapsulates what makes the Philly group’s artful, zany strain of indie rock so appealing.
Touché Amoré – “Nobody’s”
Touché Amoré is a band that thrives on intensity. For five albums, the Los Angeles post-hardcore staples have honed a fiery ferocity that’s as loud as it is melodic. They continue that pattern on LP6, Spiral In A Straight Line, if the opening track and lead single “Nobody’s” is any indication. Jeremy Bolm’s larynx-shredding vocals, lying somewhere between screaming and singing, is the main through line, as the rest of the band chugs forward with stacked riffs and kinetic drumming. For a song that Bolm describes as “about forward movement,” that much is conveyed in the instrumentals alone. Once again, Touché Amoré blaze ahead.
Peel Dream Magazine – “Wish You Well”
Following dalliances with shoegaze and kosmische, Joe Stevens has pivoted to woodwinds and glockenspiel. Steeped in the baroque-pop inclinations of Sufjan Stevens’ state albums, the other Stevens’ new work as Peel Dream Magazine marks another exciting turn from an artist always in motion. Rose Main Reading Room turns Stevens’ music into a delirious maze with surprises at every corner. Take the swirling, orchestral flourishes and the Byzantine drum patterns all over “Wish You Well.” Here, Peel Dream Magazine has never sounded dreamier.
After winning an Oscar, you can do anything (well, almost anything). So, at some point, we can assume that Robert Downey Jr. was on the hunt for another project when Marvel scooped him up before he could even consider another Doctor Dolittle installment. And they were prepared to offer him a lot of money to return to the MCU, of course, as a different doctor.
Variety reports that Marvel shelved out $80 million for Anthony and Joe Russo to return to the MCU for Avengers: Doomsday and Avengers: Secret Wars. This comes after they cost Amazon nearly $200 million for Citadel reshoots. They needed to make that money back somehow!
That’s not all: the source also claims that Downey Jr. was offered “significantly more” for his appearance as Doctor Doom in the two upcoming flicks. For comparison, he reportedly racked up a measly $75 million each for Infinity War and Avengers: Endgame. For his Oscar-winning role in Oppenheimer, one of the biggest films of 2023, he was given an estimated $4 million.
The move is quite perplexing, but makes more sense if you consider the fact that RDJ seems to like having fun and making money. According to Variety, he was only willing to return if the Russos returned, which they obviously did as a “break in case of emergency” move.
For all of his Iron Man appearances in the MCU, Downey Jr. reportedly made close to $500 million and $600 million. With that money, he could very well make three more Dolittle sequels, assuming the animals are up for it.
Filming for the next Avengers movie is slated to start next fall.
Earlier this month, Schoolboy Q had a show in Toronto canceled by its promoter, prompting the South Central rapper to lay the blame on Drake and his recent feud with Q’s former TDE labelmate Kendrick Lamar. Now, Inglewood singer SiR, who is on his Life Is Good tour, was also forced to cancel a show in Drake’s hometown. With the second TDE artist in as many weeks having a concert canceled (and the third from LA), fans — and the performers themselves — are surer than ever that Ontario’s capital city has a TDE ban in place for the foreseeable future.
So sorry to my Toronto fans. The show has been cancelled. We’re working on rescheduling for a later date.
While there’s no evidence that Drake has actually tampered with TDE’s tours, history — both recent and established — has shown him to be pretty petty, if we’re judging by his musical output to date. He certainly has reason for any potential retaliation; after exchanging a handful of diss tracks with Kendrick (who’s no longer even ON TDE), Kendrick’s song “Not Like Us” became a national phenomenon. Not only did the Compton rapper play the song five times back-to-back at his Ken & Friends Pop Out concert (with his former Top Dawn family on stage), but the song generated a fan made video game and even prompted the LA library to retire one of its mascots.
So, while Drake appears to be taking “Not Like Us” in stride, it does seem like there’s a non-zero chance he’s found a way to get the last laugh, after all.
Lol they cancelled the Sir concert TN too. Drake is such a petty man. Guess anyone connected to TDE ain’t playing in Toronto
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They DON’T like us 
(@scrufacejean) 
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(@jakalaonu_) 