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Joe Biden Wore A Tan Suit, And Of Course Everyone Is Making Obama-Controversy Jokes

The U.S. has been sliding into Delta chaos, and the right-wing’s focused on U.S.-Mexico border relations, so a little humor here and there might provide some necessary stress relief. Well, it’s Obama’s 60th birthday week, so what better way to put a bow on it by rocking a tan suit? That’s what Joe Biden did, nearly seven years after the outfit that actually has a Wikipedia page titled “Obama Tan Suit Controversy.” What a strange past decade this has been.

When Obama wore that notorious (and atypical for him) suit, people had a meltdown for still-unknown reasons. Even though it’s only a freaking suit, some wondered whether the “casual” color choice seemed too flippant while addressing military operations against ISIS in Syria. That suit became an unlikely cultural flashpoint, and it never made much sense. Whatever the case, Biden wore his own tan suit on Friday, and people definitely noticed.

For sure, the Biden Administration was aware of the fuss that this suit might cause. White House Communications Director Kate Bedingfield referenced the positive jobs report today with this Twitter caption: “subsTANtial job growth today.”

From there, people pretended to freak out about this thing and had jokes aplenty. Some even tossed out half-serious theories about Biden trolling Fox News with his attire.

Yes, it’s very silly, but maybe we need silly these days.

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Magdalena Bay And Geoff Rickly Build A ‘Dark Pop’ Playlist On The Latest Episode Of ‘Making A Mixtape’

Here we are again, desperately searching for new music to elevate our every day. With digital streaming platforms, we have all of the music in the world at our fingertips, but still can’t seem to figure out exactly what we want to hear. Lucky for all of us, Geoff Rickly is here to help with Making A Mixtape, the new video offering from Uproxx’s Indie Mixtape. As the singer for the post-hardcore band Thursday, Rickly has a unique and experienced perspective on what it takes to craft an impactful mixtape.

After creating mixtapes with Cloud Nothings, Bartees Strange, Gordi, and more, Rickly is joined by buzzing indie pop duo Magdalena Bay to craft a “Dark Pop” playlist perfect full of songs that prove that pop isn’t all sunshine and rainbows. After being pioneered by acts like The Cure and Depeche Mode, dark pop has taken a hold in mainstream pop over the last several years, with artists like Billie Eilish leading the charge.

Check out the seventh episode of Making A Mixtape above and the “Dark Pop” playlist below.

Doss — “On Your Mind”
Half Waif — “Party’s Over”
Billie Eilish — “NDA”
The Cure — “The Lovecats”
Magdalena Bay — “Chaeri”
Tirzah — “Tectonic”
Ally X — “Fresh Laundry”
Grimes, IO — “Violence” (Original Mix)

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Meghan McCain Says Goodbye To ‘The View’ In A Surprisingly Drama-Free Final Episode

After an entire month of waiting, Meghan McCain finally made good on her promise to leave The View. At the beginning of July, McCain confirmed reports that she would be exiting the daytime talk show at the end of its current season, which wrapped up on Friday. Despite a penchant for engaging in shouting matches with her co-hosts, particularly Whoopi Goldberg whose facial expressions during McCain’s rants became viral sensations, the conservative commentator’s final episode was drama-free as she gave a goodbye message thanking everyone from her fellow co-stars, to the audience, to the producers for putting up with her during her four-year stint.

Via ABC News:

“Thank you all so much again for the privilege and honor it has been for the last four years to work on this show. It really has been incredible,” McCain said on Friday. “It will be referenced in everything I do for the rest of my life.”

“You women have been so incredible to work with,” she continued. “The crew, the producers, everyone worked so hard, and honestly the audience giving me four years to give my opinion and show my perspective. This has been a really wild ride the past four years of my life. It’s been honestly the best of times and the worst of times in all ways, on and off this show,” she said. “It’s been a really incredible, liberating experience and I will always cherish the time I spent with all of you.”

As for McCain’s post-The View plans, not much is known about her next steps outside of executive producing an upcoming Lifetime movie starring Heather Locklear. While escaping into the entertainment realm would make sense after four years on The View, it’s highly unlikely that McCain will stay away from the world of politics considering it’s literally in her blood. Her father was John McCain.

Has she never mentioned that before?

(Via ABC News)

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Doja Cat Heads To The Desert For A Sultry Live Performance Of ‘Need To Know’

Vevo already had a knack for helping artists create live performance videos of their songs that felt like mini-concerts, but that platform has only been more useful in the midst of a pandemic. Now that it’s been months since most of us have been out to see our favorite artists on tour, these live slices of artists performing their new work is as close as it comes lately. Since the release of her long-awaited album Planet Her, Doja Cat has almost had to pick and choose which singles to promote, there’s so many good options on the record’s extensive tracklist. Clearly, though, one of her personal favorites is “Need To Know,” and it was one of the last singles to be released before she finally announced the album’s release date back in June.

In this new clip, Doja wears a futuristic high-fashion black look while perched out in the middle of the desert, singing the song while casually sitting on a cliffside. Eventually, she stands up and makes her way to the middle of a clearing where she can stretch out a few dance moves during an interlude. Check out the clip above, as well as her earlier collaboration with Vevo on “Ain’t Sh*t.”

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10 things that made us smile this week

With summer on its way out and the Delta variant on its way in, we could all use a mental and emotional pick-me-up. Here are 10 things that brought a smile to our faces this week. We hope they do the same for you.

1. The top two high jump champions choosing to share the gold medal at the Tokyo Olympics.

When they tied for first place, they could have done a jump-off to see who got gold and who got silver. But Qatar’s Mutaz Essa Barshim and Italy’s Gianmarco Tamberi, who are friends both on and off the field, opted to share the gold medal—and their celebration is one for the ages. Read the story here.

2. Speaking of golden Olympic moments, how these swimmers celebrated with Tatjana Schoenmaker when she broke the world record.

At the end of the day, the Olympics is about excellence, sportsmanship, and international friendship. This reaction of South Africa’s Tatjana Schoenmaker to breaking a world record in the 200-meter breaststroke is great, but the way her competitors shared in her joy is totally delightful.


3. 7-year-old Rowyn Montgomery giving his second-grade classmates a pre-school-year pep talk.

After Rowyn was bullied at school, he decided to make kids happy by making motivational videos for them. What an amazing kiddo! Read more about Rowyn here.


Tiverton 7-Year-Old Has a Motivational Message for his Classmates

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4. Rescued chimpanzee’s affectionate reunion with his foster parents.

According to WSVN, Limbani the chimpanzee was born with pneumonia and rejected by his mother, so he was nursed to health by foster parents who gave him round-the-clock care and nurturing in the early months of his life. Though people have varying opinions about rescued animals being kept in captivity, there is no question that the affection between Limbani and his caregivers is real.

5. Speaking of reunions, this soldier surprising her mom at work is just the best.

There’s no shortage of surprise military homecoming videos out there, but they’re always awesome to see. The emotional toll of having loved ones deployed is palpable when you see the relief and joy in these reunions.

6. This abuela tossing aside her cane and showing us her incredible dance moves.

I dare you to watch this video start to finish and not smile. So much life in this lovely elder, and so much joy in watching her express herself through dancing.

7. Speaking of elders, check out this young man forming a human chair for a woman stuck on an elevator.

Cesar Larios was performing a move for his moving company in 2014 when he got stuck inside an elevator in an assisted living facility inside a 10-story building. Stuck with him was 79-year-old Rita Young who had trouble walking and standing for too long. To help her out, Larlos made himself into a chair so she could sit for the 30 minutes they had to wait to be rescued. Read the story here.


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8. On the other end of the age spectrum, did you catch the 14-year-old phenom diver who kept getting perfect 10s in her first Olympics?

Quan Hongchan of China is a marvel, truly. This Olympics is her first international competition, and she completely blew everyone else out of the water with a series of perfect dives to take home the gold. Such a joy to see such incredible talent in someone so young.

9. And even younger, the three 13-year-olds and a 12-year-old who took home four of the six medals in women’s skateboarding.


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Skateboarding made its Olympic debut in Tokyo, and the medal results show how much potential exists in the sport. But even more than that, the camaraderie and joyful support of the young athletes at the skate park was a delight to see. The six medalists in the two women’s events were ages 19, 16, 13, 13, 13, and 12, which is just incredible. Read the story here.

10. If that doesn’t dazzle you, perhaps this proud, pretty peacock will.

Sometimes a simple natural phenomenon is all we need to be reminded of the inherent beauty and wonder in the world. No matter how many times you see it, a peacock showing off its plumage is always stunning. And in slo-mo, the shimmy just adds an extra layer of awesome.

There we go. Amazing Olympic moments, incredible humans young and old, delightful reunions, and awesome animals. The world is full of beauty and goodness—we just have to keep looking for it.

Happy weekend, everyone!

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‘The Suicide Squad’ Is Profane, Gory, Gorgeous, But Ultimately A Little Disappointing

There are times during the first hour of James Gunn’s remix of The Suicide Squad when it feels like it’s on track to be the best comic book movie ever made.

There’s a scene early on, a version of the “slow-motion hero walk” sequence that’s in so many superhero movies, shot gorgeously in vivid colors with the characters framed in front of a giant American flag backdrop for maximum kitsch. It functions as a pump-up jam even as it eventually reveals itself to be derisive — in the next five minutes, every slow-motion cool guy in it will die gruesomely, their gory ends played for laughs.

At its best, The Suicide Squad works like this, a satirical critique of both American imperialism and of jingoistic comic book conventions, delivered with punk rock panache and Corman-esque schlock. Suicide Squad is, after all, about a group of expendable anti-heroes, and it’s easy to connect that to the hundreds or thousands of would-be “freedom fighters” the CIA sent over the iron curtain or into the southern hemisphere to “foment revolution,” only for them to die or get captured almost instantly. That they just kept dying and the US just kept sending more anyway has a twisted Looney Tunes quality that The Suicide Squad is well-positioned to capture. At first, it does perfectly.

Then about three-quarters of the way through the movie, Gunn does the slow-motion hero walk again, but this time seemingly in earnest. What begins as a story about self-interested antiheroes working for an amoral government ends up just sort of turning back into a regular superhero movie by the end, complete with mindless stakes-raising, noisy and nonsensical CGI set pieces, an ill-defined villain, and characters working selflessly towards a vaguely defined “greater good.” It’s like watching Johnny Rotten lose his sneer halfway through a song.

The idea with The Suicide Squad seems to be to poke fun both at superhero movie conventions and the concept of “heroes.” It centers around a team, put together by an evil government functionary played by Viola Davis (one of the holdovers from the David Ayer Suicide Squad), of supernatural(ish) criminals sent to recapture a fictional South American island after a coup. It consists of Bloodsport (Idris Elba), a professional assassin trained to kill since birth by his father; Harley Quinn (Margot Robbie), the evil clown’s hot jester (ex?) girlfriend; Peacemaker (John Cena), a sort of jingoistic three percenter version of Bloodsport; Ratcatcher 2 (Daniela Melchior), a girl who can control rats; King Shark (voiced by Sly Stallone), a dopey Shark creature who eats people; and Polka-Dot Man (David Dastmalchian), a nerdy oddball with mom issues whose powers are something of a big reveal.

James Gunn has a flair for absurdity, a punk rock sensibility, and a grasp of comedic timing that makes the whole thing work beautifully for a while. Yes, it feels like he’s self-plagiarizing Guardians of the Galaxy at times (Sharkman is just the new Groot, for instance), but mostly in a good way, and some of his exuberant compositions look like Ralph Steadman drawings come to life. He writes great banter between the characters, can shoot a wonderfully gory death scene, and the actors seem fully onboard with the concept. After F9 I thought I’d never want to see John Cena in a movie ever again, but it turns out when he’s not scowling for an entire movie with a camera shoved artlessly into his right nostril, his blocky head isn’t so hard to look at. He’s actually pretty charming here.

So where does it go wrong? The Suicide Squad never stops trying to be a critique of American foreign policy or a send-up of comic book conventions, but Gunn can’t seem to help turning his protagonists into his story’s heroes. That Tony Soprano isn’t the “hero” of the Sopranos, just the main character, is a distinction that The Suicide Squad doesn’t seem to be able to manage. That Gunn can’t seem to give his characters arcs without turning them into babyfaces smacks of studio meddling. Did they think we needed “someone to root for” in this story of death and destruction?

That didn’t seem like the movie Gunn was making for the first hour of The Suicide Squad.

There’s a brilliant moment where Harley Quinn murders a potential paramour, explaining why he wouldn’t make a suitable mate while he lies bleeding to death on the floor. This, for some reason, leads into a stylized sequence of Quinn taking on an entire army of South American henchman while they bleed CGI flowers. Say what? Justin Halpern, showrunner of DC’s shockingly good Harley Quinn show, has said that their model for the Harley Quinn character was Bugs Bunny, a clever and formidable character who is nonetheless entirely self-interested. In the later parts of The Suicide Squad Harley seems more like Black Widow. You can practically hear some suit whispering “yeah, but do we ever get to see her kick ass?” over James Gunn’s shoulder.

What started as this slightly subversive send-up eventually descends into the usual convoluted savin’-the-world nonsense. Gunn disguises it well, with bonkers visuals, gore, and cursing, but by the time a bystander shouts “it’s a freakin’ kaiju!” it feels like Suicide Squad has become nothing more than a Guillermo Del Toro-esque genre mash-up, inviting the nerds to simply cheer without questioning the gesture.

The movie invites us to question American meddling, then turns its heroes into an anti-imperial avenging army, then ends without them ever questioning the destruction they themselves have wrought. The first half of the movie had me convinced that this could’ve been done with a wink, a sneer, a punchline — something. Yet by the end of The Suicide Squad, the distance between how the characters see themselves and how we see them has flattened.

Is this a failure of storytelling or simply a limitation of the format? It makes you wonder just how much any creator can critique the concept of a comic book movie from within the confines of a comic book movie.

‘The Suicide Squad’ is currently available in theaters and on HBO Max. Vince Mancini is on Twitter. You can access his archive of reviews here.

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Syfy Casts ‘Spider-Man’ Breakout Star Jacob Batalon In Upcoming Series ‘Reginald the Vampire’

While it’s always exciting to see a big star sign on to be a part of the Marvel Cinematic Universe (I mean, I for one still cannot believe Angelina Jolie will be in The Eternals), there’s something even more exciting: seeing a fresh face get their start through the MCU. The latest Marvel star to get the opportunity is none other than Peter Parker’s lovable best friend Ned — though his next role is anything but soft, sweet, and on the side. According to a The Hollywood Reporter, Spider-Man breakout star Jacob Batalon is making the move to television and is set to star in Syfy’s upcoming Reginald the Vampire series.

Based on Johnny B. Truant’s Fat Vampire series, Reginald the Vampire is an hour-long dramedy that’s been picked up for ten episodes by NBCUniversal’s science-fiction network Syfy. The series follows Reginald Baskin (Batalon), a portly and unlikely hero who is thrust into the dangerous vampire underworld and finds himself an outcast among all the gorgeous (and vain) vampires we typically see in vampire media. Once he joins the world of the undead, Reginald is forced to deal with even more problems than crushes and mean bosses, including avoiding a vampire chieftain who wants him dead. Luckily for Reginald, vampirism comes with some perks and powers he wasn’t expecting and that will ultimately aid him on his hellish journey.

Harley Peyton of Twin Peaks and Syfy’s upcoming Chucky series is set to write Reginald the Vampire‘s script and serve as showrunner, as well as executive produce. Jeremiah Chechik (Shadowhunters) will also produce and direct. As of right now, no other stars or a release date have been attached to the project.

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‘Super Mario Bros’ Is Once Again The Most Expensive Video Game Ever Sold

It wasn’t long ago that the price of a video game, even the rarest, would never exceed six figures. While collecting memorabilia is becoming more popular than ever before, it was always grounded in the idea that it was an expensive hobby that anyone could get into. However, as collecting becomes a more lucrative (and somehow dangerous) hobby, we’re starting to see game prices increase.

The increased prices of normal retro games are one thing, but the higher-end prices are reaching records that we’ve never seen before. A sealed copy of Super Mario 64 recently broke the million-dollar ceiling, which shocked everyone, because that game has never been considered a rare title. For comparison, back in April, the most expensive game ever sold was the original Super Mario Bros. when it was auctioned off at a price of $666,000.

Now, that game is breaking the $2 million mark and once again becoming the most expensive game ever sold.

While this game isn’t the exact same as the one that sold for $666,000 — this is a limited-run edition — it’s another example of the crazy price increases happening at gaming auctions right now. When an unopened copy of The Legend of Zelda for NES sold for $870,000 in July, it was seen as a new benchmark. It’s not even a full month later and we’re seeing game prices that are more than double that. Someone who is selling a similar copy of the game is going to put theirs up for auction in October, and there’s a good chance they not only break the original record, but shatter it.

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Eric Andre Helped Turn The Bodega Boys (Desus And Mero) Into Bodega Men With A Bar Mitzvah

As a Jew from New York, I have attended my fair share of bar mitzvahs, but I never had one myself. It wasn’t out of religious defiance, or whatever. It’s because I was lazy. Still am! I didn’t feel like studying the Torah, and to this day, the only Hebrew I know is the basic prayer for Hanukkah. But the nice thing about bar/bat mitzvahs is you can have them at any age, not only the traditional 13 years old. I could get mitzvah’d later this year if I felt like it, but instead, I’ll watch Eric Andre turn the Bodega Boys into Bodega Men.

On Thursday’s episode of Desus and Mero, the Bad Trip star took comedians Desus Nice and The Kid Mero to a synagogue to meet his rabbi, Rabbi Diana Fersko. They learned the basics of the coming-of-age ritual and that there’s “nothing against cocaine in the Torah,” according to Andre. He quickly course corrected, saying that he has no idea whether that’s true, but “there is nothing against weed. Genesis is pro-weed.”

The rabbi looked very uncomfortable:

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Later, following the religious ceremony, Desus, Mero, and Andre celebrated with Manischewitz and Hennessy, which sounds like a Talking Dead-style aftershow to Desus and Mero. You can watch the clip above.

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James Gunn Has Revealed That ‘Peacemaker’ Builds Upon ‘The Suicide Squad’s Credits Scene With A Sci-Fi Storyline

WARNING: Spoilers for The Suicide Squad below.
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With The Suicide Squad now in theaters and streaming on HBO Max, writer/director James Gunn has opened up his upcoming HBO Max spinoff series starring John Cena’s Peacemaker. Admittedly created out of sheer boredom during last year’s quarantine, Gunn has been vague about the timeline for Peacemaker, which makes sense given that part of The Suicide Squad‘s thrill is that literally any character could be killed at any time — including Harley Quinn. In fact, Cena’s character seemingly bites it in the film’s final battle until the end credits reveal that he’s a tough “douchebag” to kill.

In a wide-ranging interview, Gunn confirms that the Peacemaker series will continue the events of the end credits scene, which sees Steve Agee and Jennifer Holland’s characters saddled with the task of handling Cena’s liberty-obsessed anti-hero. Gunn also confirmed that the series will have a similar tone to The Suicide Squad, but also deviate as needed for the story. Via The Hollywood Reporter:

It’s very specifically about a different group of people, so it’s a little bit more about society. One of the leads is Peacemaker and one of the leads is Danielle Brooks, who plays Leota Adebayo. And she has a very different political view of the world than Peacemaker does. So it’s just a little bit about what’s going on in the world, but also being a TV show, you really do have more time to delve much deeper into these characters and much more deeply into the drama and comedy of them. So it has a lot of similarities, but it’s even more grounded, more natural and more real. But it’s still within a big science-fiction storyline that lasts for one season.

While Peacemaker will wrap up its “main storyline” in the first season, Gunn teases that the show could potentially have more seasons. He also dropped an interesting tidbit about the DC Extended Universe, or DCEU, as its better known. While Warner Bros. and DC Comics have attempted to lean away from that label and the concept of a shared cinematic universe, Gunn said that’s not the case anymore.

According to Gunn, DC Films is “really just trying to make everything fit together much better,” and that applies to Peacemaker as well, “which is definitely connected to The Suicide Squad and it ends up being connected to other DC properties.”

(Via The Hollywood Reporter)