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All The Best New Indie Music From This Week

Indie music has grown to include so much. It’s not just music that is released on independent labels, but speaks to an aesthetic that deviates from the norm and follows its own weirdo heart. It can come in the form of rock music, pop, or folk. In a sense, it says as much about the people that are drawn to it as it does about the people that make it.

Every week, Uproxx is rounding up the best new indie music from the past seven days. This week we got a new album from Sleater-Kinney, the announcement of a new Clairo album, and the official return of Deafheaven. Check out the rest of the best new indie music below.

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Sleater-Kinney – Path Of Wellness

After taking a right turn into electro-pop on their 2019 album The Center Won’t Hold, the Pacific Northwestern duo are back with an album that brings them back to their alt rock roots. Path Of Wellness features pointed lyrics and angular guitars that can square up with the best of Sleater-Kinney.

King Gizzard & The Lizard Wizard – Butterfly 3000

We’re halfway through 2021, and that means we’ve gotten about 25 new albums from this Australian outfit. But the massive quantity of releases does not mean that the band is sacrificing any quality. Butterfly 3000 is the latest offering, a melodic and psychedelic affair that certainly justifies the band’s prolific nature.

Pronoun – OMG I MADE IT

Pronoun’s excellent 2019 debut album I’ll Show You Stronger was definitely the best sleeper album of that year. The new EP OMG I MADE IT picks up right where the full-length left off, boasting Alyse Vellturo’s uncanny knack for melody on top of shimmering dream pop instrumentals.

Kennyhoopla – Survivors Guilt

We’ve had our eye on Kennyhoopla for some time now, and Survivors Guilt delivers upon our intrigue. Though not quite a full-length album, the project finds Kennyhoopla together again with Travis Barker to create a truly unique modern take on pop punk.

Angel Du$t – Bigger House

Angel Du$t have expanded upon their Lil House EP with the addition of two brand new singles and the inclusion of remix tracks from Panda Bear and Lunice. The completed offering is a well-rounded representation of everything that the reformed Baltimore hardcore heavyweights have to offer in their latest incarnation.

Clairo – “Blouse”

Just two years after releasing her stunning debut album Immunity, Clairo is back with a brand new effort. Silk was produced by Jack Antonoff and is out later this summer, previewed by the sparse, beautiful single “Blouse,” which features backing vocals from Lorde.

Bleachers – “How Dare You Want More”

Speaking of Jack Antonoff, the producer extraordinaire also has some music of his own coming soon. Bleachers’ new album Take The Sadness Out Of Saturday Night is also out later this summer, and the latest sampling is “a huge dose of saxophone for a jazzy, Springsteen-ian feel, even if the lyrics themselves are a bit more morose,” writes Caitlin White for Uproxx.

Deafheaven – “Great Mass Of Color”

After a brief teasing period, shoegaze black metal heroes Deafheaven have officially returned with new music. “Great Mass Of Color” is the first taste of the band’s forthcoming album Infinite Granite, and is what Derrick Rossignol calls for Uproxx “an aesthetic departure for the group, as it sees the post-hardcore group venturing into softer territory more than ever before.”

Lucy Dacus – “Brando”

With her third studio album, Home Videos, just around the corner, Lucy Dacus has shared yet another searing single called “Brando”. According to Uproxx’s Sarah Grant, the new track “has the sound and scorch of a Highway 61-era Dylan,” but with the muse being the Criterion Collection rather than F. Scott Fitzgerald.

Pom Pom Squad – “Crying”

Pom Pom Squad has been picking up steam as their debut album Death Of A Cheerleader draws closer, due for release at the end of this month. “Crying” opens with an almost vaudeville overture, before bursting into an excellent sludgy, slow-burning grunge track.

Illuminati Hotties – “Pool Hopping”

Illuminati Hotties are here to prep us for the warmth of summer. “Pool Hopping” is a jubilant lead single for the band’s forthcoming album Let Me Do One More, which “emits so many summertime vibes, it’s easy to gloss over Tudzin’s most excellent couplet game,” writes Sarah Grant for Uproxx.

Laura Stevenson – “State”

Laura Stevenson is one of the most underrated songwriters and vocalists out there right now. On the first preview of her self-titled sixth(!!) full-length, Stevenson demonstrates her impressive range, from intimacy to thrashing alternative rock.

Kevin Devine – “Lakes On The Moon”

Originally only available for a few hours during Bandcamp Friday earlier this year, Kevin Devine is finally gearing up for the proper release of a five-song EP. No One’s Waiting Up For Me Tonight is due later this month, and is preceded by “Lakes On The Moon,” a glowing folk song about forgiving the people you love.

VIAL – “Roadkill”

VIAL’s new single “Roadkill” opens with a lone guitar that gives the impression of a lo-fi punk song, before exploding into a full-band onslaught filled with murderous lyrics. The Minneapolis band’s new album Loudmouth is due in July, and was produced and mixed by Henry Stoehr of Slow Pulp and co-produced by Avery Springer of Retirement Party.

McCleney – “Kerosene”

At the ripe young age of 27, McCleney already has a co-sign from Quincy Jones and is building up an extremely impressive catalogue. Featuring St. Panther, “Kerosene” is the latest addition to McCleney’s setlist, a raw track that combines elements of acoustic folk with bedroom pop and an incredible sense of groove and rhythm.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Dr. Dre Speaks Out Following His Brain Aneurysm: ‘I Never Saw That Coming’

Early this year, Dr. Dre was rushed the the hospital following a major health scare. It turned out that he had suffered a brain aneurysm and he remained in the ICU for several days. Thankfully, the producer made a full recovery and even hit the studio shortly after returning home. While Dre says the incident took him by surprise, he now has some sage advice to prevent the same issues from arising in others.

Dre recently sat down with the LA Times to discuss his new endeavor, an LA public high school aimed at preparing students to become entrepreneurs. The producer also spoke about his surprise brain aneurysm, giving an update on the current state of his health:

“It’s a really weird thing. I’ve never had high blood pressure. And I’ve always been a person that has always taken care of my health. But there’s something that happens for some reason with Black men and high blood pressure, and I never saw that coming. But I’m taking care of myself. And I think every Black man should just check that out and make sure things are okay with the blood pressure. And I’m going to move on and, hopefully, live a long and healthy life. I’m feeling fantastic.”

Anderson .Paak also recently gave an update about Dre’s health, saying he’s actually being doing great in quarantine. “Dre’s having a good-ass time,” he said. “That’s already his life — isolation, working all the time. I think he was probably used to it. But he’s having fun now because a lot of people have more time on their hands, so they can come visit him and make music with big Uncle Dre.”

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‘Cyberpunk 2077’ Is Finally Returning To The PlayStation Store After Being Removed Due To Quality Issues

Cyberpunk 2077 would like to welcome you to Night City … again. After being pulled from the PlayStation store last December due to a plethora of bugs and various other performance issues, Cyberpunk 2077 will be back up for sale on the digital marketplace starting on June 21. CD Projekt Red announced the big news in a recent press release, which was then corroborated in a statement given to IGN by Sony Interactive. In the statement, Sony said:

“[Sony Interactive Entertainment] can confirm that Cyberpunk 2077 will be re-listed on PlayStation Store starting June 21, 2021. Users will continue to experience performance issues with the PS4 edition while CD Projekt Red continues to improve stability across all platforms. SIE recommends playing the title on PS4 Pro or PS5 for the best experience.”

For those unfamiliar with the Cyberpunk 2077 saga — and boy, do we mean saga — the game was first released December 10, 2020, after close to a decade in development and with all the hype a game could possibly hope for. However, all this hype quickly turned into criticism when the game released with a staggering amount of issues that ultimately led to developer CD Projekt Red offering refunds to anyone who purchased the game and Sony flat-out removing the ability to purchase it from its store on December 17, just a week after release. Sony stated this decision would be enforced indefinitely, and as we hit nearly six months of the game being removed, many thought indefinitely might just be forever.

However, since release CD Projekt Red has released patches and updates in an attempt to make Cyberpunk 2077 playable, and it seems like Sony has deemed those updates good enough to resume sales. However, according to Sony’s statement those on PlayStation 4 should still be wary about purchasing, as several performance and stability issues still exist. While the Cyberpunk 2077 fiasco isn’t completely over for CD Projekt Red, this is a good sign that things are winding down — which is great considering they’re potentially entering a huge legal battle as they fight to retrieve game data and personal information stolen from the company.

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17 funny pictures of people who were photographed while standing strangely in public

One of the best things about social media is that there are some pages that deputize the general public to find great content and submit it to be published. It’s like harnessing a mind-hive of funny to create a place where it can be enjoyed by everyone.

The People Standing page on Instagram is a great example of this type of crowdsourcing for comedy. The site has over 140,000 followers and features candid, user-submitted pictures of people standing awkwardly that were taken all over the globe.

Here are 17 of the best.


When the jet lag kicks in.

Crouching tiger, hidden birdie.

What muscles does this exercise work, exactly?

That’s an exciting way to teach physics.

Sliding into her DMs like …

Wait, what?

Her legs look like a bad Photoshop.

They call this the “Cleveland crutch.”

Marshawn Lynch can stand however the hell he likes.

Taking the dog for a trot, Mr. President?

You shall not pass.

When you’re lying in the gutter, but staring at the stars.

We’ve all done the covid crouch.

Don’t you just love it when your boss is constantly peering over your shoulder?

When you gotta go to the little girls’ room but also want to finish that invoice.

The twist in chapter 5 came out of nowhere.

There’s a lot that can go wrong when using a urinal standing on your head.

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Here’s who is getting MacKenzie Scott’s latest $2.7 billion donation

MacKenzie Scott has given away more than $8 billion since her divorce from Amazon founder Jeff Bezos nearly two years ago. For perspective, that’s more than the entire GDP of some countries. For comparison, Bill and Melinda Gates have become the world’s biggest philanthropists, having given away around $50 billion over the past 27 years—at Scott’s pace, she’d hit that amount in 12 years.

Scott just announced that she and the philanthropy team she has assembled have donated $2.74 billion to 286 organizations. Though the donation amounts vary, that’s nearly $10 million per organization on average. (Had to do that math three times. “Billion” is a hard number to wrap our brains around.)

The money is the point, of course, but Scott wants the focus to stay on the organizations the money is funding and the work they are doing, not on the wealth that’s flowing from her to them.


In a post on Medium, she wrote:

“People struggling against inequities deserve center stage in stories about change they are creating. This is equally — perhaps especially — true when their work is funded by wealth. Any wealth is a product of a collective effort that included them. The social structures that inflate wealth present obstacles to them. And despite those obstacles, they are providing solutions that benefit us all.

Putting large donors at the center of stories on social progress is a distortion of their role. Me, Dan, a constellation of researchers and administrators and advisors — we are all attempting to give away a fortune that was enabled by systems in need of change. In this effort, we are governed by a humbling belief that it would be better if disproportionate wealth were not concentrated in a small number of hands, and that the solutions are best designed and implemented by others. Though we still have a lot to learn about how to act on these beliefs without contradicting and subverting them, we can begin by acknowledging that people working to build power from within communities are the agents of change. Their service supports and empowers people who go on to support and empower others.”

Scott wrote that the recipients of the funds were “high-impact organizations in categories and communities that have been historically underfunded and overlooked,” including schools educating underserved populations, organizations bridging religious divides through interfaith support and collaboration, arts and cultural institutions that often struggle for funds, organizations battling poverty and empowering women and girls, and initiatives focused on supporting community engagement.

Perhaps most notably, Scott gave the money without strings or instructions for how to use it, believing that these organizations know best how to use the funds. “These are people who have spent years successfully advancing humanitarian aims, often without knowing whether there will be any money in their bank accounts in two months,” she wrote. “What do we think they might do with more cash on hand than they expected? Buy needed supplies. Find new creative ways to help. Hire a few extra team members they know they can pay for the next five years. Buy chairs for them. Stop having to work every weekend. Get some sleep.”

Here’s the complete list of the organizations receiving Scott’s donations:

317 Main Community Music Center

A Place Called Home

ABFE: A Philanthropic Partnership for Black Communities

ACCESS

Achieving the Dream

ACT Grants

Adeso

Advancing Black Arts in Pittsburgh Fund

African American Cultural Heritage Action Fund

African Leadership Group

Afrika Tikkun

Alaska Native Heritage Center

Allied Media Projects

Alonzo King LINES Ballet

Alternate ROOTS

Alvin Ailey American Dance Theater

Amarillo College

American Indian College Fund

American Indian Higher Education Consortium (AIHEC)

Amref Health Africa

APIA Scholars

Apollo Theater

Art for Justice Fund

Arts Administrators of Color Network

Arts for Healing and Justice Network

Arts Forward Fund

Arts Midwest

Ashé Cultural Arts Center

Ashoka Innovators for the Public

Asian American Federation

Asian American LEAD

Asian Americans/Pacific Islanders in Philanthropy

Asian Pacific Community Fund

Asian Pacific Fund

Atlanta Music Project

Authors League Fund

AWID (Association for Women’s Rights in Development)

Ballet Hispánico

Big Thought

Black Ensemble Theater

Black Organizing for Leadership and Dignity (BOLD)

BoardSource

Borealis Philanthropy

· Black Led Movement Fund

· Communities Transforming Policing Fund

· Disability Inclusion Fund

· Emerging LGBTQ Leaders of Color Fund

· Racial Equity in Journalism Fund

· Racial Equity in Philanthropy Fund

· Racial Equity to Accelerate Change Fund

· Spark Justice Fund

Brazosport College

Broward College

Building Movement Project

CAAAV: Organizing Asian Communities

Cal Poly Pomona

California State University Channel Islands

California State University, Fullerton

California State University, Northridge

Candid

Center for Asian American Media

Center for Cultural Innovation

Center for Effective Philanthropy (CEP)

Center for Evaluation Innovation

Center of Life

CFLeads

Chaffey Community College

CHANGE Philanthropy

Charity Navigator

Charles H. Wright Museum of African American History

Chicago’s Cultural Treasures

Child in Need Institute (CINI)

Children’s Defense Fund

Chinatown Community Development Center

Chinese for Affirmative Action

Co-Impact Gender Fund

Collage Dance Collective

College of the Desert

Common Counsel Foundation

Common Future

Community MusicWorks

CompassPoint Nonprofit Services

Constellations Culture Change Fund

CUNY Hostos Community College

Dance Theatre of Harlem

David’s Harp

Decolonizing Wealth Project

Digital Green

Donors of Color Network

DonorsChoose

Draper Richards Kaplan Foundation

Dream a Dream

East Bay Fund for Artists

East West Players

El Museo del Barrio

El Paso Community College

Emerging Practitioners in Philanthropy

Equal Measure

Equitable Evaluation Initiative

Equity in the Center

Esperanza Peace and Justice Center

Excelencia in Education

Exponent Philanthropy

Faith in Action

Faith in Public Life

Filantropía Puerto Rico

Firelight Media

First Peoples Fund

Flamboyan Arts Fund

Florida International University

Fondo Semillas

Foundation for Contemporary Arts Emergency Grants COVID-19 Funds

FSG

Fund for Shared Insight

Funders for LGBTQ Issues

Girls First Fund

GiveDirectly

GiveIndia

GivingTuesday

GOONJ

Grantmakers for Effective Organizations

GreenLight Fund

Guadalupe Cultural Arts Center

HIAS

Homeboy Industries

Hyde Square Task Force

IAIA Museum of Contemporary Native Arts

IDinsight

Inner-City Muslim Action Network (IMAN)

Institute for Transformative Technologies

Interaction Institute for Social Change

International African American Museum

Jan Sahas

Japanese American National Museum

Jazz at Lincoln Center

Junebug Productions

Jusoor

Kennedy-King College

Kepler

Kiva

L.A. Arts Endowment Fund

Lee College

Leeway Foundation

Lever for Change

Long Beach City College

Los Cenzontles Cultural Arts Academy

Lwala Community Alliance

Magic Bus

Maine Expansion Arts Fund

Mama Foundation for the Arts

Management Leadership for Tomorrow

Mann Deshi Foundation

MDRC

Memphis Music Initiative

MENTOR: The National Mentoring Partnership

Metro IAF

Metropolitan Atlanta Arts Fund

Mexic-Arte Museum

Mid Atlantic Arts Foundation

Mid-America Arts Alliance

Mississippi Gulf Coast Community College

Mosaic Network and Fund

Mosaic Youth Theatre of Detroit

mothers2mothers

Motown Museum

Museo de Arte de Puerto Rico

Museum of Chinese in America

Muslim Advocates

Muso

Namati

National Association of Latino Arts and Cultures

National Center for Family Philanthropy

National Committee for Responsive Philanthropy

National Council of Nonprofits

National Equity Project

National Museum of Mexican Art

Native Americans in Philanthropy

Native Arts & Cultures Foundation

NDN Collective

Neighborhood Funders Group

Neutral Zone

New City Kids

New England Foundation for the Arts

New Profit

NGOsource

NTEN

Odessa College

Oregon Arts and Culture Recovery Fund

OutRight Action International

PA’I Foundation

Partners In Health

Pasadena City College

PEAK Grantmaking

PEN America Writers’ Emergency Fund

Penumbra

Philanthropic Initiative for Racial Equity

Pillars Fund

Piramal Swasthya

Play On Philly

Porterville College

Professional Assistance for Development Action (PRADAN)

ProInspire

Project Evident

Project Row Houses

Race Forward

Recess

Renaissance Youth Center

Renton Technical College

Repair the World

Repairers of the Breach

Results for America

Rise Up

Rockefeller Philanthropy Advisors

Rockwood Leadership Institute

Room to Read

Roosevelt Institute

RYSE Center

San Antonio College

San Francisco Community Health Center

San Jacinto Community College

Sanku — Project Healthy Children

Santa Barbara City College

Save The Music Foundation

Self Help Graphics & Art

Service Year Alliance

Shining Hope for Communities (SHOFCO)

Sins Invalid

Sipp Culture

SNEHA (Society for Nutrition, Education and Health Action)

Social Finance

Solidaire Network

Souls Grown Deep

South Arts

Southwest Folklife Alliance

Southwest Texas Junior College

Sphinx Organization

Spy Hop

TechSoup Global

The Antara Foundation

The BOMA Project

The Bridgespan Group

The Center for Cultural Power

The Door

The Education Trust

The Freedom Fund

The Greenlining Institute

The International Association of Blacks in Dance

The Laundromat Project

The Management Center

The Nonprofit Quarterly

The Studio Museum in Harlem

The Theater Offensive

The Urban Institute

The Village of Arts and Humanities

The/Nudge Foundation

Third Sector

Thunder Valley Community Development Corporation

Tostan

Triangle Project

Ubuntu Pathways

United Philanthropy Forum

United States Artists

Unity Productions Foundation

University of California, Merced

University of Central Florida

University of Illinois Chicago

University of Texas at San Antonio

University of Texas Rio Grande Valley

Urban Bush Women

Urban Word NYC

Ushahidi

VolunteerMatch

West Hills College Lemoore

West/Southwest Industrial Areas Foundation

Western States Arts Federation

William Rainey Harper College

Wing Luke Museum

Womankind

Women’s Funding Network

Women’s Audio Mission

Yerba Buena Center for the Arts (YBCA)

Youth Empowerment Project

Youth on Record

Youth Speaks

YR Media

ZUMIX

Congratulations to the recipients. Here’s hoping they make a marked difference in the lives of those they serve.

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Simone Biles’ sweet gesture with younger gymnast has people praising the GOAT

Simone Biles is arguably one of the greatest athletes in the world, and inarguably the world’s best female gymnast. Her dominance in the world of gymnastics is all the more impressive due to her age. At 24, she’s hardly “old,” but she is years beyond the average Olympic gymnast and years past when most elite gymnasts are considered in their prime.

That hasn’t stopped her from being the GOAT (Greatest Of All Time), of course. But her years of experience are also benefitting younger gymnasts, as Biles has embraced a supportive mentor role for her potential teammates.

A short clip of Biles putting a silver bow in 15-year-old Zoe Miller’s hair has people praising Biles for setting an example of character and leadership.


Biles is loving being a role model to the younger gymnasts on the team. “It’s meant the world, especially having the younger ones to kind of guide through the way,” Biles told NBC. “I’ve been here for so long, so to be a mentor for them has meant everything to me, and to share these accomplishments and these goals.”

And people are loving Biles for it.

“Simone taking care of the baby goat,” wrote one commenter. “She knows she didn’t receive the same treatment, but she’s the game changer for the next Gen. That’s Simone Biles greatness, another perfect 10 in life’s lessons.”

“She’s the GOAT and yet she takes the time to do this,” wrote another. “That’s what sets her apart. Other athletes of her caliber sit off to the side in their own little world with headphones on and that’s a valid choice BUT I love seeing this humanity and humility with a teammate.”

“Every young girl should be watching this young lady,” wrote a third. “She should be leading the newscast.”

Like Biles, Zoe Miller, the young gymnast in the video, has a guaranteed spot on the U.S. Olympic team after last week’s trials.

Biles, however, has not lost in competition since 2013. She is the most decorated gymnast in the history of the sport, making her literally the greatest of all time. She’s nailing moves that other gymnasts won’t (or can’t) even attempt. When we look at Simone Biles, we’re looking at a true phenomenon. What a gift that she’s also a phenomenal teammate.

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The Best Movies Streaming On Paramount+ Right Now

Of all of the streaming platforms fighting for your attention, Paramount+ might be the one with the most surprisingly deep film catalog.

No, really, there are a ton of great movies lurking over there. Their roster of classic films alone is worth the subscription price, and we’ve name-dropped a few standouts in the streaming guide below. But the lineup of cult favorites and contemporary titles is nothing to scoff at either. We think we’ve got a pretty good mix represented on this list — from sci-fi epics to ’90s teen comedies and yes, a Bill Murray Christmas movie — that’ll keep you thoroughly entertained.

Here are some of the best movies streaming on Paramount+ right now.

Paramount

The Wolf Of Wall Street (2013)

Run Time: 180 min | IMDb: 8.2/10

Martin Scorsese is known for crafting crime epics but his usual anti-heroes are kingpins and mob bosses, not the slimy, fast-talking Wall Street shark that Leonardo DiCaprio delivers in this more white-collar fare. Based on a true story, the film recounts the felonious, often hilarious hijinks involved in Jordan Belfort’s rise from mid-level stockbroker to a multi-millionaire playboy involved in one of the biggest corruption scandals in history. DiCaprio’s performance is basically the acting equivalent of a wadded-up ball of manic desperation and delusional self-confidence, and he’s joined in his drug-addled descent into madness by Jonah Hill — sporting a bizarrely mesmerizing set of prosthetic teeth — Matthew McConaughey, Jon Bernthal, Margot Robbie, and more. You’d have to be strung out on quaaludes not to get excited about this one.

Paramount

Rocketman (2019)

Run Time: 121 min | IMDb: 7.3/10

The tortured artist thing only goes so far, especially when you consider how many times we’ve all seen that story across dozens of brilliant but cliche-filled music bios. Rocketman is not exactly that thing, injecting the formula with electric song and dance numbers that give a splashy Broadway musical feel to the transformative moments in Elton John’s career and life, entertaining viewers and matching the vivacity of his stage presence.

Paramount

Election (1999)

Run Time: 103 min | IMDb: 7.3/10

Matthew Broderick plays a depressed high school teacher who tries to manage his imploding marriage while facing off against a determined and cunning student in this dark comedy that features Reese Witherspoon in one of the best performances of her career. Witherspoon plays Tracy Flick, an overachieving student with dreams (of becoming the student body president) that are quickly dashed by the school’s popular jock. Tracy’s willing to go to extreme lengths to win the race, Broderick’s Mr. McAllister is willing to anything to stop her and, by the end of their high school gladiator match, we’re not sure which one we really want to come out on top.

Lucasfilm

Indiana Jones And The Last Crusade (1989)

Run Time: 127 min | IMDb: 8.2/10

Any of the Indiana Jones films could have made this list, but we’ll go with Last Crusade on account of it being the funniest in the series. There are moments of undeniable silliness here that land so well, like Indy coming up for air from a makeout session to remark on the sounds of Venice, Harrison Ford’s Scottish lord accent whilst looking for tapestries, or Sean Connery quoting Charlemagne after using a flock of birds to down a Nazi plane. It also has the densest plot, valuable backstory, amazing chemistry between two of cinema’s most charming tough guys in Ford and Connery. They perfected the formula of what an Indiana Jones film could be and then they stopped making them for almost 20 years.

20th Century Fox

Minority Report (2002)

Run Time: 145 min | IMDb: 7.6/10

A mind-bending, futuristic crime drama starring Tom Cruise and Colin Farrell, directed by Steven Spielberg – what’s not to like about this sci-fi entry? Cruise plays John Anderton, a police chief in charge of a unit capable of arresting criminals before they commit their crimes thanks to a trio of psychics called “precogs.” When Anderton is identified as a future murderer, he goes on the run with one of the precogs and uncovers a deeper conspiracy that forces him (and us) to question the nature of free will. By now, Cruise is a bonafide action star, but this turn marks one of the more interesting career choices he’s made within the genre.

Paramount

Arrival (2016)

Run Time: 116 min | IMDb: 7.9/10

Speaking of terrific sci-fi movies, this Amy Adams-starring epic takes a more methodic, thoughtful approach to the classic alien invasion story. Adams plays a linguistic genius named Louise who struggles to figure out a way to communicate with two creatures that have inexplicably shown up in Montana. While Louise tries to buy more time in understanding the visitors, she butts heads with the military side of the operation who keep pressuring her for quick answers on what they see as a threat. There’s some time-travel mumbo-jumbo we won’t spoil — mostly because we’re still not sure we fully understand it — but Adams is terrific in this and we’re kind of bummed she didn’t get any awards recognition for basically acting her way out of a hazmat suit with just an Etch-A-Sketch.

Paramount

The Long Goodbye (1973)

Run Time: 112 min | IMDb: 7.6/10

There’s a generation (or two) that probably knows Elliot Gould as Monica and Ross’s kindly dad on Friends, as a member of Danny Ocean’s crew, or worse, don’t know him at all. But for a time in the ‘70s, he was one of Hollywood’s most interesting actors, connecting with Robert Altman on MASH, California Split, and The Long Goodbye, where he plays Philip Marlowe, Raymond Chandler’s iconic PI. Marlowe has been played by about a dozen actors previously and since Gould took his turn — most notably by Humphrey Bogart and Robert Mitchum. There’s a type, but Altman and Gould took things in a slightly different direction in a scattered but brilliant who done it with Gould as an ultra-cool, detached seeming PI tangled in his friend’s messy life. Gould has been working on pushing a sequel uphill for years. Here’s hoping someone puts money on the table to make it or otherwise refresh the story in the near future, if for no other reason than to inspire exploration of the original.

Paramount

Zodiac (2007)

Run Time: 157 min | IMDb: 7.7/10

Jake Gyllenhaal, Robert Downey Jr., and Mark Ruffalo star in this mystery crime thriller directed by David Fincher that recounts the decades-long manhunt for the Zodiac Killer — a criminal who committed several murders in the Bay Area in the late ’60s and early ’70s. Enough true crime documentaries have dropped since this debuted that we all know how this cat-and-mouse game will eventually end, but it’s the journey that matters here. Gyllenhaal plays a newspaper cartoonist who becomes obsessed with the case, decoding ciphers sent by the killer and targeting a man he believes could be the Zodiac. Downey Jr. plays a crime reporter who partners with Gyllenhaal on the case and leaks information to the police. Both deliver stand-out performances that’ll keep you invested even if the ending’s been spoiled.

Paramount

A Simple Plan (1998)

Run Time: 121 min | IMDb: 7.5/10

The supposed dream scenario of finding a big bag of money is explored in this 1998 film from Sam Raimi that might qualify as a domestic horror tale if you accept family dysfunction, jealousy, and paranoia as true monsters. A gem of a film that deserved a lot more hardware in its day, A Simple Plan is a slow burner that feels connected to some of the Coen Bros’ earlier, less complicated, and less quirky works. The more obscure 1993 John Cusack starrer, Money For Nothing, is another one that might be ripe for comparison.

Paramount Pictures

Zoolander (2001)

Run Time: 90 min | IMDb: 6.5/10

Before Owen Wilson was flirting with God-like Marvel villains, before Ben Stiller was producing and directing prestige drama fare, and before Will Ferrell introduced America to the most popular musical competition in the world, all three starred in this comedic adventure about a clueless fashion model and a political assassination plot. Come for the still-quotable one-liners, stay for the patented “Blue Steel” staredown.

Paramount

Star Trek II: The Wrath Of Khan (1982)

Run Time: 113 min | IMDb: 7.7/10

The Star Trek franchise was wounded in the early ‘80s. Star Trek: The Motion Picture had gotten a cool reception, and while there was a vocal fanbase still eager for more, there were enough concerns to cause a behind the scenes shakeup that altered the creative direction of the sequel with the director Nicholas Meyer and producer Harve Bennett taking the reins from series creator Gene Roddenberry. The end result connects directly to Star Trek: TOS and the “Space Seed” episode, injecting adventure, action, vengeance, and self-reflection from a middle-aged Captain Kirk and crew. William Shatner was never better as Kirk, blending the overwhelming charm of the character with a sense of rage and frustration as a part of a chess match with Khan (Ricardo Montalban) that has very real stakes for his character.

Paramount Pictures

Scrooged (1988)

Run Time: 101 min | IMDb: 7/10

It feels mildly off-the-mark to include a Christmas movie on a non-Christmas movie list, doesn’t it? But Charles Dickens’ story (which was adapted here for the late ‘80s by Mitch Glazer and former SNL madman Michael O’Donoghue) about greed and an epiphany about empathy and charity feels like it might strike a few relevant notes. The film also features one of Bill Murphy’s best big-screen performances. Murphy always seems most at home when playing an asshole or someone right on the cusp, and there’s no denying that label here as he plays the dark, moody as hell, and wickedly funny (and mean) Frank Cross. Go wild, watch it in June or July.

Paramount

The Core (2003)

Run Time: 135 min | IMDb: 5.5/10

A ridiculous movie that manages to be wildly entertaining, dropped in an era where special effects epics and old guard absurdist action sci-fi films were still finding ways to work together. The film features Hilary Swank, Aaron Eckhart, and members of their crew trying to pull a reverse Armageddon, which is, they have to drill to the core of the Earth to stop the end of days. If you liked the subterranean chaos within the recent Godzilla vs. Kong, this will definitely appeal.

Paramount Pictures

School of Rock (2003)

Run Time: 109 min | IMDb: 7.1/10

Jack Black is charming as hell in this kid-friendly comedy about a wannabe rockstar who catfishes as an elementary school teacher and finds a unique way to enter his local Battle of the Bands competition. Black’s Dewey Finn is the kind of old-school rock-enthusiast you can’t help but flash some devil’s horns at and watching him convert a classroom of uptight kids into rebels, anarchists, and star-powered performers in the kind of pure, innocent fun you crave in a feel-good comedy watch — which this totally is.

Paramount

Face/Off (1997)

Run Time: 138 min | IMDb: 7.2/10

Another absurd film that isn’t so much good as it is amazing, Face/Off is a triumph in scenery-chewing, letting Nic Cage off the chain as a criminal maniac who is having the very best time injecting chaos into the world while messing with the sullen and driven fed that’s on his trail (John Travolta). And then they switch! And Travolta lights up like a Christmas tree while playing Cage’s character with a touch of madness and a whole lot of swagger. Throw in some signature John Woo slow-mo action scenes, fake science nonsense, and four garbage trucks worth of bullets, and you’ve got a ‘90s action classic.

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‘The Devil Wears Prada’ Bummed Out Meryl Streep So Bad That She Gave Up Method Acting

In a new oral history commemorating the 15th anniversary of The Devil Wears Prada, Meryl Streep has revealed that she swore off method acting after spending the production maintaing the icy demeanor of her iconic character Miranda Priestly. According to Streep, the experience was not very fun as she kept her distance from her co-stars, who were apparently having the time of their lives.

“It was horrible! I was [miserable] in my trailer,” Streep told Entertainment Weekly during the cast reunion. “I could hear them all rocking and laughing. I was so depressed! I said, ‘Well, it’s the price you pay for being boss!’ That’s the last time I ever attempted a Method thing!”

However, it doesn’t seem like Streep was that hard on co-stars Emily Blunt and Anne Hathaway, who said the famed actress was still approachable. But Blunt acknowledges that it probably wasn’t fun for Streep to be that closed off considering she’s normally “so gregarious and fun as hell.” As for Hathaway, she appreciated what Streep was trying to do.

Via EW:

There’s this scene where [she says], “You’re just as disappointing as the rest of those silly girls.” I remember when the camera turned on me, the pressure really got to me, and I’d had such emotional fluidity in the day up to that point, but it just wasn’t there anymore. I remember having the experience of watching [her] watch me, and [she] altered [her] performance ever so slightly, and just made it a little bit different, and brought more out of me and got me to break through whatever barrier I had.

While The Devil Wears Prada is now considered a modern classic with outstanding performances all-around, that was enough pretending to be Anna Wintour for Meryl Streep, thank you.

(Via Entertainment Weekly)

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Lil Skies Gives A Rebellious Performance Of ‘How You Feel’ On ‘UPROXX Sessions’

In this week’s episode of UPROXX Sessions, Lil Skies drops by to deliver an upbeat performance of his rebellious single, “How You Feel.” Coming from the Pennsylvania rapper’s deluxe version of the January 2021 album Unbothered, “How You Feel” finds the second generation rapper observing the highs and lows of rap stardom as he wonders, “I don’t got nobody in my corner, who do I trust?”

Skies, who rose to stardom after his SoundCloud favorite single “Red Roses” helped spur his debut major label mixtape Life of a Dark Rose to a No. 23 Billboard debut in its first week, released the deluxe version of Unbothered in May, adding seven new songs, with features from Drakeo The Ruler, Trippie Redd, and singer Zhavia Ward.

Watch Lil Skies’ performance of “How You Feel” above.

UPROXX Sessions is Uproxx’s performance show featuring the hottest up-and-coming acts you should keep an eye on. Featuring creative direction from LA promotion collective, Ham On Everything, and taking place on our “bathroom” set designed and painted by Julian Gross, UPROXX Sessions is a showcase of some of our favorite performers, who just might soon be yours, too.

Lil Skies is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Miley Cyrus Has Fake Beef With Elon Musk Over Her Hannah Montana ‘Secret’

It seems Elon Musk and Miley Cyrus got friendly when they were the host and musical guest, respectively, on Saturday Night Live back in May, because Cyrus apparently let him in on one of her biggest secrets: She’s actually Hannah Montana. Musk spilled those Disney Channel beans on Twitter yesterday, which prompted some (fake) outrage from Cyrus.

Musk posted an Anonymous-style image of a person wearing a Guy Fawkes mask that is captioned, “Hannah Montana is actually Miley Cyrus.” A red-faced Cyrus responded, “What the f*ck @elonmusk ?!?! I told you that in confidence! You can build a rocket but can’t keep a damn secret?!?!” Musk went on to insists the slip-up wasn’t his fault, writing, “133T H4X0R got my phone. Nuthin I could do. Sorry babe.”

Aside from presumably spending time together backstage in the week leading up to their shared SNL episode, the pair also appeared in the “Chad On Mars” sketch, with Musk playing himself and Cyrus playing a Space X technician.

Meanwhile, Grimes, who popped up during a Mario-themed sketch on the episode, praised both Cyrus and Musk’s performances, writing on Instagram, “@mileycyrus is good live and so chill! So grateful to the SNL team for being so kind and letting me sneak in as princess peach snd so proud of my beautiful E (which I know will upset the grimes fans so I apologize in advance) but he killed it”