GoneTrending

In theory, Timothée Chalamet is the star of Denis Villeneuve’s upcoming adaptation of Dune, but you wouldn’t know it by the reactions to the newest trailer because people are all about one thing and one thing only: Oscar Isaac‘s beard. Almost immediately after the new trailer dropped on Thursday morning, social media started thirsting over Isaac’s look as Duke Leto Atreides when the latest Dune preview gave them even more chances to screengrab his space beard. Man, are they here for it.

Here’s just a taste of the reactions on Twitter, where Isaac is already being hailed as a “bearded space DILF,” which is one of the internet’s highest honors, or something that people just came up with today after being beguiled by them whiskers.

Of course, the beard love shouldn’t arrive as a total surprise as people we’re already going to town on the Dune character posters that were released earlier in the week. Case in point, one intrepid Twitter user changed Isaac’s character name to simply “Daddy,” and it plays.

Here’s the official synopsis:

A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence—a commodity capable of unlocking humanity’s greatest potential—only those who can conquer their fear will survive.

Dune rides a sandworm into theaters and HBO Max on October 22.

Florida rapper Ski Mask The Slump God continues the bloody revenge tale from his Sin City-themed “Admit It” video in his new video for “Dr. Suess,” delivering martial-arts hijinks, shootouts galore, and a final, satisfactory conclusion. As in the previous video, he uses the CGI coloring techniques from the Sin City films, resulting in some truly stunning imagery, including a shot inspired by Marv’s contrast bandages using Ski Mask’s tattoos and grill.

Ski Mask’s latest project — the aptly titled Sin City The Mixtape — dropped at the end of June, nearly three years after his debut album Stokeley. Intriguingly enough, it became his second-highest charting project after Stokeley, peaking at No. 39 on the Billboard 200 albums chart despite minimal promotion. That indicates a growing interest in the amped-up rapper, who only released one single, “Burn The Hoods,” in 2020. He also featured on DJ Scheme’s “Soda” with Cordae, likely contributing to his increasing popularity.

After announcing the release date for Sin City The Mixtape, Ski Mask promised his fans that the next album wouldn’t take nearly as long. We’ll see if he can stick to that promise and maintain the momentum he’s built.

Watch Ski Mask The Slump God’s ultraviolent “Dr. Suess” video above.

This week, Brandi Carlile announced the follow-up to 2018’s By The Way, I Forgive You, an LP titled In These Silent Days. Last night, the Grammy winner performed an impassioned rendition of lead single “Right On Time” on The Tonight Show Starring Jimmy Fallon.

Wearing a shiny, embroidered blazer, Carlile kept the first part of her performance relatively spare, singing and playing piano. Later, she stepped onstage with an electric guitar and completed the single with help from a backing band.

“Never before have the twins and I written an album during a time of such uncertainty and quiet solitude,” Carlile said in a statement around In These Silent Days. “I never imagined that I’d feel so exposed and weird as an artist without the armor of a costume, the thrill of an applause and the platform of the sacred stage.

“Despite all this, the songs flowed through — pure and unperformed, loud and proud, joyful and mournful. Written in my barn during a time of deep and personal reckoning. There’s plenty reflection…but mostly it’s a celebration. This album is what drama mixed with joy sounds like. It’s resistance and gratitude, righteous anger and radical forgiveness. It’s the sound of these silent days.”

Watch Carlile’s “Right On Time” performance above.

In These Silent Days is out 10/1 via Low Country Sound/Elektra Records. Pre-order it here.

Brandi Carlile is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Cardi B oftentimes raps about enjoying the finer things in life and judging by her massive collection of designer handbags, she’s not lying. It’s no secret that Cardi is a sucker for Hermès Birkin bags, which can range anywhere between $5,000 and $220,000. In fact, Cardi loves them so much that she owns over 20.

Cardi gives her Birkin bags a shout out in her “Up” song and she can oftentimes be seen clutching one from her collection when out and about. Even Cardi’s three-year-old daughter Kulture owns her own Birkin bag. The rapper has shared a few of her favorite handbags in the past, but this week, Cardi showed off a large portion of her Birkin collection on social media.

Continuing to flaunt her baby bump in an Instagram photo set, Cardi posed alongside a tan leather Birkin bag while sporting a burgundy body-con Mugler dress. The next photo sees Cardi picking out the perfect Birkin bag to go along with her outfit, and she has a lot of colors to choose from. The picture depicts 26 Birkin bags lined up in her living room, spanning from a crisp white to a green camo design.

See a sneak peak of Cardi’s impressive Birkin collection above.

Cardi B is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

It appears that Halsey may be joining the ranks of musicians — which pretty much just boils down to Beyoncé — who opt out of doing press to promote their work. In now-deleted tweets (which were archived by PopCrave), Halsey wrote that she would not be doing press anymore after Allure Magazine failed to use their correct pronouns in its August cover story. Halsey also accused the magazine of taking their quotes out of context while promoting the feature.

“First your writer made a focal point in my cover story my pronouns and you guys deliberately disrespected them by not using them in the article,” Halsey wrote. (The pop performer announced last March that they would be using she/they pronouns going forward, then explaining that “the inclusion of ‘they,’ in addition to ‘she,’ feels most authentic to me.”)

Halsey, who is releasing their latest album, If I Can’t Have Love, I Want Power, in August, continued, writing in a now-deleted Tweet: “Your admin bastardized a quote where I discuss the privilege of being the white child of a Black parent and intentionally used a portion that was the antithesis of the point I was trying to make.”

Upon further investigation, it appears that Allure shifted Halsey’s pronouns between July 14 and 15. On July 14, a passage reads: “Halsey, who has a white mother and a Black father, calls herself ‘white-passing.’ ‘A lot of people try to write off a lot of my experiences because I present white,’ she says.” The piece has since been updated to say: “Halsey, who has a white mother and a Black father, calls herself ‘white-passing.’ ‘A lot of people try to write off a lot of my experiences because I present white,’ they say.”

Halsey also mentioned in the piece itself that they would not be doing press in the future, saying that they often end up feeling “exploited and misquoted” when the piece publishes. “I don’t do press anymore. I just don’t translate very well in print,” Halsey said. “Even saying this is going to get me in trouble. I already know that it is […] I think sometimes [with] women who are articulate, people read it as pretentious.”

If I Can’t Have Love, I Want Power is out 8/27 via Capitol. Pre-order it here.

Chicago music festival Lollapalooza is set to open its doors next weekend for the city’s largest gathering since the pandemic. Chicago mayor Lori Lightfoot announced that all festivalgoers will be required to be vaccinated or show proof of a COVID negative test in the last 24 hours in order to attend. But those who aren’t comfortable returning to large crowds are in luck as Lollapalooza is teaming up with Hulu to livestream their weekend-long event.

Lollapalooza and Hulu have officially partnered to allow subscribers to watch the four-day festival from the comfort of their own homes at no additional cost, per a report from Billboard. The livestream will begin at 11 am PST and come to an end at 8 pm PST each day and the official performance schedule is slated to be finalized next week.

In a statement given to Billboard, sponsorship director of Lollapalooza festival promoter C3 Presents Courtney Trucksess expressed their excitement about the livestream partnership. “We are thrilled to be partnering for the first time with Hulu for this year’s livestream and are excited that the Lollapalooza fans who cannot be with us in Chicago have such a great platform to experience the show.”

Kicking off July 29-August 1 in Chicago’s Grant Park, Lollapalooza will be headlined by Foo Fighters, Post Malone, and Tyler The Creator. Upon announcing the festival’s return this spring, Mayor Lightfoot said: “In alignment with our public health guidance, the world class festival returns to the city later this summer. However, full COVID-19 vaccination or a negative test will be required to enjoy the festivities.”

Space has long been a fascination for rapper Lil Uzi Vert, who has used the nickname Baby Pluto and alien motifs throughout his career, most recently in the artwork and promotional materials for his 2020 album Eternal Atake. He’s also fond of making outrageous purchases, such as the pink diamond he wore in the middle of his forehead for a time earlier this year. Finally, he’s seemingly quite friendly with experimental musician Grimes, who is herself quite cozy with Space X founder Elon Musk, with whom she shares a child, X Æ A-Xii.

So as apparently nonsensical as a statement like “Grimes says Lil Uzi Vert has purchased a planet larger than Jupiter” might read, there is a certain kind of logic behind it — and that’s exactly what happened on Twitter last night, as Grimes retweeted an artist’s depiction of WASP-127b, a gas giant exoplanet in a neighboring solar system, and told her followers, “Apparently Lil Uzi Vert owns this planet.”

Uzi shot down the claim, but not because it was so outlandish — it just wasn’t true… yet. “I tried 2 surprise everyone,” he admitted in a reply. “Still working on it.”

Meanwhile, Grimes made the amendment on her own timeline for her followers, telling them, “Documentation almost complete for Lil Uzi Vert to legally claim wasp-127b — This is huge! First human to legally own a planet.”

Listen, not to rain on anyone’s parade here, but it seems unlikely that such a thing could be true. I suppose it’s a little like NFTs, the other big “advancement” in tech that Uzi and Grimes both seem all-in on. You can buy a certificate that says you “own” a thing, but functionally, that’s pretty much meaningless other than as a flex, so you can say that you had the money to waste.

For one thing, the 1967 Outer Space Treaty states no individual or government can have sovereignty over any body in space. For instance, several private entities have claimed ownership over Earth’s moon over the years, but no one actually takes them seriously. Whoever Uzi is “buying” WASP-127b from, let’s hope they give him a receipt… and a long lead on the return policy.

Jack O’Connell gravitates towards “guerilla-style” filmmaking. It’s why most of his on-screen work comes courtesy of critically acclaimed indies and festival standouts. Even when he does option into a bigger budget blockbuster — like the sequel to Zack Snyder’s 300 and Angelina Jolie’s World War II epic, Unbroken — he channels the same grit and relentless worth ethic that he most likely was surrounded by as a lad from Derby, England. He likes to be put through his paces a bit, to test the limits of what his body can do, which might be why he signed up for AMC+’s sprawling period drama, The North Water.

Because, along with the chance to act opposite talent like Colin Farrell and Stephen Graham as a member of a doomed whaling crew, whose expedition is fraught with murder, deception, and betrayal, the show also asked O’Connell to travel to the frozen seas north of the Svalbard Archipelago. In layman’s terms: the Arctic.

The cast lived on a boat for over a month, far removed from civilization, filming the furthest north any series is believed to have been filmed. They navigated the same kind of dangers that the characters they play on-screen would’ve faced: unpredictable ice sheets, curious polar bears, subfreezing temps, and a rogue walrus or two. But it all adds an element of realism to the show that feels tangible on-screen.

We chatted with O’Connell about surviving the shoot, getting in touch with his darker nature, and his most terrifying day on set.

You’ve taken on some physically demanding roles in the past. How does this shoot compare?

It was quite a blissful experience. I mean, yeah, it got cold. But just to be out there, only you, and only focusing on the work with no distractions? Complete bliss.

Your director, Andrew Haigh, said a good historical drama reflects something about the present. Do you think that’s true for this show?

That would definitely be like a higher level of consciousness than the one that I perhaps watch things on but yeah, I think there is definitely something dark within my character, Sumner, and he wants to understand what that is and explore that. I think that’s why Sumner has this level of intrigue about Drax [Farrell]. You have this man who is all beast and doesn’t have the burden of being a man, having a conscience, guilt, and all these things that keep us human. Obviously, Sumner is an intellect. I think, onboard the ship, we see where that slows him down.

Did you ever have a moment during filming when you thought, “Man, I’ve made a terrible mistake taking this job.”?

F*cking every day. [Laughs] [You] just wake up in a pure state of terror. I mean, I don’t know if I’m going to do it again, to be honest.

Did you pick up any survival tricks out there?

Nah, I was totally exposed out there. We were there with polar expedition experts. They are tough, tough people. These are real adventurers. That’s what they do. They’re at their happiest being out there. So, that was infectious, their enthusiasm, and then we had the opportunity to work with members of the Inuit community and lads from Greenland who spend their time basically… I want to say “surviving,” but that’s the wrong word because they’re so good at it. The risk factor is nullified by how gifted they are at what’s required of them in hunting, wintering, navigation — just all these really impressive skills that if you grow up in a city like Derby, there’s no need to f*cking be good at any of that.

Obviously, every day filming in the Arctic is a little dangerous but did you have any close calls?

There was one day I really thought we were actually f*cked. It was when myself and Stephen weren’t needed for a shot. So we thought we’d take a stroll to the ship, be out of the way basically. It was a hundred yards away. We ended up far away from the crew and as we were walking, the piece of ice we were walking on, broke loose from the rest of the path to the ship. And then the gap started getting wider and wider, and we’re on just this humongous ice float. Just me and Stephen Graham. Neither of us had provisions or anything. So, it genuinely was a bit unnerving.

There’s a scene late in the series involving a polar bear. Was it as disgusting to film as it came across on screen?

[Laughs] No, no, no. It was all these f*cking bits of plastic and rubber and blood, which tastes nice because it’s, just mixed it with sugar.

I was half-expecting you to tell me it was real.

No, that would upset me. We’ve got no business f*cking up polar bears and all.

Colin [Farrell] turns in a really intense performance in this series, and a lot of that intensity on screen is focused on your character. What was it like working with him in this kind of environment?

He’s really, really attentive. It’s not just what he’s asked to do, it’s what you’re asked to do and how he can help that. Obviously, for me, looking at Colin as an actor that’s been around for a lot longer than myself, it’s educational. His portrayal of that character has sort of lived with me in a way that’s a bit haunting. It left a mark on me a little bit, in a really good, kind of intriguing way. I massively benefited from being on set with him, for sure.

What was more challenging: the cold, or the lack of internet access up there?

The internet access thing is actually quite nice, to be honest., I didn’t mind that at all. In hindsight, we were all completely looked after and in real safe hands, but you didn’t always know that. That was the toughest thing. In hindsight, we know that. At the time you’re like, ‘This is f*cking insane.’ Polar bears could just jump out of nowhere and start f*cking with everyone, ruining the whole thing. A walrus just popped out of the water one day, right where we were shooting, and they’re supposed to be deadly. But the most difficult thing is being so remote for quite a long length of time. You have to kind of dig a bit deeper. You don’t have the luxury of going home or checking in with your mom or these types of things.

Did you come away with anything profound after filming this thing?

Just the usual type of sh*t you come away from a job thinking. It was an experience. You come away from something with a bit more mutual respect for the people that you work with.

And you survived. That’s not nothing.

I’d say that is quite profound.

‘The North Water’ is currently streaming on AMC+

Political history is full of dynamic duos: Antony and Cleopatra, Queen Victoria and Prince Albert, Franklin and Eleanor Roosevelt, just to name a few. Matt Gaetz and Marjorie Taylor Greene are not one of them.

In late April, at the height of the media surrounding the news that Gaetz was being investigated for sex trafficking, the two controversial Congress members announced that they were teaming up for a fundraising campaign dubbed “America First.” Fast forward to July and… it’s not going so well.

Just days after being hilariously pranked by a comedian and seeing many of their rallies canceled, the Daily Beast is reporting just how abysmal a financial failure the Gaetz (R-FL) and Greene (R-GA) team-up has been. In a nutshell? These two nutshells have reportedly spent four times what they’ve raised.

Since Gaetz and Greene kicked off their joint fundraising committee with a May 7 event at The Villages in central Florida, their campaigns and joint fundraising committee have posted a combined loss of $342,000. And according to recent filings with the Federal Election Commission, that joint fundraising effort, “Put America First,” reported only $59,345.54 in contributions.

That sort of meager haul would be fine for a dinner or one-time event, but Gaetz and Greene have repeatedly held high-profile events and spent a whopping $287,036.19 to hold them—meaning they’re in the hole by more than $225,000.

Even someone who’s bad at math should be able to figure out that the calculations on that equal “yikes.” The fundraising committee’s two biggest donors are Gaetz and Greene themselves, as each contributed $150,000 to the fund. Beyond that, the Daily Beast reports that only four (four!) people have made contributions of $500 or more. FOUR.

Individually and apart from the committee, Gaetz and Greene raised $1.34 million and $1.31 million, respectively, during this year’s second quarter. While those numbers are impressive (and sort of baffling considering who we’re talking about here), they actually represent a drop-off from earlier fundraising. Especially in Greene’s case, as she managed to get people to fork over $3.2 million of their hard-earned money to show their support for her in Q1. For Gaetz, the decrease was less dramatic: he raised $1.82 million in Q1. Still, $1.82 million could pay a lot of “tuition.”

(Via the Daily Beast)

The “Untitled Jordan Peele Horror Event” has found its title.

Last year, Universal Pictures set a release date (July 22, 2022) for Jordan Peele’s third movie, following Get Out (which was nominated for four Oscars, including a win for Best Original Screenplay) and Us. That was all we knew about the film at the time, but in the months since, more information has started to trickle out. It will star Daniel Kaluuya (who worked with Peele on Get Out), Keke Palmer, and Steven Yeun, and on Thursday, Peele revealed the title and a mysteriously ominous poster. Let the speculation begin.

Nope? More like “yup.”

After the success of Get Out, Peele said that he has “four other social thrillers that I want to unveil in the next decade… The best and scariest monsters in the world are human beings and what we are capable of especially when we get together. I’ve been working on these premises about these different social demons, these innately human monsters that are woven into the fabric of how we think and how we interact, and each one of my movies is going to be about a different one of these social demons.”