Although the pandemic forced the cancelation of numerous concerts, festivals, and tours, as live entertainment returns, fans who missed out on last year’s festivities are getting some consolation. One of the festivals that was canceled, the Dreamville Festival, is sort of coming back in a smaller capacity as Dreamville On The Rocks, a one-day mini-fest featuring nearly the entire roster at Red Rocks Amphitheatre in Morrison, Colorado. The label’s social accounts posted a motion flyer providing the details and revealing the lineup and date: October 23, 2021.
Although team captain J. Cole is notably absent — perhaps he’ll be participating in some NBA team’s fall training camp, hoping to continue his professional basketball career — all of the label’s other roster mainstays are accounted for. Ari Lennox, Bas, Cozz, Earthgang, JID, Lute, and Omen are all listed, which could also be a good sign for expected releases from each after a year of relative inactivity (although Earthgang and JID both participated in the Spillage Village album Spilligion in 2020).
Dreamville On The Rocks doesn’t appear to be as big of an event as the original Dreamville Festival was planned to be with no announced guests from outside the label and only one day, but perhaps the crew is using it as a dry-run to shake off the rust before announcing a larger event down the line. Tickets go on sale Friday at 10 am. You can find more information at Dreamville.com.
This fall, Grammy-winning R&B bassist Thundercat will resume celebrating his acclaimed album It Is What It Is with a massive North American tour that was originally cut off due to the COVID-19 pandemic.
Compton rapper Channel Tres will open all of the shows and special guests will appear on various dates. Tickets will go on sale on Friday, June 11 via Thundercat’s website.
It Is What It Is won the 2020 Grammy for Best Progressive R&B album, beating out albums by Jhené Aiko, Chloe X Halle, Free Nationals, and Robert Glasper. That win was Thundercat’s second Grammy award.
Thundercat, the bassist/singer whose real name is Stephen Bruner, is one of the most in-demand contemporary funk musicians. His longtime writing partner is rapper/producer Flying Lotus. Thundercat has also worked with a variety of respected artists, including Kendrick Lamar, Pharrell, NERD, Erykah Badu, Herbie Hancock, Childish Gambino, Janelle Monáe, Moses Sumney, Michael McDonald, Kenny Loggins, Kamasi Washington, and Travis Scott.
Check out Thundercat’s North American tour dates below.
07/31 — Omaha, NE @ Maha Music Festival
08/08 — San Francisco, CA @ Stern Grove Festival
08/26 — Salt Lake City, UT @ Twilight Concert Series
09/12 — Chicago, IL @ Pitchfork Music Festival
10/24 — Orlando, FL @ The Plaza Live
10/26 — Jacksonville, FL @ Ponte Vedra Concert Hall
10/27 — Tampa, FL @ Jannus Live
10/28 — New Orleans, LA @ The Joy Theater
10/30 — Austin, TX @ TBA
10/31 — Atlanta, GA @ The Eastern
11/02 — Washington, DC @ 9:30 Club
11/04 — Philadelphia, PA @ The Fillmore
11/06 — New York, NY @ Terminal 5
11/07 — Boston, MA @ House of Blues
11/10 — Montreal, QC @ MTELUS
11/11 — Toronto, ON @ History
11/14 — St. Paul, MN @ Palace Theater
11/16 — St. Louis, MO @ The Pageant
11/17 — Tulsa, OK @ Cain’s Ballroom
11/19 — Houston, TX @ White Oak Music Hall Downstairs
11/20 — Dallas, TX @ House Of Blues Dallas
11/23 — Phoenix, AZ @ The Van Buren
11/27 — Los Angeles, CA @ Shrine Expo Hall
11/30 — Sacramento, CA @ Ace of Spades
12/03 — Portland, OR @ Crystal Ballroom
12/04 — Seattle, WA @ Paramount Theatre
12/05 — Boise, ID @ Knitting Factory Boise
With its Disney+ premiere less than 24 hours away, the first review for Loki are pouring in, and the overwhelming consensus is clear: Critics love the dynamic between Tom Hiddleston’s Loki and Owen Wilson’s Mobius. If fans felt short-changed on the banter between Sam Wilson and Bucky in The Falcon and the Winter Soldier, Loki will apparently scratch that exact itch while also over-delivering in the weirdness department that WandaVision flirted with so well.
While these reviews are based on the first two episodes that were provided to outlets, the latest Marvel series is shaping up to be the best Disney+ offering yet, thanks to Hiddleston and Wilson and the show’s uncanny ability to improve on its predecessors. Which is fitting for a series that’s based on trying to fix the past to make a better future. That is, unless the Trickster God has other plans.
God bless Owen Wilson. He plays Mobius M. Mobius, a lifer desk jockey for the Time Variance Authority (TVA). Wilson is tasked with explaining a lot to Loki (Tom Hiddleston) about how time travel, and alternate realities, and magic space timekeepers work, which means he’s explaining it to us, the viewer. He is Mr. Exposition, but also he’s Owen Wilson so of course he can make this entertaining. This really is inspired casting. Also, it’s really something to watch Wilson not playing a free spirit, drifting through life and the story we are watching.
The banter between Hiddleston and Wilson is electric and often hilarious — a significant upgrade from what Falcon and Winter Soldier believed it was doing — and I cannot stress how critical that is, since the two, roughly 50-minute episodes sent to critics (out of six total) revolves around their push me/pull you dynamic.
Loki is primarily driven by a manic, buddy-cop rapport between our titular anti-hero and Owen Wilson’s mysterious Agent Mobius M. Mobius—a TVA agent who is equal parts a company diehard and also a bit of a cool vagabond. He lackadaisically strolls about the TVA’s halls like he kind of owns the place, and Wilson is in fine form, a fitting foil to Loki’s peculiar new role as a master manipulator suddenly out of control. As it pushes and pulls between Loki’s ever-present desire to bite his thumb at authority and his attempts to prove himself to this man he’s just met that he’s capable of being a… loosely good person, their partnership is electric and comical in all the right ways.
It’s a classic odd-couple pairing of leads and a perfect play on the respective screen personae of Hiddleston, verbally dextrous and capable of making total nonsense sound Shakespearean, and Wilson, droll and precise, able to unravel with five words any tapestry of logorrhea Hiddleston might spin in 50. If The Falcon and the Winter Soldier led with soaring plot, but frustrated people simply wanting to watch Anthony Mackie and Sebastian Stan banter, Loki establishes Hiddleston and Wilson sitting across from each other at tables as its trademark set-up.
Loki takes WandaVision‘s weirdness and pushes even further into a whole new myth of the MCU that feels big enough to completely shake up the whole Marvel thing (unlike previous Marvel TV shows, which were precision-engineered to not affect the big screen story at all). After a decade, it’s thrilling to see there are still some surprises in the MCU.
The chemistry between Wilson and Hiddleston is great, with the pair able to seamlessly transition from throwing barbs to contemplating serious revelations. Mobius has spent a long time studying Loki, and he’s both unfazed and impressed by him. Early on, he shows Loki pivotal scenes from his life, asking questions like “Do you like to hurt people?” Eventually, Loki breaks down and starts to worry that he’s a villain. “That’s not how I see it,” Mobius tells him. It’s a touching moment that further complicates an already complicated character, as you can never really tell what side Loki’s on (aside from his own).
Based on what I’ve seen of Loki so far, the show is off to a great start. I’d even say it’s more promising than WandaVision at the outset: The show’s murder mystery coupled with Hiddleston and Wilson’s chemistry makes me want to watch more. With the time-jumping and the double-crossing and satirical bureaucracy, the show’s writers have a lot to play around with. I also hope that we see more of Gugu Mbatha-Raw, who plays the imposing authority and time judge Ravonna Renslayer, in upcoming episodes.
Summer is officially here and that means it’s time to chase down some refreshing and crushable craft beer. Beer release schedules are an every-turning wheel of unique styles and flavor profiles that help you keep things seasonal and fresh. Right now, we’re deep into the summer releases. We know summer only really started over Memorial Day weekend and doesn’t technically kick off until the 20th of June, but as far as beer goes we’re about six weeks away from pumpkin ale and fall beers.
Meaning that now’s the time to indulge in the fruity, refreshing craft entries that are dropping right now. The sort of brews that hit the spot after a long hike, a day on the boat, or an invigorating surf session.
Hopefully, the eight beers we’re giving love to this month will pique your interest and inspire you to explore exciting breweries in your neck of the woods. These picks represent regional craft beer releases from breweries that we vouch for (with tasting notes from the brewers themselves if we didn’t get to taste the beer yet), along with some seasonally released bottles that we’ve been looking forward to trying again.
Alaskan always has a refreshing beer at the ready. Their Icy Bay IPA has just enough kick to keep you going back for more all summer long thanks to a blend of Summit, Bravo, Calypso, Apollo, and Cascade hops mixed with pale ale malts and that signature glacier water from Alaska.
Tasting Notes:
This is a pretty classic West Coast IPA with big notes of dank (almost cannabis tasting) floral and piney hops on the nose and on the palate. The taste lets the hops do their oily thing while leading you towards hints of citrus, more pine, and plenty of sticky resin with a slightly caramelized malty underbelly.
Bottom Line:
This is a bold one that’ll wake up your palate after plenty of light lagers.
SOUTHWEST DROP: Stone Enjoy By 07.04.21 Tangerine & Pineapple IPA
Stone continues to drop crushable seasonal brews with their “Enjoy By…” series. This edition is a fruity IPA that’s been spiked with a hefty amount of tangerine and pineapple. The end result is a robust double IPA with nine percent ABVs that feels like a tropical fruit punch.
Tasting Notes:
There’s a bit of a battle between the resinous and floral hops against the big citrus and tropical fruit notes throughout this sipper. The beer really leans into the tart yet sweet tangerine citrus to the point that you feel like you’re straight up taking a bite out of the fruit, skin and all.
Bottom Line:
Get this as cold as you can and crush it. It’s so damn refreshing, like drinking a boozy Orange Crush with a hop background. Though be warned, that nine percent ABV is no joke.
ROCKY MOUNTAIN DROP: LeftHand Moscow Mule Ginger & Lime Pale Ale
LeftHand is one of those crafty breweries that’s pretty much perfected the fruity summer crusher. This brew is a classic pale ale base that’s inspired by the equally classic Moscow mule cocktail. The beer is made with lime juice, lime peels, and chunks of fresh ginger in the tank, giving the final brew a summer refresher vibe from top to bottom.
Tasting Notes:
There’s a subtle warmth thanks to that ginger that creates a pleasant throughline on this sipper. The lime juice edges from tart to sweet to almost bitter as the ginger heat attaches to the lightly dank and floral hops. The overall experience is slightly sweet, a little bit dry, and 100 percent will remind you of a lime-forward, spicy mule.
Bottom Line:
There are a lot of summer refreshers on this list. This might be the most “ah…” inducing. The flavor profiles are dialed to what the can is selling and really stay light without forgetting it’s still a beer.
SOUTHERN DROP: Rahr & Sons Paleta de Mango, Mango Chile Beer with Lime
Rahr & Sons is another craft brewer that has mastered the art of adding fruit to beer. In this case, a kölsch (light, sessionable German lager) is amped up with Mexican Pequin chili, lime juice, and mango. The end result is pure Texas craft by way of strong German foundations.
“Palate: pleasing juicy and tropical flavors of ripe mango, fresh lime, and Mexican Pequin chiles.”
Bottom Line:
Rahr & Sons never lead you wrong when it comes to taking old European beers and playing around with them for seasonal drops. This is sure to be a summer fav.
It’s not really summer until Bell’s drops their wheat beer, Oberon. The beer is has become a modern classic that coaxes spice, fruit, and richness from yeast, malt, hops, water, and nothing else.
Tasting Notes:
There’s a slight tingle of rum spices (think clove and anise) next to a light and almost cold orange juiciness with pops of citrus oils. The body of the beer is velvety smooth with deep notes of that spice popping back in.
Bottom Line:
This is a very crushable wheat beer that feels like a warm summer day was brewed into every sip.
NORTHEAST DROP: Samuel Adams/New Belgium Love Conquers Ale
Samuel Adams teamed up with New Belgium to create a beer that directly supports GLAAD for Pride this month. The beer is a fruit-gose that’s cut with blackberry juice and lime. More importantly, Samuel Adams is donating $16 from every four-pack sold in June to GLAAD.
“Bright fruit notes like blackberry and lime, coupled with a light purplish to pink color give this beer something to celebrate. It’s a tiny bit tart, slightly salty, and deliciously refreshing.”
Bottom Line:
Good summer beer for a good cause? That’s a win-win.
This summer brew from Colorado is inspired by the Vienna lagers that came to dominate the Mexican beer scene. There’s a touch of flaked corn in the mash with plenty of Vienna malt to make this a light yet very drinkable summer lager.
Tasting Notes:
Those malts really shine through with a warm Southern biscuit vibe next to a drizzle of caramel, thanks to that sweet corn. The beer stays very effervescent while keeping the hops in the background — they read more as floral than anything else.
Bottom Line:
This is the perfect summer sipper. It’s a soft dark lager that is all about being refreshing. Drink a few ice cold on a hot day.
INTERNATIONAL PICK OF THE MONTH: Mönchsambacher Lager
Brauerei Zehendner GmbH
ABV: 5.5%
Average Price: Varies
The Beer:
This kellerbier from Bamberg is goddamn summer in a bottle. This beer is the epitome of what makes Bavarian lagers so popular worldwide. It’s light yet full of deep flavors. It’s easy-drinking but you will feel it after having a few. It’s made with the simplest ingredients (water, yeast, malt, and hops) yet packs nuance and greatness.
Tasting Notes:
There’s a bit of dark German rye crust that leads towards a slightly floral hoppiness and dried straw feel. Those malts sweeten towards fresh and floral summer honey as the hops gently ease into a light lemon citrus buzz with a touch of bitter pith. A touch of clove arrives late and is counterpointed by an almost mossy earthiness that helps keep this one light and fresh.
Bottom Line:
You’re going to have to go to a really good beer shop (or beer bar) to find this in the US. Still, it’ll be worth the hunt for a unique and absolutely quaffable summer session beer from one of the most important beer cities on the planet.
Teyana Taylor may be retired from music, but she’s still hard at work. She’s since pivoted to acting, appearing in Coming 2 America and confirming a reality TV series. Now, her success has earned her another title. Taylor has officially been named Maxim Magazine‘s “Sexiest Woman Alive” for their latest issue.
Taylor graces Maxim‘s annual Hot 100 cover, making her the first Black woman to earn the magazine’s “Sexiest Woman Alive” title. “Somebody pinch me!!!!,” Taylor wrote alongside her cover shoot photos. The musician went on to explain that she showed up to the shoot bare-faced in sweatpants thinking a team would give her a makeover. Instead, the photographer wanted her to be her most authentic self:
“This particular day was dope because it made me see another side of myself. I had just dropped JUNIE off at school before heading straight to the shoot; sweatpants a beanie and an army jacket. My hair wasn’t done for a ‘shoot’ because I planned on throwing on a wig & I didn’t have on any make up. But when I got there the legendary @Gilles_bensimon said and I quote…. ‘Let’s shoot! I want you to stay in this…’ I said ‘HUH?! Well let me at least start my make up.. ‘ as y’all can see I barely had any lashes left He says no ‘my dear this is pure.’ And in regular Teyana Taylor fashion I said ‘okay but look Ah b*tch doing her baby hairs’ LOL I was like SO LET ME UNDERSTAND THIS…I WILL BE THE SEXIEST Woman Alive IN SWEATS AND A SKULLY? Um I guess….’ as confused as I was my heart also melted… I say all of this to say in the true words of Audrey Hepburn… ‘The beauty of a woman is not in facial mode but the true beauty in a woman is reflected in her soul. It is the caring that she lovingly gives the passion that she shows. The beauty of a woman grows with the passing years.’ Embrace and love yourselves for who & what you are because only the purest heart shines through.”
The Queen of the North is back. Or at least her hair is.
Sophie Turner is a natural blonde, but she’s an honorary member of the Redhead Club for her dragon-fire hair on Game of Thrones, where she played Sansa Stark for seven seasons. (You’re telling me there were eight seasons? If you say so…) The Emmy-nominated actress, who will return to HBO for an adaptation of The Staircase, has been blonde since the fantasy series ended, but she recently brought back the red hair:
Sophie and Joe Jonas were spotted at a Los Angeles Dodgers game on Sunday in Atlanta and, in pics, Sophie can be seen rocking some newly-dyed red hair. This is the first time the actress has worn her hair that color since filming Game of Thrones and Dark Phoenix back in 2019. Since then, she’s been wearing her hair her natural blonde hue. Sophie also showed off the new look in a mirror selfie posted on her Instagram Stories.
In the Instagram photo, she’s covering her face with her phone, but her newly-dyed red hair is on display, as is her Olivia Rodrigo shirt. “I feel like I would do anything, I really do,” Turner told Allure in 2018 about changing her hair. “I’m very experimental, and having been a redhead for so long and not being allowed to do anything to my hair, now I’m like, I just want to do everything!” That includes going back to being a redhead.
As they journey further into this new world known as Kaotica, Coldplay are bringing more guests into their new realm. First debuting the new Max Martin-produced single for their new era, “Higher Ground,” with a real astronaut on a space station, the British band have now enlisted none other than director Dave Meyers to tell the visual story of the track. In their “Higher Power” video, which premiered today, the band explore the planet of Kaotica, which is a colorful trash planet that comes complete with dancing aliens (courtesy of Seoul’s Ambiguous Dance Company), robot dogs, and giant holograms. (Don’t worry Gaga fans, besides the intergalactic nature and name similarity, Kaotica and Chromatica are very different.)
Along with a live performance of the song on American Idol, today’s new video makes it clear that the band are going all in for this new pop-focused phase… with a little bit of sci-fi sprinkled in as well. For the “Higher Ground” video Meyers said it he thinks it reflects the isolation and alienation that most people felt during the pandemic. “The video is a metaphor for how, right now, we all feel alienated, far removed from our world, almost like we’re on an alien planet,” he said in a press release. “And ultimately we find love in the streets and that euphoria shoots us off into the stratosphere of our own energy and higher power.”
Check out the clip above and see if you can catch references to iconic films like The Terminator, Blade Runner, and The Fifth Element in the mix.
Back in ‘the day’ the Marvel multiverse was kind of a fringe thing. In that you could be a big fan of Spider-Man, or, I dunno, Nova, and not really have to deal with thinking about different timelines or different universes much. This changed with Marvel’s Ultimate universe, which, with characters like Miles Morales, became very popular. This was always the difference between Marvel and DC. Marvel just kind of ignored the passage of time and the Peter Parker in comics today is the same one who was introduced in Amazing Fantasy #15. As opposed to DC, who introduced Earth-1 and Earth-2 very early, so to read DC comics you really did have to have a working knowledge of how that all worked. Which became such a mess it culminated in Crises on Infinite Earths that was designed to get rid of all the nonsense multiverses. So it’s kind of weird that multiverses went from, “well how do we keep our characters young?,” to, “Maybe this is just a cool thing to do.”
The first two episodes of Loki, streaming on Disney+ starting on Wednesday, basically serves as an instruction booklet to the MCU opening up the multiverse. See, this is where I get nervous. I still have the DC mentality that it’s better to have everyone in one universe than making confusing different timelines and different Earths. And the multiverse was created out of necessity and not “fun.” But, here’s a fun fact: I don’t get a say in this and this is what’s going to happen.
God bless Owen Wilson. He plays Mobius M. Mobius, a lifer desk jockey for the Time Variance Authority (TVA). Wilson is tasked with explaining a lot to Loki (Tom Hiddleston) about how time travel, and alternate realities, and magic space timekeepers work, which means he’s explaining it to us, the viewer. He is Mr. Exposition, but also he’s Owen Wilson so of course he can make this entertaining. This really is inspired casting. Also, it’s really something to watch Wilson not playing a free spirit, drifting through life and the story we are watching. His job here is order. His literal job is order. He’s here to make sure there’s only one timeline and to nip in the bud any new timelines that may happen because something did not go as planned, like Loki picking up the Tesseract in Avengers: Endgame and transporting himself to who knows where. Well, we learn “where” quickly in Loki and the Time Variance Authority shows up very quickly to take care of business and make sure Loki doesn’t create a whole new timeline. So Loki is brought to the TVA, which feels kind of like a big DMV where powers don’t work and there seems to be a lot of paperwork trying to keep everything in order.
So Loki is branded a “variant” very quickly (the real Loki died in Avengers: Infinity War), but Wilson’s Mobius saves Loki – from Wunmi Mosaku’s Hunter B-15, who seems determined to kill Loki and seems to be having a lot of fun trying, and from Gugu Mbatha-Raw’s Ravonna Renslayer, who basically plays a galactic time judge – because he thinks Loki might be able to help track down a villain who’s been causing a lot of problems for the TVA. So, with that it becomes kind of (*kind of) a 48 Hours buddy cop comedy with a cop and a criminal trying to chase down a worse criminal. (*Owen Wilson is not the ornery cuss that Nick Nolte played and Tom Hiddleston is bringing something different to the table than Eddie Murphy. So, no, it’s not a great comparison, but you get the point.)
So far the most interesting thing about Loki is how it deconstructs the character. Loki, in this world of the TVA, has no powers, so he’s faced with a lot of questions from Mobius about his actions. Did he enjoy killing people? Did he enjoy betraying people? Did he enjoy literally stabbing people in the back? His answers are revealing, though at this point we don’t know if Loki is really doing some soul searching or if he’s just telling Mobius what he thinks Mobius wants to hear. Both things can be true at the same time.
But, at least so far, it seems the purpose of this show is to explain to people what a multiverse is. And, you know what, if I were hell-bent on bringing the multiverse to the MCU (I would not be, but, again, they do not ask me; I know, weird, right?) I would for sure make a series like Loki. Where rules could be established going forward in what seems like will be, let’s say, some unruly future plots. Look, I get it, after Thanos what do you do? Galactus? Yeah, maybe? But isn’t Galactus’s end goal about the same as Thanos? In that in the end a lot of people die? (I know the difference, I do not need tweets explaining the difference between the two.) But, cinematically, to up the ante, yeah, I get why the multiverse is appealing. We are going to see some weird stuff. Involving actors and characters we never thought we’d see again. I hope it works! But, I dunno, it just all seems like a lot.
But, in the meantime, we have our ol’ pal Loki to ask the questions we have about how this all works and another ol’ pal, Owen Wilson, to answer. As a primer, for something I’m not very excited about, well, at least this part is pretty entertaining.
‘Loki’ begins streaming via Disney+ on June 9th. You can contact Mike Ryan directly on Twitter.
It appears that finally, Lorde season is approaching. A couple weeks ago, she was announced as part of the massive Primavera Sound lineup for 2022. A few days ago, she starting trending, seemingly for no reason beyond fans just wanting new music from her. Then, yesterday happened: Lorde shared what seems to be album art for a project called Solar Power. The image in question quickly went viral, as the cheeky photo used was shot from a super-low perspective and shows off a lot of skin from the waist down.
It’s certainly an atypical sort of image, at least as it relates to Lorde and album covers. Naturally, the photo quickly caught fire online and spawned a bunch of hilarious memes. For example, some folks hilariously compared it to the one-off Family Guy cutaway gag character Legs Go All The Way Up Griffin:
Elsewhere, Lorde was edited into a scene from Attack On Titan, a popular mange and anime that features gigantic human-like creatures that eat normal-sized humans:
It was looking hopeful last June when New York Governor Andrew Cuomo gave the MTV VMAs the go-ahead to take place at the Barclays Center in 2020 with a “limited” audience. However, following an uptick in COVID cases, the VMAs instead opted to host the event at an outdoor space, invite only a virtual audience, and have just a handful of in-person performances. But now as large-scale events eye a late summer return, the VMAs are looking to host their 2021 event indoors.
The VMAs announced Tuesday that the awards show will make an in-person return this year. It’s slated to take place September 12 at the Barclays Center once again, and organizers say they plan to allow fans to attend. According to press materials, the event will “feature epic performances from the biggest names in music and bring fans together from across the globe to celebrate the return of live entertainment.”
Though organizers are feeling confident about gathering indoors, they are still making sure to take safety protocols seriously. “The health and safety of artists, fans, staff, and partners remain the number one priority, and MTV and Barclays Center are working closely with state and local officials to implement best practices in order to safely bring together music fans from around the globe,” organizers wrote in a statement.
The VMAs have yet to announce which artists are set to take the stage in September. Last year’s ceremony saw some showstopping performances by The Weeknd, Ariana Grande, BTS, and Lady Gaga, whose various eye-catching masks stole the show.
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