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The Cubs Scored An Improbable Run Because The Pirates Forgot How Baseball Works

The Pittsburgh Pirates are a really bad baseball team. Having said this, you would think some pretty basic stuff would be doable for even the worst of professional baseball teams, but on Thursday afternoon against the Chicago Cubs, we learned that this is not necessarily the case, at least when it comes to the Buccos.

Cubs shortstop Javier Baez stepped to the plate with two outs (I cannot stress enough how important it is that you remember this detail) and Wilson Contreras on second base while Chicago boasted a 1-0 lead. Baez took the offering from Tyler Anderson on an 0-2 count and hit a ground ball to third base. And then, a series of events so weird that I can honestly say I have never seen it happen before occurred. Behold:

This is remarkable, to the point that one has to wonder if the Cubs have ever straight up practiced having Baez do this or if Baez has ever thought about it in the game. Realizing that first baseman Will Craig did not step on the bag, Baez starts running back home, giving Contreras time to score. Craig made the mistake of trying to get Contreras out, leaving first base totally free for Baez, who then gets to second on a scoring error. Truly, it is incredible.

And to go back to that original detail we wanted you to remember: THERE WERE TWO OUTS. Craig just steps on first and the inning is over. Instead, this.

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I made my daughter cry by sharing the history of a local landmark. She needed to hear it.

I made my 11-year old daughter cry yesterday.

We were driving to the beach, and we passed the Portland Expo Center. It’s not the usual way we go, but the traffic was bad and this would let us avoid downtown.

I asked her if she knew anything about World War 2, and she knew a little… she remembered, for instance, that in that war the US was fighting against Germany and Japan.

So I pointed out the Expo building to her, and I told her, “During the war, the US government was afraid that Americans with Japanese heritage might be spies or might side with Japan, so they gathered them all up in that building. It was a livestock building. They moved all the cattle out and moved all the people in, and they kept them there for almost a year.”

“Did they kill them?” she asked.

“No,” I said. “But they all lost their jobs. Many of them lost their businesses, their houses, and most of their possessions.”

She didn’t say anything after that, but she’s a sensitive kid and I looked over to see that she was softly crying, wiping the tears from her eyes with the sleeve of her sweatshirt.

Why would I do that to my kid?

Well it’s not because of “CRT” or because I hate white people, or because I want her to. It’s not because I’m cruel or overly fixated on race. It’s not because of political correctness or politics.

It’s because things like this still happen today and they’ll happen again in the future and when that day comes I don’t want her to stick her head in the sand and say, “Well that could never happen in the Land of the Free,” but instead be one of the people standing up to say, “Not this again, this is wrong, how dare you.”


It’s because she has Asian-American friends, and when they are in danger or the victims of Anti-Asian racism or violence I don’t want her to be confused or surprised, I want her to be able to stand in the gap to protect, support, and comfort her friends.

It’s because she has Latina friends who have been deported. It’s because she has Asian-American friends who have family members who have been spit on or harassed. And just because she’s 11 and white doesn’t mean she should be shielded from that… her friends of color aren’t. She’s old enough to know that the world her friends live in is the same world she’s in.

And yes, she needs to know that these things happened in living memory. That right now there’s a kind older woman who volunteers at the Japanese American Museum of Oregon who will tell you the story of when her family packed their bags and met at the Expo Center. She’ll tell you about how they stayed in a cattle stall with a sheet for a door, and how the flypaper hung over her, heavy with flies, while her family tried to figure out what was going to happen to them all, what their own government was going to do to them (the answer being, send them to a camp in California and then transfer them to a camp in Idaho where they would live one family to a room, sleeping on cots, the guards outside the camp with their rifles, barbed wire on the fences. The answer being that some of their fathers and brothers got out early if they volunteered to fight, but the families remained in the camps, imprisoned by their own government, not “innocent until proven guilty” but “presumed guilty because of their ethnicity.”).

She needs to know that if every story she ever hears about the USA is “we are the good guys” that she’s listening to liars. We have done some incredible, beautiful things in the world (and still are), and we have done some horrific, evil things in the world (and still are).

Because we’re not raising her to be a good American, we’re raising her to be a good person.

And because when we’re driving through the streets of our cities, the history matters. We should be able to point out, “This church belonged to Black people until the city decided it was time to revitalize downtown and they forced all the African Americans north, out of downtown.” We should be able to say, “This is Fort Vancouver” and also know that the coming of that fort meant that in a span of barely thirty years entire cultures of Native people were nearly wiped out by smallpox and other diseases… and many of the remaining peoples were forced onto the worst pieces of land at the threat of death so that the great American empire could continue to expand.

I tell my daughter all of this not because of some political agenda. I tell her because it’s true.

I tell her this because if she’s going to be a good citizen she needs to know what to fight against. She needs to know who we’ve been to recognize who we are.

I tell her this because I love America and I want us to be better.

I tell her this because I love her and I don’t want her to grow up closing her eyes to injustice.

I tell her this because she needs to know that when we talk about camps built for racist reasons in World War 2 we call them “concentration camps” in Germany and we call them “internment camps” in California or Idaho. She needs to know that we try to hide it, to soften it, to make it somehow something understandable rather than something evil.

I tell her this because once upon a time on May 2nd, 1942, three thousand six hundred and seventy-six Japanese Americans showed up at the Expo center carrying their bags – they could only bring what they could carry — or carrying their infants and toddlers, and were moved into cattle stalls. They lived there, in our city, for five months until we could get our camps built, get the barbed wire installed, get the guard posts filled, get the trains ready to pack with our own citizens.

I tell her because their story – OUR story – matters. She needs to know.

I tell her all this because if she’s never cried about something America has done, she doesn’t know America.

This post was first published on the author’s Facebook page. Find more writing from Matt Mikolatos on his website.

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Trippie Redd And Playboi Carti Commit Therapeutic Vandalism In Their Explosive ‘Miss The Rage’ Video

The concept meeting for Trippie Redd’s new “Miss The Rage” video with Playboi Carti must have included the phrase “homemade rage room” somewhere because that’s exactly what they wound up creating. The video opens with the punk-influenced rappers pouring gasoline all over an old car at an abandoned lot and setting it on fire, then chucking other random bits of garbage at the resulting blaze as they perform their long-awaited, much-beloved collaboration.

The video, which arrives just about three weeks after the initial release, might be just the thing to increase anticipation for Trippie’s upcoming fifth album Trip At Knight, which is expected to release in July. He’s been previewing new music via Instagram non-stop since his last project, the deluxe version of Pegasus, produced in conjunction with Travis Barker, was released at the beginning of the year. In the meantime, Trippie was also announced as one of over 20 artists set to appear on the soundtrack to the upcoming film F9.

Meanwhile, Playboi Carti is a month removed from his “Sky” video and has been teasing a project of his own on Instagram, where he wrote “i waNt to DroP like RN.”

Watch Trippie Redd and Playboi Carti’s “Miss The Rage” video above.

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Gorillaz Are Dropping A Collectible Vinyl Toy ‘Geep’ To Celebrate 20 Years Of The Band

The Gorillaz have been beloved for decades because of how meticulous they are when it comes to releasing new music and honoring their past work. Today they’ve announced a collaboration with Superplastic to celebrate the 20th anniversary of the band with a limited-edition collectible vinyl toy called “Geep.” The toy is the green dune buggy that’s driven by Gorillaz member Noodle. The Geep comes equipped with working LED lights and a removable guitar. To give a sense of sizing, the toy is 10-inches long and 4-inches tall and will retail for $120.

Geep is not the first time Superplastic and Gorillaz have collaborated on merch. In 2019, they released a soft vinyl of Gorillaz lead singer 2D, along with a full band vinyl toy set featuring band members 2D, Murdoc, Noodle, and Russell in 2020. Of the Geep collaboration, Noodle had this to say: “The Geep, our most loyal companion. We hope it will bring joy to all the homes it parks up in around the world.”

“It’s been my dream to ride shotgun with Noodle in the Geep…on mushrooms. As real as I want that moment to be, we all know that this shit isn’t happening. So, we decided to make a super limited, dope, amazing toy instead. It’s been killer bringing Gorillaz to life through designer toys over almost two decades, and I can’t wait for fans to get the Geep!” added Superplastic founder Paul Budnitz.

Check out some other images of the Geep below and pick up the collectible here.

Superplastic
Superplastic
Superplastic
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Sean Hannity Admits That He Actually Agrees With Jon Stewart On A ‘Bullsh*t’ Issue That’s Impacting Veterans’ Health

Former The Daily Show host (and coming Apple TV+ host) Jon Stewart is no stranger to taking fights to Capitol Hill to fight for healthcare for those who serve their country. To that end, he’s renewed his push for veterans who were exposed to toxic burn pits and are now suffering grave health effects, years after their tours in Iraq and Afghanistan. Burn pits have been linked to respiratory illnesses and cancer, but the Department of Veterans Affairs has so far come up short in providing benefits linked to the pits, and the Washington Post has detailed how Stewart is pushing legislation that will remove the “burden of proof” upon veterans to prove the link of their illnesses to burn pit exposure.

Sean Hannity, who normally does not see eye-to-eye with Stewart on anything (and vice versa), took notice of Stewart’s efforts and tweeted out a link to Mediaite’s story on the subject. “Don’t often agree with Jon Stewart,” the Fox News host wrote. “He’s right on this. It’s total bullsh*t. Help our vets. Republicans need to own this.”

Mediaite detailed Stewart’s sentiments from this week when he spoke alongside House Veterans’ Affairs Committee members in support of the Honoring Our PACT Act, and Stewart pointed out how veterans “talk about what they think they could get.” Stewart says that these veterans’ words prove that they’re feeling the effects of how they’re forced to prove the link between their suffering and toxic pit exposure. Stewart blames “Congress’ reticence and inaction,” which has left “our veterans community over these many years to negotiate against itself.” He elaborated upon why this is unconscionable:

“Defense contractors can view the U.S. Congress as Willy Wonka’s chocolate factory, while veterans are back there like Oliver with a bowl of gruel asking, ‘Please, sir, may I have some more? It’s bullsh*t and it’s gotta stop. And if these bills can finally end this cycle for the veterans… then we have to get this done.”

There you have it. Hannity and Stewart both agree that this is “bullsh*t” treatment of veterans, so perhaps Congress can finally come together, too. Stewart’s been tweeting on the subject as well. “Veterans deserve presumption of toxic exposure, not another “study” or bureaucratic process that doesn’t guarantee treatment and disability,” he argued. “This is the only bill that gets it done. #BurnPitAct”

Stewart also tweeted a video to illustrate how terribly the U.S. has treated veterans who have been afflicted (in some cases, fatally) by burn pit exposure.

(Via Washington Post, Mediaite & Axios)

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The Nets Won’t Have Jeff Green For At Least 10 Days Due To A Foot Injury

One of the more pleasant surprises of this Brooklyn Nets season has been grizzled veteran forward Jeff Green turning into a reliable member of the team’s center rotation. Green played some small ball 5 as a member of the Houston Rockets last year, but in Brooklyn, he’s taken on the big man assignment due to the team’s bevy of talent at guard and on the wings. It’s been a really effective move for the Nets, but unfortunately for Green and the team, they’ll have to go forward in the postseason without him for a bit.

During his Thursday afternoon news press conference, Nets coach Steve Nash announced that Green is dealing with a strained plantar fascia that will put him on ice for the next 10 days, at which point his status will be evaluated.

Green did not start either of Brooklyn’s first two games against the Boston Celtics — that honor has instead gone to Blake Griffin — but he has been an important contributor off the bench in the series. The Nets won’t need his services to take down the Celtics barring something unforeseen, but having him around in the second round against the Miami Heat or, more likely, the Milwaukee Bucks would be really helpful.

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Rina Sawayama Will Make Her Film Debut Alongside Keanu Reeves In ‘John Wick 4’

Rina Sawayama has been quickly working her way towards the top of the music world. At the start of 2020, she hadn’t even released an album. Now, she has dropped Sawayama, has an Elton John collaboration under her belt, and perhaps a Lady Gaga remix is on the way as well. Now she’s establishing some footing in the acting world, too: Deadline reports that Sawayama has landed a big film role, in John Wick: Chapter 4.

Director Chad Stahelski offered a brief statement about the casting, saying, “I’m so glad to have Rina on board to make her feature film debut in John Wick: Chapter 4. She’s an incredible talent who’ll bring so much to the film.” Sawayama shared the news as well, posting a screenshot of the Deadline article and writing, “my feature film acting debut in John Wick 4 !!!!!! I’m so excited !!!!! [crying emojis].”

This actually won’t be her first acting role: In 2019, she had a recurring role on the UK comedy series Turn Up Charlie, which was created by and stars Idris Elba as a DJ-turned-nanny.

Meanwhile, she also has a new album on the way. At the end of 2020, she said her sophomore effort was half-done and she teased that it could even have a country-influenced sound.

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Eminem Teases His Upcoming ‘Killer’ Remix Featuring Cordae And Jack Harlow

It looks like Eminem’s long-held animosity for 20-something rappers has subsided, as the 20-year rap veteran has reached out to two of today’s quickest-witted spitters, Cordae and Jack Harlow, to remix the upbeat Music To Be Murdered By track, “Killer.” Em teased the track ahead of its arrival, offering fans a tiny snippet of the track and its animated music video on Twitter. Its visual style resembled a pulp noir comic, with white ink on a black background and action shots that homage hardboiled thrillers and the comic books that Em loves collecting.

Incidentally, both rappers share more in common than just a love for complex rhyme schemes. Cordae’s breakout moment came with the release of his “My Name Is” freestyle over Eminem’s own breakout major-label debut single from two decades ago. Jack Harlow, meanwhile, has expressed his love for Eminem, checking his peers for underrating the Detroit icon during an interview with Pitchfork and putting his own spin on another one of Em’s classic records, “Without Me,” in an SNL sketch “explaining” how NFTs work.

The “Killer” remix drops tonight at midnight ET.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Girl In Red Drops A Sinister ‘Body And Mind’ Video And Announces 2022 North American Tour Dates

After sharing a handful of singles and EP’s Girl In Red‘s debut album If I Could Make It Go Quiet was her breakout moment. Now, Girl In Red shares an ominous video to her hit “Mind And Body” track. Additionally, she has also announced a 2022 tour.

The singer’s “Mind And Body” video was directed by horror specialist Thea Hvistendahl. The sinister clip depicts Girl In Red being captured by witches at an abandoned cabin.

“Making this video and giving ‘Body And Mind’ a new dimension with these visuals is really dope,” the singer said about the visual. “It feels like it’s been awhile since I’ve seen some witch sh*t so it was about time!”

Listen to “Body And Mind” above and find Girl In Red’s 2022 North American tour dates below.

03/08/2022 — Nashville, TN @ Brooklyn Bowl
03/09/2022 — Asheville, NC @ The Orange Peel
03/11/2022 — Washington, D.C. @ 9:30 Club
03/12/2022 — Baltimore, MD @ Rams Head Live!
03/14/2022 — Brooklyn, NY @ Brooklyn Steel
03/15/2022 — Brooklyn, NY @ Brooklyn Steel
03/16/2022 — Philadelphia, PA @ Union Transfer
03/18/2022 — Boston, MA @ Paradise Rock Club
03/19/2022 — Montreal, QC @ Club Soda
03/20/2022 — Toronto, ON @ Queen Elizabeth Theatre
03/22/2022 — Detroit, MI @ The Majestic Theatre
03/23/2022 — Columbus, OH @ EXPRESS LIVE!
03/24/2022 — Chicago, IL @ Metro
03/25/2022 — Chicago, IL @ Metro
03/27/2022 — Milwaukee, WI @ The Rave
03/28/2022 — Minneapolis, MN @ First Avenue
03/29/2022 — Kansas City, MO @ The Truman
03/31/2022 — Austin, TX @ Emo’s
04/01/2022 — Houston, TX @ House of Blues
04/02/2022 — Dallas, TX @ House of Blues
04/05/2022 — Denver, CO @ Gothic Theatre
04/06/2022 — Salt Lake City, UT @ The Complex
04/08/2022 — Seattle, WA @ The Showbox
04/09/2022 — Portland, OR @ Roseland Theater
04/11/2022 — San Francisco, CA @ The Regency Ballroom
04/12/2022 — San Francisco, CA @ The Regency Ballroom

If I Could Make It Go Quiet is out now via AWAL. Get it here.

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Val Kilmer Made A Documentary About Val Kilmer For A24 (And It’s Been Snatched Up By Amazon)

For over four decades, actor and artist Val Kilmer has been filming himself, even as he navigated his rise to Hollywood stardom in the ’80s and ’90s. Now, that footage will be seen in the first time in the new documentary, Val, directed by Leo Scott and Ting Poo. In an interesting twist, the documentary is produced by A24 Films as part of the studio’s new foray into non-fiction films, and it’s already been picked up by Amazon Studios for a 2021 release.

“At least once a day for years I looked around and got this bittersweet feeling that there are a thousand reasons that this project could’ve been shipwrecked,” Kilmer said in a statement announcing the Amazon acquisition. “I mean, what could a film look like of a man filming himself, sometimes daily, years at a time? It is unimaginable that this movie actually could’ve ever come to light without the partnership of my dear friends, Leo and Ting, and my producing partners. Tireless hours of editing and endless emotions with each new cut! I couldn’t be more proud to share this with the world!”

Here’s the official synopsis:

For over 40 years Val Kilmer, one of Hollywood’s most mercurial and/or misunderstood actors has been documenting his own life and craft through film and video. He has amassed thousands of hours of footage, from 16mm home movies made with his brothers, to time spent in iconic roles for blockbuster movies like Top Gun, The Doors, Tombstone, and Batman Forever. This raw, wildly original and unflinching documentary reveals a life lived to extremes and a heart-filled, sometimes hilarious look at what it means to be an artist and a complex man.

Val will stream later this year on Amazon.