In the year-plus since releasing The Main Thing in February 2020, Real Estate has given their fans even more new material to sink their teeth into. Just a couple months ago, they followed up the album with the Half A Human EP, which the band made remotely during the pandemic. Now they’re back with another EP and this time, it’s all covers.
The five-track collection comes via Aquarium Drunkard’s The Lagniappe Sessions series, for which Real Estate covered Parsley Sound’s “Ocean House,” My Bloody Valentine’s “You Never Should,” John Cale’s “Please,” Roger Miller’s “Little Green Apples,” and Jawbone’s “Java Jelly.”
The band’s Julian Lynch says of the My Bloody Valentine cover, “‘You Never Should’ is one of my favorite tunes off of My Bloody Valentine’s Isn’t Anything. I had wanted to cover this song for quite some time. I even considered it for my own Lagniappe Session a while back. I’m glad I kept it tucked away until now, though, because I’m so happy with how the cover sounds with the full band.”
In an interview with Uproxx about The Main Thing, Martin Courtney described his mindset while making the album, saying, “I’ve got three kids now. My wife was pregnant through a lot of the process of writing [The Main Thing]. So, just on the level of, is this a responsible thing to do, to be a guy in an indie-rock band? I was really struggling with that, and also feeling like, the world is kind of in a bad state. […] Is there something more useful I could be doing with my life? I feel a little bit useless writing these songs. So, that was kind of what went into writing this record, those types of doubts. […] I think for me it was just like, ‘Obviously I’m going to do this because this is where I’m at in my life. I can’t just not do it. And I want to make a record. I love making music.’ It was never a question of whether or not I wanted to do it. So yeah, I think it just came down to, we need to work that much harder and just make it feel worthwhile, basically.”
Check out Real Estate’s The Lagniappe Sessions covers here.
After more than a year of massive closures and several months of carefully social-distanced screenings, movie theaters across the country are slowly coming back to life. If you’ve been to an indoor movie theater in recent months, you’ve probably seen a handful of employees decked out in PPE milling about to set off foggers and wipe down every surface in each cinema between screenings. But that sight could soon become a thing of the past.
As Variety reports, the National Association of Theatre Owners recently updated its “CinemaSafe” guidelines to do away with its mandate that each theater be thoroughly disinfected between screenings. Which doesn’t mean that they no longer care about the health of their patrons; the new rules simply stipulate that theater owners should be following current CDC, state, or local guidelines when it comes to cleaning up. At the moment, the CDC recommends giving theaters a thorough cleaning once a day.
Before you start screaming and vow to never visit a movie theater again, it’s worth noting that the big show made of disinfecting each theater likely didn’t make much of a difference anyway: The CDC has put the odds of contracting COVID through surface transmission at one in 10,000—or roughly the same as being struck by lightning. Even so, many theater owners know that peace of mind is now just as important as popcorn to the theatrical experience, so most theaters are continuing to be overly cautious.
“We’re still spraying between shows,” Jeff Logan, president and CEO of the South Dakota-based Logan Luxury Theaters Corporation told Variety. “We’ve got to maintain public confidence.”
Whether this trend will continue into the summer—when many studios are planning to mount their big theatrical comebacks, and theaters hope to recoup much of what they’ve lost, revenue-wise, in the past year—remains to be seen. For now, says Logan, “We’re just going to make darn sure everyone feels safe.”
I won’t go so far as to call Paul Verhoeven “underrated,” but we, collectively, don’t talk enough about how many must-see movies he’s made. Soldier of Orange, The Fourth Man, RoboCop, Total Recall, Basic Instinct, Showgirls, Starship Troopers, Elle — Verhoeven directed them all, and they’re all great. His new film, Benedetta, must be great, too, because it’s an official selection at this year’s Cannes Film Festival.
Based on the non-fiction book Immodest Acts: The Life of a Lesbian Nun In Renaissance Italy, Benedetta is about a nun in the 17th century, played by Virginie Efira (she was in Elle, but more importantly, she’s the French voice of Mavis in the Hotel Transylvania movies), who has an affair with another nun. The drama also stars Charlotte Rampling, Daphné Patakia, Lambert Wilson, and Olivier Rabourdin.
Verhoeven’s long-time co-writer, Gerard Soeteman, distanced himself from the project, believing it was too focused on the more lurid aspects of the story. “She is a lesbian and knows how to get a lot of people behind her with her machinations,” he said. “For me, it was not about the sexual relations of this genius woman, but about the political constellation in which she moved. If you omit that element and just think, ‘Hmmm, lesbian, how nice,’ then I’ll serve you, I don’t find that acceptable. I am so against what Paul wants to make of it.” Watch the (slightly NSFW) trailer above.
Here’s the official plot synopsis:
In the late 15th century, with plague ravaging the land, Benedetta Carlini joins the convent in Pescia, Tuscany, as a novice. Capable from an early age of performing miracles, Benedetta’s impact on life in the community is immediate and momentous.
Longtime Giant Bomb team members Vinny Caravella, Alex Navarro, and Brad Shoemaker have announced that this Friday will be their last at the popular gaming website. The trio broke the news yesterday on a live podcast recording on Twitch alongside Giant Bomb founder Jeff Gerstmann. In the tweets that followed, none of the men further elaborated on why they were leaving the company or their next ventures, but did express gratitude towards the site these formative members helped create.
This Friday will be my last day with Giant Bomb as per the announcement on the Bombcast today. I’m so proud of everything we’ve accomplished over the years and so thankful for everyone that has been a positive part of it. It has shaped who I am.
in case you didn’t happen to tune into this week’s Bombcast, I should probably say publicly that I have given my notice, and this Friday will be my last day @giantbomb. It’s been an incredible 10 years, but I made the difficult decision that it was time to move on.
Today was my last episode of the Giant Bombcast. Friday is my last day with the company. After spending a third of my life helping to build this thing, it’s tough to make my fingers even type that out. (Seriously, what?)
For those unfamiliar with Giant Bomb, the site was founded back in 2008 by a group of former GameSpot employees burned out by traditional games journalism, Caravella and Shoemaker being among them. In 2010, another former GameSpot worker, Navarro, joined the team as well. For over a decade, these three — along with numerous others — contributed towards creating innovative and personality-driven content for Giant Bomb, a site which has served not only as a source of entertainment and knowledge, but as a place that has fostered some of the games media’s well-known reporters, critics, and content makers.
For those a bit shaken up over the news, rest assured that Gerstmann intends to stick with the company, and has stated he will have more to say on the future of the site –Giant Beastcast presumably included — in the coming week.
We’ll have some stuff to say about where Giant Bomb goes from here a little later this week or next. Kind of a lot going on over here right now!
If anyone has ever earned the right to mutter “I’m too old for this sh*t!,” it’s Dr. Anthony Fauci. After regularly having his expertise called into question by a reality TV show host-turned-president, Fauci is finally free of the unnecessary noise and nonsense. Well, most of it. When the 80-year-old doctor isn’t busy debunking bonkers conspiracy theories, he’s dealing with the fact that an estimated 25 percent of Americans won’t receive the COVID vaccine. On Tuesday night, Fauci spoke with Jimmy Kimmel about these disappointing statistics.
Kimmel didn’t waste any time in asking the question that’s on many people’s minds right now: After all the time and effort that Fauci and his colleagues have put into finding, testing, and approving a trio of vaccines for immediate use, is he frustrated that there are still people who refuse to be vaccinated? Even as we near a domestic death toll of 600,000? The ever-professional Fauci was both measured and honest in his response:
“Yes, it is very frustrating. Not only because you care about everyone in the country—you care about the health and the safety of individuals—but also, there’s a societal responsibility that we should all have to put an end to this outbreak. And if you have a group of people who understandably may think that they’re invulnerable because they’re young and healthy… and therefore, it doesn’t make any difference if they get infected because they likely would do well. That’s really not the right attitude.”
Fauci went on to explain how while the numbers might be in the favor of these healthy little whippersnappers, they’re absolutely not exempt from getting a devastating case of COVID. But more importantly, according to Fauci:
“If you let yourself get infected, it isn’t just you in a vacuum. You may inadvertently and innocently infect someone else who could really get in trouble. That could be someone’s grandmother or grandfather, someone’s wife who’s on chemotherapy for breast cancer. So you can’t think about yourself in a vacuum; you have to think somewhat about your societal responsibility.”
Also likely annoying? That it’s been more than a year and Fauci is still having to explain the concept of transmission. But his point is still an extremely valuable one. So if you won’t get vaccinated for Dr. Fauci, maybe do it for your grandma?
In recent months, Pete Davidson has found himself a new recurring character on Saturday Night Live: Eminem. He played the rapper in a pair of memorable sketches from December and March. That gave Davidson the opportunity to get on the phone with Eminem, a conversation that he described to Seth Meyers on yesterday’s Late Night.
Davidson spoke about the call and explained why he hung up on Eminem “as quick as possible,” saying:
“It went I think as good as it could go. Those [sketches] were written by the great Dan Bulla and Steven Castillo, great SNL writers, and [Chris] Redd. Eminem said a couple nice things about me and I of course heard them. I reached out, I was like, ‘I would just like to say thank you.’ And I just hit him up and said thanks and he was like, ‘Yeah man, you really did that. When I saw Stu on script, I was like, I don’t know how it was going to go, but after you did that, it was fire.’ I was like, ‘Oh thank you so much, you’re the coolest,’ and then I just hung up as quick as possible. That’s all you need, you don’t want anything more.”
Meyers elaborated on Davidson’s point about hanging up, adding, “When you talk to a hero, you don’t want to extend it. If you’re good, get out,” and Davidson agreed. Davidson also briefly touched on playing Joey Ramone in the upcoming movie I Slept With Joey Ramone, describing the decision to get him involved with the film as “either a really great or horrible choice by a studio and we will find out.”
Ted Cruz should have known better than to pick a fight with The Daily Show, as it resulted in him being ruthlessly owned by current host Trevor Noah with even former host Jon Stewart getting in on the action. But would Ted Cruz really be Ted Cruz if he knew better at all? (That’s one of those existentialist, rhetorical-type questions that you don’t need to answer, but feel free to spend the day pondering it.)
As the Trevor vs. Ted Twitter battle ended in a clear victory for the former, it seemed as if that might be the last we’d hear on that particular feud. But then Noah, bless his heart, gifted the world with might be one of the most epic takedowns of the Texas senator since Donald Trump called Cruz’s wife ugly. Though in this case, it seems highly unlikely that Cruz will just smile and nod in that patented Sniveling Ted Cruz Way ( pending).
The video kicks off by going all the way back to a Fox News presidential debate from March 4, 2016, with footage of when, for a traumatic and nausea-inducing few moments, Cruz did his best to try and sound like a leader… all with having what appeared to be a booger on his lip. That’s right, ladies and gentlemen: a booger.
As the narrator intones: “Establishment Republican candidates are making their last stand against Donald Trump. And Senator Ted Cruz of Texas (dramatic pause) had a gross booger hanging on his lip. And then, he ate it. As if none of us could see. This is Ted Cruz: The Booger on the Lip of Democracy.”
Presented in the tradition of a biographical documentary, awkward family photos and all, the brilliant 9-minute segment includes such insightful gems as describing Cruz’s youthful ambition as being “the same as any higher-order lizard: sex and domination” and saying that “young Ted Cruz was obsessed with boobs and power—two things he would struggle to get his hands on for the rest of his life.” It revisits Cruz’s early days as a lawyer, and his impassioned fight against the sale of sex toys in Texas, with the narrator wryly noting that, “In a show of selfless devotion to the law, Ted Cruz defended a ban on sex toys—even though he himself is a complete dildo.”
We’ll leave it to you to discover the segment’s many other magnificent moments, including Cruz’s truly terrible impersonations of Yoda and Darth Vader (which sound almost exactly the same, by the way, but certainly unlike anything George Lucas ever created), in the clip above. Just remember: You cannot unsee it.
Christopher Osburn has spent the past fifteen years in search of “the best” — or at least his very favorite — sips of whisk(e)y on earth. He’s enjoyed more drams than his doctor would dare feel comfortable with, traveled to over 20 countries testing local spirits, visited more than 50 distilleries around the globe, and amassed a collection of bottles that occupies his entire basement (and annoys his wife).
In this series, he cracks open his worn “tasting diary” and shares its contents with the masses.
In America, bourbon is big business. While it can technically be made anywhere in the US (as long as the regulations are met), 95% of all bourbon is produced in Kentucky, where the big brands are centered. In 2020 alone, bourbon distilleries in the Blue Grass State filled more than 2.1 million barrels, with production increasing by more than 350% since the dawn of the 2000s.
To say that bourbon whiskey is a popular style is an understatement. And a pretty massive one at that.
America’s native spirit (as declared by congress in 1964) is crafted by countless distilleries, but there’s a handful that sell better than all the others. We definitely love (and root for) the upstarts, but today I want to give the big boys their due. I’m highlighting my one absolute favorite bourbon whiskey expression from each of the best-selling brands. This can get a little confusing, as some of the brands are owned by the same distilleries, but if you’re going by name alone the top-selling bourbons brands are Bulleit, Old Forester, Wild Turkey, Four Roses, Woodford Reserve, Maker’s Mark, Jim Beam, Evan Williams, Elijah Craig, and Buffalo Trace.
I based this on my tastes alone without taking into account price or how sought-after a particular bottle is. Sometimes I chose the most expensive bottle. Sometimes it was somewhere in the middle. My palate, which is pretty thoroughly developed and tuned to bourbon, was the only barometer. Click the linked prices to have these picks delivered to your doorstep.
This award-winning whiskey has a mash bill of 68% corn, 28% rye, and 4% malted barley. It’s aged in charred, American oak casks for ten years. The result is a rich, warming, spicy bourbon well-suited for mixing into an old fashioned or slow sipping on its own.
Tasting Notes:
On the nose, you’ll find scents of charred oak, dried cherries, citrus zest, and toasted vanilla beans. On the palate, you’ll notice notes of fresh leather, buttery caramel, raisins, butterscotch, and subtle spicy rye. The finish is long, dry, warming, and ends with a nice hit of cracked black pepper.
Bottom Line:
While this bourbon is well-suited for drinking neat or on the rocks, its high-rye content is the perfect base for your favorite whiskey cocktails. I picked it as my favorite from Bulleit because I believe 10 years is the perfect amount of time for the various flavors to meld perfectly and because it’s probably my favorite mixer on earth.
This award-winning bourbon is the same 101-proof as the brand’s iconic 101 offerings. But this expression is produced from single barrels that are hand-picked by Master Distiller Jimmy Russell. The most unique aspect is that on top of being a single-barrel bourbon, the bottle details the date it was bottled, the barrel number, and even which storehouse (and where in that storehouse) it came from.
Tasting Notes:
Take a moment to breathe in the aromas of pipe tobacco, buttercream, and subtle spice. On the sip, you’ll taste hints of spicy cinnamon, charred oak, butterscotch, and dried fruits. It all ends with a long, warming hit of almond cookies and raisins.
Bottom Line:
For the dedication to detail, the high-quality, and the equally high-proof, this bottle is an absolute bargain at $60. Snatch it up and savor it. This is my favorite Wild Turkey expression because of the combination of high-proof and rich, complex flavors.
I know we’re not talking price, but as a lover of value I appreciate how much this bottle outkicks its coverage.
This high-rye (60% corn, 35% rye, 5% malted barley), 100-proof bourbon is produced from hand-picked single barrels that are aged between 7 and 9 years in charred, American oak barrels. It’s complex, well-rounded, and carries a great sweet to spicy ratio perfect for sipping.
Tasting Notes:
On the nose, you’ll be greeted with notes of vanilla essence, treacle, wood char, and spicy rye. The palate is swirling with flavors of buttery caramel, sweet cocoa, dried apricots, and cracked black pepper. The ending is long, lingering, and finishes with a nice combination of dried fruits and spicy rye.
Bottom Line:
If you only buy one bottle from this brand, make it Four Roses Single Barrel. It’s bargain-priced and belongs on your home bar cart or in your liquor cabinet at all times. The proof and the various flavors are complex enough to stand up in your favorite cocktail but I truly love this as a slow sipper.
Part of the appeal of this highly sought-after whiskey is the fact that it’s only available in limited quantities, it’s uncut, unfiltered, and as mellow as humanly possible (in my opinion). Aged in a new, charred, American oak cask for a minimum of 15 years, this is the shining star of Buffalo Trace’s Antique Collection.
Tasting Notes:
Before sipping, make sure to fill your nostrils with the aromas of a musty rickhouse, charred oak, bitter chocolate, and vanilla. Take a sip and you’ll enjoy flavors of creamy chocolate fudge, caramelized sugar, dried fruits, smoky pipe tobacco, and sticky toffee. It all ends with a warming finish of tobacco, brown sugar, and raisins.
Bottom Line:
Unless you’re friends with a liquor store owner, you’re likely going to have to pay above-market prices to get your hands on a bottle. Give it the respect it deserves by never mixing this bourbon. Instead, sip it slowly with a dash of water or a single ice cube. It beats out other Buffalo Trace staples like Pappy and the various Weller offerings because of its uncut, unfiltered recipe and its caramel-filled flavor notes.
Woodford Reserve is located in the middle of horse racing country. Its campus is picturesque and Instagram-worthy. Its whiskeys are equally note-worthy. You can’t go wrong with its classic Kentucky Straight Bourbon Whiskey. But my favorite is its Double Oaked bourbon. It’s matured in a charred, American oak barrel as well as a deeply toasted and lightly charred barrel.
Tasting Notes:
On the nose, you’ll find aromas of dried fruits, rich chocolate, toasted marshmallows, and butterscotch. The palate is full of flavors of toasted vanilla beans, caramel apples, cooking spices, and a nutty sweetness. The finish is long, lingering, and ends with a great combination of sweet honey and subtle spice.
Bottom Line:
This is one of the most beloved expressions from the Versailles, Kentucky distillery for good reason. Its release is eagerly awaited each year and definitely lives up to the hype. I picked it because, while sought-after, the hype is worthwhile. The double casking give this a unique, memorable flavor that you’ll want to sip every single day.
This award-winning whiskey is made using one single barrel (hence the name). It’s released annually and made up of 78% Corn, 12% Malted Barley, and 10% Rye. It’s aged for 18 years in new, charred American oak casks.
Tasting Notes:
The nose is brimming with scents of buttercream, candied orange peels, and charred oak. Take a sip and you’ll find yourself immersed in a world of creamy vanilla, rich oak, dates, caramelized sugar, and subtle spice. It ends with a nice combination of fruit and oak.
Bottom Line:
If you’re looking for a bourbon that leans heavy on the charred oak flavor, this is the bourbon for you. 18 years of maturation tends to do that. This attention to detail and patience is the main reason this is my favorite expression from Elijah Craig.
2021 was the third limited release from the Maker’s Mark Wood Finishing Series. The goal isn’t to change the brand’s bourbon drastically but to amplify the flavors. They do this by “wood finishing” the expression by adding fully matured cask strength whiskey to barrels that contain specifically designed wooden staves for additional aging.
Tasting Notes:
On the nose, you’ll be greeted with scents of salted caramel, charred wood, and toasted vanilla beans. On the palate, you’ll find flavors of brown sugar, buttery caramel, toffee, and candied pecans. The finish is long, filled with warming heat, and ends with a final kick of butterscotch and cinnamon.
Bottom Line:
If you’re already a fan of Maker’s Mark and you’ve tried Maker’s Mark 46, it’s time to work your way up to the brand’s Wood Finishing Series. This is my go-to expression because it’s the pinnacle of the Maker’s Mark brand.
The best thing about this whiskey is its price. It’s way cheaper than it needs to be. Just don’t tell the folks at Evan Williams. The only vintage-dated single barrel bourbon available, it’s made up from hand-picked barrels. Aged for 7-8 years, Evan Williams adds its “vintage date” to every bottle.
Tasting Notes:
Give this bourbon a proper nosing and you’ll find aromas of charred oak, vanilla beans, treacle, and rich almonds. Take a sip and lock in on subtle baking spices, caramel apples, candied orange peel, and buttery caramel. The ending is long, warming, and finishes with a nice mix of vanilla and spice.
Bottom Line:
This bottle is a crazy bargain at around $30 — not a deciding factor but a valid perk. It’s my favorite expression from Evan Williams because of its rich flavor and high mixability. Buy a few bottles and keep them on your bar cart at all times for mixing into a whiskey sour or mint julep.
When it comes to Jim Beam’s Small Batch Bourbon Series, Knob Creek, Basil Hayden’s, and Booker’s get a ton of fanfare. But the real winner of the group is Baker’s, especially the 13-year-old. Made from 77% corn, 13% rye, and 10% malted barley, and aged for 13 years in charred oak barrels, it’s rich, well-balanced, and highly memorable.
Tasting Notes:
Give this whiskey a nice, long, luxuriant nosing and you’ll find scents of a musty barrelhouse, vanilla cream, candied almonds, and charred oak. The flavor is swirling with notes of brown sugar, buttery caramel, sticky toffee, and subtle cinnamon spice. The end is filled with spicy cinnamon and butterscotch candy.
Bottom Line:
This expression isn’t always easy to find. So, if you ever spot a bottle in the wild (and it’s reasonably priced): buy it. You definitely won’t regret it. When it comes to Jim Beam, this bottle is the absolute most complex, sippable bottle available.
Old Forester makes nothing but high-quality whiskeys. It honestly doesn’t matter which expression you buy; you’ll be completely happy with your decision. But its best is Old Forester 1920. This bourbon touts itself as a “prohibition style” whiskey due to its high proof. It sits at 115 to pay tribute to the whiskeys produced in Kentucky over 100 years ago.
Tasting Notes:
Before drinking, give this bourbon a good nosing. You’ll notice aromas of maple candy, dried fruits, freshly brewed coffee, and wood char. The palate reveals flavors of spicy cinnamon, cloves, buttery caramel candy, and subtle black pepper. The ending is long, subtly smoky, and ends with a nice kick sweet chocolate and toffee finish.
Bottom Line:
Drinkers of high-proof bourbons will love this 115 proof bold, rich whiskey. The high alcohol content makes it a great choice for cocktails, as the other ingredients won’t temper the whiskey flavor. I love it because drinking it feels like a throwback to a bygone era.
As a Drizly affiliate, Uproxx may receive a commission pursuant to certain items on this list.
While some romantic relationships in hip-hop have fallen apart, Lil Uzi Vert and City Girls’ JT have been going strong for the past few months. Their relationship saw some ups and downs in its early stages, but the pair was able to work things out. During a recent appearance with fellow City Girls rapper Yung Miami on Justin Combs and Just LaBoy’s new show Respectfully Justin, JT shared how her first date with Lil Uzi went.
“He had a bag full of money and I had a little Chanel bag and he was like, ‘Take as much as you can.’ I could only fit $30,000, and I was so mad,” JT said during the episode. She added that their time together included a trip to the Louis Vuitton and Taco Bell for a rather short date night due to JT needing to “be back to the halfway house,” which she stayed at between October 2019 and March 2020 following a conviction on identity theft and fraudulent credit card charges.
The City Girls rapper then showed some love to Lil Uzi for how great of a partner he is. “I don’t want to keep talking because it’s gonna seem like I’m bragging,” she said. I have a good man. I didn’t even know he was a good man. I was f*ckin’ with him for almost two years before I found out he was a good man.”
You can watch the full Respectfully Justin episode above.
Lil Uzi Vert is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
According to ESPN’s Adrian Wojnarowski, Kings rookie guard Tyrese Haliburton’s season is over. Per Woj, Haliburton, who injured his left knee on Sunday against the Mavericks, underwent an MRI that revealed no ligament damage to his left knee. He will not need surgery, either.
Haliburton needed help leaving the court after sustaining the injury in Sunday night’s victory over Dallas. Haliburton has had an outstanding rookie season, averaging 13 points, 5.3 assists and 1.5 steals. https://t.co/YXmoOin1c2
Haliburton, the 12th pick in last year’s draft out of Iowa State, has been one of the league’s best rookies. Coming off the bench most of the time, he’s averaging 13 points and 5.3 assists per game as Sacramento’s second creator behind De’Aaron Fox. Most recently, he’s started in Fox’s place while Fox was out due to health and safety protocols. Fox is still not with the team, bumping Delon Wright into the starting lineup with both guards out.
Among rookies, Fox is third in points per game, second in assists, second in steals, and fifth in total minutes played. He may not win Rookie of the Year, but he definitely has put himself in the conversation for first-team All-Rookie honors with the likes of LaMelo Ball and Anthony Edwards. And, with Fox, Haliburton gives the Kings something to build around.
It also makes sense that he’s done for the year. The Kings’ play-in hopes are kaput, so there’s nothing really for him to rush back for. His injury against the Mavericks was scary to watch too — Haliburton had to be helped off the court after it happened. Better to shut him down, let him get to 100 percent and look ahead to next when Haliburton and Fox can ideally hit the ground running in year two of their partnership.
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